'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde
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'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde

The Irish Novelist Oscar Wilde uses the story collection "A House of Pomegranates" to express his philosophy through different characters like mermaids, tulips, forest animals, and even mythical creatures inspired by the Greek mythology. With a wild imagination, he weaved stories and lessons about how beauty can be a "painkiller", said a main character in one of his stories. The "A House of Pomegranates" collection has been recently released by "Afaq" publishing house in Cairo, and translated by Inas al-Turki. Turki said that was the first Arabic translation of the story collection described as one of Oscar Wilde's greatest works.

In the "Fisherman and his soul", the hero is a fisherman who took an unfamiliar fateful decision. He separated from his soul because it was preventing him from marrying the mermaid that charmed him with her beauty and pure voice during his fishing trips. To marry her, the fisherman had to do one thing: get rid of his human soul that, according to the rules of sea creatures, was a burden.

"What is the value of my soul? I don't see it, or touch it, and I don't know it," said the fisherman while telling his story to the monk, who tried to change his mind, saying: "The soul is more valuable than the world's gold and kings' jewels." However, the lover wasn't convinced and went to offer his soul for sale. The vendors told him: "A human soul is valueless. It won't bring us a small silver coin," proposing to buy his body, and turning him into a slave, so they can sell him to a queen.

Then, the fisherman went to a malicious witch who lived in a cave. She recommended him to stand with his back to the moon until he sees his shadow and cut it with a knife, because "a human's shadow is his soul." But before he cuts his shadow, the soul pleased him to let it alive, and asked him to keep his heart for it so it doesn't feel alone in this cruel world. However, the fisherman refused and told the soul: "How can I love my mermaid if I gave you my heart?" Then, the soul asked him to meet it once a year on the beach where they split and he accepted.

The soul called him every year, and he went to meet it. In the first year, it told him about its tours in the East, and proposed to give him the "mirror of wisdom", which can show him the truth wherever he is, if he accepts to reunite with the soul. However, he refused because "love is better than wisdom," and went back to his mermaid. The second year, the soul called him again and spoke about its tours in the South, then proposed to give him a ring that would make him the richest man on earth, but he refused because "love is more important." In the third year, the soul proposed to accompany him to a nearby city where he can watch a barefoot woman dancing. The mermaid has no legs and cannot dance, so he agreed to go with his soul but only on a one-day trip so he can return quickly to his mermaid.

Here, the soul started to incite him to bad actions like stealing a silver cup, slapping a child, and killing a kind man. The fisherman noticed that his soul has become pure evil, and when he denounced its action, the soul told him: "Did you forget that you left me without a heart?" The fisherman tried to separate from his soul again by cutting his shadow as taught by the witch, but he discovered that his soul and shadow can be cut one time, and that his evil soul will stay with him forever. As "his love reached great levels", the fisherman looked for his mermaids in the seas, neglecting the words of his soul calling him to forget her. Eventually, when his heart broke, the soul found its way again to him, and they reunited.

The story collection includes four stories in 217 pages. Wilde used pomegranates as an expressive symbol in his four stories, and created tens of imaginary pictures aimed at making an equal dialogue between the worlds of kings and poor people. In the "Young King" story, a poor man stands in a crowd and addresses to the king, saying: "Sir, don't you know that the life of poor people exists because of rich people? We live from your extravagances. We gain our bread from your vices. Working hard for a cruel master is bitter, but not having a master to work hard for is even bitterer." In this story, a sixteen-year-old shepherd surprisingly found himself in a fancy palace, and knew he is the only legitimate heir of a king, whose daughter was killed for loving a lower man. The young shepherd's life starts to change with an excessive passion for beauty. His greatest dream centered on his appearance during the crowning ceremony and "the golden cape, the sapphire-studded crown, and the pearl-adorned scepter" he is going to wear.

However, that night, the young heir saw three dreams that described the heavy price he is going to pay to wear these three things. The first dream featured weak hands shaking in a heavy air while weaving his cape; in the second, he saw himself on a boat during a fishing trip that ended with the bloody death of the diver who found the prettiest pearl for his crown; in the third, he saw death and greediness fighting and messing with the fate of men looking for the sapphires that would adorn his crown. The young shepherd woke up the next morning and ordered his escorts who brought the cape, crown, and scepter to "take these things away, and hide them. The white hands of pain weaved the cape with the loom of sadness; the sapphires are covered with blood, and the pearl is hunted by death".

