It’s Met Gala Time Again — Here’s What We Know So Far

German fashion designer Karl Lagerfeld acknowledges the applause of his models at the end of the show he designed for the French fashion house Chanel, for the 1993-94 Fall-Winter haute couture collection in Paris, July 20, 1993. (AP)
German fashion designer Karl Lagerfeld acknowledges the applause of his models at the end of the show he designed for the French fashion house Chanel, for the 1993-94 Fall-Winter haute couture collection in Paris, July 20, 1993. (AP)
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It’s Met Gala Time Again — Here’s What We Know So Far

German fashion designer Karl Lagerfeld acknowledges the applause of his models at the end of the show he designed for the French fashion house Chanel, for the 1993-94 Fall-Winter haute couture collection in Paris, July 20, 1993. (AP)
German fashion designer Karl Lagerfeld acknowledges the applause of his models at the end of the show he designed for the French fashion house Chanel, for the 1993-94 Fall-Winter haute couture collection in Paris, July 20, 1993. (AP)

Last year, it took 275,000 bright pink roses to adorn the Metropolitan Museum of Art for the Met Gala, the biggest night in fashion and one of the biggest concentrations of star power anywhere.

It remains to be seen how the museum’s Great Hall will be decorated come the first Monday in May, but one thing is not in question: those entering it will look spectacular. The theme centers on the late designer Karl Lagerfeld, who made an indelible mark on luxury fashion in his long career at Chanel, Fendi and elsewhere. It is a theme not without controversy — Lagerfeld was known for contentious remarks about everything from #MeToo to curvy bodies.

Want to know what to expect as the big day approaches? Not to worry. The Associated Press dusted off its annual guide with some key updates.

What is the Met Gala anyway?

It started in 1948 as a society midnight supper, and wasn’t even at the Met.

Fast forward 70-plus years, and the Met Gala is something totally different, one of the most photographed events in the world for its head-spinning red carpet — though the carpet isn’t always red.

We’re talking Rihanna as a bejeweled pope. Zendaya as Cinderella with a light-up gown. Katy Perry as a chandelier morphing into a hamburger. Billy Porter as an Egyptian sun god. And Lady Gaga’s 16-minute striptease. And, last year, host Blake Lively’s Versace dress — a tribute to iconic New York architecture — that changed colors in front of our eyes.

Then there’s Kim Kardashian, bringing commitment to a whole other level. (It’s reasonably safe to expect her again this year, because why wouldn’t she be coming?) One year, she wore a dress so tight, she admitted she had to take breathing lessons beforehand. Two years ago, she wore a dark bodysuit that covered even her face. But then last year she truly stole the carpet, showing up in Marilyn Monroe’s actual, rhinestone-studded “Happy Birthday, Mr. President” dress (borrowed from Ripley’s Believe It or Not! museum), changing the minute she got inside to protect it. There was controversy later over suspicions, denied by Ripley’s, that she’d caused some damage. But still — that was an entrance.

It’s important to note that the party has a purpose — last year, the evening earned $17.4 million for the Met’s Costume Institute, a self-funding department. Yes, that’s a heckuva lot for a gala. It also launches the annual spring exhibit that brings hundreds of thousands of visitors to the museum.

But it’s the carpet itself that draws the world’s eyes, with the guest list — strategically withheld until the last minute — featuring a collection of notables from movies, music, fashion, sports, politics and social media that arguably makes for the highest celebrity wattage-per-square-foot of any party in the world.

Who’s hosting this year?

This year’s five hosts are drawn from television (Emmy-winning writer, actor and producer Michaela Coel); the movies (Oscar-winning actor Penélope Cruz, who has worked with Chanel for more than 20 years); sports (recently retired tennis superstar Roger Federer); and music (Grammy-winning songstress Dua Lipa). Finally, there is Vogue’s Anna Wintour (do we need to tell you she’s in fashion?) running the whole thing as usual.

Is there always a theme?

Yes. As mentioned above, the theme is Karl Lagerfeld, and the exhibit, “Karl Lagerfeld: A Line of Beauty,” looks at “the designer’s stylistic vocabulary as expressed in aesthetic themes that appear time and again in his fashions from the 1950s to his final collection in 2019.” Once again, it has been created by the Met’s star curator, Andrew Bolton.

Does everyone follow the theme?

Not really. Some eschew it and just go for big and crazy. But expect some guests to carefully research the theme and come in perfect sync. It was hard to beat the carpet, for example, when the theme was tied to “Heavenly Bodies: Fashion and the Catholic Imagination” and Rihanna came as the pope, Zendaya channeled Joan of Arc, and Perry navigated the crowd with a set of enormous angel wings. For Lagerfeld, the clothes may be a bit more, er, down to earth.

