2023 Oscars: What to Know about the Best Actor Nominees

Irish actor Colin Farrell poses on the red carpet upon arrival at the BAFTA British Academy Film Awards at the Royal Festival Hall, Southbank Centrer, in London, on February 19, 2023. (AFP)
Irish actor Colin Farrell poses on the red carpet upon arrival at the BAFTA British Academy Film Awards at the Royal Festival Hall, Southbank Centrer, in London, on February 19, 2023. (AFP)
TT

2023 Oscars: What to Know about the Best Actor Nominees

Irish actor Colin Farrell poses on the red carpet upon arrival at the BAFTA British Academy Film Awards at the Royal Festival Hall, Southbank Centrer, in London, on February 19, 2023. (AFP)
Irish actor Colin Farrell poses on the red carpet upon arrival at the BAFTA British Academy Film Awards at the Royal Festival Hall, Southbank Centrer, in London, on February 19, 2023. (AFP)

It’s always fun when an Oscars category is filled with first-time nominees at varying stages of their careers. Best actor is another three-way race, between Austin Butler, Colin Farrell and Brendan Fraser, with each having scored notable wins from guilds and critics groups. The Associated Press’ film writers predict Fraser to have the edge.

Here’s a bit more about the nominees and their roles before the Oscars on March 12, which airs live on ABC beginning at 8 p.m. Eastern. And if you’ve missed a performance, there’s still time to watch this year’s nominees.

Brendan Fraser

Brendan Fraser doesn’t mind that people have called his turn in Darren Aronofsky’s “The Whale,” in which he plays a reclusive English teacher named Charlie who is grappling with his past in the midst of a dire prognosis, a “comeback.” But it’s not the word he’d choose.

“If anything, this is a reintroduction more than a comeback,” Fraser told The AP. “It’s an opportunity to reintroduce myself to an industry, who I do not believe forgot me as is being perpetrated. I’ve just never been that far away.”

The film, an adaptation of Samuel D. Hunter’s play, shows a different side of Fraser as an actor than the affable action/comedy roles that made him beloved and famous in the 1990s.

“I gave it everything I had every day,” he said. “We lived under existential threat of COVID. An actor’s job is to approach everything like it’s the first time. I did but also as if it might be the last time.”

Age: 54

Notable Wins: Critics Choice, Screen Actors Guild.

Colin Farrell

In Martin McDonagh’s tragicomic tale of the end of a friendship “The Banshees of Inisherin,” Colin Farrell’s Pádraic is the one being broken up with by Brendan Gleeson’s Colm on their small Irish island in 1923.

“He has an innocence where he can’t comprehend why his friend of so many years has cut him out,” Farrell said of his character last year at the Venice Film Festival, where he’d go on to win the best actor prize. “It shakes him to his core ... He lives in a beautiful life and that beauty is taken away.”

The film was a reunion for the trio who developed a deep bond on “In Bruges” 14 years ago.

“From the start, there was a deep sense of kinship and an understanding of each other,” Farrell told The AP. “In a strange way, I understand myself more through Martin and his mind and his heart and his work. And I understand myself more through my interactions with Brendan.”

Age: 46

Notable Wins: Venice Film Festival, New York Film Critics Circle, National Board of Review, Golden Globes (Musical/Comedy).

Austin Butler

Austin Butler spent so much time and mental and emotional energy in preparing to play and playing Elvis Presley in Baz Luhrmann’s colorful drama that he finds it difficult to talk about without “sounding incredibly pretentious and self-important,” he told The AP. “There are certain aspects that even I don’t fully understand.”

The past few weeks have brought their own emotional highs and lows too, with his Golden Globe win, his Oscar nomination and the tragic death of Lisa Marie Presley in the span of a few days.

“The peaks are so high and the valleys have been so low,” Butler said.