Finally, the heir chose to attend the crowning ceremony accompanied by his sheep, wearing his cape made of sheep fur, and putting a crown of thorns on his head, with the primitive shepherd stick in his hand. When he walked among the crowds in this modest appearance, the rich and poor called him "the beggar and the king's clown", while he insisted on modesty and told them about his dreams.



Holy Quran Museum in Makkah Preserves, Showcases Rare Manuscripts

 The Museum of the Holy Quran is located in the Hira Cultural District of Makkah - File Photo/ SPA
The Museum of the Holy Quran is located in the Hira Cultural District of Makkah - File Photo/ SPA
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Holy Quran Museum in Makkah Preserves, Showcases Rare Manuscripts

 The Museum of the Holy Quran is located in the Hira Cultural District of Makkah - File Photo/ SPA
The Museum of the Holy Quran is located in the Hira Cultural District of Makkah - File Photo/ SPA

The Holy Quran Museum in the Hira Cultural District in Makkah continues to play a leading role in preserving and exhibiting rare copies of the Holy Quran, standing as a cultural landmark that reflects the revered status of the Quran in the conscience of the Islamic nation and documents the care devoted to it across different historical eras, SPA reported.

Through its collections, the museum highlights the value of Quranic endowments, which formed one of the most significant features of Islamic civilization and contributed to safeguarding Quran manuscripts, disseminating them, facilitating their recitation, and supporting their service in mosques and centers of learning.

The museum houses one endowed copy of the Holy Quran printed in 30 pages, endowed by Prince Abdulaziz bin Mishaal bin Abdulaziz.

This initiative reflects a deep connection to the Holy Quran and embodies the continuity of the charitable endowment tradition dedicated to serving and caring for the Holy Quran.

The display of this manuscript aligns with the museum’s mission to introduce visitors to the history of the Holy Quran, highlight the efforts of individuals and institutions to preserve and serve it, and raise awareness of the cultural and humanitarian significance of Quranic endowments.

The museum offers a comprehensive cultural and knowledge-based experience that connects visitors to the history and stature of the Holy Quran, starting from Makkah, the birthplace of revelation and the direction of prayer for Muslims.


Saudi Arabia: Craft Exhibition at Kidana Track in Makkah Draws over 32,000 Visitors

As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans. SPA
As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans. SPA
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Saudi Arabia: Craft Exhibition at Kidana Track in Makkah Draws over 32,000 Visitors

As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans. SPA
As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans. SPA

Kidana Development Company concluded its craft exhibition, held in cooperation with the Makkah Chamber at Kidana Track in Muzdalifah from December 17 to 20, where traditional crafts highlighting the authenticity of Saudi identity drew 32,362 visitors.

As part of the Year of Handicrafts 2025 and the Makkah winter season activities, the exhibition featured around 20 artisans showcasing handmade products such as embroidery, knitting, carving, and pottery.

It aimed to reinforce Saudi identity and promote traditional crafts as vital to cultural heritage, fostering values among community members and future generations.

The Kidana Track serves as a comprehensive destination for Makkah residents and visitors, offering various facilities, walking paths, seating areas, and community events promoting sustainability.


Malaysian Minister of Religious Affairs Visits Hira Cultural District in Makkah

The Hira Cultural District is regarded as a prominent heritage landmark. SPA
The Hira Cultural District is regarded as a prominent heritage landmark. SPA
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Malaysian Minister of Religious Affairs Visits Hira Cultural District in Makkah

The Hira Cultural District is regarded as a prominent heritage landmark. SPA
The Hira Cultural District is regarded as a prominent heritage landmark. SPA

Malaysian Minister of Religious Affairs Dr. Muhammad Naeem bin Mukhtar visited on Sunday the Hira Cultural District in Saudi Arabia’s Makkah.

During the visit, the Malaysian minister and his accompanying delegation toured the Revelation Gallery and the Museum of the Holy Quran.

Members of the delegation expressed admiration for the historical legacy presented through the use of the latest technologies, as well as for the valuable efforts and purposeful messages aimed at enriching the religious and cultural experience. They also praised the beauty of the cultural and intellectual heritage and the distinctive presentation methods.

The Hira Cultural District is regarded as a prominent heritage landmark and a major attraction for visitors arriving in Makkah from around the world.