'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde
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'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde

The Irish Novelist Oscar Wilde uses the story collection "A House of Pomegranates" to express his philosophy through different characters like mermaids, tulips, forest animals, and even mythical creatures inspired by the Greek mythology. With a wild imagination, he weaved stories and lessons about how beauty can be a "painkiller", said a main character in one of his stories. The "A House of Pomegranates" collection has been recently released by "Afaq" publishing house in Cairo, and translated by Inas al-Turki. Turki said that was the first Arabic translation of the story collection described as one of Oscar Wilde's greatest works.

In the "Fisherman and his soul", the hero is a fisherman who took an unfamiliar fateful decision. He separated from his soul because it was preventing him from marrying the mermaid that charmed him with her beauty and pure voice during his fishing trips. To marry her, the fisherman had to do one thing: get rid of his human soul that, according to the rules of sea creatures, was a burden.

"What is the value of my soul? I don't see it, or touch it, and I don't know it," said the fisherman while telling his story to the monk, who tried to change his mind, saying: "The soul is more valuable than the world's gold and kings' jewels." However, the lover wasn't convinced and went to offer his soul for sale. The vendors told him: "A human soul is valueless. It won't bring us a small silver coin," proposing to buy his body, and turning him into a slave, so they can sell him to a queen.

Then, the fisherman went to a malicious witch who lived in a cave. She recommended him to stand with his back to the moon until he sees his shadow and cut it with a knife, because "a human's shadow is his soul." But before he cuts his shadow, the soul pleased him to let it alive, and asked him to keep his heart for it so it doesn't feel alone in this cruel world. However, the fisherman refused and told the soul: "How can I love my mermaid if I gave you my heart?" Then, the soul asked him to meet it once a year on the beach where they split and he accepted.

The soul called him every year, and he went to meet it. In the first year, it told him about its tours in the East, and proposed to give him the "mirror of wisdom", which can show him the truth wherever he is, if he accepts to reunite with the soul. However, he refused because "love is better than wisdom," and went back to his mermaid. The second year, the soul called him again and spoke about its tours in the South, then proposed to give him a ring that would make him the richest man on earth, but he refused because "love is more important." In the third year, the soul proposed to accompany him to a nearby city where he can watch a barefoot woman dancing. The mermaid has no legs and cannot dance, so he agreed to go with his soul but only on a one-day trip so he can return quickly to his mermaid.

Here, the soul started to incite him to bad actions like stealing a silver cup, slapping a child, and killing a kind man. The fisherman noticed that his soul has become pure evil, and when he denounced its action, the soul told him: "Did you forget that you left me without a heart?" The fisherman tried to separate from his soul again by cutting his shadow as taught by the witch, but he discovered that his soul and shadow can be cut one time, and that his evil soul will stay with him forever. As "his love reached great levels", the fisherman looked for his mermaids in the seas, neglecting the words of his soul calling him to forget her. Eventually, when his heart broke, the soul found its way again to him, and they reunited.

The story collection includes four stories in 217 pages. Wilde used pomegranates as an expressive symbol in his four stories, and created tens of imaginary pictures aimed at making an equal dialogue between the worlds of kings and poor people. In the "Young King" story, a poor man stands in a crowd and addresses to the king, saying: "Sir, don't you know that the life of poor people exists because of rich people? We live from your extravagances. We gain our bread from your vices. Working hard for a cruel master is bitter, but not having a master to work hard for is even bitterer." In this story, a sixteen-year-old shepherd surprisingly found himself in a fancy palace, and knew he is the only legitimate heir of a king, whose daughter was killed for loving a lower man. The young shepherd's life starts to change with an excessive passion for beauty. His greatest dream centered on his appearance during the crowning ceremony and "the golden cape, the sapphire-studded crown, and the pearl-adorned scepter" he is going to wear.

However, that night, the young heir saw three dreams that described the heavy price he is going to pay to wear these three things. The first dream featured weak hands shaking in a heavy air while weaving his cape; in the second, he saw himself on a boat during a fishing trip that ended with the bloody death of the diver who found the prettiest pearl for his crown; in the third, he saw death and greediness fighting and messing with the fate of men looking for the sapphires that would adorn his crown. The young shepherd woke up the next morning and ordered his escorts who brought the cape, crown, and scepter to "take these things away, and hide them. The white hands of pain weaved the cape with the loom of sadness; the sapphires are covered with blood, and the pearl is hunted by death".

Finally, the heir chose to attend the crowning ceremony accompanied by his sheep, wearing his cape made of sheep fur, and putting a crown of thorns on his head, with the primitive shepherd stick in his hand. When he walked among the crowds in this modest appearance, the rich and poor called him "the beggar and the king's clown", while he insisted on modesty and told them about his dreams.



King Salman Global Academy for Arabic Language Launches Framework on Multilingualism at UNESCO

The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)
The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)
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King Salman Global Academy for Arabic Language Launches Framework on Multilingualism at UNESCO

The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)
The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)

Saudi Arabia's King Salman Global Academy for the Arabic Language (KSGAAL) launched its Framework on Multilingualism Framework at the UN Educational, Scientific, and Cultural Organization (UNESCO) headquarters in Paris, reported the Saudi Press Agency on Monday.

