Italian Fashion Pioneer Nino Cerruti Dies

Italian designer Nino Cerruti was one of the leading figures in 20th century men's ready-to-wear fashion Ralph GATTI AFP/File
Italian designer Nino Cerruti was one of the leading figures in 20th century men's ready-to-wear fashion Ralph GATTI AFP/File
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Italian Fashion Pioneer Nino Cerruti Dies

Italian designer Nino Cerruti was one of the leading figures in 20th century men's ready-to-wear fashion Ralph GATTI AFP/File
Italian designer Nino Cerruti was one of the leading figures in 20th century men's ready-to-wear fashion Ralph GATTI AFP/File

Pioneering Italian fashion designer Nino Cerruti, who introduced "casual chic" into men's fashion and in his heyday dressed Hollywood stars, has died at the age of 91.

He died at the Vercelli hospital in the northwest region of Piedmont, where he had been admitted for a hip operation, the Italian daily Corriere della Sera reported on its website.

"A giant among Italian entrepreneurs has left us," AFP quoted deputy minister for economic development Gilberto Pichetto as saying.

Cerruti, who created the first deconstructed jacket in the 1970s, was one of the leading figures in men's ready-to-wear fashion in the 20th century, with a look that was at once stylish and relaxed.

"I want men more free in their elegance, more elegant in their freedom," he once said.

Tall and slim, Cerruti always insisted on being the first to try on his creations, many of which he kept stored away at the woollen mill his grandfather founded in the northern town of Biella in 1881.

"I have always dressed the same person -- myself," he once said.

- 'Italy's chicest man' -

Born in 1930 in Biella, Cerruti dreamt of becoming a journalist.

But after his father died when he was 20, he was forced to give up his philosophy studies to take over the family textile factory.

In the 1960s, he met Giorgio Armani and hired him as a creator of men's fashion.

The duo made a profound mark on the world of fashion, before Armani branched out with his own fashion house in 1975.

On Saturday, Carlo Capasa, head of the National Chamber of Italian Fashion, mourned the passing of "Italy's chicest man".

He called the designer, often seen at his fashion shows in his signature yellow jumper, "a great innovator, a visionary creative and a forerunner of many realities today" in fashion.

"He leaves behind a great legacy: the courage to invest and believe in youth. He was the one who believed in a very young Giorgio Armani."

Armani himself told Corriere della Sera of his great sadness at the news. "Nino had a piercing gaze, a true curiousity, a capacity to dare," he said.

Cerruti opened his first shop in Paris in 1967, launching his luxury brand on the path to global fame.

"Clothes only exist from the moment someone puts them on. I would like these clothes to continue to live, to soak up life," he said.

- 'Philosopher of clothing' -

As French students rose up in revolt in May 1968, he revolutionized fashion by asking male and female models to walk down the catwalk in the same clothes.

"Trousers have given women freedom," he said.

He created his first line of women's clothing in the 1970s, a branch of the business that two decades later would account for a fifth of its revenue.

He then moved into perfumes, watches, shoes and jewelry.

The man nicknamed the "philosopher of clothing" dressed American actors Richard Gere and Robert Redford as well as French star Jean-Paul Belmondo.

He also made cameo appearances in Hollywood films "Cannes Man" (1996) and "Holy Man" (1998).

In the 1990s, his fashion house was asked to be the official designer of the Ferrari Formula 1 team.

Struggling to keep up with the highly competitive world of luxury fashion as an independent business, he sold his label "Cerruti 1881" to Italian investors in 2001. It was then taken over by a US investment fund, and then by the Chinese group Trinity.

After the sale, he returned to the family home in Biella.



Globes Red Carpet: Chic Black, Elegant Dresses and a Bit of Politics

Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP
Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP
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Globes Red Carpet: Chic Black, Elegant Dresses and a Bit of Politics

Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP
Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP

Hollywood's top stars hit the red carpet on Sunday for the Golden Globes, the first major event on the road to the Oscars, and they delivered lots of old-school glamour.

Here is a glance at some of the looks seen at the Beverly Hilton Hotel:

Ever-chic black

Selena Gomez is a newlywed and her happiness shows. The best comedy actress nominee for her work on "Only Murders in the Building" radiated joy as she arrived on the arm of her husband Benny Blanco.

She oozed sophistication in a black Chanel column gown with a frothy white feathered strapless neckline, her black bob swept into soft waves.

Gomez was not alone in striking an understated pose, with lots of stars opting for black or dark, wintry hues.

Teyana Taylor, a winner for her searing turn as a leftist revolutionary in hotly-tipped film "One Battle After Another," scorched the carpet in a cut-out backless black Schiaparelli gown with a halter neckline -- and a cheeky crystal bow on her backside.

Ariana Grande ("Wicked: For Good"), who competed with Taylor for the award for best supporting actress, turned heads in a black textured Vivienne Westwood ballgown with an asymmetrical neckline and a bubble silhouette before trailing to the floor.

Her hair was swept into her signature ponytail, and she kept the jewelry simple with a diamond choker.