“I just wish Lisa Marie were here with us to celebrate. At times, in the midst of intense grief and just a shattering loss, it feels sort of bizarre to celebrate. But I also know how much this film meant to Lisa Marie, how much her father’s legacy meant to her. So I feel so proud and humble to be a part of that story.”

Age: 31

Notable Wins: Golden Globes (Drama), BAFTA.

Bill Nighy

Bill Nighy plays a British civil servant who receives a terminal diagnosis in 1953 London in Oliver Hermanus’s remake of the Kurosawa classic “Ikiru.”

“I was very moved by it when we were making it, the fact that we were making it, that we were back and that it was the first thing I’d done since the pandemic,” Nighy told The AP. “The pandemic forced us to look at our priorities in our lives and all that and this film discusses how to make the most of every day. So I suppose in that regard it was timely.”

The veteran actor said he thought they were making something special, but he was unprepared for the rapturous reception everywhere. And thematic resonance aside, it hasn’t got him thinking about his own legacy.

“I don’t ever think in terms of legacy,” he said. “I find it difficult to get enthusiastic about a world which is not going to include me.”

Age: 73

Notable Wins: Los Angeles Film Critics Association.

Paul Mescal

Paul Mescal did not expect to come out of “Aftersun” friends with an 11-year-old. But that’s what happened with his co-star Frankie Corio on the set of Charlotte Wells’ personal and evocative film about a young father and his daughter on vacation in Türkiye in the 1990s.

“Both of us got out two weeks before filming started. There was kind of a loose plan that we might rehearse. And we did some of that, but ultimately, we just spent the two weeks where I was playing like pretending to be her dad,” Mescal told The AP. “It’s one of the greatest professional experiences that I’ve had. It really surprised me. I fell in love with her and I adore her and she’s just a phenomenal actor.”

The Irish actor said he likes working on smaller films with first-time directors. If anything, he hopes that his raised profile following his nomination might help him be able to get another project like that made.

“I take great pride in the fact that there’s an appetite for those films still,” he said.

Age: 27



‘Hamnet’ and ‘One Battle After Another’ Take Top Honors at Golden Globes

(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)
(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)
TT

‘Hamnet’ and ‘One Battle After Another’ Take Top Honors at Golden Globes

(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)
(L-R) British actors Joe Alwyn, Noah Jupe, Chinese filmmaker Chloe Zhao, Irish actors Jessie Buckley, Paul Mescal, and British actor Jacobi Jupe pose in the press room with the award for best motion picture - drama for "Hamnet" during the 83rd annual Golden Globe Awards ceremony at the Beverly Hilton Hotel in Beverly Hills, California, USA, 11 January 2026. (EPA)

Paul Thomas Anderson’s ragtag revolutionary saga “One Battle After Another” took top honors at Sunday’s 83rd Golden Globes in the comedy category, while Chloé Zhao's Shakespeare drama “Hamnet” pulled off an upset over “Sinners” to win best film, drama.

“One Battle After Another” won best film, comedy, supporting female actor for Teyana Taylor and best director and best screenplay for Anderson. He became just the second filmmaker to sweep director, screenplay and film, as a producer, at the Globes. Only Oliver Stone, for “Born on the Fourth of July,” managed the same feat.

In an awards ceremony that went almost entirely as expected, the night's final award was the most surprising. While “One Battle After Another” has been the clear front-runner this awards season, most have pegged Ryan Coogler's Jim Crow-era vampire thriller as its closest competition.

But “Hamnet,” a speculative drama about William and Agnes Shakespeare based on Maggie O’Farrell's bestseller, won in the dramatic category shortly after its star, Jessie Buckley, won best female actor in a drama.

It was a banner night for Warner Bros., the studio behind “One Battle After Another” and “Sinners.” Warner Bros. Discovery has agreed to be sold to Netflix in an $83 billion deal. Paramount Skydance has appealed to shareholders with its own rival offer.

