Maria Grazia Chiuri Draws on Origins of Dior’s Ready-to-Wear Line for Show

 A model presents a creation by Christian Dior for the Women Ready-to-wear Fall-Winter 2024/2025 collection as part of the Paris Fashion Week, in Paris on February 27, 2024. (AFP)
A model presents a creation by Christian Dior for the Women Ready-to-wear Fall-Winter 2024/2025 collection as part of the Paris Fashion Week, in Paris on February 27, 2024. (AFP)
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Maria Grazia Chiuri Draws on Origins of Dior’s Ready-to-Wear Line for Show

 A model presents a creation by Christian Dior for the Women Ready-to-wear Fall-Winter 2024/2025 collection as part of the Paris Fashion Week, in Paris on February 27, 2024. (AFP)
A model presents a creation by Christian Dior for the Women Ready-to-wear Fall-Winter 2024/2025 collection as part of the Paris Fashion Week, in Paris on February 27, 2024. (AFP)

For her fall-winter collection, Dior designer Maria Grazia Chiuri turned to the roots of the upscale fashion label's ready-to-wear line, drawing on the spirit of the late 60s with feminine, tailored looks sent down the runway on Tuesday.

Models marched around a room lined with thick bamboo canes, parading neatly belted trench coats, flared miniskirts, long mesh dresses sparkling with beadwork and trim jackets. Handbags came in all shapes and sizes, as did the shoes, which included tall riding boots, scrunched at the top.

The challenge for Dior, when its late designer Marc Bohan branched out from intricately-crafted haute couture styles into ready-to-wear designs, was to create a new silhouette, easier for women to slip on as they ventured into the work force, Chiuri told Reuters before the show.

"I think that Mr. Bohan understood very well this new generation," said Chiuri.

"At the time it was very unusual for a couture house to move into new territory," she added, also noting Bohan's foray into homewear designed by Italian artist Gabriella Crespi.

Graphics from the era, introducing the new line dubbed "Miss Dior", appeared on the clothing as starkly outlined paintstrokes on khaki-colored coats and split skirts.

Dominating the center of the space were elaborate armor-like sculptures made of cane, works by Indian artist Shakuntala Kulkarni evoking rounded, female shapes, their rigidity contrasting with the slightly loosened, polished looks shown on the catwalk.

Paris Fashion Week runs through March 5, with upcoming shows from Chanel, Hermes, Kering-owned Saint Laurent and Balenciaga and LVMH's Louis Vuitton.



Stella McCartney Marks Year of the Horse with Equestrian Paris Fashion Week Show

 Models present a creation by Stella McCartney for the Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 4, 2026. (AFP)
Models present a creation by Stella McCartney for the Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 4, 2026. (AFP)
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Stella McCartney Marks Year of the Horse with Equestrian Paris Fashion Week Show

 Models present a creation by Stella McCartney for the Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 4, 2026. (AFP)
Models present a creation by Stella McCartney for the Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 4, 2026. (AFP)

Stella McCartney, known for her commitment to animal rights and sustainability, put horses at the center of her eponymous brand's Paris Fashion Week show set in a riding hall in Paris' Bois de Boulogne.

Five black horses and five white horses charged in and began performing an intricate equestrian choreography, walking in circles and weaving around each other, before the first ‌models emerged on ‌an oval catwalk surrounding the ‌sandy ⁠ring.

The winter 2026 ⁠collection continued the equestrian theme, with thigh-high riding boots, and suit trousers or jeans fashioned into stirrup pants and paired with bright preppy sweatshirts.

"There's a lot of new innovations in the show," McCartney told Reuters in an ⁠interview after the show. "Everything's plant-based, vegan, so ‌there are no ‌animal glues, there's no dead animals.

"That's why I always ‌like to sort of remind people and celebrate ‌and bring animals into the conversation," she added, saying the show also honored the Lunar New Year of the Horse.

Dresses and skirts covered ‌in plastic-free sequins featured hip bustles, pleats and bows, while multicolored crochet scarves ⁠provided a ⁠pop of color to tailored suits.

Stella McCartney, founded 25 years ago, became fully independent once more last year after McCartney bought the minority stake held by LVMH back from the luxury group.

A few seats down from Stella's father, former Beatle Paul McCartney, LVMH heir Antoine Arnault was among the front row guests at the show, seated next to his wife, model Natalia Vodianova.


