Near UN in Geneva, Giant Fresco Advocates for World without Weapons 

An aerial photograph taken on September 11, 2023 shows a giant biodegradable land art painting by French artist Guillaume Legros, aka SAYPE, representing a hand fixing the fourth leg to the "Broken Chair" a monumental wood sculpture installed in front of the Palace of Nations, which houses the United Nations offices in Geneva. (Fabrice COFFRINI / AFP)
An aerial photograph taken on September 11, 2023 shows a giant biodegradable land art painting by French artist Guillaume Legros, aka SAYPE, representing a hand fixing the fourth leg to the "Broken Chair" a monumental wood sculpture installed in front of the Palace of Nations, which houses the United Nations offices in Geneva. (Fabrice COFFRINI / AFP)
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Near UN in Geneva, Giant Fresco Advocates for World without Weapons 

An aerial photograph taken on September 11, 2023 shows a giant biodegradable land art painting by French artist Guillaume Legros, aka SAYPE, representing a hand fixing the fourth leg to the "Broken Chair" a monumental wood sculpture installed in front of the Palace of Nations, which houses the United Nations offices in Geneva. (Fabrice COFFRINI / AFP)
An aerial photograph taken on September 11, 2023 shows a giant biodegradable land art painting by French artist Guillaume Legros, aka SAYPE, representing a hand fixing the fourth leg to the "Broken Chair" a monumental wood sculpture installed in front of the Palace of Nations, which houses the United Nations offices in Geneva. (Fabrice COFFRINI / AFP)

On the square across from the United Nations in Geneva, Swiss-French artist SAYPE has used eco-friendly paint to create a giant fresco intended to draw attention to the plight of civilians in armed conflicts.

Working with the Handicap International charity, the 34-year-old painted a gigantic hand on a grass canvas using chalk and coal that, from above, can be seen repairing a huge wooden sculpture known as the Broken Chair.

The three-legged Broken Chair, a work by Swiss artist Daniel Berset erected on Place des Nations in 1997, was designed to raise awareness about the impact of landmines on civilians in conflict zones.

"The idea was to paint a hand that comes to fix the broken leg," SAYPE told Reuters as he stood near his fresco, which is called "All Of Us".

"In my mind, this hand represents the whole world and that we can all get involved and help Handicap International in its fight."

Handicap International was founded in 1982 to assist Cambodian refugees who had lost limbs and it co-founded the International Campaign to Ban Landmines (ICBL) in 1992, which won the Nobel Peace Prize.

It assists vulnerable populations around the world, including civilians who have lost limbs due to armed conflict.

The issue of landmines even more topical due to the war in Ukraine, SAYPE said.

The number of people killed or wounded by cluster munitions has increased massively and the destruction in June of the Kakhovka dam and resulting flooding has most likely displaced many mines, creating more danger for civilians.

"For most of my projects, I try to use art to spread messages," SAYPE said. "I like to say that I impact society without impacting nature."

SAYPE is mostly known for his "Beyond Walls" series in which he spray painted giant hands clasping each other in cities including Berlin, Istanbul and Cape Town.



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.