Diana Haddad: The Success of My Saudi Song Has Gone Beyond the Arab Gulf

Lebanese singer Diana Haddad
Lebanese singer Diana Haddad
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Diana Haddad: The Success of My Saudi Song Has Gone Beyond the Arab Gulf

Lebanese singer Diana Haddad
Lebanese singer Diana Haddad

Lebanese singer Diana Haddad said she was delighted to see her new Saudi song “Aasheg Dhamian” top search charts, affirming that “the song’s success has gone beyond the Arab Gulf, to reach the Mashreq and Lebanon.”

“That is because of the Saudi song’s catchy tune, as well as the beautiful idea behind it and its untraditional lyrics, which were written by Kuwaiti poet and journalist Noha Nabil, in addition to the song’s amazing music video,” Haddad said in exclusive remarks to Asharq Al-Awsat.

She added: “My audience in the Kingdom was asking me to come out with a Saudi song, and when I contacted the great Emirati composer Fayez Al Saeed, he told me that he had lyrics written by Noha Nabil for the song. I was immediately impressed when I read them and decided to present the song in the way that everyone has seen. It is not the first time that I top the search charts and social media platforms in the Kingdom of Saudi Arabia.”

She referred to the music concert she held last year, which also trended because of the Saudi audience’s strong engagement with it.

Haddad took part in the concert held this week to celebrate the victory in the 1973 October 6 War, singing two songs in the presence of Egyptian President Abdel Fattah al-Sisi alongside stars from Egypt and other Arab countries.

Haddad spent less than 48 hours in Cairo, recording two Egyptian patriotic songs.



‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
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‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)

A white house in a quiet corner of the city of Rio de Janeiro, Brazil, has been attracting a stream of visitors in recent weeks.

They are eager to see the family home portrayed in the Academy Awards nominee film "I’m Still Here", in which a mother of five rebuilds her life while struggling to uncover the truth about her husband's forced disappearance during Brazil’s military regime in the 1970s.

"We came here to pay homage to the family," said visitor Daniela Gurgel, as she roamed through the house. "Raising this story at this time is very important."

The film's three Oscar nominations - best picture, best international feature, and best lead actress - cast a global spotlight on both the real story of Eunice Paiva and her husband Rubens Paiva, and the authoritarian government that upended their lives. The military ruled Brazil between 1964 and 1985.

"Seeing the world watch this story is the recognition of a struggle that my family has been fighting for over 50 years," said Marcelo Rubens Paiva, the son of Eunice and Rubens and the author of the book on which the movie is based.

This struggle, he added, is one "for respect for human rights and democracy."

Brazil's dictatorship ended four decades ago but no one has ever been held accountable for the murder of hundreds of its critics or the torture of what many believe were tens of thousands. Even Rubens Paiva's disappearance, one of the most emblematic cases of human rights abuse of that time, is still an open case before Brazil's Supreme Court. His body was never found.

In 2010, the court upheld a 1979 law, passed during the dictatorship, that pardoned the crimes committed by the regime. But prosecutors and others who oppose the ruling still have cases pending before the court, including Paiva's.

On Friday, the Brazilian government provided families some relief.

Rubens Paiva's death certificate was amended to register that the cause of his death was "unnatural, violent, caused by the Brazilian State in the context of systematic persecution of the population identified as political dissidents of the dictatorial regime established in 1964".

Actress Fernanda Torres, who plays Eunice Paiva in the movie, said: "They did everything they could so that there would be no body, so that there would be no memory, so that it would not be spoken of, so that it would remain hidden in a corner."

But, she added: "This story will not be forgotten."

More than 400 other death certificates from victims of the military dictatorship all over Brazil will be rectified in an effort led by the Special Commission on Political Deaths and Disappearances under former human rights minister Nilmario Miranda.

"The film came as a gift from heaven for us, because it deals with a political disappearance," Miranda said. "The families feel that Brazil needs it. This debt to democracy is being redeemed now."