Gaza Cultural Heritage Brought to Light in Geneva

This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
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Gaza Cultural Heritage Brought to Light in Geneva

This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)
This photograph shows a mosaic pavement (Byzantine period, 579 AD) collected in 1997 from the site of a vanished Byzantine church in Deir al-Balah in the Gaza Strip, displayed during an exhibition on the protection of cultural property in case of conflict entitled "Heritage in Peril", at the Art and History Museum in Geneva on October 3, 2024. (AFP)

Archaeological treasures from the Gaza Strip are going on display in Geneva, with the Swiss city protecting the heritage of a territory devastated by a year of war.

Amphoras, statuettes, vases, oil lamps and figurines are among the 44 objects unearthed in Gaza going on show in the "Patrimony in Peril" exhibition at the Museum of Art and History (MAH).

"It's a part of Gaza's soul. Its identity, even," Beatrice Blandin, the exhibition's curator, told AFP. "Heritage is really the history of this strip of land, the history of the people who live there."

The artifacts are from a collection of more than 530 objects that have been stored in crates in a secure warehouse in Geneva since 2007, unable to return to Gaza.

The exhibition, which runs from Saturday until February 9, also includes artifacts from Sudan, Syria and Libya.

It was staged to mark the 70th anniversary of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict.

The exhibition looks at the responsibility of museums in saving such property from damage, looting and conflict, reminding visitors that deliberately destroying heritage is a war crime.

- Cultural damage in Gaza -

"The forces of obscurantism understand that cultural property is what is at stake for civilization, because they have never stopped wanting to destroy this heritage, as in Mosul," said Geneva city councilor Alfonso Gomez -- a reference to the northern Iraqi city captured by the ISIS group in 2014.

MAH director Marc-Olivier Wahler told AFP: "Unfortunately, in the event of conflict, many aggressors attack cultural heritage because it is obviously erasing the identity of a people, erasing its history."

Thankfully, "there are museums, rules and conventions that protect this heritage".

Since Israel's offensive in Gaza began following the October 7, 2023 attack by Hamas, cultural sites in the Palestinian territory have paid a heavy price, says the United Nations' cultural organization.

UNESCO has verified damage to 69 sites: 10 religious sites, 43 buildings of historical and/or artistic interest, two depositories of movable cultural property, six monuments, one museum and seven archaeological sites.

- Stuck in Swiss warehouse -

At a time when Palestinian cultural heritage is "the victim of unprecedented destruction, the patrimonial value of the Gazan objects held in Geneva seems greater than ever", said the MAH.

Some of the objects belonged to the Palestinian Authority. The rest belonged to the Palestinian entrepreneur Jawdat Khoudary, but he later gave ownership of them to the PA in 2018.

These artifacts, evoking daily, civil and religious life from the Bronze Age to the Ottoman era, arrived in Geneva in 2006 to be shown at the "Gaza at the Crossroads of Civilizations" exhibition, inaugurated by Palestinian President Mahmud Abbas.

They had been meant to form the foundation of an archaeological museum to be built in Gaza.

Instead, they were stuck in Geneva for 17 years, the conditions for their safe return having never been met.

- Saved by circumstances -

"At the time when the objects were due to leave, Hamas took over the Gaza Strip and there were geopolitical tensions between Palestine and Israel," said Blandin.

This "coincidence of circumstances," she said, ultimately saved the artifacts: the rest of Khoudary's private collection, which remained in Gaza, has been "totally destroyed" since October 7 last year.

Following a new cooperation agreement signed last September between the Palestinian Authority and Geneva, the Swiss city has committed to looking after the artifacts for as long as necessary.

The MAH also served as a refuge, in 1939 when the Spanish Republicans evacuated by train the greatest treasures from the Museo del Prado in Madrid and several other major collections.

And last year, Geneva hosted an exhibition of Ukrainian works of art.

According to the Swiss Museums Association, Switzerland, along with counterparts in other countries, has also been able to help more than 200 museums in Ukraine preserve their collections after Russia's full-scale invasion in February 2022.



65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
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65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA

The Diriyah Biennale Foundation has announced the list of artists participating in the Diriyah Contemporary Art Biennale 2026, scheduled to open on January 30 in the Jax District of Diriyah.

Titled “In Interludes and Transitions,” this edition draws inspiration from themes of movement, migration, and transformation—forces that have historically shaped pathways of communication and cultural exchange between the Arab region and societies around the world, SPA reported.

