'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde
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'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde

The Irish Novelist Oscar Wilde uses the story collection "A House of Pomegranates" to express his philosophy through different characters like mermaids, tulips, forest animals, and even mythical creatures inspired by the Greek mythology. With a wild imagination, he weaved stories and lessons about how beauty can be a "painkiller", said a main character in one of his stories. The "A House of Pomegranates" collection has been recently released by "Afaq" publishing house in Cairo, and translated by Inas al-Turki. Turki said that was the first Arabic translation of the story collection described as one of Oscar Wilde's greatest works.

In the "Fisherman and his soul", the hero is a fisherman who took an unfamiliar fateful decision. He separated from his soul because it was preventing him from marrying the mermaid that charmed him with her beauty and pure voice during his fishing trips. To marry her, the fisherman had to do one thing: get rid of his human soul that, according to the rules of sea creatures, was a burden.

"What is the value of my soul? I don't see it, or touch it, and I don't know it," said the fisherman while telling his story to the monk, who tried to change his mind, saying: "The soul is more valuable than the world's gold and kings' jewels." However, the lover wasn't convinced and went to offer his soul for sale. The vendors told him: "A human soul is valueless. It won't bring us a small silver coin," proposing to buy his body, and turning him into a slave, so they can sell him to a queen.

Then, the fisherman went to a malicious witch who lived in a cave. She recommended him to stand with his back to the moon until he sees his shadow and cut it with a knife, because "a human's shadow is his soul." But before he cuts his shadow, the soul pleased him to let it alive, and asked him to keep his heart for it so it doesn't feel alone in this cruel world. However, the fisherman refused and told the soul: "How can I love my mermaid if I gave you my heart?" Then, the soul asked him to meet it once a year on the beach where they split and he accepted.

The soul called him every year, and he went to meet it. In the first year, it told him about its tours in the East, and proposed to give him the "mirror of wisdom", which can show him the truth wherever he is, if he accepts to reunite with the soul. However, he refused because "love is better than wisdom," and went back to his mermaid. The second year, the soul called him again and spoke about its tours in the South, then proposed to give him a ring that would make him the richest man on earth, but he refused because "love is more important." In the third year, the soul proposed to accompany him to a nearby city where he can watch a barefoot woman dancing. The mermaid has no legs and cannot dance, so he agreed to go with his soul but only on a one-day trip so he can return quickly to his mermaid.

Here, the soul started to incite him to bad actions like stealing a silver cup, slapping a child, and killing a kind man. The fisherman noticed that his soul has become pure evil, and when he denounced its action, the soul told him: "Did you forget that you left me without a heart?" The fisherman tried to separate from his soul again by cutting his shadow as taught by the witch, but he discovered that his soul and shadow can be cut one time, and that his evil soul will stay with him forever. As "his love reached great levels", the fisherman looked for his mermaids in the seas, neglecting the words of his soul calling him to forget her. Eventually, when his heart broke, the soul found its way again to him, and they reunited.

The story collection includes four stories in 217 pages. Wilde used pomegranates as an expressive symbol in his four stories, and created tens of imaginary pictures aimed at making an equal dialogue between the worlds of kings and poor people. In the "Young King" story, a poor man stands in a crowd and addresses to the king, saying: "Sir, don't you know that the life of poor people exists because of rich people? We live from your extravagances. We gain our bread from your vices. Working hard for a cruel master is bitter, but not having a master to work hard for is even bitterer." In this story, a sixteen-year-old shepherd surprisingly found himself in a fancy palace, and knew he is the only legitimate heir of a king, whose daughter was killed for loving a lower man. The young shepherd's life starts to change with an excessive passion for beauty. His greatest dream centered on his appearance during the crowning ceremony and "the golden cape, the sapphire-studded crown, and the pearl-adorned scepter" he is going to wear.

