China's Landfills Brim with Textile Waste as Fast Fashion Reigns

A worker feeds discarded textiles to a shredding machine at the Wenzhou Tiancheng Textile Company in eastern China's Zhejiang province on March 20, 2024. (AP Photo/Ng Han Guan)
A worker feeds discarded textiles to a shredding machine at the Wenzhou Tiancheng Textile Company in eastern China's Zhejiang province on March 20, 2024. (AP Photo/Ng Han Guan)
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China's Landfills Brim with Textile Waste as Fast Fashion Reigns

A worker feeds discarded textiles to a shredding machine at the Wenzhou Tiancheng Textile Company in eastern China's Zhejiang province on March 20, 2024. (AP Photo/Ng Han Guan)
A worker feeds discarded textiles to a shredding machine at the Wenzhou Tiancheng Textile Company in eastern China's Zhejiang province on March 20, 2024. (AP Photo/Ng Han Guan)

At a factory in Zhejiang province on China’s eastern coast, two mounds of discarded cotton clothing and bed linens, loosely separated into dark and light colors, pile up on a workroom floor. Jacket sleeves, collars and brand labels protrude from the stacks as workers feed the garments into shredding machines.
It’s the first stage of a new life for the textiles, part of a recycling effort at the Wenzhou Tiancheng Textile Company, one of the largest cotton recycling plants in China, The Associated Press reported.
Textile waste is an urgent global problem, with only 12% recycled worldwide, according to fashion sustainability nonprofit Ellen MacArthur Foundation. Even less — only 1% — are castoff clothes recycled into new garments; the majority is used for low-value items like insulation or mattress stuffing.
Nowhere is the problem more pressing than in China, the world’s largest textile producer and consumer, where more than 26 million tons of clothes are thrown away each year, according to government statistics. Most of it ends up in landfills.
And factories like this one are barely making a dent in a country whose clothing industry is dominated by “fast fashion” — cheap clothes made from unrecyclable synthetics, not cotton. Produced from petrochemicals that contribute to climate change, air and water pollution, synthetics account for 70% of domestic clothing sales in China.
China's footprint is worldwide: E-commerce juggernaut brands Shein and Temu make the country one of the world’s largest producers of cheap fashion, selling in more than 150 countries.
To achieve a game-changing impact, what fashion expert Shaway Yeh calls “circular sustainability” is needed among major Chinese clothing brands so waste is avoided entirely.
“You need to start it from recyclable fibers and then all these waste textiles will be put into use again,” she said.
But that is an elusive goal: Only about 20% of China’s textiles are recycled, according to the Chinese government — and almost all of that is cotton.
Chinese cotton is not without a taint of its own, said Claudia Bennett of the nonprofit Human Rights Foundation. Much of it comes from forced labor in Xinjiang province by the country's ethnic Uyghur minority.
"One-in-five cotton garments globally is linked to Uyghur forced labor,” Bennett said.
In May, the US blocked imports from 26 Chinese cotton traders and warehouses to avoid goods made with Uyghur forced labor. But because the supply chain is so sketchy, Uyghur cotton is used in garments produced in other countries that don't bear the “made-in-China” label, Bennett said.
“Many, many, many clothing brands are linked to Uyghur forced labor through the cotton," she said. They "hide behind the lack of transparency in the supply chain.”
While China is a global leader in the production of electric cars and electric-powered public transit and has set a goal of achieving carbon neutrality by 2060, its efforts in promoting fashion sustainability and recycling textiles have taken a back seat.
According to a report this year from independent fashion watchdog Remake assessing major clothing companies on their environmental, human rights and equitability practices, there's little accountability among the best-known brands.
The group gave Shein, whose online marketplace groups about 6,000 Chinese clothing factories under its label, just 6 out of a possible 150 points. Temu scored zero.
Also getting zero were US label SKIMS, co-founded by Kim Kardashian, and low-price brand Fashion Nova. US retailer Everlane was the highest-scorer at 40 points, with only half of those for sustainability practices.
China’s domestic policy doesn’t help.
Cotton recycled from used clothing is banned from being used to make new garments inside China. This rule was initially aimed at stamping out fly-by-night Chinese operations recycling dirty or otherwise contaminated material.