The launch took place during a symposium titled “Multilingualism in International Organizations.”

The event was attended by senior UNESCO officials, ambassadors of the Arab Group, experts from international organizations, participating delegations, and specialists in language policy.

The initiative is part of the academy's activities marking World Arabic Language Day.

KSGAAL Secretary-General Dr. Abdullah Al-Washmi said the launch of the framework represents a practical step reflecting the academy’s commitment to promoting multilingualism within international institutions and contributing to the development of linguistic work environments.

He expressed his gratitude for the continued support by Minister of Culture and academy Board Chairman Prince Bader bin Abdullah bin Farhan, underlining Saudi Arabia's dedication to supporting the Arabic language and its sciences and strengthening its global presence.

The framework aims to support UNESCO’s policies in empowering official languages within its institutional work in line with the objectives of the Human Capability Development Program, one of the Kingdom’s Vision 2030 programs, and within the academy's international initiatives, particularly those associated with World Arabic Language Day, he added.

It also aims to meet the linguistic needs of the Arab Group, boost institutional practices that contribute to developing the linguistic landscape, and expand Arab participation in UNESCO’s programs and activities.

The first session of the symposium was dedicated to presenting the framework, outlining its main components, and highlighting its role in supporting multilingualism and strengthening the presence of the Arabic language within the organization’s institutional and digital environments.

The framework is the result of joint efforts between the academy and the Saudi delegation to UNESCO.

The launch of the framework falls within the academy’s broader efforts to bolster the presence of the Arabic language in international organizations, support joint initiatives aimed at developing linguistic practices, and unify Arab efforts in the field of international language planning, helping consolidate the status of Arabic at both the international and institutional levels.


65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
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65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA

The Diriyah Biennale Foundation has announced the list of artists participating in the Diriyah Contemporary Art Biennale 2026, scheduled to open on January 30 in the Jax District of Diriyah.

Titled “In Interludes and Transitions,” this edition draws inspiration from themes of movement, migration, and transformation—forces that have historically shaped pathways of communication and cultural exchange between the Arab region and societies around the world, SPA reported.

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation. These original pieces, created by artists, musicians, filmmakers, architects, and writers, explore ideas of continuity, resilience, and collective imagination amid periods of profound change.

Chief Executive Officer of the Diriyah Biennale Foundation Aya Al-Bakree explained that the event brings together artists from multiple generations, regions, and disciplines, offering audiences a rich and diverse artistic experience that reflects Diriyah’s growing role as a global cultural hub.

The artistic directors noted that this edition of the Diriyah Contemporary Art Biennale emphasizes the vital role of art in interpreting contemporary transformations. Over the past year, participating artists and the curatorial team have engaged in in-depth research into the historical contexts of the Arab region, examined the rapid changes reshaping its cultural landscape, and addressed broader intellectual questions with global relevance.


Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
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Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)

Workers at the Louvre Museum voted Monday to strike over working conditions and other complaints, dealing another blow to the Paris landmark and home of the Mona Lisa after an embarrassing jewelry heist in October.

The CFDT union said the vote was taken at a meeting of 400 workers on Monday morning and that they decided to strike for the day.

The world’s most-visited museum didn’t open as scheduled and turned people away. A notice on the Louvre's website said, “the museum is closed for the moment.”

“It's really sad, because I was really looking forward to this,” said Lindsey Hall, a bitterly disappointed would-be visitor from Sacramento, California. She had been planning to enjoy the museum's huge collection of art and artifacts with a friend, describing it as “one of those life experiences you crave.”

“This is just an epic collection of art and something that every human should see,” she said. “I can see the other side of it, like if you are the person that works in the museum and how that can be, like day after day after day.”

The strike vote followed talks last week between labor unions and government officials, including Culture Minister Rachida Dati. Labor leaders said the talks had not alleviated all of their concerns about staffing and financing for the museum that welcomes millions of visitors each year.

“Visiting the museum has become an obstacle course,” said Alexis Fritche, general secretary of the culture wing of the CFDT union.

For employees, the daylight jewel heist crystallized long-standing concerns that crowding and thin staffing are undermining security and working conditions at the Louvre.

Thieves used a basket lift to reach the Louvre’s facade, forced a window, smashed display cases and fled with pieces of the French crown jewels. A Senate inquiry released last week said the thieves escaped with barely 30 seconds to spare and pointed fingers of blame at broken cameras, outdated equipment, understaffed control rooms and poor coordination that initially sent police to the wrong location.

In a statement, the CFDT said employees wants more staffing for security and to welcome visitors, improved working conditions, stable long-term budgets for the Louvre and leadership that “truly listens to staff.”

Yvan Navarro of the CGT union complained that staff numbers have continually decreased while visitor numbers have increased.

“People come to Paris to visit the museums. So the visitor numbers go up, the tariffs and the prices go up, because everything is becoming more expensive, but the salaries and the numbers of staffers don't go up so obviously you reach a point like today, a day of anger,” he said.