‘Remarkable’ Egyptian Presence in Ramadaniyat Exhibition at Jeddah Art Atelier

Painting by Saudi Artist Marwan Abdulhalim Radwi at the Jeddah Art Atelier.
Painting by Saudi Artist Marwan Abdulhalim Radwi at the Jeddah Art Atelier.
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‘Remarkable’ Egyptian Presence in Ramadaniyat Exhibition at Jeddah Art Atelier

Painting by Saudi Artist Marwan Abdulhalim Radwi at the Jeddah Art Atelier.
Painting by Saudi Artist Marwan Abdulhalim Radwi at the Jeddah Art Atelier.

The 14th edition of the Ramadaniyat Exhibition opened at the Jeddah Art Atelier, on April 3, with a remarkable Egyptian presence displaying over 60 works inspired by the spirit of Islamic civilization and arts, reflecting various intellectual views, and embodying the Islamic architecture and decorations. The artworks include pieces of Ramadan-inspired Arabic calligraphy and some Quran verses.

“The exhibition is running until the end of the holy month and represents an annual tradition through which the Jeddah Art Atelier brings the works of the best Arab artists to the city,” said Hisham Kandil, director of Jeddah Art Atelier. “Ramadaniyat features a wide variety of works that revolve around the spirituality of the holy month, the popular folklore in its different elements and values, and some modern topics. The event also includes a cultural evening hosting many artists and critics,” he told Asharq Al-Awsat.

Displaying over 150 works, the exhibition boasts a painting by Esteemed Artist Abdulhalim Radwi, pioneer of the contemporary art movement in Saudi Arabia, and four works by the late prominent Artist Fahad Al-Hejailan, in addition to the works of an elite of Saudi artists including Abdullah Hamas, Abdullah Nawawi, Abdullah Idris, Fahd Khalif, Mohammed al-Rabat, Abdulrahman al-Maghrabi, Mohammed al-Shehri, Mohammed al-Jad, Bassem al-Sharki, Mohammed al-A’jam, Fauzia Abdullatif, Ola Hijazi, Sahar Anani, and Thamer al-Rabat.

According to Kandil, this year’s edition of the exhibition marks a “powerful comeback of Artist Marwan Abdulhalim Radwi, the eldest son of Abdulhalim Radwi, after a long break.”

From Egypt, Artist Izzedine Naguib takes part with works that highlight the Egyptian values and heritage, depicting the face of modest human and nature. “Ramadaniyat is one of many great exhibitions that the Jeddah Art Atelier insists on holding every year to celebrate the holy month,” he told Asharq Al-Awsat.

This year’s edition is witnessing a remarkable participation of artists known for their unique creative personalities in the art circles in Egypt and the Arab world, according to Zakariya Ahmed al-Kadi, photography professor and former vice dean of the Faculty of Fine Arts at Minia University (Upper Egypt), who said he is happy to be part of the event.

His works reflect the ambiances of Ramadan in the popular Egyptian community, and recalls details from the popular Egyptian childhood such as the swings and clowns, in addition to landscapes of houses and lanes in old neighborhoods.

As usual, his paintings show a significant human and expressive charge that focuses on the popular Egyptian heritage. “I celebrate this heritage because it is an integral part of our national identity, and has many inspiring elements,” Kadi said.

Egyptian society celebrates many social and spiritual events in joyful ambiances, which has always prompted artists to depict them in their artistic expressions.

“In ancient times, Egyptians used to join the Sufi convoys known for their flags and chants. Even nowadays, we still see carnivals and celebrations in the streets with lights and decorations, and around mosques with their domes and minarets surrounded by colorful lights. On the spiritual level, worshipers flock to perform Tarawih prayers, and neighbors exchange plates of sweets and food,” he explained.



EU Commission Proposes Under-13s Social Media Ban

European Commission President Ursula von der Leyen attends a press conference on the EU regulation on the protection of children online, at the European Parliament in Strasbourg, France, 17 September 2026. EPA/RONALD WITTEK
European Commission President Ursula von der Leyen attends a press conference on the EU regulation on the protection of children online, at the European Parliament in Strasbourg, France, 17 September 2026. EPA/RONALD WITTEK
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EU Commission Proposes Under-13s Social Media Ban

European Commission President Ursula von der Leyen attends a press conference on the EU regulation on the protection of children online, at the European Parliament in Strasbourg, France, 17 September 2026. EPA/RONALD WITTEK
European Commission President Ursula von der Leyen attends a press conference on the EU regulation on the protection of children online, at the European Parliament in Strasbourg, France, 17 September 2026. EPA/RONALD WITTEK

European Commission President Ursula von der Leyen on Thursday set out a sweeping plan to keep children safe from online dangers, proposing to ban under 13s from social media and require online services to design safe children's accounts.