But now it means the huge spools of tightly woven rope-like cotton yarn produced at the Wenzhou Tiancheng factory from used clothing can only be sold for export, mostly to Europe.
Making matters worse, many Chinese consumers are unwilling to buy used items anyway, something the Wenzhou factory sales director, Kowen Tang, attributes to increasing household incomes.
“They want to buy new clothes, the new stuff,” he said of the stigma associated with buying used.
Still, among younger Chinese, a growing awareness of sustainability has contributed to the emergence of fledgling “remade” clothing businesses.
Thirty-year-old designer Da Bao founded Times Remake in 2019, a Shanghai-based brand that takes secondhand clothes and refashions them into new garments. At the company's work room in Shanghai, tailors work with secondhand denims and sweatshirts, stitching them into funky new fashions.
The venture, which began with Da Bao and his father-in-law posting their one-off designs online, now has a flagship store in Shanghai’s trendy Jing’an District that stocks their remade garments alongside vintage items, such as Levi’s and Carhartt jackets.
The designs are “a combination of the past style and current fashion aesthetic to create something unique,” Bao said.
Zhang Na has a fashion label, Reclothing Bank, that sells clothes, bags and other accessories made from materials such as plastic bottles, fishing nets and flour sacks.
The items' labels have QR codes that show their composition, how they were made and the provenance of the materials. Zhang draws on well-established production methods, such as textile fibers made from pineapple leaf, a centuries-old tradition originating in the Philippines.
“We can basically develop thousands of new fabrics and new materials,” she said.
Reclothing Bank began in 2010 to give “new life to old things,” Zhang said of her store in a historic Shanghai alley with a mix of Western and Chinese architecture. A large used clothes deposit box sat outside the entrance.
“Old items actually carry a lot of people’s memories and emotions,” she said.
Zhang said she has seen sustainability consciousness grow since she opened her store, with core customers in their 20s and 30s.
Bao Yang, a college student who dropped by the store on a visit to Shanghai, said she was surprised at the feel of the clothes.
“I think it’s amazing, because when I first entered the door, I heard that many of the clothes were actually made of shells or corn (husks), but when I touched the clothes in detail, I had absolutely no idea that they would have this very comfortable feel,” she said.
Still, she conceded that buying sustainable clothing is a hard sell. “People of my age are more addicted to fast fashion, or they do not think about the sustainability of clothes," she said.
Recycled garments sold at stores like Reclothing Bank have a much higher price tag than fast-fashion brands due to their costly production methods.
And therein lies the real problem, said Sheng Lu, professor of fashion and apparel studies at the University of Delaware.
“Studies repeatedly show consumers are not willing to pay higher for clothing made from recycled materials, and instead they actually expect a lower price because they see such clothing as made of secondhand stuff,” he said.
With higher costs in acquiring, sorting and processing used garments, he doesn't see sustainable fashion succeeding on a wide scale in China, where clothes are so cheap to make.
“Companies do not have the financial incentive,” he said.
For real change there needs to be “more clear signals from the very top," he added, referring to government targets like the ones that propelled China's EV industry.
Still, in China "government can be a friend to any sector,” Lu said, so if China's communist leaders see economic potential, it could trigger a policy shift that drives new investment in sustainable fashion.
But for now, the plastic-wrapped cones of tightly-wound cotton being loaded onto trucks outside the Wenzhou Tiancheng factory were all headed to overseas markets, far from where their recycling journey began.
“Fast fashion definitely is not out of fashion” in China, Lu said.



Stars Shine at Met Gala, Fashion’s Biggest Night

US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
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Stars Shine at Met Gala, Fashion’s Biggest Night

US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US musician Beyonce arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)

The brightest stars in Hollywood, music, sports and style -- led by Beyonce, Madonna and Nicole Kidman -- hit the red carpet Monday for the Met Gala, the Manhattan charity ball that doubles as fashion's biggest night.

The A-listers were asked to dress for the theme "Fashion is Art," which dovetails with the exhibit "Costume Art" at the Metropolitan Museum of Art's Costume Institute.

