Smash Hit TV Drama 'Borgen' is Back 10 Years On

Many of the original actors are back, including Sidse Babett Knudsen as Birgitte Nyborg, seen here second from right Philip Davali Ritzau Scanpix/AFP
Many of the original actors are back, including Sidse Babett Knudsen as Birgitte Nyborg, seen here second from right Philip Davali Ritzau Scanpix/AFP
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Smash Hit TV Drama 'Borgen' is Back 10 Years On

Many of the original actors are back, including Sidse Babett Knudsen as Birgitte Nyborg, seen here second from right Philip Davali Ritzau Scanpix/AFP
Many of the original actors are back, including Sidse Babett Knudsen as Birgitte Nyborg, seen here second from right Philip Davali Ritzau Scanpix/AFP

"Borgen" is back. The Danish political drama about a charismatic woman who becomes prime minister took the world by storm and morphed into one of Scandinavia's biggest television exports returns a decade on.

On Sunday, the fourth series will air on Danish TV ahead of its much-anticipated international debut on Netflix in the spring.

Viewers last saw former Danish prime minister Birgitte Nyborg the day after her brand-new political party scored a sensational win in elections. Ten years on, she is foreign minister in a government headed by a woman 10 years her junior.

"Since we said goodbye to Birgitte, a lot of things have changed," said Henriette Marienlund, head of drama at Danish public broadcaster DR which developed the series.

"She's older, her life is different, her children have grown up and the world is different," Marienlund told AFP.

As Denmark's top diplomat -- a job she was eyeing at the end of season three -- Nyborg now finds herself dealing with the discovery of oil in Greenland, Denmark's autonomous territory, believing it holds the key to its independence.

For the fourth season, "Borgen –- The Kingdom, the Power and the Glory", series creator Adam Price wanted a whole new storyline, explained Marienlund. Many of the original actors are back, however, including Sidse Babett Knudsen as Nyborg.

Except this time, she has a very different role.

Denmark's new fictional prime minister, Signe Kragh, has no intention of getting her toes stepped on, and the same goes for Greenland's foreign minister Hans Eliassen.

- 'More international' -
"Even though this season is more international than the previous ones, it is still a very Danish series where you see a lot of the Danish lifestyle", said Marienlund.

It was this skilful mix of "hygge", the cosy Danish outlook seen as exotic abroad, with realism, as normal people grapple with everyday problems that was considered integral to its success.

"Borgen was commissioned for a Danish audience", says University of Copenhagen assistant film professor Eva Redvall, an expert on Scandinavian drama.

"Its international success came as a surprise," she added.

"The interplay of the political arena, the personal drama and the media in a Danish setting turned out to also intrigue and fascinate abroad".

When "Borgen" first aired in 2010, its portrayal of a woman running a government as well as raising two young children was relatively novel, at least in many Western countries. It was not until 2011 that a woman first served as Denmark's prime minister as reality followed fiction.

In the intervening years, a woman became Sweden's prime minister in 2021. Britain got only its second in 2016 and in 2017, Jacinda Ardern became New Zealand's first prime minister to give birth while in office.

"In Denmark, Borgen is mainstream TV and abroad it's a niche subtitled series. The international audience sometimes focuses on things that are not subjects to talk about in Denmark, for instance the prime minister biking to work", adds Redvall.

- Popularity of Scandi drama -
Sold to more than 190 countries, "Borgen" gained a new and younger audience after its first three seasons landed on streaming site Netflix in 2020.

The site has invested heavily in Scandinavian productions.

By end-2021, Netflix's overall catalogue included more than 70 Nordic shows, illustrating a seemingly insatiable appetite 15 years after popular gritty Danish crime thriller "The Killing" first aired.

"What started with 'Wallander', 'The Killing', 'Borgen' and 'The Bridge' has developed into more varieties and genres'," from the rom-com 'Home for Christmas' to science-fiction series 'Real Humans', Redvall says.

