Egyptian Artists Prepare for Ramadan with Lanterns, Small Motifs

 People shop from a stall selling Ramadan lanterns along a main
street in the northern suburb of Shubra of Egypt's capital Cairo at
the start of the Ramadan. [Khaled Desouki/AFP]
People shop from a stall selling Ramadan lanterns along a main street in the northern suburb of Shubra of Egypt's capital Cairo at the start of the Ramadan. [Khaled Desouki/AFP]
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Egyptian Artists Prepare for Ramadan with Lanterns, Small Motifs

 People shop from a stall selling Ramadan lanterns along a main
street in the northern suburb of Shubra of Egypt's capital Cairo at
the start of the Ramadan. [Khaled Desouki/AFP]
People shop from a stall selling Ramadan lanterns along a main street in the northern suburb of Shubra of Egypt's capital Cairo at the start of the Ramadan. [Khaled Desouki/AFP]

Egyptian artists are preparing for Ramadan by making lanterns and small, funny motifs depicting famous figures that locals are used to like “Al-Mesaharati”, “Bougi”, “Tamtam”, and “Bakkar”.

Handmade artisanal works still have a great significance in Egypt, and the modern machine-made products didn’t manage to replace them, which encourage local artists to keep making creative works that recall their folklore and historic symbols to celebrate the holy month.

“We are racing against time to provide a local product that rivals the imported one with better manual craftmanship, special design, and strong fabrics,” Ghada Ibrahim said from inside a workshop of puppets and small motifs.

“Ramadan occupies me all the year. Once it ends, I start thinking of my new works and prepare them alongside the works of other occasions. The holy month reminds us of our childhood, so we make small motifs that we had beautiful memories with. We can’t forget them,” she told Asharq Al-Awsat.

Ghada makes small motifs depicting famous figures from the Egyptian television and radio including Fouad el-Mohandes, Samir Ghanem, Sayed Mekawy, Nelly, and Sherihan, in addition to folkloric and historic characters such as Scheherazade and Shahryar, the mermaid, Bougy and Tamtam, and Bakkar, as well as many Ramadan-inspired figures like the local desert vendors.

This year, Ghada made small motifs depicting the mesaharati, in addition to Ramadan-inspired puppets, lanterns, and versatile storage boxes. She uses various materials in her works including colored foam, fabrics, and wigs.

The Khiyamia neighborhood in the heart of Cairo embraces the largest market of Ramadan tents. “I make lanterns in different sizes, and wooden artifacts such as crescents and Ramadan-related figures that Egyptians love. These works need between two days and two weeks based on the size and decoration. The process consists of several steps: cutting, sculpting, assembling, polishing, and the final touches,” Sayed Zaki, maker of small wooden statues, told Asharq Al-Awsat.

In the prestigious neighborhood of Sayyidah Zaynab, Hani Husni sells Ramadan decorations made of paper, fabrics, and foam.

“Despite the economic crisis, Egyptians didn’t skip the decorations of Ramadan. The handmade artisanal works are the most demanded for the Ramadan ambiance,” he told Asharq Al-Awsat.



British Baker’s Criticism of Mexican ‘Ugly’ Bread Triggers Social Media Outrage

Bolillos, a traditional Mexican bread, sit for sale at a street stand in Mexico City, Thursday, Dec. 18, 2025. (AP Photo/Marco Ugarte)
Bolillos, a traditional Mexican bread, sit for sale at a street stand in Mexico City, Thursday, Dec. 18, 2025. (AP Photo/Marco Ugarte)
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British Baker’s Criticism of Mexican ‘Ugly’ Bread Triggers Social Media Outrage

Bolillos, a traditional Mexican bread, sit for sale at a street stand in Mexico City, Thursday, Dec. 18, 2025. (AP Photo/Marco Ugarte)
Bolillos, a traditional Mexican bread, sit for sale at a street stand in Mexico City, Thursday, Dec. 18, 2025. (AP Photo/Marco Ugarte)

A blunt critique of Mexican bread by a British baker sparked a cascade of social media outrage, ultimately leading to a public apology.

In an interview for a food-themed podcast that resurfaced online, Richard Hart, the co-founder of Green Rhino bakery in Mexico City and a well-known figure in international baking circles, said Mexicans “don’t really have much of a bread culture,” adding that “they make sandwiches on these white, ugly rolls that are pretty cheap and industrially made.”

His comments quickly rippled across Instagram, TikTok and X, with many Mexicans accusing him of being dismissive and insulting of Mexico’s traditional breads.

What began as a dispute over bread soon ignited a national debate over food identity — not only over who defines Mexican culinary traditions, but also over the growing influence of foreigners in a capital already tense from a surge of US expatriates and tourists, according to AP.

Social media was soon flooded with memes, reaction videos, and passionate defenses of Mexican bread.

Users took to social media to praise everyday staples — from the crusty bolillos used for tortas to the iconic conchas found in neighborhood bakeries.

