Actor Robert Blake, Star of ‘Baretta’ and ‘In Cold Blood,’ Dead at Age 89

In this file photo taken on October 31, 2003 Robert Blake and his lawyers are flanked by law enforcement officers as they are escorted into the Los Angeles County Court House in Van Nuys, California. (Getty Images/AFP)
In this file photo taken on October 31, 2003 Robert Blake and his lawyers are flanked by law enforcement officers as they are escorted into the Los Angeles County Court House in Van Nuys, California. (Getty Images/AFP)
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Actor Robert Blake, Star of ‘Baretta’ and ‘In Cold Blood,’ Dead at Age 89

In this file photo taken on October 31, 2003 Robert Blake and his lawyers are flanked by law enforcement officers as they are escorted into the Los Angeles County Court House in Van Nuys, California. (Getty Images/AFP)
In this file photo taken on October 31, 2003 Robert Blake and his lawyers are flanked by law enforcement officers as they are escorted into the Los Angeles County Court House in Van Nuys, California. (Getty Images/AFP)

Robert Blake, a child actor from the Depression-era "Our Gang" comedies who won adult stardom playing an undercover cop on the 1970s television series "Baretta" before fame was eclipsed by his murder trial in the 2001 killing of his wife, has died at age 89.

Blake, who also won acclaim for his role as a psychopathic killer in the 1967 film adaptation of Truman Capote's "In Cold Blood," died at his home in Los Angeles, surrounded by family members, according to a statement released to CBS, The Hollywood Reporter and other news agencies by his niece, Noreen Austin.

Blake was charged in 2002 with fatally shooting his spouse, Bonnie Lee Bakley, to gain custody of their young daughter, after trying to solicit others to kill his wife of less than a year.

He was acquitted at the end of a sensational three-month trial in which Bakley was portrayed as a star-struck career swindler who ran a mail-order lonely hearts business and entrapped the actor into marriage by getting pregnant.

A wrongful death lawsuit subsequently filed against Blake by her estate led to a civil court judgment that the actor was responsible for her slaying.

Blake contended his wife was a victim of her own checkered past, gunned down by an unknown assailant.

Born in Nutley, New Jersey, as Michael James Gubitosi, Blake got his start in show business as a youngster when he and two siblings joined his parents' song-and-dance vaudeville act, known as "The Three Little Hillbillies," before the family moved to California.

Blake was just 8 years old when he began appearing as Mickey in the "Our Gang" short film series, also known as "The Little Rascals," in 1939. He later played the character of Little Beaver, a Native American boy, in the "Red Ryder" Western series.

After outgrowing child roles and serving in the Army, Blake worked steadily in television and appeared in movies such as "Pork Chop Hill," "The Purple Gang" and "Town Without Pity."

He was short in stature but possessed a swaggering, tough-talking persona - on and off the screen. Blake's breakthrough came with a chilling portrayal of Perry Smith, one of two drifters who killed a family of four, in screenwriter-director Richard Brooks' movie version of Capote's fact-based bestselling novel, "In Cold Blood."

‘Don’t do the crime ...’

Blake followed with lead roles in the films "Electra Glide in Blue" and "Tell Them Willie Boy Is Here," but his biggest fame came playing unconventional big-city detective Tony Baretta from 1975 through 1978 on ABC.

His street-wise "Baretta" character was rough around the edges and often wore disguises to solve crimes. He kept a pet cockatoo named Fred and was known for such catch phrases as: "And you can take that to the bank," and "That's the name of that tune." The show's theme song centered on the line "Don't do the crime if you can't do the time."

The role earned Blake an Emmy in 1975 and another nomination in 1977.

He also garnered Emmy nominations for playing a real-life mass murderer in the 1993 television movie "Judgment Day: The John List Story" and the Teamsters union boss Jimmy Hoffa in "Blood Feud" in 1983.

Blake returned to television in 1986, creating the series "Hell Town" and starring in it as a priest who helps street kids. He quit after several episodes, later telling the Los Angeles Times that he was behaving erratically and having suicidal thoughts.

His last acting job was a role listed as "Mystery Man" in David Lynch' s 1997 film "Lost Highway," about a man who kills his wife.

Blake's acting work was overshadowed four years later by the Bakley murder, which remains unsolved. Bakley had been married nine times when she met Blake in 1999 and had supported herself by maintaining multiple identities and using magazine ads to persuade men to send her money, authorities said.

She also was reportedly obsessed with marrying a celebrity, and in 2000 gave birth to a girl. A paternity test showed that the father was Blake, not Christian Brando, son of actor Marlon Brando, who Bakley had been dating simultaneously.

Blake and Bakley had been married six months when they went to dinner at an Italian restaurant in Los Angeles' Studio City section on May 4, 2001. Afterward, she waited in their nearby car while he went back to the restaurant to retrieve a pistol he said he had mistakenly left in the eatery. Blake told police he returned to the car to find his wife bleeding from gunshots.

Investigators determined Blake's gun did not kill Bakley and the real murder weapon was found in a dumpster nearby.

Murder, no witnesses

Blake was arrested and charged with murder almost a year later and spent several months in jail before being granted bail. When he went on trial in 2005 prosecutors had no witnesses or solid evidence linking him to the killing and built their case on the premise that Blake wanted Bakley dead because he felt she had tricked him into marriage by getting pregnant.

Prosecutors argued that Blake had initially sought to gain custody of their daughter from a woman he despised and considered a bad influence, and had even tried kidnapping the child, before marrying Bakley in November 2000 to get her to drop child abduction charges against him.

The prosecution presented two former stuntmen who testified Blake tried to hire them to murder Bakley, but that Blake, who did not testify in the trial, committed the crime himself when the stuntmen turned him down.

Jurors ultimately found Blake not guilty of murder and a single count of asking one of the stuntmen to kill his wife. The jury deadlocked on a second count of solicitation of murder, and the judge dismissed that charge.

Oakley's children won a wrongful death suit against Blake in November 2005 and were awarded $30 million in damages, which led him to file for bankruptcy protection three months later. Blake lost his appeals to overturn the civil verdict but the damages were reduced to $15 million.

The outcome of the Blake trials was reminiscent of the mixed verdicts returned in the case of former football star O.J. Simpson, who was acquitted of murder charges in the 1994 stabbing deaths of his ex-wife and her friend, but was later found liable for their deaths in a civil trial.

Blake always maintained his innocence and over the years gave a few disjointed interviews that focused anger on the police involved in his case and how he had been left broke.

"I didn't know her well enough to know her," he told ANN in 2012. "I love her ... but we were not dramatically in love or things like that.

"Bonnie had people that she burned ... I think she was a con artist, yes. I think she came to Hollywood to con her way into show business."

Blake, who had four children, was married to actress Sonora Kerr for 22 years before their 1983 split. In 2017 he married old friend Pamela Hudak but the marriage ended in 2019.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”