In Senegal, the Bastion of the Region’s Francophonie, French Is Giving Way to Local Languages

A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)
A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)
TT

In Senegal, the Bastion of the Region’s Francophonie, French Is Giving Way to Local Languages

A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)
A man sits outside a stationary store with French signs in Dakar, Senegal, Thursday, Oct. 3, 2024. (AP)

For decades Senegal, a former French colony in West Africa, has been touted as the bastion of the French language in the region. Leopold Sedar Senghor, the country’s first president and a poet, is considered one of the founding fathers of the concept of Francophonie, a global alliance of French-speaking countries.

But many say a shift is underway. While French remains the country’s official language, inscribed into its constitution, its influence is waning. It is giving way to Wolof, the most widely spoken local language — and not just on the street, where the latter has always been dominant, but in the halls of power: government offices, university corridors and mainstream media.

As the French president hosts the annual Francophonie summit north of Paris, Senegal’s president is not attending in person. He sent the foreign minister as his representative instead.

“Wolof is on the rise because Senegalese people want to be seen,” said Adjaratou Sall, professor of Linguistics at the Cheikh Anta Diop University in Dakar, who began researching the Wolof language in 1998. “They want to detach themselves from the colonial heritage and reclaim their own cultural identity.”

There are 25 languages in Senegal. Six of them have the status of national languages, but Wolof is largely dominant. Out of the population of 17 million people, over 12 million speak Wolof, compared to around 4 million French speakers.

But like in most former colonies, French has traditionally been the language of Senegalese political and cultural elites. The vast majority of schools across the country and all universities are French speaking. All official documents are issued in French. With the education rate in Senegal at around 60%, this excludes a large part of the population.

President Bassirou Diomaye Faye, the youngest elected leader in Africa, was voted in six months ago on an anti-establishment platform, and his rise reflected the frustration of the Senegalese youth with the traditional, elderly political class. He has made a point in making all of his official speeches in both languages, French and Wolof, and pledged to give local languages the primary role in schools, with French introduced later.

The shift comes as most West African nations are rethinking their relationship with France, which is losing its clout in the region. In some cases, like in Burkina Faso and Mali, which are ruled by military juntas, the divorce with the French language has been abrupt: They dropped French as the official language and banned many French-speaking media outlets.

The decline of French in Senegal has been more subtle. But to a careful observer, the signs are everywhere: More and more billboards are either bilingual, or in Wolof. Although all university courses are still conducted in French, Sall said that professors and students speak Wolof to each other in the corridors, which would have been unthinkable when she started working. Some Senegalese writers are publishing their books in Wolof, and not in French.

“Surely, the nationalism which began to take root with the new government is playing a role,” said Fall. “But another important factor has been the revolution in the media, which started with Sud FM.”

Sud FM, the first private radio station in Senegal, started broadcasting programs in Wolof in 1994. The morning news program in Wolof now has over 2 million listeners, said its director, Baye Oumar Gueye.

“We replied to a real need: providing information to the population, who does not speak French,” Gueye said in an interview in his office. “They can now participate in the exchange of information.”

He added: “The use of the French language is decreasing. When you want to reclaim your sovereignty, the first thing is to have your own language.”

El Hadj Aip Ndiaye, who has been driving a taxi in Dakar for the past 45 years, said he remembers well the launch of Sud FM. “Everyone listened to it,” he recalled.

Ndiaye, who did not go to school and speaks a very limited French, said he listens to the radio everyday from 5 a.m. until midnight, as he drives across the dusty roads of Dakar in his yellow, rickety taxi.

“Before, all the news on the radio was in French,” he said. “I could not understand it. But with news in Wolof, you can understand what they are saying. You understand the world better, and you can take part in the conversation.”

“People are now proud to speak Wolof,” he said. “Before, when you spoke Wolof, you were judged as a peasant. But now, even our president speaks Wolof a lot, so people are not afraid to speak it.”

