Met Gala Returns: A Guide to Fashion’s Big Night

Lupita Nyong'o attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Camp: Notes on Fashion" exhibition on Monday, May 6, 2019, in New York. (AP)
Lupita Nyong'o attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Camp: Notes on Fashion" exhibition on Monday, May 6, 2019, in New York. (AP)
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Met Gala Returns: A Guide to Fashion’s Big Night

Lupita Nyong'o attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Camp: Notes on Fashion" exhibition on Monday, May 6, 2019, in New York. (AP)
Lupita Nyong'o attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the "Camp: Notes on Fashion" exhibition on Monday, May 6, 2019, in New York. (AP)

It started in 1948 as a society midnight supper, and it wasn’t even at the Met.

Fast forward 70-plus years, and the Met Gala is something totally different, one of the most photographed events in the world for its head-spinning red carpet — though the famous carpeted steps of the Metropolitan Museum of Art aren’t always red. We’re talking Rihanna as a bejeweled pope. Zendaya as Cinderella with a light-up gown. Katy Perry as a chandelier morphing into a hamburger. Also: Beyoncé in her “naked dress.” Kim Kardashian in a face-covering bodysuit. Billy Porter as an Egyptian sun god. And Lady Gaga’s 16-minute striptease.

Not to forget, the Met Gala is still a fundraiser — last year the evening earned more than a whopping $16.4 million for the Met’s Costume Institute. Let’s also not forget that it launches the annual spring fashion exhibit that brings hundreds of thousands of visitors to the museum.

But it’s the Met Gala carpet itself (now watchable for everyone, on livestream) that draws the world’s eyes, with the guest list strategically withheld until the last minute — a collection of stars from movies, music, fashion, sports, politics and elsewhere that probably makes for the highest celebrity wattage-per square foot of any party in the world.

Herewith, a primer for the 2022 Met gala, which is on May 2:

Again, already?

Yes, we just did this in the fall. The annual fundraiser for the Met’s Costume Institute is traditionally held the first Monday in May, but because of the pandemic, a postponed gala was held in September.

Who’s hosting the 2022 Met Gala?

This year’s hosts are Regina King, power couple Blake Lively and Ryan Reynolds, and Lin-Manuel Miranda.

September’s slate of hosts included Timothée Chalamet, Billie Eilish, Amanda Gorman and Naomi Osaka.

Of course, Vogue’s Anna Wintour is supervising the whole shebang as she has since the ’90s. Her fellow honorary co-chairs are designer Tom Ford and Instagram head Adam Mosseri.

Is there a theme for the Met Gala?

Of course. The Met Gala theme for this year is “Gilded glamour, white-tie,” guests have been told.

As usual, the sartorial theme comes from the exhibit the gala launches: “In America: An Anthology of Fashion,” which is the second of star curator Andrew Bolton’s two-part show exploring the roots of American style.

This one will showcase some lesser-known designers, and also some top film directors, including Sofia Coppola, Martin Scorsese, host King, and last year’s Oscar winner Chloé Zhao. Their work will be displayed in the period rooms of the American Wing, so expect some grand fashion, like those gowns from HBO’s “The Gilded Age.” Artfully ripped jeans, this time? Not so much.

Does everyone follow the Met Gala theme?

Not really. Some eschew it and just go for big and crazy. But expect some guests to have carefully researched the theme and to come in perfect sync with the exhibit. It was hard to beat the carpet, for example, when the theme was “Catholic imagination” and Rihanna came as the pope, Zendaya channeled Joan of Arc, and Perry navigated the crowd with a set of enormous angel wings.

How much do I have to pay for a Met Gala ticket?

Wrong question. You cannot just “buy” a ticket. The right question is, IF I were famous or powerful and got invited, how much would it cost?

If I got invited to the Met Gala, how much would it cost?

Well, you might not pay yourself. Generally companies buy tables. A fashion label — Michael Kors, for example — would then host its desired celebrities, or fashion muses. But each paid seat reportedly costs around $35,000, though some guests are invited for free.

So who gets invited to the Met Gala?

This year, there will be 400 guests — similar to the September gala, and lower than pre-pandemic highs of 500-600. Trying to predict? Take out your pen and jot down some A-listers, the buzzier the better.

Newly minted Oscar or Grammy winners, for example — or fashion favorites like Chalamet, who wore white Converse shoes last year. Do the same with pop music, sports, politics, fashion of course … and Broadway, a special favorite of Wintour’s (and remember, Miranda’s a host this year). Now, cross everyone off your list except the very top.

At the Met Gala, everybody’s A-list.

That must be an exaggeration.

Not really. Ask Tina Fey. She went in 2010 and later described walking around trying to find somebody “normal,” e.g. not too famous, to sit and talk with. That ended up being Barbara Walters.

How can I get involved in the Met Gala?

Well, these days you can watch the whole carpet unfold on livestream. And really, the carpet is the party. (Ask Gaga!)

If you’re in New York City you can also join fans across the street from the museum on Fifth Avenue, and even further away on Madison Avenue, pressed up against police barricades. You might get lucky: Last year, Chalamet ran over to greet his admirers.

