China Plans to Send More Pandas to US Zoo

A Chinese giant panda male Ru Yi eats bamboo at its enclosure at the Moscow Zoo in Moscow on February 13, 2024, as the zoo celebrates its 160th anniversary. (Photo by NATALIA KOLESNIKOVA / AFP)
A Chinese giant panda male Ru Yi eats bamboo at its enclosure at the Moscow Zoo in Moscow on February 13, 2024, as the zoo celebrates its 160th anniversary. (Photo by NATALIA KOLESNIKOVA / AFP)
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China Plans to Send More Pandas to US Zoo

A Chinese giant panda male Ru Yi eats bamboo at its enclosure at the Moscow Zoo in Moscow on February 13, 2024, as the zoo celebrates its 160th anniversary. (Photo by NATALIA KOLESNIKOVA / AFP)
A Chinese giant panda male Ru Yi eats bamboo at its enclosure at the Moscow Zoo in Moscow on February 13, 2024, as the zoo celebrates its 160th anniversary. (Photo by NATALIA KOLESNIKOVA / AFP)

China said Thursday it had signed agreements to send pandas to a zoo in San Diego, after nearly all the beloved black-and-white animals on loan in the United States were returned during years of diplomatic tensions.

Foreign ministry spokesperson Mao Ning told a regular press briefing that "Chinese institutions have already signed agreements with... the San Diego Zoo in the US".

The agreement centered "on a new round of cooperation in giant panda protection", she said.

A deal was also signed with a zoo in Madrid, and Beijing is in talks with zoos in Washington and Vienna, she added, according to AFP.

China has long deployed the fluffy envoys to various countries as "panda diplomacy", often to further its foreign policy aims.

Tensions between Washington and Beijing mean that only a handful of the bears remain in the United States, with three having left the national zoo in Washington in November.

The last remaining pandas in the United States, currently at a zoo in the southern city of Atlanta, are due to return to China by late 2024.

But after a meeting last year with US President Joe Biden, Chinese leader Xi Jinping said that China could send new pandas as "envoys of friendship between the Chinese and American people."

The White House said it would be happy to have more of the bamboo-chewing bears.

"Giant pandas are a national treasure of China and are deeply loved by people all over the world," Mao said on Thursday.

"We look forward to a new round of international cooperation on the protection of giant pandas with the relevant countries," she said.

There are an estimated 1,860 giant pandas left in the wild, according to environmental group WWF, and about 600 in captivity in panda centers, zoos and wildlife parks worldwide.



More Children’s Hospitals Turn to Furry Caregivers to Help Kids Heal

Cincinnati Children's Hospital facility dog Grover plays in the grassy facility dog play area at Cincinnati Children's Hospital in Cincinnati, Monday, May 4, 2026. (AP Photo/Carolyn Kaster)
Cincinnati Children's Hospital facility dog Grover plays in the grassy facility dog play area at Cincinnati Children's Hospital in Cincinnati, Monday, May 4, 2026. (AP Photo/Carolyn Kaster)
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More Children’s Hospitals Turn to Furry Caregivers to Help Kids Heal

Cincinnati Children's Hospital facility dog Grover plays in the grassy facility dog play area at Cincinnati Children's Hospital in Cincinnati, Monday, May 4, 2026. (AP Photo/Carolyn Kaster)
Cincinnati Children's Hospital facility dog Grover plays in the grassy facility dog play area at Cincinnati Children's Hospital in Cincinnati, Monday, May 4, 2026. (AP Photo/Carolyn Kaster)

The first time 5-year-old Calvin Owens went outside in more than a month, he met up with his canine friend Hadley on a hospital patio. Despite being tethered to equipment with wires and tubes, the little boy managed to stand up near his wheelchair long enough to toss her a ball.

He smiled as she ran to fetch it. Caregivers cheered.

“Look how good you’re doing!” said Hadley's handler, Schellie Scott.

Such small victories and moments of joy are common whenever Hadley or one of the other three facility dogs at Cincinnati Children’s Hospital show up.

These furry caregivers aren’t the typical therapy dogs volunteers bring to hospitals to comfort patients. They are specially trained, full-time working dogs that provide emotional support during stressful procedures, motivate kids to move around and make hospitals seem less scary. And experts say their ranks are growing at children’s hospitals across the nation.

