Revlon Gets Court Approval for $1.4 Billion Bankruptcy Loan

Revlon products are seen for sale in a store in Manhattan, New York City, U.S., June 29, 2022. (Reuters)
Revlon products are seen for sale in a store in Manhattan, New York City, U.S., June 29, 2022. (Reuters)
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Revlon Gets Court Approval for $1.4 Billion Bankruptcy Loan

Revlon products are seen for sale in a store in Manhattan, New York City, U.S., June 29, 2022. (Reuters)
Revlon products are seen for sale in a store in Manhattan, New York City, U.S., June 29, 2022. (Reuters)

Revlon Inc received a US bankruptcy judge's permission on Monday to proceed with a $1.4 billion loan, over an objection by junior creditors who argued that its onerous terms could block their chance to recover anything from the cosmetic company's bankruptcy.

US Bankruptcy Judge David Jones in Manhattan ordered modifications to the loan in response to the junior creditors' concerns, but said Revlon must be allowed to borrow the cash it needs to continue its operations in bankruptcy.

Revlon filed for Chapter 11 in June, saying its $3.5 billion debt load left it too cash-poor to make timely payments to critical vendors in its cosmetics supply chain.

To shore up its supply chain and fund its bankruptcy court case, Revlon sought additional financing from a coalition known as the BrandCo Lenders, which had loaned Revlon $1.88 billion in the years before it filed for bankruptcy.

Jones allowed Revlon to borrow $375 million at the start of the bankruptcy. Friday's unlocks between $200 million and $1.05 billion in additional funds, some of which would be used to pay Revlon's existing debts to BrandCo lenders.

The judge's approval also commits Revlon to non-financial conditions, including a schedule for exiting bankruptcy by April 2023 on terms favorable to the lenders.

Jones ordered some changes to the loan agreement, giving Revlon more time to propose a restructuring plan and giving junior creditors more authority to bring lawsuits on Revlon's behalf.

The junior creditors may bring a lawsuit against the BrandCo lenders behind the new loan. They have alleged that those lenders previously "fleeced" Revlon stakeholders in a 2020 debt restructuring that used Revlon's intellectual property as collateral. The 2020 transaction has already been subject to lawsuits by other Revlon lenders.

The BrandCo lenders have said the 2020 transaction kept Revlon afloat during the worst of the COVID-19 pandemic, and was neither “fraudulent” nor “aggressive.”



Valentino’s New Designer Showcases History and Drama at Couture Debut in Paris

 A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)
A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)
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Valentino’s New Designer Showcases History and Drama at Couture Debut in Paris

 A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)
A model wears a creation as part of the Valentino Haute Couture Spring Summer 2025 collection, that was presented in Paris, Wednesday, Jan. 29, 2025. (AP)

Alessandro Michele’s Valentino couture debut was the most anticipated ticket of Paris Couture Week, and the designer didn't disappoint with a lavish spectacle at the Palais Brongniart, a fittingly historic backdrop for his past-meets-present storytelling.

Known for his “more is more” aesthetic, Michele delivered a VIP-filled show on Wednesday brimming with historical reverence, theatricality, and his signature offbeat twists.

Michele, who previously spent nearly eight years redefining Gucci with his eclectic maximalism, has long drawn inspiration from history. It's an obsession that traces back to his childhood in Rome, where he would rummage through his mother’s closet, captivated by the textures of bygone eras.

His tenure at Gucci transformed the brand into a powerhouse of layered nostalgia and offbeat opulence, making his appointment at Valentino — a house steeped in aristocratic elegance — both a natural evolution and a challenge.

His arrival was a significant shift from Valentino's former designer Pierpaolo Piccioli, who was celebrated for his pared-down romanticism.

The opening look set the tone: a harlequin-patterned gown of enormous proportions, fusing the whimsy of the circus with regal splendor.

Full skirts billowed with 18th-century grandeur against a stark black runway, while ’70s-inspired ruffles added his distinctive vintage-inflected edge. A standout floral gown, evocative of Marie Antoinette, received the New Romantics treatment, a nod to the late ‘70s and early ’80s era that has long fascinated the designer.

Though the collection largely played to Michele’s strengths, with exuberance tempered by couture-level precision, some elements felt overdone. A polka dot jacket with an oversized bow veered into twee territory, an example of how his fondness for embellishment can sometimes tip into excess. Yet, the overall balance leaned toward refinement, with a relative restraint compared to his past work at Gucci.

Michele’s couture debut reaffirmed his reputation as a designer who finds beauty in historical excavation.