Summer Movie Preview: Breakout Stars to Watch

This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)
This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)
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Summer Movie Preview: Breakout Stars to Watch

This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)
This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)

Some are newcomers. Some are former child stars reintroducing themselves in adult roles. And one is a comedian making a leap to big screen. These are just a few of the actors poised to make a splash this summer at the movies:

Austin Butler in “Elvis”

How familiar you are with Austin Butler will likely have a lot to do with your age. For a certain demographic, Butler, who starred in Disney Channel, Nickelodeon, CW and ABC Family shows between 2007 and 2012, is one of the most recognizable faces on the planet.

But Butler is about to hit a different level this summer when audiences get a glimpse of the 30-year-old as Elvis Presley in the new Baz Luhrmann production hitting theaters June 24. To say his preparation was intense is an understatement: He spent five months just workshopping with Luhrmann before he was even officially offered the role (which, incidentally, was the day before the premiere of “Once Upon a Time in Hollywood,” where he steals several scenes as a Manson follower).

“I threw my eggs in one basket,” Butler said. “I told my agents not to even send me another audition. I said I can’t focus on anything else. It would have really been a bummer if I didn’t get it after investing that much.”

The film is framed around Presley’s complex relationship with his manager, Colonel Tom Parker, who is played by Tom Hanks. When Butler arrived in Australia for the shoot, waiting for him in his room was a typewriter with a note from Colonel Tom Parker (both were from Hanks). And throughout production, they sent letters to one another, in character.

“From the moment I first met him, he broke down barriers of that that thing that can happen when you meet your hero,” Butler said. “He gave me a huge hug, we talked for a bit and then he started talking about his fears, how nervous he was. He said, ‘I can only imagine how nervous you are!’ I said, ‘I’m terrified.’ And then we got to be colleagues.”

And yes, Butler kept the typewriter.

Keke Palmer in “Nope”

Keke Palmer started acting when she was 9 years old and several years later had her first big breakthrough starring in “Akeelah and the Bee.” She’s released music albums, hosted talk shows and worked pretty much non-stop since. So while she’s not a newcomer by any stretch, Palmer is also poised for a second big moment this summer as an adult actor.

The 28-year-old was hand-picked by Jordan Peele to star alongside Daniel Kaluuya in his secretive new thriller “Nope” (July 22) and voices a main role in Disney’s “Lightyear” (June 17) which she said is particularly surreal and fun since she grew up with the “Toy Story” movies.

Palmer can’t reveal, well, anything about “Nope” but she teased that her character is “a combination of a couple of different archetypes” and “a very honest character who is transitioning in front of us and coming of age.” As an aspiring writer-director herself, she relished getting the chance to learn from Peele on set and is excited for people to see the film. The spotlight of a Jordan Peele production is a new sensation for her.

“The space in my career that I’m in, which I’m totally comfortable with, is I’m the kind of entertainer where it’s like some people have grown up with me and other people are like who the hell is Keke Palmer?”, she said, laughing . “With Jordan, it just gives me the opportunity for people to see what I can do and for those that have grown up with me to see how I’ve grown, and for those that have never heard of me, get introduced to me through this and maybe have some fun going back and seeing where I do come from.”

Andrew Koji in “Bullet Train”

Andrew Koji has his mom to thank for his two biggest breaks to date. She’s the one who filmed his auditions, in the garage in England, for both the television show “Warrior” and “Bullet Train,” which opens July 29.

“Bullet Train” is one of the most anticipated releases of the summer: An action-packed thriller from director David Leitch (“Deadpool 2”) starring Brad Pitt, Joey King, Bad Bunny, Bryan Tyree Henry, Sandra Bullock and Koji.

He was already excited about the project and working with Leitch, then he heard Pitt had signed on as well.

“It felt surreal because I never really put him and me in the same world,” Koji wrote in an email. “I never thought that my career path would ever cross with his.”

Koji’s plays Kimura, one of the original characters from Kōtarō Isaka’s popular book.