Amy Madigan, also in their category for her villainous turn in "Weapons," went for a tuxedo look with cropped pants and patent leather boots.

Nominee Jenna Ortega embraced the goth chic of her title character in "Wednesday" in a black high-neck Dilara Findikoglu gown with glittering epaulets and cut-offs that revealed a bit of side boob... and part of her hip bone.

Among the male stars in attendance, Colman Domingo was as usual a standout, wearing head-to-toe black Valentino, with silvery appliques scattered from his left shoulder down his lapel to his waist.

Jennifer Lopez is no stranger to strong fashion statements. Her plunging green Versace gown at the Grammys in 2000 is still a reference for winning the red carpet by adopting the "less is more" rule.

On Sunday, Lopez -- whose turn in "Kiss of the Spider Woman" was overlooked by Globes voters -- wore a figure-hugging sheer gown with bronze patterns snaking over her body, ending in a mermaid fishtail.

Jennifer Lawrence --nominated for best drama actress in a film for "Die My Love" -- got the memo as well, rocking a barely-there sheer nude Givenchy gown with only a smattering of strategically placed flowers.

- Stars slam deadly ICE shooting -

Hollywood never quite has a night out without a bit of politics coming into play.

On Sunday, some of the stars including nominee Mark Ruffalo wore pins with the messages "BE GOOD" -- a reference to Renee Good, the Minneapolis woman who was shot and killed by a federal immigration agent.

Comedian Wanda Sykes wore the same pin on her lapel, while actress Natasha Lyonne, a nominee for her TV show "Poker Face," attached one to her clutch handbag.

The campaign is endorsed by the American Civil Liberties Union (ACLU), one of the country's most prominent civil rights organizations.

 


UK's Next Edges Up Profit Outlook after Christmas Sales Beat Expectations

FILE PHOTO: Shoppers walk past a NEXT retail store on Oxford Street in London, Britain, December 28, 2025. REUTERS/Isabel Infante/File Photo
FILE PHOTO: Shoppers walk past a NEXT retail store on Oxford Street in London, Britain, December 28, 2025. REUTERS/Isabel Infante/File Photo
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UK's Next Edges Up Profit Outlook after Christmas Sales Beat Expectations

FILE PHOTO: Shoppers walk past a NEXT retail store on Oxford Street in London, Britain, December 28, 2025. REUTERS/Isabel Infante/File Photo
FILE PHOTO: Shoppers walk past a NEXT retail store on Oxford Street in London, Britain, December 28, 2025. REUTERS/Isabel Infante/File Photo

British fashion retailer Next on Tuesday reported a better-than-expected 10.6% increase in full-price sales for the nine weeks to December 27 and edged up its annual profit guidance for the fifth time over the last year.

Subdued UK ⁠consumer confidence ahead of Christmas coupled with unseasonably mild weather had left analysts cautious about clothing retailers' festive trading prospects.

However, Next reported a 5.9% increase in UK ⁠sales year-on-year, with international sales up 38.3%.

According to Reuters, the group said it now expected to report a pretax profit of 1.15 billion pounds ($1.56 billion) for its year to January 2026, up from previous guidance of 1.135 billion pounds and the 1.011 billion pounds it made in ⁠2024/25 when it breached the 1 billion pounds mark for the first time.

Next forecast a further 4.5% increase in profit to 1.202 billion pounds for its 2026/27 year, on full-price sales up 4.5%.

Shares in Next have risen 43% over the last year.


Saudi Fashion Commission Issues Research Paper on 'Fashion Week Economics'

The Saudi Fashion Commission logo
The Saudi Fashion Commission logo
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Saudi Fashion Commission Issues Research Paper on 'Fashion Week Economics'

The Saudi Fashion Commission logo
The Saudi Fashion Commission logo

The Saudi Fashion Commission has issued its research paper for the fourth quarter of 2025, titled Fashion Week Economics, as part of its continued commitment to providing leading sector insights through the Fashion Futures platform.

The paper presents an in-depth analysis of Riyadh Fashion Week's contribution to local economic growth and explores the role of global fashion weeks in the global economy.

It highlights how Riyadh Fashion Week reflects the Kingdom's cultural and creative development, marking the beginning of a new era for Saudi creative industries, one driven by cultural confidence and economic ambition, through a dynamic integration of creativity, commerce, and culture aligned with the vision of a thriving creative economy.

The research also examines themes including the economic and cultural value of fashion weeks worldwide, the role of fashion-week events as global economic drivers, and case studies of various brands showcased at Riyadh Fashion Week 2025.

Through publishing this paper, the Fashion Commission continues to provide essential economic data and sector insights into the rapidly evolving fashion industry.

Riyadh Fashion Week targets designers, brands, creative talent, buyers, retailers, sponsors, and partners, serving as a central platform for opportunities across the market. Its rapid expansion across three editions, featuring more than 100 participating brands and attracting approximately 27,000 visitors, has delivered significant value in terms of media presence, relationship building, and business growth for participants.

The participation of major global fashion houses such as Vivienne Westwood and Stella McCartney in the third edition further reflects Riyadh’s growing influence in international luxury circles and its increasing global standing.