The move follows similar initiatives in Australia, Britain, China, India, Turkey and several EU countries underscoring rising concerns about the impact Meta's Facebook and Instagram, TikTok, Google's YouTube and ChatGPT have on children's mental health ⁠and safety.

Australia's challenges ⁠in enforcing its world-first social media ban for children under 16 however could see Europe facing an uphill battle as well.

"Today, our children are engaging with some of the most sophisticated technology ever created, and it was not created with children's well-being ⁠and development in mind," von der Leyen told a press conference, according to Reuters.

She said the proposed EU Kids Act "will set clear boundaries in the digital world just as we do it on a daily basis in the real world".

Under the proposal, which will need to be negotiated with EU countries and the European Parliament in the coming months before it can become law, accounts for children between 13 and 15 will ⁠be ⁠under parental control.

Social media and video-sharing services, online video games, AI companions and chatbots for children below 18 will be subject to a list of dos and don'ts.

These include a ban on addictive features, profiling-based recommender feeds, infinite scroll, reward tricks and unsolicited contact from strangers. AI companions and chatbots must be turned off by default.

Online platforms must design algorithms safe for children and provide easy-to-use parental controls and tools to block and mute users.


Buckingham Palace Hits Back at Claims in Princess Diana Book

Britain's King Charles III attends The King's Foundation's Harmony in Food and Farming Summit, at the Foundation's headquarters at Dumfries House near Cumnock, Ayrshire, Scotland on September 16, 2026. (Photo by Jonathan Brady / POOL / AFP)
Britain's King Charles III attends The King's Foundation's Harmony in Food and Farming Summit, at the Foundation's headquarters at Dumfries House near Cumnock, Ayrshire, Scotland on September 16, 2026. (Photo by Jonathan Brady / POOL / AFP)
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Buckingham Palace Hits Back at Claims in Princess Diana Book

Britain's King Charles III attends The King's Foundation's Harmony in Food and Farming Summit, at the Foundation's headquarters at Dumfries House near Cumnock, Ayrshire, Scotland on September 16, 2026. (Photo by Jonathan Brady / POOL / AFP)
Britain's King Charles III attends The King's Foundation's Harmony in Food and Farming Summit, at the Foundation's headquarters at Dumfries House near Cumnock, Ayrshire, Scotland on September 16, 2026. (Photo by Jonathan Brady / POOL / AFP)

Buckingham Palace has hit back at claims by the late Princess Diana's brother that King Charles III acted insensitively following her death in a car crash almost 30 years ago.

The palace issued an unusually strong statement after Charles Spencer claimed in his new memoir that the then-prince, Diana's former husband, said "rest assured, we'll forget her soon enough" days after she died in 1997.

"While we do not comment on books as a matter of principle," a palace spokesperson said late Wednesday, according to AFP.

"His Majesty is mindful that the pain of fraternal grief can cloud reason, affect judgment and color memory in ways others do not recognize, even many years after such a loss."

"Swan Song: Diana, My Sister" is due to be published next week.

In the book, serialized in the Daily Mail, Spencer claims that Charles subjected him to a "stream of anger" after he insisted Diana would not have wanted her sons, princes William and Harry, then aged 15 and 12, to walk in her funeral procession.

"He unleashed down the phone what I have always taken to be his pent-up contempt for Diana, and his horror that the world was so bowled over by her death. 'Rest assured', he hissed, 'we'll forget her soon enough!'," Spencer writes.

Diana, who was extremely popular in the UK, died in Paris at the age of 36 after the car she was travelling in crashed as it tried to get away from paparazzi photographers.

Her death sparked an outpouring of grief in Britain and led to accusations that the monarchy failed to show the appropriate empathy.

UK media likened the language in the palace's statement to the late Queen Elizabeth II's response in 2021 to claims of racism in the royal family from Harry and his wife Meghan.

The queen said that "some recollections may vary".