However, that night, the young heir saw three dreams that described the heavy price he is going to pay to wear these three things. The first dream featured weak hands shaking in a heavy air while weaving his cape; in the second, he saw himself on a boat during a fishing trip that ended with the bloody death of the diver who found the prettiest pearl for his crown; in the third, he saw death and greediness fighting and messing with the fate of men looking for the sapphires that would adorn his crown. The young shepherd woke up the next morning and ordered his escorts who brought the cape, crown, and scepter to "take these things away, and hide them. The white hands of pain weaved the cape with the loom of sadness; the sapphires are covered with blood, and the pearl is hunted by death".

Finally, the heir chose to attend the crowning ceremony accompanied by his sheep, wearing his cape made of sheep fur, and putting a crown of thorns on his head, with the primitive shepherd stick in his hand. When he walked among the crowds in this modest appearance, the rich and poor called him "the beggar and the king's clown", while he insisted on modesty and told them about his dreams.



Prince Mohammed bin Salman Project Restores Historical Al-Saidan Mosque in Al-Jouf Region

The renovation uses traditional Al-Jouf mud-brick techniques and natural materials - SPA
The renovation uses traditional Al-Jouf mud-brick techniques and natural materials - SPA
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Prince Mohammed bin Salman Project Restores Historical Al-Saidan Mosque in Al-Jouf Region

The renovation uses traditional Al-Jouf mud-brick techniques and natural materials - SPA
The renovation uses traditional Al-Jouf mud-brick techniques and natural materials - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has commenced the restoration of Al-Saidan Mosque in Dumat Al-Jandal, Al-Jouf Region. Dating back to 620 AH (1223 CE), it is the city's second oldest mosque and formerly served as a judicial court and a prominent educational center for Quranic studies.

As part of the project's second phase, the mosque's area will increase from 179 to 202.39 square meters, restoring its capacity to 68 worshippers after prayers were previously suspended, SPA reported.

The renovation uses traditional Al-Jouf mud-brick techniques and natural materials to preserve the site's authentic desert architecture.

Notable features being preserved include a historical well and an ancient underground stone water channel used for wudu.

By rehabilitating this landmark, the project fulfills its strategic goals of restoring architectural authenticity and highlighting the Kingdom’s civilizational heritage in line with Vision 2030.


Rome’s Colosseum Gets a Fresh Look That Recreates the Footprints of Long-Gone Columns

The inauguration of the new layout and archaeological area of the southern ambulacra of the Colosseum in Rome, Italy, 17 March 2026. (EPA)
The inauguration of the new layout and archaeological area of the southern ambulacra of the Colosseum in Rome, Italy, 17 March 2026. (EPA)
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Rome’s Colosseum Gets a Fresh Look That Recreates the Footprints of Long-Gone Columns

The inauguration of the new layout and archaeological area of the southern ambulacra of the Colosseum in Rome, Italy, 17 March 2026. (EPA)
The inauguration of the new layout and archaeological area of the southern ambulacra of the Colosseum in Rome, Italy, 17 March 2026. (EPA)

The Colosseum has a bright new look following a restoration using the same travertine marble of ancient Rome to recreate parts of columns from 2,000 years ago.

Thousands of Romans once flocked to this arena to watch gladiators battle each other and wild animals. The structure still captures the public's imagination; it is Italy’s most popular tourist destination, with 9 million visitors in 2025 alone.

The project focused on a semicircular piazza outside the arena, where Roman spectators crowded under two arcades comprised of marble columns stretching up to 50 meters (164 feet) high. People stood in these arcades as they waited to pass through the entrances and take their seats.

Those arches are long gone, collapsing over the centuries from earthquakes and unstable ground. But now, tourists will be able to sit on large travertine marble slabs where their columns once stood and read reproductions of the Roman numerals that indicated seat sections.

“These blocks of travertine marble are placed, located exactly where the pillars, the original pillars were based,” said Italian architect Stefano Boeri, who designed the piazza. “The idea we had was to give back to the public the perception of the proportion of the arcades and the proportion of the vaults of the arches that were used to enter in the center of the Colosseum.”

Over time, the outside area became filled with detritus, including pieces of ruins, and overgrown with weeds.