A mounting body of research shows that even short interactions with facility dogs can improve children’s overall well-being, decrease the pain they feel and reduce signs of stress, like cortisol levels and blood pressure.

“These dogs are making a real difference,” said Kerri Rodriguez, director of the Human-Animal Bond Lab at the University of Arizona. “They can provide a little bit of normalcy, a little bit of comfort, in a really stressful, sterile environment that kids might not feel comfortable in.”

Although no one tracks the number of facility dogs in children's hospitals, Rodriguez points to the continual growth of the annual Facility Dog Summit, where handlers and other participants network and where attendance nearly doubled from 2024 to 2025. Other types of hospitals also have full-time dogs, but experts say children's hospitals account for most of the expansion in programs. One large nonprofit, Canine Assistants in Georgia, has a specific children’s hospital initiative through which it has placed more than 80 dogs nationally.

Dogs have been on the job for years at places such as Mount Sinai Kravis Children’s Hospital in New York, Norton Children’s in Louisville, Kentucky, and St. Louis Children’s Hospital. And new programs keep sprouting up. In March, Johns Hopkins Children’s Center in Maryland introduced its first two facility dogs.

Hospitals generally get the dogs from nonprofits. Organizations such as Canine Companions, where Cincinnati Children's gets its dogs, breed, raise and train them, then place them with hospital staff members but still own them. Dogs and handlers live and work together, The Associated Press reported.

Although hospitals don’t pay for the dogs, they’re responsible for costs such as food and veterinary care, which can add up, especially since most are larger breeds like Labradors or golden retrievers. Hospitals usually fundraise or seek grants to cover the costs.

Experts say the benefits of these sorts of “animal-assisted therapies” are clear. A 2022 study Rodriguez coauthored analyzed a survey conducted across 17 children's hospitals. Pediatric health professionals described how facility dogs provided a comforting presence, built rapport, and normalized the hospital environment for children and families.

A 2021 study in the Journal of Pediatric Nursing concluded that animal- assisted therapies were beneficial for controlling pain and blood pressure in children and teens. Other research also found these therapies reduce anxiety and pain and can even improve heart and lung function.

Facility dogs are allowed in more sensitive areas of the hospital than volunteer dogs, and sometimes serve particular hospital units. Opal, one of two St. Louis dogs, splits her time between the pediatric behavioral health unit and the child protection program.

No matter where the dogs work, keeping them clean is key.

Hadley, in Cincinnati, is bathed twice a month because she works in the cancer and blood diseases area, where kids might have reduced immunity.

She gets even more baths, or cleanings with special wipes, if she’s potentially exposed to germs. Handlers use leashes and balls that can be easily cleaned, and people must sanitize their hands before and after touching the dogs.

If a patient is in isolation, the dog stays outside the room. The one exception is if a dying child wants a dog to be close. In those cases, caregivers say concerns about germs are outweighed by the need to ease fears and provide comfort.

Hadley’s workday starts whenever her handler Scott — whose job as a child life assistant involves keeping patients' lives as normal as possible — arrives at the hospital. Hadley mostly sees patients, but also gets breaks when she can just do what she wants.

On a recent morning, the Labrador-golden retriever mix raced around a grassy dog play area with her canine co-worker, Grover. While Grover is calm and chill, Hadley gets so excited she shakes her head to toss balls to herself.

“Hadley loves life,” Scott said. “Hadley lives big.”

Inside the hospital, the dogs get constant attention. For handlers, "it's like being the assistant to a famous person,” joked Scott.

Signs of the dogs’ celebrity status are everywhere.

They appear on closed-circuit television shows filmed by the hospital and beamed into patient rooms. Photos of the dogs, themed for holidays or events, line the hallways. And there are mailboxes where kids can drop letters or pictures for the dogs and get replies.

Patients can also get trading cards for each dog with stats like breed and birthday, bandanas to decorate for their furry friend, or little stuffed dogs.

Caregivers create books featuring the dogs to show kids about procedures or treatments they’re about to undergo.

Kids hospitalized for long stretches get to know the dogs well.

Aspen Franklin, a 14-year-old fighting a life-threatening immune disorder, has been coming to the hospital since she was a toddler and was recently hospitalized for weeks. At times, Hadley has snuggled beside her in bed.

“She has a calming presence,” Aspen said. “That is a comfort to me.”