But even the biggest proponents of Wolof do not want a revolution. Fall, the linguistics professor, said she dreamed of university courses being held in Wolof, and children being taught in their local language, whether it would be Wolof, Serrer or Peul.

“We will get there, but it's a process,” she said. “And we need French as well. It is the language of openness, which allows us to communicate with others in the region.”



Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture

Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture
TT

Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture

Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture

The Saudi pavilion at Global Village in Makkah, part of the Makkah winter season, reflects the richness and uniqueness of the Kingdom's culture and heritage.

It features interactive and engaging sections that introduce visitors to the Kingdom’s cultural heritage, including live demonstrations of traditional handicrafts and artwork inspired by the local environment, SPA reported.

The pavilion’s presence at Global Village reflects ongoing efforts to highlight the nation’s cultural heritage, promote its civilizational legacy, and strengthen its cultural presence at major events.


Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner

Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner
TT

Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner

Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner

The Culinary Arts Commission is participating as a strategic partner in the 17th Klija Festival, held in the city of Buraidah and running until January 17, under the patronage of Qassim Region Governor Prince Dr. Faisal bin Mishaal.

The commission’s involvement comes as part of its strategy to support events and festivals specializing in Saudi culinary arts by highlighting national and regional dishes and showcasing the Kingdom’s culinary and cultural diversity, SPA reported.

The festival features several zones and interactive activities aimed at supporting families working in the cottage industry and local artisans who produce Klija, while introducing visitors to its history and authenticity as a regional dish of Qassim, in addition to offering live demonstrations and unique interactive experiences.

During the festival, the commission is also presenting a selection of books available for viewing and purchase.


Jeddah’s Red Sea Museum Announces January Cultural Program

The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)
The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)
TT

Jeddah’s Red Sea Museum Announces January Cultural Program

The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)
The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)

Jeddah's Red Sea Museum announced the launch of its public program for January 2026, featuring a series of artistic workshops, cultural talks, live performances, and family activities. The program aims to connect the Red Sea's cultural heritage with contemporary creative practices, catering to various segments of society.

The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. These activities are presented through a cultural and educational agenda held across the museum's facilities and venues in Historic Jeddah.

The program begins on Tuesday, with a workshop titled "Junior Cartographers" in the Discovery Room, where children aged 6 to 12 will explore the art of mapmaking and the fundamentals of navigation through an engaging, interactive approach. On January 15, the "Alchemy of Light: Albumen Prints" workshop will be held at the auditorium, highlighting the historical albumen printing technique using egg whites and silver salts, and exploring 19th-century photography aesthetics through a contemporary perspective.

On January 17, a talk about Historic Jeddah will discuss traditional architecture and its relationship to heritage and modernity. This will be followed on January 18, by the "Navigation from Past to Present" workshop at the auditorium, offering an interactive experience that explores the evolution of navigation methods through hands-on artistic and practical activities.

On January 22, the program includes the screening of the animated film "The Menace from Above" at the auditorium. Later that evening, Bab Al-Bunt Courtyard will host the Al Nour Wal Amal Orchestra, the world's only musical ensemble composed entirely of blind female musicians who perform using Braille musical notation, in a performance celebrating art, resilience, and diversity.

On January 23, an artist talk titled "The Gate of Gates" will be held in Historic Jeddah, documenting the transformations of the Bab Al-Bunt building and the human stories connected to this historic space. On January 28, the auditorium will host a talk titled "Encounters: Travel Literature," exploring journeys to Andalusia and Sicily and how Islamic heritage continues to live on through people and places.

The program concludes on January 31, with a lecture examining the development of quarantine systems and public health monitoring in the Red Sea, highlighting the historical role of Bab Al-Bunt as a quarantine center for pilgrims.

The Red Sea Museum's activities serve as a cultural and knowledge platform dedicated to documenting the Red Sea's tangible, intangible, and natural heritage, and presenting it through educational and interactive programs that foster dialogue between the past and the present, linking heritage with contemporary creative contexts from its headquarters in Historic Jeddah.