Netflix "has helped promote that diversity because they have made more people watch series with subtitles, which was very uncommon before, especially for UK audiences".

According to the streaming site, almost two-thirds of subscribers worldwide watched a Nordic series or film in 2021.

Netflix hasn't revealed a release date for the eight new episodes of "Borgen" yet, but it won't be until after the series finishes airing in Denmark.

In the country of 5.8 million people, previous seasons attracted up to 1.6 million viewers.

"There's a lot of hype, so many people will probably be watching", says Redvall, "especially since there is a combination of 'old' viewers and a new younger audience who discovered the series on Netflix".

For now, only one new season has been filmed. Its budget hasn't been disclosed.

"I don't know yet if there will be more", says Marienlund, nevertheless hoping for a hit.



Blake Lively, Justin Baldoni Agree to End Lengthy Legal Battle

 US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
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Blake Lively, Justin Baldoni Agree to End Lengthy Legal Battle

 US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)

Actor Blake Lively and "It Ends with Us" co-star Justin Baldoni on Monday settled their acrimonious years-long legal battle, avoiding a costly civil trial.

A joint statement provided to AFP said the parties had resolved their dispute -- launched after Lively accused Baldoni of inappropriate on-set behavior -- without disclosing any settlement figure.

"The end product -- the movie 'It Ends with Us' -- is a source of pride to all of us who worked to bring it to life," Baldoni and Lively's attorneys said in a joint statement.

"We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard... It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace."

Hours after the announcement that the case was settled, Lively was all smiles as she unexpectedly appeared at the Met Gala in New York in a full ball gown that erupted in a cloud of pink, purple and yellow tulle.

Baldoni and the studio Wayfarer had previously countersued Lively and her husband Ryan Reynolds with claims of extortion and defamation, but a judge dismissed those claims last year.

Wayfarer previously insisted that neither the studio, its executives, nor its PR team did anything to retaliate against Lively.

A judge dismissed some of Lively's claims, but upheld her allegations of retaliation, which would have proceeded to trial on May 18.

Based on a best-selling novel by the US writer Colleen Hoover, "It Ends with Us" made more than $350 million at the box office in 2024, making it one of the biggest hits of the year.


Demi Moore Joins Cannes Festival Jury

US actress Demi Moore attends the Vanity Fair Oscar Party at the Los Angeles County Museum of Art (LACMA) in Los Angeles on March 15, 2026. (AFP)
US actress Demi Moore attends the Vanity Fair Oscar Party at the Los Angeles County Museum of Art (LACMA) in Los Angeles on March 15, 2026. (AFP)
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Demi Moore Joins Cannes Festival Jury

US actress Demi Moore attends the Vanity Fair Oscar Party at the Los Angeles County Museum of Art (LACMA) in Los Angeles on March 15, 2026. (AFP)
US actress Demi Moore attends the Vanity Fair Oscar Party at the Los Angeles County Museum of Art (LACMA) in Los Angeles on March 15, 2026. (AFP)

American actress Demi Moore, still riding high from the late-career boost of her Oscar-nominated turn in "The Substance", will join the jury for the Cannes Film Festival, which kicks off next week, organizers announced on Monday.

The film extravaganza on the French Riviera, one of the world's most important annual cinema events, hands out a host of prizes, including the prestigious Palme d'Or for best film, decided by a nine-person jury.

Moore, 63, along with Chinese filmmaker Chloe Zhao, whose films from "Nomadland" to "Hamnet" have become awards-season favorites, will add some A-list sparkle to the jury, which also includes Ivorian-American actor Isaach de Bankole, who is set to play in the upcoming third installment of the "Dune" franchise.

As previously announced, the jury will be headed by arthouse South Korean director Park Chan-Wook ("Oldboy").

The other jury members are Irish-Ethiopian actor Ruth Negga, Belgian director Laura Wandel, Chilean director Diego Cespedes, Irish screenwriter Paul Laverty and Swedish actor Stellan Skarsgard.