Adidas Expects Operating Profit to Rise to 2.3 Bln Euros in 2026

An Adidas logo is seen at the new Futurecraft shoe unveiling event in New York City, New York, US, April 6, 2017. (Reuters)
An Adidas logo is seen at the new Futurecraft shoe unveiling event in New York City, New York, US, April 6, 2017. (Reuters)
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Adidas Expects Operating Profit to Rise to 2.3 Bln Euros in 2026

An Adidas logo is seen at the new Futurecraft shoe unveiling event in New York City, New York, US, April 6, 2017. (Reuters)
An Adidas logo is seen at the new Futurecraft shoe unveiling event in New York City, New York, US, April 6, 2017. (Reuters)

German sportswear maker Adidas on Wednesday said it expected its operating profit to increase to around 2.3 billion euros ($2.7 billion) this year, despite around a 400-million-euro impact from US tariffs and unfavorable currency developments.

Currency-neutral revenues were expected to ‌increase at ‌a high-single-digit rate in ‌2026, ⁠adding another 2 ⁠billion euros in revenue, it said in a statement, as it forecast to grow at a low-double-digit rate in North America and Greater China, among others.

It added ⁠it expected currency-neutral net ‌sales to ‌keep growing at a high-single-digit rate in ‌both 2027 and 2028, with operating ‌profit rising a mid-teens compound annual growth rate over the three-year period from 2026 to 2028.

In 2025, ‌it reported sales of 24.8 billion euros and operating profit ⁠of ⁠2.06 billion.

Management proposed a dividend increase of 40% to 2.80 euros per share for 2025.

In a separate release, Adidas proposed Nassef Sawiris as its new chairman and extended the contract of CEO Bjorn Gulden to 2030.


Gabon Fashion Designer Brings Traditional Raffia to Paris Runways

Gabonese fashion designer Chouchou Lazare sketches a design for a dress inside his tailoring workshop in Libreville on February 9, 2026. (AFP)
Gabonese fashion designer Chouchou Lazare sketches a design for a dress inside his tailoring workshop in Libreville on February 9, 2026. (AFP)
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Gabon Fashion Designer Brings Traditional Raffia to Paris Runways

Gabonese fashion designer Chouchou Lazare sketches a design for a dress inside his tailoring workshop in Libreville on February 9, 2026. (AFP)
Gabonese fashion designer Chouchou Lazare sketches a design for a dress inside his tailoring workshop in Libreville on February 9, 2026. (AFP)

Strands of raffia dry outside in the sun at the studio of Gabonese fashion designer Chouchou Lazare, who has made a name for himself using the natural fibers to craft his award-winning garments.

The natural material derived from palm leaves -- and traditionally reserved for Gabon's nobles and village chiefs -- gained international attention on the runways of the world's fashion capital last week.

"This is raffia from Gabon, it's special, it's woven very finely, it's a textile that deserves to be shown," the self-taught designer told AFP at his workshop in the capital Libreville.

Whether braided, sewn or glued to bustiers or skirts, nearly all of Lazare's dresses incorporate raffia.

Lazare was only nine years old when he began helping out his mother with her sewing to make ends meet.

He went on to organize his first fashion show in high school and has never received formal training in fashion.

Now in his 50s -- he chooses to keep his exact age under wraps -- Lazare says he learned his craft by designing dresses for the two most important women in his life: his mother and grandmother.

"She was very tall; to me, she was like a queen," he said of his mother.

And in readying his latest collection for the show in Paris on February 28, she remained his inspiration.

"When I prepare my shows, I want to see queens, women who fully own who they are," he said.

Although the signature material is used throughout his collection, the natural fibers are never dyed.

In the central African country, raffia has special significance.

"It's a traditional fabric that is part of the spirituality of our country, that speaks to the ancestors," the designer said.

- Like 'diamonds' -

Nowadays no longer just for nobility, raffia features at Gabonese traditional weddings and Indigenous bwiti spiritual ceremonies.

"Raffia represents a natural resource to be preserved, contributing to the influence of Gabonese and African cultural heritage," the ministry of sustainable tourism and crafts said on social media earlier in the year.

But that does not mean it should only be worn by Gabonese or African people, Lazare said.

"It's for everyone," he stressed, checking whether a bunch of the fibers laid out on his balcony were dry.

In 2002, Lazare won first prize for fashion at the Saint-Etienne International Design Biennial in France.

More than two decades later, he presented his creations to French President Emmanuel Macron during a state visit to Gabon in November.

A photograph of Lazare with Macron and Gabon's President Brice Oligui Nguema now proudly hangs in his workshop, a reminder of "a great moment", he said.

While raffia may seem a familiar textile to people in Gabon, Lazare said that upon seeing the presidents' reactions to his creations, "I felt like they were diamonds."

Glittering in his "diamonds" -- a raffia-decorated hat and tunic with a gold suit jacket -- Lazare picked up an achievement award in Paris at last week's Fashion Annual Show, which for more than 25 years has been honoring African designers.

As the president of the Association of Gabonese Stylists and Creators, he is also paving the way for other designers through teaching and mentorship.

Lazare said he hoped to see raffia recognized "as a treasure for Gabon".