“He is going through a lot when we first meet him, and it gets worse for him throughout the film. He’s a troubled beaten-down soul, who boards the train looking for redemption,” Koji said. “He is intended to be more at the dramatic core of the film to play off and balance out the more comedic lighter tones and characters.”

Though Koji has training in martial arts, he didn’t actually have to draw on those skills much for “Bullet Train.” But he did have to keep his stamina up.

“I ended up having this full-on day shooting two different scenes, side by side. I was running back and forth from the 2nd unit, working on an intense fight ... to a different scene on main unit working on an emotional scene with Hiroyuki,” Koji said. “That was a real rush, I loved that day. It was one of my favorite days of filming.”

Jo Koy in “Easter Sunday”

A Netflix comedy special is always bound to get a lot of viewers and maybe even create some new opportunities. But comedian Jo Koy never dreamed that one of those would come from Steven Spielberg.

The story, Koy said, is that Spielberg caught “Comin’ in Hot” one night and asked Koy to pitch a movie idea. Thankfully he had something in mind: A family comedy, loosely inspired by his own Filipino American family, gathering for a holiday. The result is “Easter Sunday” (Aug. 5) in which he stars alongside Lou Diamond Phillips, Tia Carrere and Tiffany Haddish.

“It’s about a family and it’s all chaos and craziness and love all on the same Easter Sunday,” Koy said. “It’s a normal family in America. It’s something that you have seen before. The only difference is my mom happens to be from the Philippines.”

Growing up without the internet, he said, he was never totally sure if someone he saw on screen was Filipino. Often they’d be playing different races and ethnicities and their names in the credits were usually little help. It’s part of the reason he wanted to show an explicitly Filipino story. And it was an emotional experience for many. Some of the actors even told him that in three decades of work, they had never played a character who was written as Filipino before, instead of just “Asian woman who can sing” for instance.

“You get to learn a little bit about our culture. You get to learn a little bit about what we eat, what we look like,” he said. “I’m not here to make fun of Filipinos. I’m not trying to make them do goofy things or be clowns. This was an opportunity to tell our story, be funny as a family and let people laugh at that.”

Cooper Raiff in “Cha Cha Real Smooth”

Writer-director-actor Cooper Raiff is only 25-years-old and already has two indie darlings under his belt. His first was made on a shoestring and got some attention on the festival circuit. But his sophomore feature “Cha Cha Real Smooth” (on Apple TV+ June 17) is poised to put him on another level. In the film, he plays a recent college graduate working as a party starter on the Bar Mitzvah circuit, where he meets and befriends a single mom played by Dakota Johnson.

“I wanted to make a movie about that feeling when you’re floating in post-grad delirium and two people helping each other get strong for two very different stages in their lives,” Raiff said. “This is a kid who is really good at starting other people’s parties but has no idea where to begin when it comes to starting his own party.”

Johnson was intimately involved in the development of the script and making of the film, which was done through her production company TeaTime Pictures.

“She really wanted to be part of things at every step and I die for that,” Raiff said. “I really felt like she wanted to work together, even when we were butting heads about blocking or where the scene should go or what it’s really saying.”

Raiff is currently at work on his next, even bigger movie. But this time, he said, he’ll likely stay behind the camera.



The ‘Juror #2’ Cast Still Can’t Believe They Got to Work with Clint Eastwood

(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)
(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)
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The ‘Juror #2’ Cast Still Can’t Believe They Got to Work with Clint Eastwood

(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)
(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)

Nicholas Hoult was certain someone had made a mistake.

Clint Eastwood wanted to talk to him about starring in his new film, a slow burn legal thriller about a normal guy faced with an extraordinary moral dilemma. Surely Eastwood meant someone else, he thought. But soon enough they were chatting on the phone about "Juror #2," opening in theaters Friday.

"I was so nervous," the British actor said. "I remember saying to him, ‘I really like the script.’ I was so eager to please."

For Eastwood’s comeback, Hoult slipped into a pitch-perfect impersonation of his gravelly voice: "If you like it so much, I guess I’ll have to read it."

Suddenly Hoult was laughing. The tension was broken.

