India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
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India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)

A towering cinema with a roofline like an ocean liner stands out in India's financial capital Mumbai, part of a remarkable Art Deco architectural heritage that campaigners say needs protection.

A short walk away is a state-run insurance office with giant Egyptian-style carvings, and a palm-lined seafront promenade with pastel-colored apartments with porthole windows, curved balconies and exotic motifs.

Architecture aficionados may go crazy over Miami's South Beach, but the coastal Indian megacity is home to what experts believe is one of the world's largest collections of Art Deco buildings.

Decades of neglect, however, have led to buildings being demolished or compromised through slapdash modern renovation.

Lovers of the dramatic architecture fear that will only increase as Mumbai undergoes a rapid $30 billion infrastructure makeover including major road, rail and bridge projects.

A sweep of some Art Deco buildings -- including offices, colleges and residential complexes -- was listed on UNESCO's World Heritage list in 2018, alongside the city's Victorian Gothic architecture for its "unique style" described as "Indo-Deco".

Today, the city's breakneck pace of development has left a small but dedicated group of building owners, architects and heritage lovers trying to conserve the city's Art Deco character.

The job requires "constant vigilance", said Nayana Kathpalia, who lives in an Art Deco building that was recently restored -- but crucially in a manner that maintained its original character.

- 'Modern, open, friendly' -

Many apartment building owners are eager to cash in and redevelop their old dwellings, making them part of a cookie-cutter modern skyline.

"If too many buildings get done in a totally different style, the World Heritage Site committee will say 'what the hell is happening?'," Kathpalia said.

"We are very, very clear that we have to protect that."

Losing it could strip the city of its history and character, campaigners say.

Art Deco took the West by storm after emerging as a new wave of design in France before the First World War.

Architects used geometric patterns and streamlined structures to evoke the popular technologies of the time, including airplanes and ocean liners.

As a style, Art Deco can appear as an odd hodgepodge, borrowing everything from ancient Mayan to Japanese culture.

But the first generation of homegrown Indian architects who visited Europe in the 1920s and 1930s were inspired.

After returning home, they started designing Art Deco style buildings for rich Indian business families that had profited off the economic boom in the port city, said Atul Kumar, founder of a non-profit that seeks to conserve the heritage.

Art Deco "enabled a certain cosmopolitanism" and contributed to making Mumbai a "modern, open, friendly" city, Kumar added.

- 'Bombay style' -

While Kumar's Art Deco Mumbai organization has spent years painstakingly documenting buildings, it has also more recently started offering "repair and restoration" help.

"We go out, pro bono, and reach out to people," he said, having supported the sensitive restoration of around nine buildings, including a couple in the core World Heritage area.

However, there are challenges, including stringent rent control laws which impose financial constraints on landlords.

Kumar also admits that residents in newer and northern parts of the city have less of a "desire" to conserve their buildings in their original Art Deco style.

A large part of this is due to a lack of awareness.

Many of the city's inhabitants walk past the vivid tropical imagery, elongated turrets and jazzy typography without giving them a second glance.

Pranati Mehta, a 46-year-old school teacher, says most Indians only look at "temples as architecture", as they "feel that is special".

Some Mumbai residents don't realize they "live amongst art", she said.

But Mehta, who was on a weekend walking tour to learn more about the architectural style, quickly adds that Art Deco isn't foreign to Indian sensibilities.

"We recognize it as a Bombay style," she said. "We think Art Deco is also an Indian brand".



Gold, Gems and Renoirs: France’s Museums Grapple with a Wave of Smash-and-Grab Thefts

 The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)
The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)
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Gold, Gems and Renoirs: France’s Museums Grapple with a Wave of Smash-and-Grab Thefts

 The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)
The entrance of the Renoir Museum is pictured after thieves stole four valuable Renoir paintings, in Cagnes-sur-Mer, Tuesday, Sept. 8, 2026. (AP)

At a museum in eastern France, two men disguised with wigs used a sledgehammer and a hammer to smash a display case and make off with a 2,500-year-old gold necklace. The heist took under four minutes.

In a smash-and-grab at another French museum, three masked robbers stole 27 pieces of jewelry valued at more than 4.5 million euros (US$5.2 million), busting through two doors to break in.

Those thefts took place in July. This week, thieves sliced through a fence and climbed through the window of a museum on the French Riviera and fled with two paintings by Pierre-Auguste Renoir. They abandoned two other artworks by the Impressionist master as they made their escape.

The rash of the robberies, coming on the heels of last year's stunning jewel heist in France's most famous and most visited museum, the Louvre, show how the country is both blessed and cursed by its troves of treasure accumulated over centuries of conquest, creativity and having money to spend on art.

France's passion for paintings, sculptures, ancient artifacts and other valuables and curios is a source of national pride and identity. Thousands of museums that house collections big and small help transmit France's love of culture and history from one generation to the next. The biggest also draw millions of tourists who pump money into the French economy.

But keeping all that wealth safe is costly and difficult. Criminals see museums as soft targets. The brazen and agonizing theft of 88 million euros ($102 million) worth of crown jewels from display cases in the Louvre's Apollo gallery served as a wake-up call. But it was only the most shocking example of broader threats to museums, and not just in France.