Like other facility dogs, Hadley also helps her family cope. When Aspen's younger brother Emory donated his cells for her bone marrow transplant, Hadley spent time with him — and other visiting siblings.

Having Hadley around “is really nice because they’re away from their animals at home,” said their mom, Brittney Franklin, whose family has two dogs and a cat.

Franklin recently watched as Aspen painted with Hadley. The dog couldn’t go in her room so soon after her transplant, so Aspen dabbed colors on a small canvas and handed it to Scott, who put it in a plastic bag and smeared peanut butter on top. Just outside the room, Hadley eagerly licked it up. A piece of abstract art emerged.

Hadley’s next patient was Calvin, the little boy she met on the patio. Calvin has a rare, severe type of childhood arthritis and recently had a bone marrow transplant. Though he could only stand for a few moments at a time, he made the effort repeatedly to play with Hadley.

“He’s such a strong little man,” Scott said.

After Calvin went inside, Hadley met up with 11-year-old Bethany Striggles, who recently finished a chemotherapy treatment for bone cancer. The girl hurled the ball all the way down the hallway, and Hadley bounded happily to retrieve and gently return it. Bethany rewarded her with an ice pop.

“She helps me exercise more,” Bethany said. “She’s energetic and happy and always likes to see me.”

But Hadley does eventually tire. When that happens, she goes back to an office affectionately known as her lair, where she has treats, toys and a big dog bed.

Above the bed is a bulletin board covered with drawings, photos and notes. One, written on orange construction paper, contains a small, pink handprint and the words: “Thank you for being my BEST FRIEND.”


Climate Change Threatens Global Plant Species as Habitats Shrink

Small pockets of snow remain on the peaks of Colorado's Mosquito Range, towering over Montgomery Reservoir, near Alma, Colorado, on May 14, 2026. (Photo by Jason Connolly / AFP)
Small pockets of snow remain on the peaks of Colorado's Mosquito Range, towering over Montgomery Reservoir, near Alma, Colorado, on May 14, 2026. (Photo by Jason Connolly / AFP)
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Climate Change Threatens Global Plant Species as Habitats Shrink

Small pockets of snow remain on the peaks of Colorado's Mosquito Range, towering over Montgomery Reservoir, near Alma, Colorado, on May 14, 2026. (Photo by Jason Connolly / AFP)
Small pockets of snow remain on the peaks of Colorado's Mosquito Range, towering over Montgomery Reservoir, near Alma, Colorado, on May 14, 2026. (Photo by Jason Connolly / AFP)

Some of the plants that make familiar landscapes recognizable may not survive by century's end as climate change becomes an increasingly important driver of species loss, according to scientists, reshaping and often shrinking suitable habitats that the plants need to survive.

Researchers modelled future ranges for numerous species of vascular plants, a category that accounts for almost all the world's plants - those with water- and nutrient-carrying tissues. They looked at more than 67,000 species, meaning about 18% of the world's known vascular plants.

They found that 7% to 16% could lose more than 90% of their range, placing them at high risk of extinction. Examples include Catalina ironwood, or island ironwood, a rare endemic California tree, bluish spike-moss from a plant lineage dating back more than 400 million years, and roughly one third of Eucalyptus species, one of Australia's most recognizable plant groups.

The researchers came to their estimates after examining millions of records on plant locations as well as greenhouse-gas emissions scenarios for 2081-2100.

A plant's habitat is not simply a place on a map, but the full array of conditions it needs: ⁠temperature, rainfall, soils, land ⁠use and landscape features such as shade.

"One way to picture this is to imagine plants trying to follow a moving 'climate envelope.' As temperatures warm, many species can shift northward or uphill to stay cool enough. But temperature is only part of the story," Junna Wang, a Yale University postdoctoral researcher, and Xiaoli Dong, a professor of environmental science and policy at the University of California, Davis, said in joint comments to Reuters. Wang and Dong helped lead the study published in the journal Science.

In many places, the study indicated, climate change is shrinking these combinations, leaving fewer areas where all the conditions that a species needs still exist together.

For ⁠plants, movement, or dispersal, usually happens across generations, via seeds or spores carried by wind, water, animals or gravity. Yet when the researchers compared realistic movement with a scenario in which plants could reach any newly suitable habitat, extinction rates were very similar.