How much do I have to pay for a Met Gala ticket?

Wrong question. You cannot just buy a ticket. The right question is: If I were famous or powerful and got invited, how much would it cost? Well, you might not pay yourself. Generally, companies buy tables. A fashion label would then host its desired celebrities. This year, the cost has gone up, as it does every few years due to rising expenses: It’s now $50,000 for an individual ticket, and tables start at $300,000.

This year, there will be roughly 400 guests — similar to recent years but still lower than pre-pandemic highs of 500-600. Wintour and her team still get to approve every guest.

Trying to predict? Take out your pen and jot down some of your favorite names, the buzzier the better. Newly minted Oscar winners, for example, are a good bet. Broadway is a special favorite of Wintour’s. She also loves tennis — this is not fashionable Federer’s first Met Gala. Now, cross everyone off your list except the very top. At this gala, everybody’s A-list.

How can I watch?

You can watch the whole carpet unfold on a Vogue livestream. If you’re in New York, you can also join fans across the street, behind barricades, on Fifth Avenue or even further east on Madison. Timothée Chalamet has been known to greet fans.

Do we know who’s coming? And who isn’t?

It’s secret. But reports slip out, often about who is not coming and why. You can count on various celebrity Chanel ambassadors showing up. Watch this space.

What happens inside?

Entering the museum, guests walk past what is usually an impossibly enormous flower arrangement in the lobby, with perhaps an orchestra playing nearby, and over to cocktails. Or, they head to view the exhibit. Cocktails are 6 p.m. to 8 p.m., but the most famous — or those who plan to make the biggest entrance — sometimes come (fashionably) later.

Around 8 p.m., guests are summoned to dinner — perhaps by a team of buglers (“Are they going to do that between every course?” actor Gary Oldman asked aloud one year).

Is it fun for everyone?

Occasionally, someone says no. Tina Fey, in a comic rant to David Letterman in 2015, described the gala as a “jerk parade” and said it included everyone you’d ever want to punch, if you had millions of arms. Amy Schumer left early in 2016 and said later she felt awkward and like it was “a punishment.”

So they never came back, right?

Wrong. Schumer was back in 2017. And then last year again.

Hey, this is the Met Gala.



Valentino 2025 Sales, Core Profit Slide as Debt Edges Higher

A model presents a creation by Italian fashion house Valentino during the show "Interferenze" Fall/Winter 2026-2027 collection at Palazzo Barberini in Rome on March 12, 2026. (Photo by Alberto PIZZOLI / AFP)
A model presents a creation by Italian fashion house Valentino during the show "Interferenze" Fall/Winter 2026-2027 collection at Palazzo Barberini in Rome on March 12, 2026. (Photo by Alberto PIZZOLI / AFP)
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Valentino 2025 Sales, Core Profit Slide as Debt Edges Higher

A model presents a creation by Italian fashion house Valentino during the show "Interferenze" Fall/Winter 2026-2027 collection at Palazzo Barberini in Rome on March 12, 2026. (Photo by Alberto PIZZOLI / AFP)
A model presents a creation by Italian fashion house Valentino during the show "Interferenze" Fall/Winter 2026-2027 collection at Palazzo Barberini in Rome on March 12, 2026. (Photo by Alberto PIZZOLI / AFP)

Italian luxury group Valentino reported lower sales and earnings in 2025 from the previous year, while its net debt increased, a company filing showed on Tuesday.

Revenue fell 15% to €1.12 billion, ‌while earnings ‌before interest, taxes, ‌depreciation ⁠and amortization (EBITDA) dropped 41% ⁠to €174 million, the filing said.

Net debt rose to €1.13 billion at the end of 2025 from €1.08 billion a ⁠year earlier, it ‌added.

Valentino ‌is controlled by Qatar-backed Mayhoola, ‌which owns 70% of ‌the company, while French luxury group Kering holds the remaining 30%.

The fashion house ‌has been facing a slowdown in luxury demand ⁠and ⁠in November received a €100 million capital injection from Kering and Mayhoola to shore up its finances after it breached loan covenants earlier in the year.


Giorgio Armani Closes Milan Menswear Week with Mediterranean-inspired Collection

A model presents a creation for Giorgio Armani's Spring/Summer 2027 men collection in Milan, Italy June 22, 2026. REUTERS/Alessandro Garofalo
A model presents a creation for Giorgio Armani's Spring/Summer 2027 men collection in Milan, Italy June 22, 2026. REUTERS/Alessandro Garofalo
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Giorgio Armani Closes Milan Menswear Week with Mediterranean-inspired Collection

A model presents a creation for Giorgio Armani's Spring/Summer 2027 men collection in Milan, Italy June 22, 2026. REUTERS/Alessandro Garofalo
A model presents a creation for Giorgio Armani's Spring/Summer 2027 men collection in Milan, Italy June 22, 2026. REUTERS/Alessandro Garofalo

Giorgio Armani closed the Milan Fashion Week on Monday with a summer menswear collection inspired by the Mediterranean, featuring earthy tones and lightweight natural fabrics.