In his speech after winning best director, Anderson praised Warner co-chief Michael DeLuca. “He said he wanted to run a studio one day and let filmmakers make whatever they want,” said Anderson. “That’s how you get ‘Sinners.’ That’s how you get a ‘Weapons.' That’s how you get ‘One Battle After Another.’”

The final awards brought to, or near, the stage a handful of the most talented filmmakers together in Anderson, Zhao and Coogler — plus Steven Spielberg, a producer of “Hamnet.” Regardless of who won what, it was a heartening moment of solidarity between them, with a shared sense of purpose. Zhao fondly recalled being at Sundance Labs with Coogler when they were each starting out.

“As students, let’s keep our hearts open and let’s keep seeing each other and allowing each other to be seen,” said Zhao, while Coogler smiled from the front row.

“Sinners” won for best score and cinematic and box-office achievement. The win for box office and cinematic achievement, over franchise films like “Avatar: Fire and Ash,” was notable for Coogler's film, a movie that some reports labeled a qualified success on its release.

Yet “Sinners” ultimately grossed $278 million domestically and $368 million worldwide, making it highest grossing original film in 15 years.

“I just want to thank the audience for showing up,” said Coogler. “It’s means the world.”

Coming off years of scandal and subsequent rehabilitation, the Globes and host Nikki Glaser put on a star-studded ceremony that saw wins for the streaming sensation “KPop Demon Hunters” (best animated film, song), a meta triumph for Seth Rogen’s “The Studio” and an inaugural award for podcasting that went to Amy Poehler’s “Good Hang.”

Many of the Oscar favorites won. Timothee Chalamet won his first Golden Globe, for “Marty Supreme,” after four previous nominations. The 30-year-old is poised to win his first Oscar. Fellow nominees like Leonardo DiCaprio and George Clooney stood to applaud his win.

“My dad instilled in me a spirit of gratitude growing up: Always be grateful for what you have,” said Chalamet. “It’s allowed me to leave this ceremony in the past empty handed, my head held high, grateful just to be here. I’d be lying if I didn’t say those moments didn’t make this moment that much sweeter.”

Glaser comes out swinging

The Globes, held at the Beverly Hilton in Beverly Hills, California, got underway with a pointedly political opening from host Nikki Glaser and an early award for the night’s favorite, “One Battle After Another.” Emceeing the show for the second straight year, Glaser kicked off the show with self-aware satire.

“Yes, the Golden Globes, without a doubt the most important thing happening in the world right now,” she said.

In a winning, rapid-fire opening monologue that landed some punch lines on the usual subjects — the age of Leonardo DiCaprio’s dates, Kevin Hart’s height — Glaser also dove right into some of her most topical material.

For the on-the-block Warner Bros., Glaser started the bidding at $5. Referencing the Epstein files, she suggested best editing should go to the Justice Dept. The “most editing,” however, she suggested deserved to go to Bari Weiss’ new CBS News — a dig at the Paramount Skydance-owned network airing the Globes.

Political tension and industrywide uncertainty were the prevailing moods heading into Sunday’s awards. Hollywood is coming off a disappointing box-office year and now anxiously awaits the fate of one of its most storied studios, Warner Bros.

The Globes, formerly presented by the Hollywood Foreign Press Association, have no overlap or direct correlation with the Academy Awards. After being sold in 2023 to Todd Boehly’s Eldridge Industries and Dick Clark Productions, a part of Penske Media, the Globes are voted on by around 400 people. The Oscars are voted on by more than 10,500 professionals.

But in the fluctuating undulations of awards season, a good speech at the Globes can boost an Oscar campaign. Winners Sunday included Rose Byrne (“If I Had Legs I'd Kick You”) for best female actor in a comedy or musical, and Wagner Moura, the Brazilian star of “The Secret Agent,” for best male actor in a drama. Kleber Mendonça Filho's period political thriller also won best international film.

“I think if trauma can be passed along generations, values can do,” Moura said. “So this to the ones who are sticking with their values in difficult moments.”

