Fading Literature: Delhi's Famed Urdu Bazaar on Last Legs

A student sits beneath packed shelves at the Hazrat Shah Waliullah public library - AFP
A student sits beneath packed shelves at the Hazrat Shah Waliullah public library - AFP
TT

Fading Literature: Delhi's Famed Urdu Bazaar on Last Legs

A student sits beneath packed shelves at the Hazrat Shah Waliullah public library - AFP
A student sits beneath packed shelves at the Hazrat Shah Waliullah public library - AFP

In the bustling heart of Old Delhi, Indian bookseller Mohammed Mahfooz Alam sits forlorn in his quiet store, among the last few selling literature in a language beloved by poets for centuries.

Urdu, spoken by many millions today, has a rich past that reflects how cultures melded to forge India's complex history.

But its literature has been subsumed by the cultural domination of Hindi, struggling against false perceptions that its elegant Perso-Arabic script makes it a foreign import and a language of Muslims in the Hindu-majority nation.

"There was a time when, in a year, we would see 100 books being published," said 52-year-old Alam, lamenting the loss of the language and its readership.
The narrow streets of Urdu Bazaar, in the shadow of the 400-year-old Jama Masjid mosque, were once the core of the city's Urdu literary community, a center of printing, publishing and writing.

Today, streets once crowded with Urdu bookstores abuzz with scholars debating literature are now thick with the aroma of sizzling kebabs from the restaurants that have replaced them.

Only half a dozen bookstores are left.

"Now, there are no takers," Alam said, waving at the streets outside. "It is now a food market."

- Dying 'day by day' -

Urdu, one of the 22 languages enshrined under India's constitution, is the mother tongue of at least 50 million people in the world's most populous country. Millions more speak it, as well as in neighbouring Pakistan.

But while Urdu is largely understood by speakers of India's most popular language Hindi, their scripts are entirely different.

Alam says he can see Urdu literature dying "day by day".

The Maktaba Jamia bookshop he manages opened a century ago. Alam took over its running this year driven by his love for the language.

"I have been sitting since morning, and barely four people have come," he said gloomily. "And even those were college or school-going children who want their study books."

Urdu, sharing Hindi's roots and mingled with words from Persian and Arabic, emerged as a hybrid speech between those who came to India through trade and conquest -- and the people they settled down amongst.

But Urdu has faced challenges in being viewed as connected to Islamic culture, a popular perception that has grown since the Hindu-nationalist Bharatiya Janata Party (BJP) of Prime Minister Narendra Modi took power in 2014.

- 'Feel the beauty' -

For centuries, Urdu was a key language of governance.

Sellers first set up stores in the Urdu Bazaar in the 1920s, selling stacks of books from literature to religion, politics and history -- as well as texts in Arabic and Persian.

By the 1980s, more lucrative fast-food restaurants slowly moved in, but the trade dropped dramatically in the past decade, with more than a dozen bookshops shutting down.

"With the advent of the internet, everything became easily available on the mobile phone," said Sikander Mirza Changezi, who co-founded a library to promote Urdu in Old Delhi in 1993.

"People started thinking buying books is useless, and this hit the income of booksellers and publishers, and they switched to other businesses."

The Hazrat Shah Waliullah Public Library, which Changezi helped create, houses thousands of books including rare manuscripts and dictionaries.

It is aimed at promoting the Urdu language.

Student Adeeba Tanveer, 27, who has a masters degree in Urdu, said the library provided a space for those wanting to learn.

"The love for Urdu is slowly coming back," Tanveer told AFP, adding that her non-Muslim friends were also keen to learn.

"It is such a beautiful language," she said. "You feel the beauty when you speak it."



Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
TT

Red Sea Museum Concludes Six-Month 'Sunken Treasures' Exhibition

The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA
The galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets - SPA

The "Sunken Treasures: The Maritime Heritage of the Red Sea" exhibition concluded its six-month run at the Red Sea Museum in Historic Jeddah, offering visitors an educational journey into centuries of maritime trade, navigation, and pilgrimage.

Housed at the historic Bab Al-Bunt building since February 25, the exhibition highlighted the Red Sea's historical role as a vital trade artery connecting the Arabian Peninsula with the Mediterranean, Africa, and Asia.

Structured across four thematic zones, the galleries showcased underwater archaeological discoveries and Saudi Arabia's ongoing efforts to protect and document submerged cultural assets, SPA reported.

Among the exhibition's centerpiece displays was the 18th-century Umluj shipwreck, discovered submerged 20 to 22 meters deep amid coral reefs. Its recovered cargo—including commercial containers, pottery, coins, ceramics, and daily shipboard tools alongside antique navigational instruments and nautical maps—illustrated the vibrant human exchange that traversed regional waters.

