Thailand Plots Sustainable Comeback for DiCaprio Beach

Thailand hopes to make Phi Phi the standard-bearer for a new, more sustainable model of tourism. Lillian SUWANRUMPHA AFP
Thailand hopes to make Phi Phi the standard-bearer for a new, more sustainable model of tourism. Lillian SUWANRUMPHA AFP
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Thailand Plots Sustainable Comeback for DiCaprio Beach

Thailand hopes to make Phi Phi the standard-bearer for a new, more sustainable model of tourism. Lillian SUWANRUMPHA AFP
Thailand hopes to make Phi Phi the standard-bearer for a new, more sustainable model of tourism. Lillian SUWANRUMPHA AFP

While travel stopped and the world locked down, in the dazzling blue waters of Thailand's idyllic Phi Phi islands, a gentle renaissance was under way.

Mass tourism had brought the archipelago, immortalized in Leonardo DiCaprio movie "The Beach", to the brink of ecological catastrophe.

Now Thailand hopes to make Phi Phi the standard-bearer for a new, more sustainable model of tourism as the country reopens to visitors after the long covid shutdown.

Near a coral islet just a few kilometers from Maya Bay -- the iconic cove surrounded by towering tree-clad cliffs that was home to the beach paradise of the DiCaprio film -- marine biologist Kullawit Limchularat dives through eight meters of crystalline water and carefully releases a young bamboo shark.

His mission: to repopulate the reefs after years of damage caused by uncontrolled visitor numbers, a crisis that got so bad the authorities were forced to close Maya Bay itself in 2018.

Five small brownbanded bamboo sharks are set free, their striped bodies and long tails flickering through the water.

But after being raised in captivity they are reluctant to swim out among the clown fish, barracudas and turtles.

"They need time to adapt. We waited until they reached 30 centimeters to maximize their chance of survival," says Kullawit, who is working on the project with the Phuket Marine Biological Center.

"The aim is that once they are adults, they will stay and breed here to help repopulate the species."

- Ecological disaster -
Before the pandemic, Phi Phi National Marine Park, with its white sandy beaches and coral reefs, attracted more than two million visitors a year.

Until it was closed, Maya Bay's dazzling beauty and Hollywood fame drew up to 6,000 people a day to its narrow 250-metre long beach.

Inevitably, so many people arriving in noisy, polluting motorboats with so little control over numbers had a huge impact on the area's delicate ecology.

"The coral cover has decreased by more than 60 percent in just over 10 years," says Thon Thamrongnawasawat of Kasetsart University in Bangkok.

As early as 2018, Thon raised the alarm and pushed the authorities to close part of the bay.

Then the pandemic hit and visitor numbers dwindled to virtually nil as Thailand imposed tough travel rules, putting the entire archipelago into a forced convalescence.

As a result, dozens of blacktip sharks, green turtles and hawksbill turtles have returned.

And whale sharks, the world's largest fish and listed as endangered by the International Union for Conservation of Nature (IUCN), have been spotted off the coast.

"Everything suggests that there is more reproduction, especially among sharks, which particularly appreciate calm waters," says Thon.

As for the corals, "more than 40 percent of the fragments replanted in Maya Bay have survived, a very satisfactory figure obtained thanks to the absence of visitors".

But recovery will be slow: at least two decades will be needed to restore the coral reef, Thon warns.

- New model -
Phi Phi is slowly resuming tourism, still mostly local for now, but foreigners are returning as Thailand eases its draconian rules for visitors, and Maya Bay is due to reopen on January 1.

The government has said it wants to move on from Thailand's history of hedonistic mass tourism, with Tourism Minister Phiphat Ratchakitprakarn saying the focus would be on "high-end travellers, rather than a large number of visitors".

On Phi Phi, national park chief Pramote Kaewnam insists the mistakes of the past will not be repeated.

Boats will no longer be allowed to moor near the beach and will instead drop tourists off at a jetty away from the cove. Tours will be limited to one hour, with a maximum of 300 people per tour.

"Maya Bay used to bring in up to $60,000 a day, but this huge income cannot be compared to the natural resources we have lost," Pramote said.

The number of visitors will be regulated on other key sites of the archipelago, while boats anchoring on reefs and tourists feeding fish face $150 fines.

Some of the first foreign visitors to return to the area are happy with the new more exclusive approach.

"We didn't just come to dive in the turquoise water. We also want to help," says Franck, a visitor who has just arrived from Paris.

"It would be fantastic if the island stayed this quiet."

Local businesses face the challenge of adapting to the new model. For some, the change is welcome.

"We need the revenue from tourism, but we also need to educate them to be good tourists. We all understood that with the pandemic," says Sirithon Thamrongnawasawat, Singha Estate Vice President for Sustainability and Development.

Singha Estate, which owns a 200-room hotel on the island and has built a marine center dedicated to the archipelago's ecosystem, is financing several projects, including the replanting of coral and the breeding of bamboo sharks and clown fish.

But the enthusiasm is not shared by all 2,500 inhabitants of the archipelago, many of whom have built livelihoods around tourism and hope to see visitors return soon.

Pailin Naowabutr has been plying the waters of the archipelago for seven years, ferrying tourists on his longtail boat.

"Before Covid, I was making $30 a day. Since then, I've had to do a lot of odd jobs for less than $10," he told AFP.

He gazes wistfully across the sea towards Phuket, Phi Phi's much larger neighbor which used to welcome millions of tourists.

"They will soon come back, everyone wants to visit Phi Phi," he says.

But the Omicron Covid variant, which has led some countries to reintroduce travel restrictions, could ruin his hopes -- and give the islands' wildlife a little more time to recover.



'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)


Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
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Rapper Lil Jon Confirms Death of His Son, Nathan Smith

Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)
Lil Jon performs at Gronk Beach music festival during Super Bowl week on Saturday, Feb. 11, 2023, at Talking Stick Resort in Scottsdale, Ariz. (AP)

American rapper Lil Jon said on Friday that his son, Nathan Smith, has died, the record producer confirmed in a joint statement with Smith’s mother.

"I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother (Nicole Smith) and I are devastated,” the statement said.

Lil Jon described his son as ‌an “amazingly talented ‌young man” who was ‌a ⁠music producer, artist, ‌engineer, and a New York University graduate.

“Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved,” the “Snap ⁠Yo Fingers” rapper added.

A missing persons report was ‌filed on Tuesday for Smith ‍in Milton, Georgia, authorities ‍said in a post on the ‍Milton government website.

Police officials added that a broader search for Smith, also known by the stage name DJ Young Slade, led divers from the Cherokee County Fire Department to recover a body from a pond near ⁠his home on Friday.

"The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” the post continued.

While no foul play is suspected, the Milton Police Department Criminal Investigations Division will be investigating the events surrounding Smith’s death.

Lil Jon is a Grammy-winning rapper known for a string ‌of chart-topping hits and collaborations, including “Get Low,” “Turn Down for What” and “Shots.”


Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”