India’s ‘Brown Beauty’ Make-up Influencers Go Global

In this photo taken on March 16, 2023, social media beauty and lifestyle influencer Debasree Banerjee does her make-up while going live on her YouTube channel in Mumbai. (AFP)
In this photo taken on March 16, 2023, social media beauty and lifestyle influencer Debasree Banerjee does her make-up while going live on her YouTube channel in Mumbai. (AFP)
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India’s ‘Brown Beauty’ Make-up Influencers Go Global

In this photo taken on March 16, 2023, social media beauty and lifestyle influencer Debasree Banerjee does her make-up while going live on her YouTube channel in Mumbai. (AFP)
In this photo taken on March 16, 2023, social media beauty and lifestyle influencer Debasree Banerjee does her make-up while going live on her YouTube channel in Mumbai. (AFP)

Under the glow of a ring light in the spare bedroom of a Mumbai high-rise apartment, Indian make-up maven Debasree Banerjee has found fans across the world with a simple philosophy: brown is beautiful.

Banerjee's audience includes women from as far afield as the Middle East and United States who also have a deeper complexion but have historically been overlooked by the cosmetics industry.

"I actually have a lot of followers who are outside India, and I feel like it's probably because our skin tones match," Banerjee told AFP.

"They can see how the product looks like on my skin tone, how the lipstick applies on my skin tone, and just have that sense of belongingness."

Banerjee, 34, began experimenting with make-up videos in her spare time a decade ago, after graduating from university and moving to Mumbai to work in sales.

She is now a full-time beauty and lifestyle influencer, teaching more than half a million followers how to beautify themselves on Instagram and YouTube.

Early inspirations included British beauty content creators Tanya Burr and Fleur De Force -- both white and with millions of followers between them.

But Banerjee said she had found no role models who resembled her.

She credits Rihanna for the seismic shift towards greater inclusiveness in the cosmetics industry.

In 2017, the pop superstar launched her make-up line Fenty Beauty, which offered 40 shades of foundation and turned her into a billionaire.

"Fenty Beauty really, really changed the game," Banerjee said. "I think that's when people knew that this is important."

While other international brands have tried to keep up, many still have "miles and miles to go" before they can be considered truly inclusive, she added.

"I still see products being launched in three shades, in four shades, calling them 'universal'. And it's just ridiculous," Banerjee said.

"In India, everywhere you go... you see our features changing, our language changing, our skin color changing. So it's very, very important to have more inclusive make-up."

'Learning to love ourselves'

Cheap internet data, rising income levels and the world's largest population of young people have fueled an explosion in India's beauty and personal care market.

The industry is now worth $15 billion nationally each year, with Euromonitor projecting that figure will double by 2030.

Homegrown e-commerce platform Nykaa -- which helped make global cosmetic brands easily available to Indians for the first time -- was one of India's most-anticipated IPOs in 2021.

"People thought brown skin is not pretty," Faby, another beauty influencer living in Mumbai, told AFP. "But now we've started learning to love ourselves."

Faby has nearly 900,000 Instagram followers and has established herself as one of India's top cosmetic stylists, recently teaming up with top Bollywood actress Deepika Padukone to promote a skincare line.

Almost her entire apartment has been refashioned into a studio with professional lights, camera equipment and retractable backdrops to stylize her regular online tutorials.

The work can be taxing, with some daylong shoots lasting until well after midnight, but the money Faby makes from brand collaborations is enough to comfortably support both herself and her mother.

"It has been difficult, but now I can have my own Dior bag, I can have whatever I want," said Faby. "It's all because of the followers who are watching."

'Look more beautiful'

India's government belatedly recognized the explosive growth of online content creation last year, announcing a 10 percent tax on promotional gifts worth over 20,000 rupees ($244).

That move brought part of the country's $120 million influencer market under the tax net -- chiefly those advertising products beyond the purchasing power of the vast majority of Indians.

A single lipstick by a prominent international brand can cost around 2,000 rupees ($24) locally -- more than what half of India's households pay for their weekly groceries, according to British market research firm Kantar.

But the gap between material desires and means has proven to be fertile ground for other Indian influencers showing their audiences how to keep on-trend without breaking the bank.

"There are many people who cannot afford expensive products, so my DIY shows them how to look more beautiful," Kavita Jadon, 34, told AFP.

From her home a couple of hours' drive from the capital New Delhi, the housewife and mother-of-two makes videos showing how to make ersatz concealers out of moisturizer and coffee grinds, at a fraction of the cost of name-brand products.

Despite filming from a cheap phone, editing with free software, and lacking Banerjee and Faby's elaborate studio setups, Jadon has amassed more than 169,000 followers on Facebook.

Many of her homemade product ideas are the result of painstaking trial and error, with her audience eagerly sharing their own ideas or petitioning her with requests.

"Using products from big brands is not essential -- it's possible to use local products and create beauty products at home too," she said.

"That's why my page has grown so significantly."