Models sauntered through an arcaded courtyard in a historic downtown building wearing airy ⁠garments, including softly tailored trousers ⁠and safari jackets, often paired with large bags.

"There is enormous loyalty (to the late Giorgio Armani) but there is ⁠also a moving forward," Leo Dell'Orco, head of the men's style office and chairman of the group, told journalists on the sidelines of the event.

Reuters quoted Dell'Orco as saying that he had "lengthened and narrowed the silhouette" and used slightly ⁠longer ⁠jackets, with a cohesive color palette which spanned white, sand and shades of grey.

Alongside the menswear line-up, the show also unveiled the women's Cruise collection, the first designed by Silvana Armani, Giorgio's niece.


Milan Designers Go Lighter in Silhouette, if Not Materials, for Next Summer

Models present Dolce & Gabbana Spring/Summer 2027 men's collection at Milan Fashion Week, in Milan, Italy June 20, 2026. (Reuters)
Models present Dolce & Gabbana Spring/Summer 2027 men's collection at Milan Fashion Week, in Milan, Italy June 20, 2026. (Reuters)
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Milan Designers Go Lighter in Silhouette, if Not Materials, for Next Summer

Models present Dolce & Gabbana Spring/Summer 2027 men's collection at Milan Fashion Week, in Milan, Italy June 20, 2026. (Reuters)
Models present Dolce & Gabbana Spring/Summer 2027 men's collection at Milan Fashion Week, in Milan, Italy June 20, 2026. (Reuters)

In complicated, heavy times, Milan designers went lighter — if not in materials, then in silhouette.

Amid economic uncertainty, geopolitical tensions and a sweltering Milan Fashion Week, designers largely stripped things back for next summer, embracing clean lines and pared-down looks. Prada led the way, with co-creative directors Miuccia Prada and Raf Simons arguing for simplicity and familiar clothes reimagined through proportion and fabrication.

That didn’t mean dressing for the heat was straightforward. Milan’s runways were filled with leather and knits for the next summer season, suggesting that fashion’s elite may need generous air-conditioning, mountain escapes or higher latitudes to wear some of the looks.

Key trends from Milan Fashion Week menswear Spring-Summer 2027 collections that closed on Monday include the embrace of luxury materials, sartorial ventilation and lighter tailoring, while a few defiantly chose bling over restraint.

Perhaps the biggest surprise of the season was the persistence of leather.

Prada’s leather combinations were inspired by the universality of jeans, featuring slim five-pocket pants matched with cropped flat-pocketed jackets that functioned as shirts. Other designers used woven and perforated techniques to make leather more breathable, even as temperatures climbed.

In Milan, luxury and practicality were often in tension.

After years of oversized silhouettes, menswear is once again embracing the body.

Designers broadly agreed that a well-dressed man still wears a suit. The challenge was how to survive the heat. The response was ventilation, with dress shirts left unbuttoned. Some were rendered transparent. Or they were simply done away with.

Long trousers remained dominant, but there was a shift toward closer-to-the-body dressing. Dolce & Gabbana pushed the idea furthest with microshorts that showcased muscular legs, while some brands exposed torsos.

Tailoring remained central to Milan collections, but in lighter, more relaxed forms.

Designers softened construction, opened necklines and experimented with fabrics and construction that allowed more airflow. The result was tailoring designed for rising temperatures without abandoning formality.

US designer Thom Browne, now under Zegna ownership, returned to Milan for the first time since 2008 with layered suiting that drew heavily on summer-friendly seersucker and pleated skirts for men, long a brand hallmark.

The message from Milan was clear: the suit isn’t going anywhere, but it is adapting.

Of course, restraint is not for everyone. While much of Milan embraced restraint, some designers doubled down on decoration.

Philipp Plein presented a crystal-encrusted denim ensemble that takes days of handwork to complete. Dolce & Gabbana also leaned into embellishment, including beaded accents that recalled coral.

If Prada’s vision was reduction, these designers unapologetically offered maximalism and glamour.

A lighter Milan calendar created opportunities for emerging designers to gain attention alongside the industry’s biggest names.

Martin Quad made his Milan debut with unusual tailoring tricks that got him noticed in his native Copenhagen, while Domenico Orefice embraced leather and richly woven textiles for his co-ed collection.

Japanese designer Shinya Kozuka's Shinyakozuka label made its Milan debut with one of the most poetic and summery collections of the season, epitomized by a bare-chested model in a billowing sheer coat in teal worn baggy white trousers.