Gaza Cultural Heritage Brought to Light in Geneva

This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
TT

Gaza Cultural Heritage Brought to Light in Geneva

This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)

Archaeological treasures from the Gaza Strip are going on display in Geneva, with the Swiss city protecting the heritage of a territory devastated by a year of war.

Amphoras, statuettes, vases, oil lamps and figurines are among the 44 objects unearthed in Gaza going on show in the "Patrimony in Peril" exhibition at the Museum of Art and History (MAH).

"It's a part of Gaza's soul. Its identity, even," Beatrice Blandin, the exhibition's curator, told AFP. "Heritage is really the history of this strip of land, the history of the people who live there."

The artifacts are from a collection of more than 530 objects that have been stored in crates in a secure warehouse in Geneva since 2007, unable to return to Gaza.

The exhibition, which runs from Saturday until February 9, also includes artifacts from Sudan, Syria and Libya.

It was staged to mark the 70th anniversary of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict.

The exhibition looks at the responsibility of museums in saving such property from damage, looting and conflict, reminding visitors that deliberately destroying heritage is a war crime.

- Cultural damage in Gaza -

"The forces of obscurantism understand that cultural property is what is at stake for civilization, because they have never stopped wanting to destroy this heritage, as in Mosul," said Geneva city councilor Alfonso Gomez -- a reference to the northern Iraqi city captured by the ISIS group in 2014.

MAH director Marc-Olivier Wahler told AFP: "Unfortunately, in the event of conflict, many aggressors attack cultural heritage because it is obviously erasing the identity of a people, erasing its history."

Thankfully, "there are museums, rules and conventions that protect this heritage".

Since Israel's offensive in Gaza began following the October 7, 2023 attack by Hamas, cultural sites in the Palestinian territory have paid a heavy price, says the United Nations' cultural organization.

UNESCO has verified damage to 69 sites: 10 religious sites, 43 buildings of historical and/or artistic interest, two depositories of movable cultural property, six monuments, one museum and seven archaeological sites.

- Stuck in Swiss warehouse -

At a time when Palestinian cultural heritage is "the victim of unprecedented destruction, the patrimonial value of the Gazan objects held in Geneva seems greater than ever", said the MAH.

Some of the objects belonged to the Palestinian Authority. The rest belonged to the Palestinian entrepreneur Jawdat Khoudary, but he later gave ownership of them to the PA in 2018.

These artifacts, evoking daily, civil and religious life from the Bronze Age to the Ottoman era, arrived in Geneva in 2006 to be shown at the "Gaza at the Crossroads of Civilizations" exhibition, inaugurated by Palestinian President Mahmud Abbas.

They had been meant to form the foundation of an archaeological museum to be built in Gaza.

Instead, they were stuck in Geneva for 17 years, the conditions for their safe return having never been met.

- Saved by circumstances -

"At the time when the objects were due to leave, Hamas took over the Gaza Strip and there were geopolitical tensions between Palestine and Israel," said Blandin.

This "coincidence of circumstances," she said, ultimately saved the artifacts: the rest of Khoudary's private collection, which remained in Gaza, has been "totally destroyed" since October 7 last year.

Following a new cooperation agreement signed last September between the Palestinian Authority and Geneva, the Swiss city has committed to looking after the artifacts for as long as necessary.

The MAH also served as a refuge, in 1939 when the Spanish Republicans evacuated by train the greatest treasures from the Museo del Prado in Madrid and several other major collections.

And last year, Geneva hosted an exhibition of Ukrainian works of art.

According to the Swiss Museums Association, Switzerland, along with counterparts in other countries, has also been able to help more than 200 museums in Ukraine preserve their collections after Russia's full-scale invasion in February 2022.



Thousands Greet the Winter Solstice at the Ancient Stonehenge Monument

A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
TT

Thousands Greet the Winter Solstice at the Ancient Stonehenge Monument

A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)
A person holds up a smart phone as they wait for sunrise during the winter Solstice celebrations at Stonehenge, England, Saturday, Dec. 21, 2024. (AP Photo/Anthony Upton)

Thousands of tourists, pagans, druids and people simply yearning for the promise of spring marked the dawn of the shortest day of the year at the ancient Stonehenge monument on Saturday.

Revelers cheered and beat drums as the sun rose at 8:09 a.m. (0809 GMT) over the giant standing stones on the winter solstice — the shortest day and the longest night in the Northern Hemisphere. No one could see the sun through the low winter cloud, but that did not deter a flurry of drumming, chanting and singing as dawn broke.

There will be less than eight hours of daylight in England on Saturday — but after that, the days get longer until the summer solstice in June.

The solstices are the only occasions when visitors can go right up to the stones at Stonehenge, and thousands are willing to rise before dawn to soak up the atmosphere.

The stone circle, whose giant pillars each took 1,000 people to move, was erected starting about 5,000 years ago by a sun-worshiping Neolithic culture, according to The AP. Its full purpose is still debated: Was it a temple, a solar calculator, a cemetery, or some combination of all three?

In a paper published in the journal Archaeology International, researchers from University College London and Aberystwyth University said the site on Salisbury Plain, about 128 kilometers (80 miles) southwest of London, may have had political as well as spiritual significance.

That follows from the recent discovery that one of Stonehenge’s stones — the unique stone lying flat at the center of the monument, dubbed the “altar stone” — originated in Scotland, hundreds of miles north of the site. Some of the other stones were brought from the Preseli Hills in southwest Wales, nearly 240 kilometers (150 miles) to the west,

Lead author Mike Parker Pearson from UCL’s Institute of Archaeology said the geographical diversity suggests Stonehenge may have served as a “monument of unification for the peoples of Britain, celebrating their eternal links with their ancestors and the cosmos.”