Paris Mourns Valentino, the Last Titan of Couture’s Golden Age

An Italian flag hangs at half-mast outside the Valentino Creative Headquarters, following the death of the fashion designer Valentino Garavani at the age of 93 on Monday, in Rome, Italy, January 20, 2026. (Reuters)
An Italian flag hangs at half-mast outside the Valentino Creative Headquarters, following the death of the fashion designer Valentino Garavani at the age of 93 on Monday, in Rome, Italy, January 20, 2026. (Reuters)
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Paris Mourns Valentino, the Last Titan of Couture’s Golden Age

An Italian flag hangs at half-mast outside the Valentino Creative Headquarters, following the death of the fashion designer Valentino Garavani at the age of 93 on Monday, in Rome, Italy, January 20, 2026. (Reuters)
An Italian flag hangs at half-mast outside the Valentino Creative Headquarters, following the death of the fashion designer Valentino Garavani at the age of 93 on Monday, in Rome, Italy, January 20, 2026. (Reuters)

Valentino Garavani’s death cast a long shadow over the opening day of Paris Fashion Week menswear Tuesday, with front-row guests and industry figures mourning the passing of one of the last towering names of 20th-century couture — an Italian designer whose working life was closely entwined with the Paris runways.

Valentino, 93, died at his Rome residence, the Valentino Garavani and Giancarlo Giammetti Foundation said in a statement announcing his death. While he built his house in Rome, he spent decades presenting collections in France.

He “was one of the last big couturiers who really embodied what was fashion in the 20th century,” said Pierre Groppo, fashion editor-in-chief at Vanity Fair France.

On a day meant to sell the future, many guests said they were thinking about what fashion has lost: the couturier as a living institution.

Groppo pointed to the codes that made Valentino instantly legible — “the dots, the ruffles, the knots” — and to a generation of designers who, he said, “in a way, invented what is celebrity culture.”

Valentino’s vision was built on a simple idea: make women look luminous, then make the moment unforgettable.

He dressed Jacqueline Kennedy Onassis and Elizabeth Taylor, among others, fixed his signature “Valentino red” in the public imagination, and — through his decades-long partnership with Giancarlo Giammetti — helped turn the designer himself into part of the spectacle, as recognizable as the clients in his front row.

The end of a fashion era

Prominent fashion writer Luke Leitch framed the loss in similarly outsized terms, calling Valentino “the last of the fashion ‘leviathans of that generation’,” and saying it was “absolutely” the end of a certain class of designer: figures whose names could carry a global house, and whose authority came not from viral speed but from permanence.

Trained in Paris before founding his maison in Rome, Valentino became a rare bridge figure: Italian by origin, but fluent in the rituals that made Paris couture an institution. His career moved between those two capitals of elegance, bringing Roman grandeur into a system that still treats fashion not only as commerce, but as ceremony.

Even as he aged, the house’s founder kept turning up at its couture and ready-to-wear shows, as observed by one Associated Press journalist — until he eventually retreated from public life, all the while radiating quiet grandeur from his front-row seat.

For some in Paris on Tuesday, the loss felt personal precisely because Valentino’s world was never only Italian.

Groppo recalled the designer as “very much more than a fashion brand,” adding: “It was a lifestyle.”

That lifestyle — couture polish, social glamour, and the conviction that elegance could be a form of power — remains a reference point even as fashion accelerates toward louder branding and faster cycles.

“It’s quite sad as he’s so important to the fashion industry, and he contributed a lot and I cannot forget the stunning red he created,” said Lolo Zhang, a Chinese fashion influencer attending Louis Vuitton ’s show in Paris.

“He always celebrated pure beauty, and architecture for the silhouette, and how he used color. The old era just passed by.”

Other guests described a delayed realization — the kind that arrives only when a figure who seemed permanent is suddenly gone.

YSL, Chanel and Valentino

“There are some people who want to be Yves Saint Laurent, Chanel. ... There are also people who are spontaneously Valentino,” said Guy-Claude Agboton, deputy editor of Ideat magazine. “It’s a question of identity.”

For Paris fashion observer Benedict Epinay, the grief was bound up with memory. And with the emotional charge of Valentino’s final bow.

“It was such a great moment. I was lucky enough to attend the last show he gave,” Epinay said. “It was so moving because we knew at that time it was the last show.”

Fashion observer Arfan Ghani pointed to what Valentino represented to younger designers: a “classy” standard of restraint in an era that often rewards noise.

“Because it was very classical materials," Ghani said. "It wasn’t as loud as a lot of other of these brands are with branding.”

Paris-based sculptor Ranti Bam described Valentino in the language of form: less trend than structure, less look than line.

“As a sculptor I saw Valentino as an artist,” Bam said. “He transcended fashion into sculpture.”

“He didn’t follow trends, he pursued form,” she added. “That’s why his work doesn’t date, it endures.”

The fashion house Valentino has for years continued under a new generation of leadership and design — still showcased in Paris.