The Cannes Festival runs from May 12 to 23.


‘The Devil Wears Prada’ Struts to 1st Place with $77 Million Debut

People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)
People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)
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‘The Devil Wears Prada’ Struts to 1st Place with $77 Million Debut

People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)
People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)

Twenty years after the original, the sequel to “The Devil Wears Prada” made a splash in its first weekend in theaters.

Driven largely by women, “The Devil Wears Prada 2” earned $77 million in the US and Canada, and $156.6 million internationally, according to studio estimates Sunday. It easily topped the box office and bumped “Michael” to second place, though the musical biopic held well in its second weekend, falling only 44%.

The Walt Disney Co.’s 20th Century Studios opened “The Devil Wears Prada 2” in 4,150 locations in North America. Women made up about 76% of the ticket buyers, according to PostTrak exit polls; 74% said they would “definitely recommend” the movie to friends.

According to The Associated Press, critics were a bit mixed on the sequel, which finds Anne Hathaway’s Andy Sachs working once more for Meryl Streep’s Miranda Priestly at the fictional “Runway” magazine in a much-depleted media landscape.

The movie cost a reported $100 million to produce — a significant boost from the first movie’s $35 million production budget. But as filmmaker David Frankel told AP recently, “As it turns out, you know, by the time you finish paying all the biggest movie stars in the world, you still end up with basically the same budget for making the movie as we did the first one.”

Stars Streep, Hathaway, Emily Blunt and Stanley Tucci have been on a fashion-forward global publicity blitz for weeks, with glamorous stops in Tokyo, London and New York. Even Anna Wintour, the inspiration for the Prada-clad devil, has been involved this time, appearing with Hathaway on the Oscars stage and with Streep on the cover of “Vogue.”

The first movie opened in June 2006 and would go on to earn over $326 million worldwide, not adjusted for inflation. And perhaps more importantly, it firmly became part of the culture thanks in part to its ever-quotable likes (“gird your loins,” “groundbreaking,” “that’s all”).

Legacy sequels are never a sure thing, but this time anticipation was high: According to Nielsen, streaming viewership for “The Devil Wears Prada” was up 428% from March 2026 to April 2026.

Second place went to Lionsgate’s Michael Jackson biopic “Michael,” which made $54 million in its second weekend in North America, where it’s playing on 3,955 screens. Its running worldwide total is already $423.9 million.

Universal Pictures is handling the international release.

This weekend marks the start of Hollywood’s summer movie season, a crucial 18-week corridor that runs through Labor Day and often accounts for around 40% of the annual box office. There are often Marvel blockbusters programmed as the season's kickoff, but the combined power of “The Devil Wears Prada 2” and “Michael” wasn't a shabby substitute.

“This is a really solid weekend,” said Paul Dergarabedian, the head of marketplace trends for Comscore. “It’s this irresistible combination that more than makes up for the fact that there’s not a Marvel movie to kick off the summer movie season.”

“Prada” alone actually did better business than last year’s summer kickoff Marvel movie, “Thunderbolts.” There were several other new films in theaters this weekend as well, including the Adam Scott-led horror movie “Hokum,” Andy Serkis’s animated adaptation of “Animal Farm” and the Aaron Eckhart- and Ben Kingsley-led survival movie “Deep Water.”

They all opened behind “The Super Mario Galaxy Movie,” which made $12.1 million in its fifth weekend, and “Project Hail Mary,” which made $8.6 million in its seventh weekend. Neon's “Hokum” led the newcomers with $6.4 million, rounding out the top five, followed by the very poorly reviewed “Animal Farm” with $3.4 million. “Deep Water” opened to $2.2 million.

In the top four movies, Dergarabedian has noticed a trend: “Over the past couple of months, moviegoers have really embraced pure, escapist entertainment,” he said.

The annual box office is currently running about 14% up from last year, with about $2.8 billion in domestic ticket sales to date.