"If slow movement were the main problem, then allowing unlimited dispersal should dramatically reduce extinction risk. But that is not what we found," Wang and Dong said.

That matters for conservation.

"If dispersal limitation were the main driver, then strategies like assisted migration - physically helping species move to new areas - could solve much of the problem. But if climate change is reducing the amount of suitable habitat overall, then simply helping species move may not be enough," they added.

The projected impacts vary by region. Cold-adapted plants in the Arctic may lose habitat as extreme cold climates shrink. Dry regions, including parts of the western United States and Mediterranean-climate regions, face risk from stronger drought, lower soil moisture and more frequent wildfires. In southern and eastern coastal Australia, coastlines may ⁠limit poleward shifts.

At the ⁠same time, local plant diversity could rise across about 28% of Earth's land surface as species move into newly suitable areas, including parts of the tropics and subtropics where increased rainfall - rather than temperature alone - could make conditions suitable for additional species, the researchers found.

They described this as a global reshuffling, with some species disappearing from parts of their historical range while others move into new areas, but said local gains do not mean plants are doing better overall.

These shifts could also create "novel communities" - combinations of plants that have not historically lived together but would begin encountering one another for the first time. How would these interactions play out? The researchers said they do not know.

Plants underpin most terrestrial ecosystems. They store carbon, stabilize soils, support wildlife and provide food, timber, medicines and other materials. So changes in plant diversity can have cascading effects on nature and people.

"If climate change reduces vegetation cover, ecosystems may absorb less carbon dioxide from the atmosphere, which can further intensify warming. That creates a feedback loop in which climate change harms plants, and reduced plant cover/productivity in turn worsens climate change," Wang and Dong said.

"Ultimately, protecting plant diversity is not only about conserving nature for its own sake - it is also about maintaining the ecological systems that support human societies," they said.


Inside ‘7 Dogs,’ the Biggest Arab Film Production

Karim Abdel Aziz and Ahmed Ezz behind the scenes during filming (production company)
Karim Abdel Aziz and Ahmed Ezz behind the scenes during filming (production company)
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Inside ‘7 Dogs,’ the Biggest Arab Film Production

Karim Abdel Aziz and Ahmed Ezz behind the scenes during filming (production company)
Karim Abdel Aziz and Ahmed Ezz behind the scenes during filming (production company)

The makers of “7 Dogs” set out to do more than produce an action film to international standards. Their aim was to deliver a visual spectacle shaped by Saudi Arabia’s General Entertainment Authority, built on a strategic vision for a transcontinental thriller with Hollywood-level technical standards, while preserving a Middle Eastern identity and cultural voice.

The film, which opened in Cairo on Friday evening in the presence of its makers, was written by Egyptian screenwriter Mohamed el-Dabbah, who was tasked with turning the Entertainment Authority’s ambitious vision into a fully developed screenplay.

El-Dabbah did not write a conventional chase story. He built a fast-paced, dramatic structure driven by escalating events and centered on the infiltration of an international criminal network, requiring a coherent narrative that could sustain the film’s heavy visual and action momentum.

The decisive moment that moved the project from concept to production came during the 2024 global tour for “Bad Boys: Ride or Die.”

During that period, Belgian-Moroccan directors Adil El Arbi and Bilall Fallah visited Riyadh and held a lengthy meeting with adviser Turki Alalshikh, chairman of Saudi Arabia’s General Entertainment Authority. Their talks focused on the major advances in Saudi Arabia’s film infrastructure.

The meeting reviewed Riyadh’s growing logistical capabilities and its ability to attract major global productions. Alalshikh then presented the idea for the film, drawing an immediate and enthusiastic response from the directing duo, who saw it as a chance to apply their experience in American cinema to a new production environment.

Riding the momentum of their film’s record commercial success at the Saudi and global box office, the directors became convinced that regional audiences were eager for action films made with a global sensibility.

A large-scale production partnership was formed to provide the financial and technical resources needed to carry out the project without restrictions or creative compromise.

To give the film its international scope, producer Ivan Atkinson was brought in as the project’s logistical maestro. His first task was to build a creative front by recruiting department heads with extensive experience in big-budget filmmaking, ensuring that every technical detail met contemporary Hollywood standards.

Among them was renowned production designer Paul Kirby, known for creating complex architectural spaces and adapting them to serve the drama.