Other winners Sunday included the supporting actor front-runner, Stellan Skarsgård who won for the Norwegian family drama “Sentimental Value.” It was the first major Hollywood movie award for the 74-year-old, a respected veteran actor who drew a standing ovation.

“I was not prepared for this because I, of course, thought I was too old,” said Skarsgård.

‘The Studio' and 'Adolesence' win

In the television awards, “The Pitt” took best drama series, while Noah Wyle won, too, brushing past his former “ER”-star Clooney on the way to the stage. Netflix’s “Adolescence” won four awards: best limited series, and acting awards for Erin Doherty, Stephen Graham and 16-year-old Owen Cooper.

Other winners included Rhea Seehorn for “Pluribus” and Jean Smart for “Hacks.”

But the most comically poignant award of the night went to “The Studio,” the best comedy series winner. Seth Rogen’s Hollywood satire memorably included an episode devoted to drama around a night at the Globes. (Sample line: “I remember when the red carpet of the Golden Globes actually stood for something.”)

Rogen also won best male actor in a comedy. “This is so weird,” Rogen said, chuckling. “We just pretended to do this. And now it’s happening.”


Globes Red Carpet: Chic Black, Elegant Dresses and a Bit of Politics

Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP
Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP
TT

Globes Red Carpet: Chic Black, Elegant Dresses and a Bit of Politics

Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP
Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP

Hollywood's top stars hit the red carpet on Sunday for the Golden Globes, the first major event on the road to the Oscars, and they delivered lots of old-school glamour.

Here is a glance at some of the looks seen at the Beverly Hilton Hotel:

Ever-chic black

Selena Gomez is a newlywed and her happiness shows. The best comedy actress nominee for her work on "Only Murders in the Building" radiated joy as she arrived on the arm of her husband Benny Blanco.

She oozed sophistication in a black Chanel column gown with a frothy white feathered strapless neckline, her black bob swept into soft waves.

Gomez was not alone in striking an understated pose, with lots of stars opting for black or dark, wintry hues.

Teyana Taylor, a winner for her searing turn as a leftist revolutionary in hotly-tipped film "One Battle After Another," scorched the carpet in a cut-out backless black Schiaparelli gown with a halter neckline -- and a cheeky crystal bow on her backside.

Ariana Grande ("Wicked: For Good"), who competed with Taylor for the award for best supporting actress, turned heads in a black textured Vivienne Westwood ballgown with an asymmetrical neckline and a bubble silhouette before trailing to the floor.

Her hair was swept into her signature ponytail, and she kept the jewelry simple with a diamond choker.

Amy Madigan, also in their category for her villainous turn in "Weapons," went for a tuxedo look with cropped pants and patent leather boots.

Nominee Jenna Ortega embraced the goth chic of her title character in "Wednesday" in a black high-neck Dilara Findikoglu gown with glittering epaulets and cut-offs that revealed a bit of side boob... and part of her hip bone.

Among the male stars in attendance, Colman Domingo was as usual a standout, wearing head-to-toe black Valentino, with silvery appliques scattered from his left shoulder down his lapel to his waist.

Jennifer Lopez is no stranger to strong fashion statements. Her plunging green Versace gown at the Grammys in 2000 is still a reference for winning the red carpet by adopting the "less is more" rule.

On Sunday, Lopez -- whose turn in "Kiss of the Spider Woman" was overlooked by Globes voters -- wore a figure-hugging sheer gown with bronze patterns snaking over her body, ending in a mermaid fishtail.

Jennifer Lawrence --nominated for best drama actress in a film for "Die My Love" -- got the memo as well, rocking a barely-there sheer nude Givenchy gown with only a smattering of strategically placed flowers.

- Stars slam deadly ICE shooting -

Hollywood never quite has a night out without a bit of politics coming into play.

On Sunday, some of the stars including nominee Mark Ruffalo wore pins with the messages "BE GOOD" -- a reference to Renee Good, the Minneapolis woman who was shot and killed by a federal immigration agent.