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation. These original pieces, created by artists, musicians, filmmakers, architects, and writers, explore ideas of continuity, resilience, and collective imagination amid periods of profound change.

Chief Executive Officer of the Diriyah Biennale Foundation Aya Al-Bakree explained that the event brings together artists from multiple generations, regions, and disciplines, offering audiences a rich and diverse artistic experience that reflects Diriyah’s growing role as a global cultural hub.

The artistic directors noted that this edition of the Diriyah Contemporary Art Biennale emphasizes the vital role of art in interpreting contemporary transformations. Over the past year, participating artists and the curatorial team have engaged in in-depth research into the historical contexts of the Arab region, examined the rapid changes reshaping its cultural landscape, and addressed broader intellectual questions with global relevance.


Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
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Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)

Workers at the Louvre Museum voted Monday to strike over working conditions and other complaints, dealing another blow to the Paris landmark and home of the Mona Lisa after an embarrassing jewelry heist in October.

The CFDT union said the vote was taken at a meeting of 400 workers on Monday morning and that they decided to strike for the day.

The world’s most-visited museum didn’t open as scheduled and turned people away. A notice on the Louvre's website said, “the museum is closed for the moment.”

“It's really sad, because I was really looking forward to this,” said Lindsey Hall, a bitterly disappointed would-be visitor from Sacramento, California. She had been planning to enjoy the museum's huge collection of art and artifacts with a friend, describing it as “one of those life experiences you crave.”

“This is just an epic collection of art and something that every human should see,” she said. “I can see the other side of it, like if you are the person that works in the museum and how that can be, like day after day after day.”

The strike vote followed talks last week between labor unions and government officials, including Culture Minister Rachida Dati. Labor leaders said the talks had not alleviated all of their concerns about staffing and financing for the museum that welcomes millions of visitors each year.

“Visiting the museum has become an obstacle course,” said Alexis Fritche, general secretary of the culture wing of the CFDT union.

For employees, the daylight jewel heist crystallized long-standing concerns that crowding and thin staffing are undermining security and working conditions at the Louvre.

Thieves used a basket lift to reach the Louvre’s facade, forced a window, smashed display cases and fled with pieces of the French crown jewels. A Senate inquiry released last week said the thieves escaped with barely 30 seconds to spare and pointed fingers of blame at broken cameras, outdated equipment, understaffed control rooms and poor coordination that initially sent police to the wrong location.

In a statement, the CFDT said employees wants more staffing for security and to welcome visitors, improved working conditions, stable long-term budgets for the Louvre and leadership that “truly listens to staff.”

Yvan Navarro of the CGT union complained that staff numbers have continually decreased while visitor numbers have increased.

“People come to Paris to visit the museums. So the visitor numbers go up, the tariffs and the prices go up, because everything is becoming more expensive, but the salaries and the numbers of staffers don't go up so obviously you reach a point like today, a day of anger,” he said.


Saudi Media Ministry Launches Sudanese Culture Week as Part of 'Global Harmony 2' Initiative 

The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues. (SPA)
The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues. (SPA)
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Saudi Media Ministry Launches Sudanese Culture Week as Part of 'Global Harmony 2' Initiative 

The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues. (SPA)
The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues. (SPA)

Saudi Arabia’s Ministry of Media launched on Sunday the Sudanese Culture Week as part of the "Global Harmony 2" initiative, organized in cooperation with the General Entertainment Authority (GEA) and the Quality of Life Program.

The event is part of a series of cultural activities showcasing 14 global cultures, held at Al-Suwaidi Park, one of the Riyadh Season venues.

The events began with a celebratory parade showcasing elements of Sudanese culture, featuring performances of traditional music, including the rhythms of the Dalooka and melodies of the Rababa, alongside scenes from a Sudanese bridal procession.

Sudanese Culture Week includes a diverse program of musical concerts, entertainment segments, and cultural pavilions, with participation from a selection of Sudanese singers and influencers presenting activities that reflect the cultural diversity of Sudan’s regions and communities.

The event stage hosted the first musical concerts, attended by thousands of visitors, who engaged with Rababa performances by traditional artists and popular social occasion songs from Sudan.

Sudanese Culture Week marks the final week of events under the Global Harmony 2 initiative, building on the program's success in promoting cultural exchange in the Kingdom, reflecting the values of coexistence and cultural openness embraced by the Kingdom.

The events will continue on Monday with a program featuring a variety of cultural and musical performances.