Organized in collaboration with the Heritage Commission and the Historic Jeddah Program, the exhibition was also part of the summer season's cultural offerings, combining interactive public programming with scientific research to bolster cultural tourism and raise awareness of the Kingdom's underwater heritage.


Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
TT

Diriyah Art Futures Opens Second Edition of 'CONTINUUM' Exhibition

Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)
Diriyah Art Futures (DAF) launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors. (SPA)

Diriyah Art Futures (DAF), the first center for New Media Arts in the Middle East and North Africa, launched its latest exhibition CONTINUUM ’26 on Thursday, showcasing the works of its second cohort of emerging artists and the program’s mentors.

Visitors explored a diverse range of cutting-edge technological media, including immersive and multimedia installations, light, sound, moving image, virtual reality, mixed reality, and AI-generated projects, the Saudi Press Agency reported.

CONTINUUM ’26 features artworks produced by 16 emerging artists and two mentors during DAF’s year-long Emerging New Media Artists Program. Curated by Irini Papadimitriou and Bushra Alghamdi, Assistant Curator, the exhibition explores questions surrounding memory, identity, place, belonging, repetition, and interspecies relationships.

Developed under the mentorship of artists Louis-Philippe Demers and Rick Treweek, the artworks explore the boundaries between the real and the artificial, human and artificial intelligence, the organic and synthetic.

Speaking at the exhibition launch, CEO of the Museums Commission Eng. Abdullah bin Abdulaziz Al-Hammad said: “Programs like the Emerging New Media Artists Program represent the long-term, deliberate investment needed to shape the future of the Kingdom's museum sector.

“By providing our artists with world-class facilities, mentorship, and the dedicated time to refine their craft, we are fueling innovation and sparking vital cultural conversations. CONTINUUM 26 brings a full year of that dedication into the public eye.”

The opening program kicked off with a panel conversation between exhibition artists Noel Apitta, Njood Albwardi, Badriya Alsalem, and Harpreet Sareen, in conversation with Bushra Alghamdi about the ideas behind their works in CONTINUUM '26.

The artists discussed the exhibition's themes – the power of artificial intelligence; memory and time; and embodied perception – exploring how each artist navigated their creative process and what questions drove them.

CONTINUUM ’26 is the second installment in a series of exhibitions at DAF, spotlighting diverse voices shaping the future of New Media Art in the region and beyond.

Developed in collaboration with Le Fresnoy – Studio national des arts contemporains in France, the Emerging New Media Artists Program gives emerging artists access to cutting-edge professional equipment and a production budget, as well as a wide range of multidisciplinary learning opportunities.

CONTINUUM ’26 is open to the public at Diriyah Art Futures and runs until November 7. The exhibition is accompanied by a public program of workshops, talks and other activities spanning AI, VR, digital photography, and much more.

Meet the Artists: an invitation to encounter the works of CONTINUUM '26 through the perspectives of the artists who made them. Over the opening weekend, artists will discuss the ideas and processes behind their works with visitors.


US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
TT

US Hands Over Ancient Sarcophagus Fragments to Lebanon

This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)
This New York City Police Department photo shows one of three ancient sarcophagi fragments that the FBI Art Crime Team returned to the government of Lebanon during a September 2, 2026, ceremony in New York. (New York City Police Department)

The United States on Thursday announced the return of Roman-era sarcophagus fragments to Lebanon that were looted from the southern city of Tyre and recovered by an FBI investigation.

The decorative, lead fragments were returned to the Lebanese consulate in New York on Wednesday, ahead of their repatriation, the US embassy in Lebanon said.

The recovery "reflects the strong US-Lebanon partnership in the fight against illicit trafficking of cultural property", the embassy said.

Lebanese Culture Minister Ghassan Salame said the fragments "were unearthed in the Tyre area during illegal excavations".

"The fragments bear distinctive artistic, decorative and technical characteristics typical of workshops that produced lead sarcophagus in Tyre, which were among the city's active and prolific workshops in antiquity."

According to the FBI, the antiquities "were stolen from illicit excavations in or around Tyre and were exported outside of Lebanon's borders".

The trade in looted antiquities is widespread in the Middle East. New York, one of the world's art capitals, is home to many wealthy collectors, galleries, and auction houses.

In December 2017, three ancient artifacts were returned to Lebanon, including a bull's head of Greek origin that had been exhibited at the Met Gala, valued at $1.2 million.

Salame said the Tyre region "is exceptionally rich in archaeological heritage" and "has recently suffered severe destruction" due to heavy Israeli strikes during the latest war between Israel and Iran-backed Hezbollah.

UNESCO, the United Nations cultural agency, added Tyre to its World Heritage in Danger list in July.