Comedian Wanda Sykes wore the same pin on her lapel, while actress Natasha Lyonne, a nominee for her TV show "Poker Face," attached one to her clutch handbag.

The campaign is endorsed by the American Civil Liberties Union (ACLU), one of the country's most prominent civil rights organizations.

 


Hollywood Stars Gather for an All-Winners Celebration at the American Film Institute Awards

Leonardo DiCaprio takes the stage to accept the award for Outstanding Performance by a Male Actor in a Leading Role for his role in "The Revenant" at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016.(Reuters)
Leonardo DiCaprio takes the stage to accept the award for Outstanding Performance by a Male Actor in a Leading Role for his role in "The Revenant" at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016.(Reuters)
TT

Hollywood Stars Gather for an All-Winners Celebration at the American Film Institute Awards

Leonardo DiCaprio takes the stage to accept the award for Outstanding Performance by a Male Actor in a Leading Role for his role in "The Revenant" at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016.(Reuters)
Leonardo DiCaprio takes the stage to accept the award for Outstanding Performance by a Male Actor in a Leading Role for his role in "The Revenant" at the 22nd Screen Actors Guild Awards in Los Angeles, California January 30, 2016.(Reuters)

If the American Film Institute Awards stands for anything, it's that everyone in the room - from Leonardo DiCaprio and Ryan Coogler to Timothée Chalamet and Ariana Grande - leaves feeling like a winner.

That spirit was on full display Friday as the AFI Awards gathered its 2026 honorees for an invitation-only luncheon in Beverly Hills, where the institute once again celebrated the collaborative nature of film and television by honoring creative teams - in front of and behind the camera.

Inside the ballroom, there were no acceptance speeches in the traditional sense and no suspense over envelopes. Instead, AFI's ceremony unfolded as a series of thoughtfully written tributes: eloquent rationales for each honored film and television program, followed by brief clips designed to place the year's work within a broader cultural and artistic context.

AFI President Bob Gazzale spoke in front of star-filled room, ensuring there were no losers with only shared recognition.

The room reflected that mood. Filmmaker Steven Spielberg was spotted chatting with Coogler, whose wife and "Sinners" producer, Zinzi Coogler, stood beside him. Meanwhile, Michael B. Jordan worked the room, trading hugs and handshakes with fellow honorees and guests including "Bugonia" star Jesse Plemons and "Task" actor Mark Ruffalo. Filmmakers James Cameron and Guillermo del Toro greeted each other.

Nearby, DiCaprio stood side by side with Netflix co-CEO Ted Sarandos and actors Benicio del Toro and Edward James Olmos. Chase Infiniti looked on from her table, gazing toward her "One Battle After Another" co-stars before the program kicked off.

On the red carpet, with "Death by Lightning" actor Nick Offerman beside him, George Clooney shared laughs with a photographer, adding to the easygoing tone that carried throughout the afternoon. After the event, Infiniti and Jordan reunited for a hug and a brief catch-up, a quiet moment that underscored the camaraderie in the room.

Films honored include "Avatar: Fire and Ash,Bugonia,Frankenstein,Hamnet,Jay Kelly,Marty Supreme,One Battle After Another,Sinners,Train Dreams" and "Wicked: For Good."

Television shows recognized were "Adolescence,Andor,Death by Lightning,The Diplomat,The Lowdown,The Pitt,Severance,The Studio" and "Task."

Closing the ceremony was Carol Burnett, who delivered AFI's annual benediction, celebrating the honorees' achievements while reflecting on her own lifelong love of cinema and television.

"I've never lost the deep respect and love that I have for all the stories we tell through cinema and television and by all of those behind and in front of the camera," Burnett said. "Creative collaboration has always remained at the heart of our work, and AFI brings us all together. The world is a better place for having heard your voices."

The luncheon also featured AFI's signature March of Time video montage, a sweeping look at cinematic and television milestones from decades past, situating this year's honorees within the evolving history of the medium.