In many cases, these simple street foods act as a uniting factor across social groups and classes, and often cut to the core of the country’s cultural identity.

While wheat bread was introduced to Mexico during the colonial period, the classic food staple evolved into a distinct national tradition, blending European techniques with local tastes and ingredients. Today, small neighborhood bakeries remain central to daily life in cities and towns, serving as social hubs as well as food sources.

The incident prompted many to question why a foreign entrepreneur would publicly disparage a staple so deeply embedded in Mexican life. For many, Hart’s remarks echoed long-standing frustrations over foreign chefs and restaurateurs receiving disproportionate prestige, as well as concerns over gentrification in the capital.

“Don’t mess with the bolillo,” warned one viral post on X.

As criticism mounted, Hart issued a public apology on Instagram, saying his comments were poorly phrased and did not show respect for Mexico and its people. He acknowledged the emotional response and said he didn’t behave as a “guest.”

“I made a mistake,” Hart said in his statement. “I regret it deeply.”


High-speed Passenger Train Kills 7 Elephants in India

Elephants are used to clear logs and debris in a village affected by flooding in Pidie Jaya, Aceh province, Indonesia, Monday, Dec. 8, 2025. (AP Photo/Ahyar Tarmizi)
Elephants are used to clear logs and debris in a village affected by flooding in Pidie Jaya, Aceh province, Indonesia, Monday, Dec. 8, 2025. (AP Photo/Ahyar Tarmizi)
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High-speed Passenger Train Kills 7 Elephants in India

Elephants are used to clear logs and debris in a village affected by flooding in Pidie Jaya, Aceh province, Indonesia, Monday, Dec. 8, 2025. (AP Photo/Ahyar Tarmizi)
Elephants are used to clear logs and debris in a village affected by flooding in Pidie Jaya, Aceh province, Indonesia, Monday, Dec. 8, 2025. (AP Photo/Ahyar Tarmizi)

Seven wild Asiatic elephants were killed and a calf was injured when a high-speed passenger train collided with a herd crossing the tracks in India's northeastern state of Assam early Saturday, local authorities said.

The train driver spotted the herd of about 100 elephants and used the emergency brakes, but the train still hit some of the animals, Indian Railways spokesman Kapinjal Kishore Sharma told The Associated Press.

Five train coaches and the engine derailed following the impact, but there were no human casualties, Sharma said.

Veterinarians carried out autopsies on the dead elephants, which were to be buried later in the day.

The accident site is a forested area around 125 kilometers southeast of Assam’s capital city of Guwahati. Railway tracks in the state are frequented by elephants, but Indian Railways said in a statement the accident location wasn't a designated elephant corridor.

The Rajdhani Express train, traveling from Sairang in Mizoram state bordering Myanmar, was bound for the national capital of New Delhi with 650 passengers onboard when it hit with elephants.

“We delinked the coaches which were not derailed, and the train resumed its journey for New Delhi. Around 200 passengers who were in the five derailed coaches have been moved to Guwahati in a different train,” Sharma said.

Speeding trains hitting wild elephants is not rare in Assam, which is home to an estimated 7,000 wild Asiatic elephants, one of the highest concentrations of the pachyderm in India. Since 2020, at least a dozen elephants have been killed by speeding trains across the state.

Wild elephants often stray into human habitations this time of year, when rice fields are ready for harvesting.


Winter at Tantora Festival Kicks Off in AlUla

The 2025–2026 season features a diverse array of immersive experiences - SPA
The 2025–2026 season features a diverse array of immersive experiences - SPA
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Winter at Tantora Festival Kicks Off in AlUla

The 2025–2026 season features a diverse array of immersive experiences - SPA
The 2025–2026 season features a diverse array of immersive experiences - SPA

The Winter at Tantora Festival launched yesterday in AlUla Governorate and will run until January 10, 2026, marking the beginning of the winter season with a rich program that celebrates the region’s deep-rooted agricultural and historical heritage.

The festival derives its name from the Tantora, a traditional mudbrick sundial located in the heart of AlUla’s Old Town. For centuries, local farmers and residents relied on this stone marker to tell time, manage water distribution rights, and signal the start of the winter planting season, SPA reported.

The 2025–2026 season features a diverse array of immersive experiences. "Old Town Nights" offers an atmospheric evening of heritage storytelling and fine dining at the historic AlUla Fort, while the "AlManshiyah Carnival" creates a festive space for families with traditional games and parades.

Music remains a central pillar of the festival, with performances set against AlUla’s most iconic backdrops. The "Shorfat Tantora" (Tantora Balconies) series brings live music to the rooftops of the AlJadidah Arts District, while major concerts are scheduled at the Maraya mirrored hall and the Thanaya open-air amphitheater.

These events are part of the broader AlUla Moments calendar, supporting the goals of Saudi Vision 2030 to highlight the Kingdom's heritage and establish AlUla as a premier global destination.