Restorers began by digging a meter (yard) to where the travertine paving stones once covered the entrance area. They discovered coins, statues, animal bones and a gold ring. Deeper down is the secret underground passageway where Emperor Commodus used to enter the Colosseum while avoiding the hoi-polloi, and which was opened to the public last year.

Restorers sourced the new slabs of travertine from the same quarries where the ancient Romans retrieved theirs — and that today are used build a new generation of religious buildings, banks, museums, government buildings and private homes.

“From the beginning we understood only one thing and that was that we wanted to be involved,” Fabrizio Mariotti, head of the Mariotti Carlo stonecutting firm that has been carving travertine to order for four generations in Tivoli, said Tuesday while sitting on a slab of the stone.

“For a family like ours that has been working with travertine for four generations, working at the Colosseum, which is the symbol not only of Rome but also of this material, is so important.”

Earlier this year, the city of Rome opened two new subway stations, one deep beneath the Colosseum completing a multi-billion euro metro project. The restoration of the Colosseum’s perimeter was done using compensatory funds from the metro, project officials said.


Northern Arabia Archaeological Site Reveals 13,500-Year-Old Human Settlement

The study documented human settlement at the site dating back about 13,500 years. (Saudi Ministry of Culture)
The study documented human settlement at the site dating back about 13,500 years. (Saudi Ministry of Culture)
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Northern Arabia Archaeological Site Reveals 13,500-Year-Old Human Settlement

The study documented human settlement at the site dating back about 13,500 years. (Saudi Ministry of Culture)
The study documented human settlement at the site dating back about 13,500 years. (Saudi Ministry of Culture)

The Saudi Heritage Commission, one of 11 sector-specific commissions under the Ministry of Culture, announced findings documenting archaeological evidence of early human settlement in northern Arabia. The scientific study presenting the evidence has been published in the journal Nature.

The findings, presented in the scientific study titled “The Natufian Epipalaeolithic and Pre-Pottery Neolithic in the desert of northern Arabia,” are based on advanced excavation and scientific analysis conducted at the Sahout site, an archaeological site located on the southern edge of the Nefud Desert between the Arnan and Al-Misma mountains.

The site occupies a strategic geographic position linking internal desert environments with settlement networks connected to the Levant, making it a key location for understanding early human movement and dispersal in the region during the late Ice Age and the beginning of the Holocene.

The study documented human settlement at the site dating back about 13,500 years. Stratified excavations uncovered distinctive stone tools, most notably Helwan bladelets - small, finely crafted stone implements used as arrowheads or as components of hunting tools.

These artifacts are important archaeological indicators associated with the Natufian culture. Their discovery at the Sahout site confirms the presence of human communities possessing advanced technical skills and the ability to adapt to desert environments. It also reflects the connection of the Arabian Peninsula to broader cultural networks extending to the Fertile Crescent during this early period.

The discovery also revealed a later settlement phase dating between approximately 10,300 and 8,700 years ago, characterized by greater settlement density and technological development in stone industries. Archaeologists discovered Abu Salem points, a type of finely crafted arrowhead used in hunting.

These findings provide important evidence of advanced human societies with sophisticated technological skills, reflecting a high level of organization and environmental knowledge during the Pre-Pottery Neolithic period and confirming the presence of developed human settlement in northern Arabia during that time.

Geochemical analyses of the obsidian used to manufacture the stone tools showed that the material originated from Jabal Al-Abyad in the Khaybar region, about 190 km south of the site. This indicates the existence of extensive communication and exchange networks, demonstrating that early communities were capable of traveling long distances to obtain resources from distant areas and highlighting advanced levels of cultural and technological interaction among populations in the region.

The study documented a direct link between human settlement and rock art at the site. Carving tools were found within dated archaeological layers alongside artistic elements depicting life-size camels and human figures.

These discoveries provide a precise chronological framework for the development of artistic expression in northern Arabia, confirming that artistic production was an integral part of the cultural life of the communities inhabiting the area during these early periods.

The findings reaffirm the Kingdom’s commitment to cultural preservation, historical understanding, and knowledge development.