Istanbul’s Historic Baths Keep Hammam Tradition Alive

Built 500 years ago, Istanbul's Zeyrek Cinili Hammam recently reopened after a restoration process that took 13 years. (AFP)
Built 500 years ago, Istanbul's Zeyrek Cinili Hammam recently reopened after a restoration process that took 13 years. (AFP)
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Istanbul’s Historic Baths Keep Hammam Tradition Alive

Built 500 years ago, Istanbul's Zeyrek Cinili Hammam recently reopened after a restoration process that took 13 years. (AFP)
Built 500 years ago, Istanbul's Zeyrek Cinili Hammam recently reopened after a restoration process that took 13 years. (AFP)

For centuries, hammams were central to Ottoman society, and while they fell out of use in Türkiye with the advent of running water, many are being restored to revive an ancient ritual bathing tradition.

Often featured in older Turkish films, hammam scenes are highly entertaining, with women not only bathing but enjoying these historical bathhouses as a place to socialize, eat, and even dance.

Last year, the 500-year-old Zeyrek Cinili Hammam -- built during the reign of Suleiman the Magnificent by the celebrated Ottoman architect Sinan -- reopened to the public after a painstaking 13-year restoration.

Alongside a functioning hammam, it also houses a museum explaining its history and the Ottoman ritual of bathing.

"The restoration somehow turned into an archaeological dig" that gave insight into how the hammam once looked, museum manager Beril Gur Tanyeli told AFP.

"Around 3,000 pieces of missing tiles were found which helped solve the puzzle of why this hammam was called Cinili" -- Turkish for "covered with tiles".

The beautiful Iznik tiles that once lined its walls were exclusively produced for the hammam, with no other bathhouse having such a rich interior, museum officials say.

Although most were damaged by fires or earthquakes, or sold off to European antique dealers in the 19th century, some are still visible.

The restoration also exposed several Byzantine cisterns beneath the hammam.

"Sinan the Architect is believed to have built the hammam on top of these cisterns to use them as a foundation and as a source of water," Tanyeli said.

Istanbul's celebrated royal architect Sinan designed the Zeyrek Cinili Hammam and built it over several Byzantine cisterns as a water source. (AFP)

- From cleansing to celebration -

In ancient Rome, bathing culture was very important and it was "traditional for traders to wash before entering the city, especially in baths at the (city) entrance," archaeologist Gurol Tali told AFP.

During the Ottoman empire, bathing culture had its golden age, with the ritual symbolizing both bodily cleanliness and purity of soul.

In Islam, a Muslim must wash before praying, in an act known as ablution.

Hammams were also a place for celebrating births and weddings.

"Baths were used not only for cleansing the body but for socializing, relaxing, healing and even celebrating important life events," with special rites for brides, soldiers and those who had undergone circumcision, Tali said.

Since households at the time did not have running water, hammams were an essential part of life until the 19th century, with census figures from 1638 showing there were 14,536 public and private baths in Istanbul, the museum says.

And that tradition has survived until today.

"You come here to get clean and leave handsome," said Zafer Akgul, who was visiting one of the city's hammams in the city with his son, telling AFP he visited often, particularly during religious feasts or for a wedding.

"We don't want this tradition to die."

Alongside the bathhouse, the Zeyrek Cinili Hammam also houses a museum showcasing pieces like these intricately decorated wooden clogs. (AFP)

- 'Passing on cultural heritage' -

That is where Istanbul's ancient hammams can serve a bigger purpose, Tali said.

"Restoring historical baths in Istanbul and putting them to use may be the most effective way to transfer cultural heritage to future generations," he said.

Another nearby bath house from the same era, the Beyazid II Hammam, underwent years of restoration and reopened as a museum in 2015.

One of the largest hammams in the city at the time, some historians believe it was where a notorious male bathing attendant, or "tellak", called Halil plotted an uprising that in 1730 overthrew Sultan Ahmed III.

For Manolya Gokgoz, who does publicity for Cemberlitas Hammam, another 16th-century bathhouse built by the royal architect Sinan, the connection is more personal: her grandmother worked there as a "natir" -- a woman's bathing attendant.

"When I was two or three years old, I would go to the baths in the morning, wash and play by myself until the evening without getting bored," she told AFP.