“When the jewels of a French king disappear, to be melted down because of the price of gold, it is tragic. It breaks everyone’s heart,” said Guillaume Poitrinal, president of a foundation that funds the renovation and protection of French cultural sites, the Fondation du patrimoine.

“We need to make it more difficult to steal works of art and objects that are part of France’s cultural heritage and belong to all French people. That is absolutely essential. And to achieve that, we need to invest,” he said in an interview with The Associated Press.

The Renoir heist took just minutes

Before dawn Tuesday, two robbers made off with “Portrait of Madame Colonna Romano” and “Young Woman at the Well.” They dropped “Portrait of Madame Pichon” and “Coco Reading” as they fled through the garden of the Renoir Museum in Cagnes-sur-Mer.

They cut through a fence with an electric knife or saw and entered the museum through the ground floor, said Bryan Masson, mayor of the town between Cannes and Nice on the Mediterranean coast.

The heist took under three minutes. Masson estimated the artworks' value at 9 million euros ($10.5 million). Offloading well-known, stolen art is impossible through legitimate channels, so the paintings could prove to be worth little or nothing for the thieves.

European police agency Europol says museum heists are becoming more violent, with sledgehammers, axes, crowbars and even explosives used for break-ins and to smash display cases.

Thieves also are increasingly targeting museum items with gold and other precious metals that can be melted down and with gemstones that can be removed and sold, the agency said in a report in August. Criminals believe “museum security measures are less robust than those in jewelry stores,” it said.

The ancient necklace stolen July 24 from the museum in Châtillon-sur-Seine, eastern France, was crafted from nearly half a kilo (a pound) of gold.

A record 10 burglaries targeted French and other European museums this summer, according to Jean-Christophe Castelain, director of Le Journal des Arts, a bimonthly revue of the art world.

“Eight of those 10 involved jewelry, coins or antique objects that can easily be melted down,” he said.

A distraught museum director shares her pain

The Lalique Museum in Wingen-sur-Moder, further east near France's border with Germany, has not reopened since the July 5 theft of jewelry there from six display cases busted open with sledgehammers and hammers. The public museum celebrates 19th-century jeweler and glassmaker René Lalique and his successors.

The pain is still raw for its director, Véronique Brumm Schaich. Her voice cracked with emotion during an interview. The museum is seeking 200,000 euros ($233,000) for security upgrades.

“Robbers’ tactics are evolving,” she said. “The recent examples show that we are not the only ones who need to go further in our efforts.”

Because of government budget squeezes, it's not yet clear how much funding will come from public coffers, she said. The museum is also collecting private donations, because “these are things that are extremely expensive,” she said.

“These are difficult times,” she said. “A burglary never comes at a good time, but this one came at an especially bad time.”

Some of the funding that the Fondation du patrimoine provides, including for museums, comes from a national lottery. To help boost museum revenues, the foundation is also launching a pass that will grant subscribers access to 500 museums, monuments and châteaux.

“France is a country where we love passing the buck,” said Poitrinal, the foundation president. “People say it is the state’s responsibility or the city’s responsibility. I say it's quite simple: it is everyone’s responsibility.”


Saudi Arabia’s Red Sea Museum Opens Submissions for Sea Art Fair

The community initiative encourages participants to transform recycled or repurposed materials into artworks
The community initiative encourages participants to transform recycled or repurposed materials into artworks
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Saudi Arabia’s Red Sea Museum Opens Submissions for Sea Art Fair

The community initiative encourages participants to transform recycled or repurposed materials into artworks
The community initiative encourages participants to transform recycled or repurposed materials into artworks

The Red Sea Museum in Historic Jeddah has announced an open call for submissions for its upcoming Sea Art Fair, inviting children, families, emerging artists, and creatives of all ages to participate.

The community initiative encourages participants to transform recycled or repurposed materials into artworks reflecting the Red Sea's marine life, coastal heritage, and local narratives. No prior professional artistic experience is required.

Submissions remain open until October 1. Following an evaluation period from October 5 to 20, selected works will be announced on October 25, with final pieces due by October 30.

The exhibition will take place from November 12 to 14 at the museum's historic Bab Al-Bunt building, advancing its mission to celebrate Red Sea culture and heritage through artistic expression and community engagement.


New Riyadh Exhibition Draws Inspiration from Travels of Ibn Battuta

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat
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New Riyadh Exhibition Draws Inspiration from Travels of Ibn Battuta

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat

The Misk Art Institute has announced the launch of its art exhibition "Along the Way," opening on September 16 at Prince Faisal bin Fahd Arts Hall in Riyadh and running through March 31, 2027.

The exhibition features 34 artists from Saudi Arabia and around the world, alongside a rare collection of historical manuscripts.

Drawing inspiration from the travels of Ibn Battuta, the exhibition explores travel as a transformative journey of knowledge and self-discovery, examining themes of maps, wayfinding, memory, and humanity's connection to nature through paintings, sculptures, installation art, and photography.

The exhibition also displays rare historical manuscripts, including the Book of Fixed Stars by Al-Sufi and Nuzhat al-Qulub by Al-Qazwini, which contains a circular world map, alongside an engraved brass astronomical disc from Persia, reflecting Islamic civilization's contributions to navigation and astronomy.