Eva Green on Playing an Astronaut in ‘Proxima’

Eva Green. (AP)
Eva Green. (AP)
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Eva Green on Playing an Astronaut in ‘Proxima’

Eva Green. (AP)
Eva Green. (AP)

Movies about astronauts and space are so often also about estranged fathers and sons. So it’s a welcome respite that in the new film “Proxima,” now available to rent on demand, the focus is on a mother, played by Eva Green, and her grade school age daughter, Stella, who she must leave behind for the opportunity to go to space.

It’s a subtle yet powerful film from French director Alice Winocour and many have singled out Green’s performance as one of her best.

The Associated Press spoke to Green about the big issues “Proxima” addresses, from the guilt of being a working mother to sexism, and also how fun it is to play an astronaut. Remarks have been edited for clarity and brevity.

AP: What did you find interesting about this story?
Green: I thought it was an amazing love story. The connection that my character and her daughter have is very beautiful and very powerful. And to play a character who is constantly torn between her passion of being an astronaut and her love for her daughter was very appealing. And playing an astronaut is like a fantasy! It’s very empowering. I love doing research on stuff like this. It was a good excuse to explore this world, which was completely unknown to me.

AP: The motherhood and work conundrum is a big one that this film tackles with a lot of nuance and empathy.
Green: I think lots of women will identify with this. And I don’t know if the movie gives an answer, but lots of women are faced with the dilemma of having a high-powered career or having a family. And it’s always a bit taboo. It doesn’t look very good to kind of abandon your children. I think this movie also encourages women that it’s OK to be ambitious and to go against conventions and to pursue your dream. But there is always that enormous feeling of guilt, which is absolutely human and very complex.

AP: Was it personal for you or your director?
Green: (Alice) actually has a daughter who is the exact same age as the actress who plays Stella. So it came from her guts, this project. Even me, I don’t have children and I understand this internal conflict. On another level, I have a dog and it is a big deal to leave him and do something for work.

AP: Was this something you talked to your mother (actor Marlène Jobert) about?
Green: We talked more about the fact that she was an astronaut and how cool it was. But I have a twin sister, and when we were born, my mom really slowed down her career to raise the kids.

AP: How did you prepare to play an astronaut? Did you get to meet any?
Green: Alice is very nerdy, a bit like me. She does lots of homework and she really wanted me to meet some astronauts and to go to the training center in Cologne and to train with some of the real trainers, Russian trainers in particular, one who was quite harsh on me because obviously I know nothing about being an astronaut. But it was quite comical.

It’s amazing to see how passionate those guys are. They go back home and they work, work, work, work, work. When we were in Moscow at Star City there was this sense of loneliness. And sometimes I was like, “Oh my God, poor them!” They have absolutely no life! But they love it. They love that sense of sacrifice and dedication for science. We met several French astronauts and we were like touching something sacred almost. There is something saint-like like about astronauts. They feel like they’ve seen the unknown. So it was a real treat.

AP: The film also explores the sexism she experiences at work. Did that ring true to what you saw?
Green: The women that I met were very ballsy and really, really strong. But we’re not as strong as men. You have to wear the very heavy spacesuit and have stronger shoulders than normal women. You have to adapt to this world made by men for men. You have to constantly prove yourself. You have to train harder, work harder. You have to be a bit masochistic, basically.

AP: What was one of the most memorable things about this experience?
Green: What was very exciting was the travel to those very sacred places, like Star City. For me, my favorite thing ever was a military plane — you needed the visa and all of this and I felt I was entering another dimension like in “Star Wars.”



How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
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How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.


Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo
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Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo

Pop star ‌Britney Spears has sold her rights to her music catalogue to independent music publisher Primary Wave, the ​latest artist to strike a deal for her work.

Entertainment site TMZ, citing legal documents it had obtained, first reported the news, saying the "Oops!... I Did It Again" and "Toxic" singer had signed the deal on December 30.

According to Reuters, it quoted sources as saying it ‌was "in the ‌ballpark" of Canadian singer Justin ​Bieber's ‌reported $200 ⁠million ​agreement to sell ⁠his music rights to Hipgnosis in 2023.

A person familiar with the situation said news of the Spears and Primary Wave deal was accurate. No further details were given.

Primary Wave, which is home to artists ⁠including Whitney Houston, Prince and Stevie ‌Nicks, did not ‌immediately respond to a request for ​comment. Spears has ‌not commented publicly.

The 44-year-old, one of ‌the most successful pop artists of all time, has topped charts around the world, starting off with "...Baby One More Time" in 1998. The ‌deal includes her songs such as "(You Drive Me) Crazy", "Circus", "Gimme More" and "I'm a Slave ⁠4 ⁠U", TMZ said.

Spears' ninth and last studio album, "Glory", came out in 2016.

In 2021, she was released from a 13-year court-ordered conservatorship set up and controlled by her father, Jamie Spears. The arrangement had governed Spears' personal life, career and $60 million estate from 2008 until it was terminated in November 2021.

Spears follows artists such as Sting, ​Bruce Springsteen and Justin ​Timberlake who have struck deals to cash in on their work.


Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
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Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)

Hollywood stars embraced at this year's Oscars nominee lunch, the glamorous pre-show gathering that was canceled amid last year's devastating Los Angeles wildfires.

Timothee Chalamet, nominated for best actor in "Marty Supreme," flashed a smile while fellow Best Actor contenders Micahel B. Jordan and Ethan Hawke also flitted around the annual luncheon in Beverly Hills.

Mexican director Guillermo del Toro chatted with his tablemates as Wagner Moura, the Brazilian star of "The Secret Agent," enthusiastically embraced Stellan Skarsgard and Oliver Laxe -- the latter of whom has his film "Sirat" up for best international feature film.

Academy of Motion Picture Arts and Sciences President Lynette Howell Taylor praised the diversity of this year's nominees.

"Ballots were cast from 88 countries and regions," the British producer said, adding that "the mission of the Academy is to amplify your art, movies and your voices."

The more than 200 nominees enjoyed a buzzy afternoon, all the more energetic after last year's lunch was canceled as huge fires razed whole communities around Los Angeles. That year the lunch was replaced with a smaller dinner at the Academy's museum.

"This is a recognition of Brazilian cinema, and of the cinema of our region," Moura told AFP.

Nearby, "The Secret Agent" director Kleber Mendonca Filho joked he was feeling animated -- "like a generator."

Skarsgard said that the impact of international films is growing, as evidenced by his historic nomination for Best Supporting Actor for Norwegian film "Sentimental Value."

Foreign films and their stars typically notch nominations in the international categories, but Skarsgard is competing against nominees from US blockbusters, including Benicio del Toro in "One Battle After Another" and Delroy Lindo in "Sinners."

Benicio del Toro meanwhile told AFP he was doubly thrilled after watching fellow Puerto Rican Bad Bunny perform at the Super Bowl halftime show over the weekend.

"I got goosebumps," he told AFP, adding: "It was beautiful."

The luncheon's other legendary del Toro, the director Guillermo, meanwhile said he was "calm."

While his "Frankenstein" is nominated for Best Picture, del Toro himself is off the hook for Best Director, which he said took the pressure off him and meant he could focus on promoting his team.

"I'm happy because nine nominations don't happen every day," he said.

Lanky heartthrob Jacob Elordi, up for best supporting actor, offered a similarly toned down vibe at an impromptu photo shoot.

"I'm chilling," he said. "It's all good."