The museum at the Zeyrek Cinili Hammam celebrates the ancient bathing ritual. (AFP)

For Gokgoz, the tradition lives on -- although mostly among tourists, which for her is a shame.

"In the past, we used to go to the hammam with our mothers and grandmothers. Now 70 percent of our customers are foreign tourists and 30 percent locals," she said.

These days, the hammam experience -- which lets bathers relax in hot, warm or cool pools alongside extras like massages or peeling -- is quite expensive, with the basic service costing around $100.

Celebrities, both Turkish and international, often visit Cemberlitas, with the last being Spanish actor Pedro Alonso -- the character Berlin in the Netflix hit "Money Heist" -- who visited in September.

"Hammam is not a luxury, but a need," Gokgoz said.

"Yes, it's not like in the past because we have hot water at our fingertips, but we need to keep this tradition alive."



Prince of Wales Explores AlUla Arts Festival, Engages with Local Artists

The prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields - SPA
The prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields - SPA
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Prince of Wales Explores AlUla Arts Festival, Engages with Local Artists

The prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields - SPA
The prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields - SPA

AlUla Arts Festival captured the interest of the Prince of Wales and heir apparent to the throne of the United Kingdom of Great Britain and Northern Ireland Prince William during his recent visit to AlUla, SPA reported.

He viewed a selection of standout works by Saudi and international artists, ranging from contemporary installations to immersive open-air experiences inspired by AlUla’s landscapes and rich heritage.

He was also briefed on the festival’s creative programs, which annually transform AlUla into a dynamic platform for art and innovation, attracting artists and visitors from around the world.

During the visit, the prince met with a group of talented young men and women from AlUla active in various artistic and cultural fields.

He listened to their experiences and contributions to the governorate's cultural development, supported by ongoing efforts to strengthen the creative sector and expand its local and international presence.


Saudi Cinema Expands International Footprint at Berlin Festival

Saudi Cinema Expands International Footprint at Berlin Festival
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Saudi Cinema Expands International Footprint at Berlin Festival

Saudi Cinema Expands International Footprint at Berlin Festival

The Film Commission took part in the 76th Berlin International Film Festival, held from February 12 to 22, to showcase its key achievements in advancing the Saudi film sector and highlighting a selection of films that demonstrate the talent of Saudi filmmakers and the Kingdom’s expanding production infrastructure.

It presented the Kingdom’s diverse filming locations and spotlighted major milestones, including Norah, the first Saudi film selected for the Un Certain Regard section at the Cannes Film Festival, SPA reported.

The commission signed several cooperation agreements with leading international film institutions, including the French National Center of Cinema. It also launched artistic initiatives in Berlin in collaboration with global partners and cinemas, demonstrating the Kingdom’s expanding cultural and creative network.

CEO of the commission Abdullah Al-Qahtani said: "Saudi cinema goes beyond filmmaking to building cultural bridges and sharing authentic stories with global audiences."

He noted that strengthening strategic partnerships and investing in local talent are central to positioning the Kingdom as a hub for creative industries, adding that continued participation in international festivals broadens exposure to the richness and diversity of Saudi culture.


Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture
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Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

The Saudi Ministry of Culture and the UK Department for Culture, Media and Sport have announced the year 2029 as the official Saudi-UK Year of Culture, reported the Saudi Press Agency on Wednesday. The announcement follows an official visit by Britain’s Prince William to Saudi Arabia this week.

For nearly a century, formal relations between Saudi Arabia and the UK and Northern Ireland have evolved into a multifaceted international relationship that has expanded across culture, education, and innovation, reflecting shared values and a mutual commitment to long-term cooperation.

In recent years, cultural exchange has emerged as a cornerstone of Saudi-British relations, driven by joint initiatives in heritage conservation, visual and culinary arts, architecture, and higher education.

This ongoing expansion of cultural exchange lays the foundation for the Saudi-UK Year of Culture 2029, a year-long program celebrating creative dialogue and the shared heritage of Saudi Arabia and the UK, while deepening cultural ties for generations to come. It will also be a great opportunity for young people in both countries to connect in new ways.

Supported by Saudi Vision 2030 and the United Kingdom’s continued promotion of cultural innovation and creativity, the Saudi-UK Year of Culture 2029 will be an important milestone for both countries.