Paco Rabanne, Who Brought the Space Age to the Catwalk, Dies Aged 88

Spanish fashion designer Paco Rabanne poses with a model wearing a white dress with a metallic headpiece after presenting his 1992/93 fall-winter haute couture collection in Paris, France, on July 29, 1992. (AP)
Spanish fashion designer Paco Rabanne poses with a model wearing a white dress with a metallic headpiece after presenting his 1992/93 fall-winter haute couture collection in Paris, France, on July 29, 1992. (AP)
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Paco Rabanne, Who Brought the Space Age to the Catwalk, Dies Aged 88

Spanish fashion designer Paco Rabanne poses with a model wearing a white dress with a metallic headpiece after presenting his 1992/93 fall-winter haute couture collection in Paris, France, on July 29, 1992. (AP)
Spanish fashion designer Paco Rabanne poses with a model wearing a white dress with a metallic headpiece after presenting his 1992/93 fall-winter haute couture collection in Paris, France, on July 29, 1992. (AP)

Paco Rabanne, the Spanish-born designer best known for his metallic ensembles and space age designs of the 1960s, has died at the age of 88.

The eponymous label he exited more than two decades ago hailed him as "among the most seminal fashion figures of the 20th century".

Rabanne dressed some of the most prominent stars of the 1960s, including French singer Francoise Hardy, whose outfits from the designer included a minidress made from gold plates and a metal link jumpsuit, as well as Jane Birkin and Serge Gainsbourg, who were pictured in matching silver outfits.

Among his most famous looks were the fitted, skin-baring ensembles worn by Jane Fonda in Roger Vadim's cult science fiction film "Barbarella".

The death of Francisco Rabaneda y Cuervo, Paco Rabanne's birth name, was confirmed by a spokesperson for Spanish group Puig, which now controls the fashion house.

"A major personality in fashion, his was a daring, revolutionary and provocative vision, conveyed through a unique aesthetic," said Marc Puig, chairman and CEO of Puig.

Born in a village in the Spanish Basque region in 1934, his mother was a head seamstress at Balenciaga. He died in Portsall in Brittany.

Rabanne grew up in France, where the family moved after Spanish troops shot dead his father, who had been a Republican commander during the civil war.

He studied architecture at the Ecole des Beaux Arts in Paris. He started his career sketching handbags for a supplier to prestigious fashion houses including Givenchy and Chanel, as well as shoes for Charles Jourdan.

He then branched into fashion, designing garments and jewellery with unconventional materials such as metal and plastic.

International expansion

His first collection, which he described as "unwearable dresses made of contemporary materials" were pieces made of strips of plastic linked with metal rings, worn by barefoot models at a presentation at the upscale Paris hotel George V.

The Paris cabaret Crazy Horse Saloon was his next venue, where models paraded his skimpy dresses and bathing suits while wearing hardhats.

While his innovation and futuristic designs won plaudits, his fascination with the supernatural prompted public derision at times. He was known for recounting past reincarnations, and in 1999, he predicted the space station Mir would crash into France, coinciding with a solar eclipse.

Surrealist Salvador Dali famously approved of his compatriot, calling him "Spain's second genius".

The designer teamed up with Spain's Puig family in the late 1960s, launching perfumes that served as a springboard for the company's international expansion.

"Paco Rabanne made transgression magnetic. Who else could induce fashionable Parisian women (to) clamor for dresses made of plastic and metal," said Jose Manuel Albesa, president of Puig's beauty and fashion division.

The label has seen a resurgence in popularity in recent years, under the creative direction of Julien Dossena, who has updated the house’s signature chainmail designs.

"We are grateful to Monsieur Rabanne for establishing our avant-garde heritage and defining a future of limitless possibilities,” the fashion house said in a statement.

The designer's work with metallic plastic gave a "sharp edge" to women's clothes, an effect that was "so much more than a New Look", fashion historian Suzy Menkes said on Instagram Friday.

"It was rather a revolutionary attitude for women who wanted both to protect and assert themselves."



Giorgio Armani Shines at Milan Fashion Week with Shimmering Menswear Collection

 A model walks the runway during the Giorgio Armani collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 20, 2025. (AFP)
A model walks the runway during the Giorgio Armani collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 20, 2025. (AFP)
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Giorgio Armani Shines at Milan Fashion Week with Shimmering Menswear Collection

 A model walks the runway during the Giorgio Armani collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 20, 2025. (AFP)
A model walks the runway during the Giorgio Armani collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 20, 2025. (AFP)

Giorgio Armani’s menswear collection previewing Monday on the final day of Milan Fashion Week was all about catching the light, which the 90-year-old designer achieved with shimmering textiles and a smattering of crystals.

Armani closed four days of menswear previews for Fall-Winter 2025-26 at his historic headquarters on Via Borgonuovo, freeing the fashion crowd to head to Paris for the next round.

Fans gathered behind barricades to snap photos of VIPs including Adrien Brodie, Joe Alwyn, Rocco Ritchie and Darren Star, arriving for the show under a light drizzle.

The Silhouette Armani set the runway show deep inside the headquarters to a rhythmic almost club beat. Brimmed hats gave structure to the soft silhouette of wintery velvet and corduroy complemented by shimmering textiles that grabbed the light.

Trousers were pleated, gathering slightly at the ankle, creating movement and allowing an easy tuck into laced boots. Jackets layered over zipped vests. Scarfs substituted for ties, sometimes big knits that converted to hoods. Faux fur collars, a trend in Milan this season, were used sparingly on outerwear.

Light and color Jewel tones of ruby, emerald and sapphire brightened a neutral palette. Delicate crystal pins decorated evening wear lapels.

A handful of women’s looks emphasized the versatility of the menswear silhouette. The show closed with couples dressed for a festive evening, glistening with sequins and crystals for him and for her.

Armani took a final bow wearing a blue velvet jacket, underlining his hallmark of comfort and elegance.

Trend watch: Brimmed hats. Textiles that shimmer. Unstructured bags. Sporty zip vests for suits. Scarves with built in turtlenecks.