And while not everyone followed the guidelines to the letter, the gala -- traditionally held on the first Monday in May -- certainly delivered as one of the world's top red carpets, with blinding star power.

Beyonce, one of the event's co-chairs who was making her first appearance in a decade, was one of the last to arrive, but she did not disappoint, stunning the crowd in a bejeweled skeleton gown topped with a dramatic feather coat and a headpiece.

Her rap mogul husband Jay-Z -- in a tuxedo with tails -- and daughter Blue Ivy Carter, in a white strapless gown and sparkling heels -- joined her.

Earlier, the singer's fellow co-chairs, tennis legend Venus Williams and Oscar-winning actress Nicole Kidman, kicked off the proceedings.

Kidman stunned in a shimmering red long-sleeved Chanel column dress with wide feather cuffs, while Williams glistened in a black crystal Swarovski gown with an elaborate neck plate.

From there, the stars kept on coming. Rock royalty Madonna, Cher and Stevie Nicks joined music's new generation of stars in Sabrina Carpenter, Doja Cat and Tyla.

Rihanna and A$AP Rocky were hours late, as per usual, making a grand entrance.

Bad Bunny, who is having a blockbuster 2026 with major Grammy wins and the Super Bowl halftime show under his belt, wore prosthetics and a white wig to explore how he would look as an old man, according to Vogue.

Rapper Doja Cat, one of several members of a gala "host committee," wore a draped latex Saint Laurent gown with a demure neckline -- but slit up to her waist.

Donatella Versace, Tom Ford, Stella McCartney, Anthony Vaccarello and Haider Ackermann were among the many fashion designers on hand for the evening.

Olympic gold medalists Alysa Liu and Eileen Gu -- whose dress had a built-in bubble maker -- led a strong contingent of athletes to the red carpet, along with NFL superstar Russell Wilson and several men's and women's basketball stars.

And actress Blake Lively made a surprise appearance at the gala, just hours after she settled a major court case over her film "It Ends with Us" with her co-star and director Justin Baldoni.

Of course, the entire evening is overseen by Vogue's global editorial director Anna Wintour -- the ultimate tastemaker in US fashion who has helmed the event for 30 years.

The gala is a fundraiser for the Met's Costume Institute, and this year has raised a record $42 million (after $31 million in 2025), the museum's CEO Max Hollein told reporters early Monday.

This year's exhibit juxtaposes elegant fashion looks with paintings and sculpture: think a Saint Laurent design next to Van Gogh's "Irises", or a John Galliano gown for Maison Margiela paired with an antique statue.

"When I think about the show, if there's one word to describe it, I suppose it would be equitability or equivalency, equivalency between artworks," the Costume Institute's curator Andrew Bolton told AFP.

"So there's no hierarchy between sculpture, painting, fashion, photography and no hierarchy between bodies, between the classical body or the disabled body."

The Met Gala was first organized in 1948 and for decades was reserved for New York high society -- until Wintour transformed the party into a high-profile catwalk for the rich and famous in the 1990s.

The "Costume Art" exhibit, which opens on May 10 at the venerable museum in Manhattan, will seek to explore the "dressed body" in artworks across the centuries.


Hugo Boss Tops Quarterly Profit Estimates Despite Geopolitical Uncertainty

An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)
An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)
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Hugo Boss Tops Quarterly Profit Estimates Despite Geopolitical Uncertainty

An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)
An employee displays suits at the Hugo Boss section of the Central Universal Department Store (TsUM), in Kyiv, Ukraine January 25, 2021. (Reuters)

German fashion group Hugo Boss reported quarterly operating profit above expectations on Tuesday, despite a challenging market environment.

The company posted first-quarter earnings before interest and taxes (EBIT) of 35 million euros, down from 61 million euros a year earlier, but above analyst's forecast of 30 million euros in a company-provided poll.

The German firm reported ‌revenue of ‌905 million euros for the period, exceeding ‌analysts' ⁠forecast of 887 ⁠million euros.

"Following our successful finish to 2025, we entered the year with a clear roadmap. However, the market environment has become more challenging over the course of the first quarter, caused by recent developments in the Middle East," CEO Daniel Grieder ⁠said in a statement.