Indonesia Cash-for-photos Scheme Turns Animal Hunters Into Protectors

This picture taken on September 2, 2026 shows wildlife observer and former poacher Octavius using a mobile phone equipped with a telephoto lens to take pictures of wildlife in a forest near Labian village in Kapuas Hulu, West Kalimantan. (Photo by BAY ISMOYO / AFP)
This picture taken on September 2, 2026 shows wildlife observer and former poacher Octavius using a mobile phone equipped with a telephoto lens to take pictures of wildlife in a forest near Labian village in Kapuas Hulu, West Kalimantan. (Photo by BAY ISMOYO / AFP)
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Indonesia Cash-for-photos Scheme Turns Animal Hunters Into Protectors

This picture taken on September 2, 2026 shows wildlife observer and former poacher Octavius using a mobile phone equipped with a telephoto lens to take pictures of wildlife in a forest near Labian village in Kapuas Hulu, West Kalimantan. (Photo by BAY ISMOYO / AFP)
This picture taken on September 2, 2026 shows wildlife observer and former poacher Octavius using a mobile phone equipped with a telephoto lens to take pictures of wildlife in a forest near Labian village in Kapuas Hulu, West Kalimantan. (Photo by BAY ISMOYO / AFP)

Indonesian villager Octavius wades through the forest in rubber boots and tattered joggers, ears pricked, eyes peeled, a telephoto lens on his phone primed to capture orangutans, monkeys or birds.

The daily photo hunt earns Octavius and hundreds of others in Borneo cash as part of a conservation program seeking to make animals worth more alive than dead.

Locals on the island have long made money from hunting wild songbirds and selling them, mainly to domestic customers.

The KehatiKu project aims to break that cycle by paying individuals in nine participating villages in West Kalimantan province for photos or recordings of animals instead.

Payments range from 5,000 rupiah (about $0.30) for observing a common bird, to 130,000 rupiah for an endangered orangutan -- the top prize.

The most successful observers earn up to 10 million rupiah a month -- equivalent to about $570, several times an average farmworker's income.

The extra cash "really helps, especially to pay for my children's college", said 50-year-old Octavius, who like many Indonesians uses a single name.

The program, run by environmental consultancy Borneo Futures, began two years ago and produces data on wildlife distribution and population changes.

Most participants are small-scale farmers of rice, cacao, durian and the stimulant kratom.
Early signs suggest the scheme is working.

"People have started to realize that where previously they caught one bird and it was worth 50,000 rupiah, now they just need to take a photo, send it to us, and they can receive a payment of 5,000 to 10,000 rupiah," Borneo Futures Indonesia director Nardiyono told AFP.

"If they take just five photos, they (may) earn 50,000 rupiah, and the bird is still in their environment, still observable, and still able to reproduce, so the potential income from observing birds is far greater than from hunting birds."

That shifting logic has prompted two participating villages to voluntarily introduce hunting bans since the project started, added Nardiyono.

The program is funded by philanthropic foundations and has received about $300,000 to date, according to Borneo Futures.

Half has gone towards development, including a mobile app for uploading animal sightings and an AI system that helps humans verify observations.

So far, users have submitted over 350,000 observations, about half of which have been validated and paid for.

Invalid entries might include multiple observations of the same animal, or a species that is not on the program's list.

In September, Octavius and dozens of others gathered at the tiny office in Labian village -- population 683 -- for their monthly payments.

His share was four million rupiah, or nearly $230.

"This is a side-job; it doesn't interfere" with farming, he told AFP as he showed off a patch where he grows kratom and cacao.

"Sometimes when we're working, when everyone is gathered to collect kratom leaves, we hear birds calling, so we go over, observe them -- if we can take a photo, we take a photo; if not, we just make a sound recording."

The program's model is "likely better for both environmental and social impacts than an unincentivized, top-down conservation project design," said researcher Paul Ferraro of the US-based Johns Hopkins University.

The main challenge will be maintaining funding, he added.

"People may revert to their prior behavioral patterns because the incentive payments are insufficient when the enthusiasm has waned," said Ferraro, an expert in human behavior and public policy.

For now, Borneo Futures has funding secured through 2028, and two more villages will join next month.

It pays for observations of 73 species, including birds, monkeys, wild cats and deer.

Antonia Uneng says she never has to venture too far from her home in Sungai Ajung, a village of fewer than 400 people, for observations.

She bought her first fridge with her earnings, as well as a karaoke machine, complete with flashing lights and two microphones, that occupies pride of place in her living room.

The project has given women in the village a sense of independence, said the 36-year-old part-time nursing assistant, whose husband works abroad.

"I have my own income... so I am not dependent on my husband."

Imelda, a farmer in Labian, goes into the forest daily with friends to record bird sounds and, if they are lucky, orangutans.

"It makes us healthier, walking in the forest," said the 72-year-old.

In the past, some in the community considered wild boar and deer pests for damaging their gardens and crops, she said.

But now, "we really, really want to protect them".