Do we know who’s coming? And who isn’t?

Like we said, it’s secret. But reports slip out, often about who is not coming. Fashion favorite Zendaya has confirmed she has other plans. And Rihanna is about to give birth, so we’d assume she’ll skip, but then again, she’s Rihanna so let’s not assume anything.

What happens inside the Met Gala?

Entering the museum, guests walk past an impossibly enormous flower arrangement in the lobby (one was over 250,000 white roses) and over to cocktails, often held in the airy Petrie Court. Or, they head to view the exhibit.

Around 8 p.m., they’re summoned to dinner — perhaps by a team of buglers (“Are they going to do that between every course?” actor Gary Oldman asked aloud one year.) We can’t personally describe anything beyond that, either dinner or the musical performance, but you can find clips of Rihanna singing on the table tops in the documentary “The First Monday in May,” and it looks fun.

Is it fun for everyone?

Occasionally, someone says no. Fey, in a comic rant to David Letterman in 2015, described the gala as a “jerk parade” and said it included everyone you’d ever want to punch, if you had millions of arms.

Amy Schumer said she felt awkward and left “earlier than should be allowed.” But most profess to having fun.

Then there was Joan Collins, who arrived channeling her imperious “Dynasty” character, Alexis, in 2018, ready to have a blast, but seeking liquid sustenance. “I’m having a great time,” she told The Associated Press. “I’d be even better if I had a drink.”



French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.


Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 
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Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 

The Saudi Fashion Commission signed a memorandum of understanding (MoU) with the Saudi Retail Academy to develop national capabilities and boosting specialized skills in the fashion and retail sectors, reported the Saudi Press Agency on Monday.

The MoU aims to support local talent and the creation of sustainable employment opportunities in this vital industry. It stems from the two sides’ keenness to cooperate in the fields of training and professional development.

The agreement was signed on the sidelines of the graduation ceremony of the academy’s first cohort.

The Fashion Commission focuses on developing local talent, transferring global expertise, and advancing the fashion sector in the Kingdom, while the Saudi Retail Academy is a non-profit institute and a specialized entity in training and development in the retail field and in building professional competencies and skills related to retail and sales.

The MoU aims to establish a framework for cooperation to design and implement specialized training programs that boost the readiness of national cadres and qualify them according to the highest professional standards, with a focus on developing skills in sales, customer experience, and store management to meet labor market requirement and the needs of the growing fashion sector.

Fashion Commission chief executive Burak Cakmak said that developing human capital is a fundamental pillar for the long-term growth of the Kingdom’s fashion sector.

The partnership reflects the commitment to strengthening the capabilities that form the foundation of a competitive and sustainable industry through investment in specialized skills within retail and customer experience, enabling brands to grow and supporting the sector’s confident evolution, he added.

Saudi Retail Academy chief executive Hend Al-Dhaban stressed that the partnership embodies a shared vision to empower national talent and elevate professionalism in the retail sector.

The agreement will help channel training expertise to meet the specialized needs of the fashion sector and equip young men and women with the practical skills required to succeed in the labor market, thereby boosting service quality and supporting localization targets and economic growth, she explained.

This cooperation is part of the Fashion Commission’s ongoing efforts to develop the fashion value chain through building strategic partnerships with specialized training and education entities, expanding professional opportunities for national talent, and linking education and training outputs with labor-market needs.

Through their partnership, the commission and the academy will help in building an integrated ecosystem that connects education, vocational qualification, and employment, bolstering the competitiveness of the fashion and retail sectors and supporting the objectives of Saudi Vision 2030 in empowering national cadres, localizing jobs, and improving quality of life.


Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
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Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA

The Fashion Commission launched its Saudi 100 Brands showcase at the Saudi Cup 2026, marking a historic milestone for the world-renowned equestrian event at King Abdulaziz Racecourse in Riyadh.
The collections celebrate Saudi heritage by blending traditional and contemporary design. Jewelry and accessory brands also exhibited throughout, providing Saudi designers with a platform to reach a broader global audience. These showcases emphasize the fusion of heritage and modern design, offering a new perspective on the Kingdom's creative identity.
The Saudi 100 Brands program, a flagship initiative of the Fashion Commission, supports emerging designers by providing tools, expertise, and platforms to grow their global presence. This collaboration with the Saudi Cup underscores the importance of celebrating cultural heritage while advancing design innovation.

Each piece in the exhibition incorporates heritage motifs, textiles, and storytelling, reimagined through innovative design to appeal to modern and international audiences.

The exhibition aims to celebrate national identity, highlight local creative talent, and present the evolving direction of Saudi fashion, SPA reported.

Visitors explored the intersection of craftsmanship and cultural expression, discovering how designers honor tradition while advancing fashion design.

The experience also introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem.

This participation reflects the Fashion Commission’s vision to develop a thriving fashion sector rooted in cultural heritage and global ambition. By combining cultural narratives with innovative design, the commission enables Saudi fashion to contribute to global creative industries, nurture talent, and position Saudi brands for sustained success.