The war in ‌the Middle East has ‌roiled global markets, driving oil prices higher and re-igniting concerns ‌over global inflation and growth, with the vital ‌Strait of Hormuz remaining closed.

The company said the conflict in the region led to a notable decline in store traffic in the region from March onwards, while global ‌consumer sentiment stayed muted throughout the quarter, having a negative impact of around 1% ⁠on ⁠group sales in the first quarter.

However, Grieder said the firm had made progress streamlining product assortments and refining its global distribution footprint despite the geopolitical uncertainty.

"Against an increasingly challenging external backdrop, we remain firmly focused on executing our strategy, actively managing the business with flexibility and discipline," he added.

Hugo Boss has sought to boost the popularity of its brand through selected marketing investments, while increasing profits by limiting costs, despite weakening consumer demand.

The company confirmed its full-year guidance for 2026.


Met Gala Guests from Beyonce to Nicole Kidman Set to Flaunt Fashion as Art

Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
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Met Gala Guests from Beyonce to Nicole Kidman Set to Flaunt Fashion as Art

Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)

From beyond the museum walls Monday, works of art will move and take shape as the glitterati of guests from Beyonce, Nicole Kidman to Venus Williams will fashionably ascend the Metropolitan Museum of Art’s steps and exhibit their creative interpretations of this year's dress code, “Fashion is art.”

The question of whether fashion is art has long been topic of conversation for fashion insiders, and this first Monday in May the dress code is leaving nothing up for debate.

The dress code for the starry fundraising event calls for guests to “express their relationship to fashion as an embodied art form."

Fashion has long drawn inspiration from works of art, leaving guests with no shortage of artistic references to show off.

But will guests pull from the fashion archives on Monday or wear custom artistic creations from fashion houses?

Archival fashion looks have become a red carpet phenomenon with fashion savvy stars wanting to get their hands on some of the rarer pieces of fashion history.

Designer Elsa Schiaparelli famously collaborated in 1937 with Spanish artist Salvador Dalí to design a white silk dress with a lobster printed on the front. Years later, Yves Saint Laurent would design shift dresses filled with Piet Mondrian’s blocks of color in 1965, and more recently, Marc Jacobs collaborated with artist Takashi Murakami in 2002 to add his designs to Louis Vuitton.

Monday’s carpet is also a chance for celebrities to deliver their own performance art.

The late designer Alexander McQueen was heavily regarded by fashion insiders as an artist. He closed his Spring 1999 show with a piece of performance art when machines sprayed Shalom Harlow’s white dress with black and yellow spray paint as she posed on a rotating turntable.

Past Gala dress codes have honored designers and pulled from literature. Last year, the art of tailoring was center stage with the dress code “Tailored for you.” The high-profile event raises money for the museum's Costume Institute, and each year the dress code for the gala takes cues from the Costume Institute’s spring exhibition.

On display this Spring, the “Costume Art” exhibit will “examine the centrality of the dressed body.”

The relationship between fashion and art has not always been embraced. Art historian and author Nancy Hall-Duncan writes in her book, “Art X Fashion: Fashion Inspired by Art” that in the 19th century, art was perceived as classical and fashion was frivolous.

When Yves Saint Laurent held the Met’s first fashion exhibit in 1983, the exhibit was met with heavy criticism. Since then, the museum has held countless fashion exhibits throughout the years with museums around the world following suit. The Louvre put on its first fashion exhibition “Louvre couture” last year.

The dress code set by Wintour and the Met's Costume Institute curator, Andrew Bolton, is the final seal of approval that fashion is art, Hall-Duncan told The Associated Press.

“Isn’t that a giant step?” she said. “It will indeed change perceptions.”

The red carpet spectacle is available for all to watch online with the Vogue livestream. Ashley Graham, La La Anthony and Cara Delevingne will be hosting the livestream with Emma Chamberlain interviewing guests throughout the night.

The Associated Press will have a livestream of celebrities leaving a pair of New York hotels on their way to the gala on APNews.com and YouTube. It's the first chance to see what attendees will be wearing before they hit the gala's carpet.