‘Friends’ Creators Say Matthew Perry’s Death ‘Seems Impossible’ 

A makeshift memorial for Matthew Perry is seen outside the building known as the "Friends" building in New York, Sunday, Oct. 29, 2023. (AP)
A makeshift memorial for Matthew Perry is seen outside the building known as the "Friends" building in New York, Sunday, Oct. 29, 2023. (AP)
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‘Friends’ Creators Say Matthew Perry’s Death ‘Seems Impossible’ 

A makeshift memorial for Matthew Perry is seen outside the building known as the "Friends" building in New York, Sunday, Oct. 29, 2023. (AP)
A makeshift memorial for Matthew Perry is seen outside the building known as the "Friends" building in New York, Sunday, Oct. 29, 2023. (AP)

Family, friends and fellow celebrities on Sunday mourned the loss of Matthew Perry, the wise-cracking co-star of the 1990s hit television sitcom "Friends," a day after the actor was found dead in a hot tub at his Los Angeles home.

"Matthew brought so much joy to the world, both as an actor and a friend," Perry's family said in a statement published by People magazine. "We are heartbroken by the tragic loss of our beloved son and brother."

The statement thanked Perry's fans for their "tremendous outpouring of love."

"It still seems impossible," the show's principle creative team, Marta Kauffman, David Crane and Kevin Bright, said in a joint statement on Sunday. "All we can say is that we feel blessed to have had him as part of our lives."

Word of Perry's death emerged late on Saturday in a flurry of news media reports, followed by statements from NBC, the broadcast network that aired "Friends" for 10 years, and Warner Bros. Television Group, which produced the show.

No official details were immediately released.

Asked about the circumstances of Perry's death, a Los Angeles Fire Department spokesperson, Captain Erik Scott, replied, without referring to Perry by name, that firefighters called to an address in the Pacific Palisades neighborhood found "an adult male unconscious in a stand-alone jacuzzi."

"A bystander had brought the man's head above the water and gotten him to the edge, then firefighters removed him from the water upon their arrival," Scott wrote to Reuters by text, adding that a quick medical assessment at the scene revealed "the man was deceased" before emergency personnel arrived.

The cause and manner of death is to be determined by medical examiners, he said.

Scott's account was consistent with several news media reports, citing law enforcement sources, that Perry was found dead in a hot tub at his Los Angeles home. No foul play was suspected, according to those reports.

Perry's death came one year after publication of his memoir, "Friends, Lovers, and the Big Terrible Thing," which chronicled decades-long bouts with addiction to prescription painkillers and alcohol, a struggle he said came close to ending his life more than once.

In his introduction to the book, the US-Canadian actor wrote, "Hi, my name is Matthew, although you may know me by another name. My friends call me Matty. And I should be dead." At the time, Perry said he had been sober for about 18 months.

Perry gained fame and remains best known for his role as the sardonically wry statistical analyst Chandler Bing on "Friends," which ranked among the top-10 prime-time television shows for much of its original network run from 1994 to 2004.

The series, still popular in syndication, made global stars out of Perry and all five of his lead castmates - Jennifer Aniston, Courteney Cox, David Schwimmer, Matt LeBlanc and Lisa Kudrow. The six earned wide critical acclaim for their on-screen chemistry, playing a close-knit group of young singles who shared space in each other's apartments and hung out together at the "Central Perk," a fictional Manhattan coffee house.

Although Chandler and Cox's character, Monica, were wed in the show's seventh season, Perry never married in real life.

None of Perry's "Friends" co-stars had yet to publicly comment on his death as of Sunday afternoon.

But the official "Friends" webpage on Instagram said: "We are devastated to learn of Matthew Perry´s passing. He was a true gift to us all. Our heart goes out to his family, loved ones, and all of his fans."

Singer Adele gave a tearful tribute to Perry and his Chandler character during her Las Vegas show on Saturday night.

"I'll remember that character for the rest of my life," she said as the audience cheered, according to the Los Angeles Times. "He's probably the best comedic actor of all time," she said.

Many celebrities shared their thoughts on social media over the weekend, such as actor Alyssa Milano, who co-starred with Perry in the 1988 prom night film "Dance 'Til Dawn," described him as "always the funniest person in the room."

"Matty, remember when we used to go play bingo at that church in the valley?" she wrote. "You made me laugh that painful kind of laugh. A cry laugh. You made me cry-laugh."

A tribute even came from Canada's prime minister, Justin Trudeau, a boyhood friend of the young Perry, who was born in Massachusetts but grew up in Ottawa after his mother, a Canadian journalist divorced Perry's father, remarried and moved with the boy to Ontario. The mother served for a time as press secretary to Trudeau's father, Pierre, while he headed the Canadian government decades ago.



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)