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Madonna Shines in ‘Celebration’ Tour after Near-Fatal Illness

Madonna seen in New York on May 4, 2019, in New York. (AFP)
Madonna seen in New York on May 4, 2019, in New York. (AFP)
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Madonna Shines in ‘Celebration’ Tour after Near-Fatal Illness

Madonna seen in New York on May 4, 2019, in New York. (AFP)
Madonna seen in New York on May 4, 2019, in New York. (AFP)

Madonna kicked off her "Celebration" tour in London on Saturday, with a performance that proved her energy, charisma and appetite for controversy were little dimmed after four decades of pop super-stardom and a brush with death earlier this year.

The 65-year-old's greatest hits show was pushed back from its original July start date after she was hospitalized in intensive care for a serious bacterial infection.

"I'm really damn surprised I made it this far. And I mean that on so many levels," she told fans at the O2 arena.

Wearing the corset and chains that defined her breakthrough, she sang "Into The Groove" before a sound problem forced her to ad-lib about her early struggles in New York.

With the backing track restored, 1983's "Holiday" recreated the hedonistic joy of a New York club before the onslaught of AIDS, marked by a tribute to those who had died.

She performed hits "Like a Prayer", while "Vogue", the hit that powered her into the 1990s, saw one of the stages become a catwalk.

Madonna addressed the situation in the Middle East. "There's a lot of really crazy things happening in the world that are so, so painful to witness," she said. "But even though our hearts are broken, our spirits cannot be broken."

On her health scare, she said: "It was a crazy year for me as well. And I didn't think I was going to make it."

With more than 40 songs in the show, some like "Papa Don't Preach" were dispatched in seconds, but all of her re-inventions, from Catholic Madonna to Country Madonna, featured.

The seven-time Grammy Award winner has rescheduled the tour's North American leg to start in December after her European concerts.

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Composer of Piaf's 'Non, Je Ne Regrette Rien' Dies Aged 95

Charles Dumont wrote a classic song for Edith Piaf. CHRISTOPHE ARCHAMBAULT / AFP/File
Charles Dumont wrote a classic song for Edith Piaf. CHRISTOPHE ARCHAMBAULT / AFP/File
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Composer of Piaf's 'Non, Je Ne Regrette Rien' Dies Aged 95

Charles Dumont wrote a classic song for Edith Piaf. CHRISTOPHE ARCHAMBAULT / AFP/File
Charles Dumont wrote a classic song for Edith Piaf. CHRISTOPHE ARCHAMBAULT / AFP/File

Songwriter and singer Charles Dumont, who composed the song "Non, je ne regrette rien" ("No, I do not regret anything") made world famous by Edith Piaf, has died aged 95, his partner told AFP Monday.
Dumont, who had also collaborated with American singer Barbra Streisand and French-Italian 1960s star Dalida, died at home after a long illness.
French Culture Minister Rachida Dati called Dumont "a towering figure of French chanson".
A trumpeter by training, Dumont saw his career transformed at the turn of the 1960s when he convinced the star singer Piaf to perform one of his compositions, after having been forcefully refused several times.
"We turned up at her home, and she let us in," Dumont told AFP in 2018 about the day in 1960 when he managed to see Piaf together with his lyricist, Michel Vaucaire.
"I played the piece on the piano, and ... we became inseparable," he said, adding that the song -- which he had written in 1956 aged 27 -- revived Piaf's career that he said had been flagging.
"Non, je ne regrette rien" has since become an unforgettable classic of Piaf, who died in 1963.
"My mother gave birth to me, but Edith Piaf brought me into the world," Dumont told AFP in a 2015 interview.
"Without her, I would never have done everything I did, neither as a composer nor as a singer," he added.
For Dumont, this meeting marked the beginning of a fruitful working relationship with Piaf, resulting in his writing more than 30 songs for her.
'Goodbye young man'
On occasion she straightened him out, like one night after a concert when he complained to her that the audience had not been good.
"She looked me straight in the eye and said: 'It's not them who are bad. It's you who was no good'," he remembered.
The collaboration with Piaf gave Dumont the confidence to approach Streisand, who was already a star in the 1960s and well on her way to becoming one of the biggest-selling recording artists ever.
A music publisher suggested he should offer her his services, advice he later described as "destiny" giving him "a kick in the behind".
He went to New York, and played for her on a piano in her dressing room in a Broadway theater. "She said to me 'I like this very much. I'll make the record. Goodbye young man'," he said.
Streisand released a single with Dumont's "Le Mur" sung in French on the A side, and its English version "I've Been Here" on the B side, in 1966.
Dumont's last appearance on stage was in 2019 in Paris.
"When you come back in front of an audience, who come to see you as they came 20, 30 or 40 years ago and give you the same welcome, then they give you back your 20s," he said.