Atkinson also brought in the global stunt and fight design team 87eleven, the celebrated group behind the combat identity of the “John Wick” franchise, giving the film a decisive edge in its action sequences.

The directors approached the script through rhythm. They wanted a visual experience with the pace and dynamism of modern video games. That choice pushed the editing and cinematography teams toward extremely fast movement, with a highly flexible camera designed to keep viewers alert as they follow the layers of the international conspiracy.

According to the film’s crew, preparatory workshops began in Riyadh months before filming.

The screenplay went through detailed technical reviews by el-Dabbah, the directors and the fight team to balance the characters’ human drama with the film’s action. The aim was to ensure the chases and explosions served the dramatic line rather than felt forced into the story.

Adil and Bilall’s artistic vision centered on breaking the stereotype of Middle Eastern action films that rely on easy visual solutions. They insisted on shooting the dangerous scenes with rough realism, which required the cast to undergo long, demanding physical training so they could perform complex fight movements themselves under the supervision of Hollywood stunt experts.

Sela Studios helped clear the logistical hurdles by providing advanced filming, lighting and lens equipment, including tools that had not previously been used in the region.

That production support allowed cinematographer Robrecht Heyvaert to create a visual identity that blends the warm colors of the East with the cooler, contemporary palette of modern global action cinema, according to sources from the production company.

The chemistry between El Arbi and Fallah important. The two worked in close coordination, with one focusing on the actors and dramatic performance while the other concentrated on visual design, camera movement and special effects.

The arrangement helped maintain a fast and efficient production flow on crowded, detail-heavy sets.

Early preparations required complex schedules to manage the movement of international stars and coordinate their filming dates in Riyadh. The logistics team created a flexible system that accommodated the project's evolving demands, allowing principal photography to begin on schedule amid enthusiasm and strict professional discipline from all parties involved.

The General Entertainment Authority placed government and security facilities at the filmmakers’ disposal, allowing them to close key areas and film complex car chases on open streets. That regulatory flexibility demonstrated that Riyadh can offer not only closed studios but also entire urban spaces ready to serve as stages for large-scale action scenes.

In the film, 7 Dogs is not presented as a conventional gang. It is written as a complex cross-border intelligence and criminal entity, an octopus-like network of businessmen and influential figures running globalized organized crime from distant locations. That makes it an invisible threat that cannot easily be tracked by traditional security methods.

The main dramatic trigger is the organization’s creation of a highly dangerous synthetic drug called Pink Lady. The lethal compound is not just a product for sale. It drives the plot, turning the conflict from a local criminal case into a major security threat that mobilizes international security agencies and INTERPOL.

To confront the network, Egyptian INTERPOL officer Khaled Al Azazi, played by Ahmed Ezz, launches a wide-ranging intelligence operation to infiltrate the organization from within.

His investigation leads him to a fragile lead, a professional transcontinental criminal named Ghali Abu Dawood, played by Karim Abdel Aziz. Ghali has close ties to The Seven Dogs’ pillars, making him the only one who can bring down the destructive network.

The disciplined officer and the elusive criminal are forced into an uneasy alliance. The stark contrast between a man who represents the law and another who embodies pragmatism and life outside it creates a tense dynamic marked by suspicion, shifting loyalties and deep psychological conflict throughout the journey.

Alongside Karim Abdel Aziz and Ahmed Ezz, the cast includes international names such as Monica Bellucci, Giancarlo Esposito, Bollywood star Salman Khan, Sanjay Dutt, Max Huang, Tara Emad, Nasser Algassabi, and Sayed Ragab. The geographic and cultural diversity of the cast reflects the organization’s reach across continents.

Bellucci plays Julia, the luxurious and dark European face of the organization. The character combines extreme elegance with absolute cruelty, creating a striking visual contrast with the Eastern characters.

The participation of Salman Khan as Johar and Sanjay Dutt as Ranjit adds strong visual and action energy to the film’s Asian track. Their screen presence is used in large-scale action scenes marked by violent combat, turning the Mumbai segment into an action climax tied to the broader dramatic arc.

Saudi actor Nasser Algassabi brings a local flavor and Gulf depth to the film’s web of international relationships.

His character serves as the logistical link in the region. Egyptian actress Tara Emad plays a young intelligence operative working in the shadows to support Khaled, alongside Jessica, played by Lebanese actress Sandy Bella, a member of the INTERPOL team.