Pharrell Opens Vuitton’s Monogram Anniversary Year With Cinematic Menswear Show

A model presents a creation from the Fall/Winter 2026/2027 collection by US designer Pharrell Williams for Louis Vuitton during the Paris Fashion Week, in Paris, France, 20 January 2026. (EPA)
A model presents a creation from the Fall/Winter 2026/2027 collection by US designer Pharrell Williams for Louis Vuitton during the Paris Fashion Week, in Paris, France, 20 January 2026. (EPA)
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Pharrell Opens Vuitton’s Monogram Anniversary Year With Cinematic Menswear Show

A model presents a creation from the Fall/Winter 2026/2027 collection by US designer Pharrell Williams for Louis Vuitton during the Paris Fashion Week, in Paris, France, 20 January 2026. (EPA)
A model presents a creation from the Fall/Winter 2026/2027 collection by US designer Pharrell Williams for Louis Vuitton during the Paris Fashion Week, in Paris, France, 20 January 2026. (EPA)

Pharrell Williams opened a celebration year for Louis Vuitton's monogram — marking the house’s 130th anniversary of its most recognizable signature — with a Fall-Winter 2026 men’s show that was equal parts brand pageant and movie set.

Inside the Louis Vuitton Foundation in Paris, the guests encircled the grassy runway. At its center sat a glass-walled, minimalist apartment — part bedroom, part display box — where models kept entering and exiting like characters crossing movie scenes.

It was also a celebrity-heavy room, with a front row mixing music, film and online fame — SZA, Usher, Future, Jackson Wang and others, plus a runway debut to seal the crossover: BamBam of Korean boy band GOT7.

The soundtrack did as much scene-setting as the set. A gospel choir and full orchestra performed live from the balconies, lifting what could have been a straightforward runway lap into something closer to a staged sequence: romantic, controlled, faintly grand.

On the clothes, Williams stayed inside his Vuitton DNA: readable from a distance, richer up close, and always tethered to the idea of travel and the house’s heritage goods.

This season’s lens was 1970s ease spiked with utility. The palette sat firmly in autumn-tonal grays, browns, black, denim, cream — then broke into jolts of bubblegum pink, baby blue and emerald green that kept the mood from turning too polite.

It was Vuitton in full brand mode: monogram year messaging, hero outerwear, high-gloss accessories, and a set built for cameras.

Silhouettes ran long and loose, with baggier trousers that swung into an A-line sweep; suits were often topped with parka coats, a high-low collision that has become one of his signatures.

The details — always his style argument — did the work.

Shirts flashed with glimmering surfaces.

Bows and jabot-style collars delivered the 70s note without going costume.

Utility came through in the hardware language: ties, toggles, belts, zippers; faux-fur collars that read both functional and decorative.

Patent Oxford shoes added a hard, glossy punctuation under the softer shapes.

A monogrammed puffer arrived as the obvious anniversary-era hero item.

Williams also pushed a slightly “undone” finish — wrinkled tops that looked intentionally lived-in rather than sloppy — while widening the fit menu beyond the season’s broader swing toward slimness: skin-tight knits, cleanly fitted suits and oversized tailored shorts.

Then came the Vuitton wink at travel as culture-object: an Art Nouveau travel case in stained glass, rolled through on a trolley — absurd, beautiful, and perfectly on-message for a house that still sells the idea of departure as luxury.


Burberry Beats Holiday Sales Expectations, Attracts More Shoppers in China

A Burberry Check styled shirt with the Burberry label is displayed at the Burberry flagship store in Regent Street, London, Britain, September 8, 2025. (Reuters)
A Burberry Check styled shirt with the Burberry label is displayed at the Burberry flagship store in Regent Street, London, Britain, September 8, 2025. (Reuters)
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Burberry Beats Holiday Sales Expectations, Attracts More Shoppers in China

A Burberry Check styled shirt with the Burberry label is displayed at the Burberry flagship store in Regent Street, London, Britain, September 8, 2025. (Reuters)
A Burberry Check styled shirt with the Burberry label is displayed at the Burberry flagship store in Regent Street, London, Britain, September 8, 2025. (Reuters)

Burberry beat expectations for sales growth in the key holiday quarter as its marketing push featuring British celebrities resonated ‌with shoppers ‌and helped attract more Gen ‌Z ⁠consumers ​in China.

Joshua ‌Schulman, who became CEO in July 2024 as sales were sliding, is leading a turnaround focused on trench coats, scarves and the brand's British heritage, while cutting costs after reducing the workforce by 20% last year.

"Our customers responded to our immersive Timeless ⁠British Luxury campaigns and experiences, while the continued strength in our core ‌outerwear category is now extending ‍into accessories and ready-to-wear," ‍Schulman said in a statement on Wednesday.

Comparable store sales rose 3% in the three months to December 27, beating analysts' expectation of 2% growth, according to a company-compiled consensus.

Sales ​in China rose 6% on a comparable basis, as the brand continued its recovery ⁠in the crucial luxury market. Burberry said the performance was supported by "double-digit" growth in Gen Z customers.

The company said its markdown period was shorter and "shallower" than last year, an encouraging sign for investors looking for signs that customers are increasingly willing to buy Burberry products at full price.

Burberry said it expects full-year adjusted operating profit to be in line with the consensus forecast of 149 million pounds ($200 ‌million).