"I was like, wow this guy’s cool," he said. "He’s got a great sense of humor and we’re going to get along."

Though there may be a healthy amount of English self-deprecation in the story, the spirit of it isn’t unique to Hoult. Eastwood, 94, is the kind of living legend that has even the most seasoned veterans a little starstruck. "Juror #2," his 42nd film behind the camera, is getting strong reviews for being a smart, original courtroom thriller about an impossible conundrum.

In the original script by Jonathan Abrams, Hoult’s character, a recovering alcoholic with his first child about to be born, gets selected for jury duty on a murder case. But when the facts start to emerge, so do his memories and he’s forced to confront the possibility that he might have been unknowingly responsible.

"After the first read it had me," Eastwood wrote in an email. "It made me think about what would you do if you were put in this situation? What is right? What is wrong? Who would you protect? A true moral dilemma. That’s something I’d want to watch."

And he started rounding out his cast, led by Hoult who he called a true "movie star," with supporting turns from Toni Collette as the ambitious prosecutor, Chris Messina as the public defender, J.K. Simmons as a fellow juror, as well as Zoey Deutch and Kiefer Sutherland, who wrote a letter asking if there might be a role for him.

Sutherland had long imagined he’d cross paths with Eastwood. A lifelong Western fan, Sutherland’s late father Donald Sutherland had even worked with Eastwood a few times ("Kelly’s Heroes,Space Cowboys"). But when he read about the plans for "Juror #2" he felt a new sense of urgency.

"I always thought one day I would arrive at Mr. Eastwood’s doorstep. Then I realized that that time was maybe kind of going away," said Sutherland. "I just said, ‘I’ve always dreamed of working with you and if there is a part, any part, I would just like to be able to have the experience of watching you direct."

He was ultimately cast to play a lawyer and an AA sponsor to Hoult’s character. The screentime was relatively small, but the experience was exactly what he hoped: A masterclass in the truest sense.

"I’ve worked with people that shout and get angry and they’re very demonstrative," Sutherland said. "He was so amazingly quiet and calm and soft spoken. That’s someone who has power, when they can be that and get everything they need."

On one of his first days, an assistant director was explaining to Sutherland how to navigate a doorway in a scene. Eastwood stepped in to stop the tutorial, telling the AD, "He knows what he’s doing." Despite his 40-plus years in the business, Sutherland said he walked a little taller that day.

"It made my life," Sutherland said. "I’m very glad I didn’t work with him when I was 18 years old, because I would have tied myself in knots."

Collette similarly said she’s never felt so trusted.

"He’s so confident as a director, but not in a negative way. He’s just so present and allows it all to unfold," she said. "I’ve never worked with anyone who’s so easygoing, to be honest."

The film would also be the first time she and Hoult would share the screen since they played mother and son in "About a Boy" 23 years ago, when he was only 11. They’d texted a bit prior, but Collette was not prepared for the swell of emotion seeing Hoult, now 34, again. Then came their first scene together and it wasn’t going to be an easy one: In fact, it’s the last shot of the film.

But that’s the Eastwood way. His efficiency on set is the stuff of legend. Sometimes you get two takes, but three is almost unheard of. Hoult said he and the actors on the jury even rehearsed in secret to make sure they would nail the lengthier scenes. No one wanted to be the squeaky wheel.

"He’s not efficient for the sake of being efficient," Sutherland said. "I think Sydney Pollack, for instance, was really efficient and kind of when he became known for being efficient, started trying to show off his efficiency. ... I think Mr. Eastwood just kind of looks at a set and looks at a scene and just finds the straightest way to shoot it."

Much has been made about whether "Juror #2" is going to be Eastwood’s last film. But he’s not saying that, publicly or privately. In fact, when production went on hiatus during the actors strike, he didn’t even use that time as a break.

"I remember when we did come back from the strike, I was like, ’What did you do? And he was like, ‘Well, I was looking for new material,’" Collette said. "It’s nobody’s position to say this is his last movie."

Sutherland added: "His parking spot at the Warner Bros. lot isn’t going anywhere."