Claire Danes Digs into Mystic Mystery in ‘The Essex Serpent’

Actress Claire Danes arrives for the 2022 Met Gala at the Metropolitan Museum of Art on May 2, 2022, in New York. (AFP)
Actress Claire Danes arrives for the 2022 Met Gala at the Metropolitan Museum of Art on May 2, 2022, in New York. (AFP)
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Claire Danes Digs into Mystic Mystery in ‘The Essex Serpent’

Actress Claire Danes arrives for the 2022 Met Gala at the Metropolitan Museum of Art on May 2, 2022, in New York. (AFP)
Actress Claire Danes arrives for the 2022 Met Gala at the Metropolitan Museum of Art on May 2, 2022, in New York. (AFP)

Claire Danes says her first role after nearly a decade in hit drama "Homeland" was both "wonderful" and "scary", going from playing a CIA officer to a grieving 19th century British widow in new mini-series "The Essex Serpent".

The 43-year-old actress won numerous awards for her portrayal of intrepid bipolar protagonist Carrie Mathison in the 2011-2020 show.

Set centuries earlier and based on the hit novel by Sarah Perry, "The Essex Serpent" sees Danes play Cora, who moves from London to the English county of Essex to look into talk of a mythical serpent.

She befriends pastor Will, played by Tom Hiddleston, but soon finds herself facing the wrath of local residents who blame her for a tragedy.

"It felt wonderful... I loved finally being able to play somebody who was in relationship with other human beings because Carrie really wasn’t," Danes told Reuters in an interview.

"I kind of thought of her as like Edward Scissorhands, weirdly... she understood her volatility and she was very inclined to protect other people from that and so she isolated herself. Cora doesn't have to, she was allowed to enjoy intimacy of varying kinds... That was fun but it was also kind of scary to be in uncharted territory."

While the mysterious serpent is feared by locals, Cora is intrigued to learn more about it.

"I think the serpent is a symbol for people's anxiety, for all of the myriad unknowns that plague us and worry us," Danes said.

"All of the characters are wrestling with quite a bit of internal tumult and this is a way for them to attempt to make sense of that and to fixate on something seemingly tangible and concrete."

The story focuses on the debate of science versus faith, with the characters believing different reasons for the creature's existence.

"I find it a very nourishing debate...the interconnectedness between faith and reason, science and religion. As a society and as communities, we need belief systems in order to make sense of our lives and to understand how our lives are meaningful," Hiddleston said.

"And at this particular time... the end of the 19th century, there was so much change in terms of the way people understood their lives. And I think the conversation continues."

"The Essex Serpent" premieres on Apple TV+ on Friday.



'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
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'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)

Marvel’s “Thunderbolts” and Ryan Coogler’s “Sinners” dominated the North American box office charts again this weekend.
Now in their second and fourth weekends respectively, the two films had some new competition, including a horror movie, a Kerry Washington action pic, a Josh Hartnett airplane thriller, and a Shakespeare-inspired musical. None of the additions made a significant impact.
“Thunderbolts” took first place, with $33.1 million from theaters in the US and Canada, according to studio estimates Sunday. That's down 55% from its opening, The Associated Press reported. Internationally, it added $34 million, bringing its global total to $272.2 million. In just two weekends, the Walt Disney Co. release is already the fourth biggest of the year, globally and domestically.
The movie is also faring better than the previous Marvel movie, “Captain America: Brave New World,” which took a big 68% dive in its second weekend. The key difference was reviews, which don’t always dictate the fate of superhero movies, but good word of mouth has helped “Thunderbolts.”
“The holding power of this film harkens back to the heyday of Marvel,” said Paul Dergarabedian, the senior media analyst for Comscore. “The currency of the long-term playability is more important than the sheer opening weekends.”
The studio also has another big movie coming later this summer in “The Fantastic Four: First Steps.”
“Sinners,” meanwhile, crossed the $200 million mark in North American ticket sales this weekend, which is especially notable for an original R-rated movie. It added $21.1 million domestically, and $6.6 million internationally, bringing its global total to $283.3 million. Next weekend, it’s also returning to 70mm IMAX screens “by popular demand,” IMAX said.
Warner Bros.’ other juggernaut, “A Minecraft Movie,” has made $409 million domestically and $909.6 million globally in its six weekends in theaters. It added just under $8 million to take third place this weekend, followed by “The Accountant 2” in fourth with $6.1 million.
Several new movies also opened in wide release this weekend, but none seemed to break through the noise. The biggest of the bunch was “Clown in a Cornfield,” which earned $3.7 million (a relative high water mark for its distributor IFC) and cracked the top five.
“The second weekend in May, there is typically a bit of a lull,” Dergarabedian said. “IFC picked a perfect date for this clown to scare people into the theater."
“Shadow Force,” a Lionsgate action pic with Washington and Omar Sy from “The Grey” filmmaker Joe Carnahan, made $2 million from 2,170 screens. Vertical’s “Flight or Fight,” starring Hartnett as a mercenary on a plane full of assassins, also debuted with an estimated $2 million from 2,153 screens.
In limited release, the Tim Robinson and Paul Rudd movie “Friendship” launched on six screens in New York and Los Angeles and scored the best per-screen average of the year ($75,317) with many sellouts reported. A24 plans to expand the release nationwide over Memorial Day.
Overall, it was a relatively quiet weekend, but thanks to “A Minecraft Movie,” “Sinners” and “Thunderbolts,” the year-to-date box office is up around 16% from last year, according to Comscore data. Compared with 2019, however, it’s down over 32%.
Next week, “Final Destination: Bloodlines” should give the marketplace another jolt before two giants debut over the holiday weekend: “Lilo & Stitch” and “Mission: Impossible – The Final Reckoning.”