India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
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India’s Architecture Fans Guard Mumbai’s Art Deco Past

In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)
In this photograph taken on October 19, 2024, vehicles ride past the Soona Mahal, a UNESCO-designated Art Deco apartment building along the Marine Drive seafront in Mumbai. (AFP)

A towering cinema with a roofline like an ocean liner stands out in India's financial capital Mumbai, part of a remarkable Art Deco architectural heritage that campaigners say needs protection.

A short walk away is a state-run insurance office with giant Egyptian-style carvings, and a palm-lined seafront promenade with pastel-colored apartments with porthole windows, curved balconies and exotic motifs.

Architecture aficionados may go crazy over Miami's South Beach, but the coastal Indian megacity is home to what experts believe is one of the world's largest collections of Art Deco buildings.

Decades of neglect, however, have led to buildings being demolished or compromised through slapdash modern renovation.

Lovers of the dramatic architecture fear that will only increase as Mumbai undergoes a rapid $30 billion infrastructure makeover including major road, rail and bridge projects.

A sweep of some Art Deco buildings -- including offices, colleges and residential complexes -- was listed on UNESCO's World Heritage list in 2018, alongside the city's Victorian Gothic architecture for its "unique style" described as "Indo-Deco".

Today, the city's breakneck pace of development has left a small but dedicated group of building owners, architects and heritage lovers trying to conserve the city's Art Deco character.

The job requires "constant vigilance", said Nayana Kathpalia, who lives in an Art Deco building that was recently restored -- but crucially in a manner that maintained its original character.

- 'Modern, open, friendly' -

Many apartment building owners are eager to cash in and redevelop their old dwellings, making them part of a cookie-cutter modern skyline.

"If too many buildings get done in a totally different style, the World Heritage Site committee will say 'what the hell is happening?'," Kathpalia said.

"We are very, very clear that we have to protect that."

Losing it could strip the city of its history and character, campaigners say.

Art Deco took the West by storm after emerging as a new wave of design in France before the First World War.

Architects used geometric patterns and streamlined structures to evoke the popular technologies of the time, including airplanes and ocean liners.

As a style, Art Deco can appear as an odd hodgepodge, borrowing everything from ancient Mayan to Japanese culture.

But the first generation of homegrown Indian architects who visited Europe in the 1920s and 1930s were inspired.

After returning home, they started designing Art Deco style buildings for rich Indian business families that had profited off the economic boom in the port city, said Atul Kumar, founder of a non-profit that seeks to conserve the heritage.

Art Deco "enabled a certain cosmopolitanism" and contributed to making Mumbai a "modern, open, friendly" city, Kumar added.

- 'Bombay style' -

While Kumar's Art Deco Mumbai organization has spent years painstakingly documenting buildings, it has also more recently started offering "repair and restoration" help.

"We go out, pro bono, and reach out to people," he said, having supported the sensitive restoration of around nine buildings, including a couple in the core World Heritage area.

However, there are challenges, including stringent rent control laws which impose financial constraints on landlords.

Kumar also admits that residents in newer and northern parts of the city have less of a "desire" to conserve their buildings in their original Art Deco style.

A large part of this is due to a lack of awareness.

Many of the city's inhabitants walk past the vivid tropical imagery, elongated turrets and jazzy typography without giving them a second glance.

Pranati Mehta, a 46-year-old school teacher, says most Indians only look at "temples as architecture", as they "feel that is special".

Some Mumbai residents don't realize they "live amongst art", she said.

But Mehta, who was on a weekend walking tour to learn more about the architectural style, quickly adds that Art Deco isn't foreign to Indian sensibilities.

"We recognize it as a Bombay style," she said. "We think Art Deco is also an Indian brand".



Kerala’s Snake Boat Racers Keep Tradition Afloat in Face of Floods and Financial Challenges

 Rowers from the United Boat Club train on the Pamba river in preparation for the Nehru Trophy snake boat race, near Kainakary, Kerala, India, August 7, 2026. (Reuters)
Rowers from the United Boat Club train on the Pamba river in preparation for the Nehru Trophy snake boat race, near Kainakary, Kerala, India, August 7, 2026. (Reuters)
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Kerala’s Snake Boat Racers Keep Tradition Afloat in Face of Floods and Financial Challenges

 Rowers from the United Boat Club train on the Pamba river in preparation for the Nehru Trophy snake boat race, near Kainakary, Kerala, India, August 7, 2026. (Reuters)
Rowers from the United Boat Club train on the Pamba river in preparation for the Nehru Trophy snake boat race, near Kainakary, Kerala, India, August 7, 2026. (Reuters)

This weekend around 20 wooden boats, 100-foot long and powered by about 100 rowers each, will slice through Kerala's backwaters to compete for the most prestigious trophy in the centuries-old sport of "vallam kali", or snake boat racing.

Thousands will cheer on from the shore and houseboats as the slender vessels, whose raised sterns give them a cobra-like appearance, race for village pride on a 1.4 km course at Punnamada Lake.

As well as the splashing of hundreds of oars hitting the water in unison over 90 times per minute, the rowing is accompanied by a cacophony of chants and whistles as well as the thunderous beat of thick wooden poles pounding on the deck.

The Alappuzha district, which used to be known as the rice bowl of Kerala because of the proliferation of paddy fields, contains some of the lowest lying land in India and is prone to flooding during the ‌monsoon rains.

But while ‌most villagers check the swollen Pamba River each monsoon morning with trepidation, Vakkachan Theverkkat sees ‌opportunity -- ⁠another chance to ⁠train his roster of 150-odd rowers.

Vakkachan is a former senior oarsman with a lot of experience of racing the massive boats that compete across a three-to-five month season, including Saturday's prestigious Nehru Trophy.

"It runs in my family," said Vakkachan, the leading captain of the Kainakary-based United Boat Club (UBC), which has been competing for the Nehru Trophy since 1963 and won it 12 times.

"Our club has won the Nehru Trophy the most times and also lost it the most times," he told Reuters with a smile.

Deadly floods killed 28 people and displaced thousands across Kerala this month and parts of Kainakary were also affected.

Several roads became inaccessible as houses and buildings stood half-submerged, surrounded by ⁠paddy fields that had swollen into lakes.

Yet UBC's rowers -- mostly locals but including oarsmen from ‌distant states like Uttarakhand and Manipur -- maintained their rigorous practice schedule, often twice ‌daily.

UBC are rated a decent chance for a 13th triumph as they have been hired to row "Veeyapuram", the boat which won the Nehru Trophy ‌and the Champions Boat League last season in the hands of the Village Boat Club.

"VICIOUS VEERU"

Like most Chundan Vallam, or ‌snake boats, Veeyapuram is community-owned and belongs to a village of the same name some 30 km (19 miles) south of Kainakary.

Hundreds of villagers raised around 9 million Indian rupees ($94,300) to launch the boat -- nicknamed "Vicious Veeru" -- in 2019.

Funding each season costs nearly 7 million rupees ($73,000), with the boat owners earning back only a fraction from sponsors and prize money.

While the Kerala government often uses snake boat races to promote tourism, shareholder Manikanthan ‌Nair TM said the boat-owning communities get little help as they battle financial hardship and natural disasters to keep the sport alive.

Kamarudeen KA, the secretary of the Veeyapuram ownership group, ⁠however, said they would not ⁠give up the tradition despite the challenges.

"As long as we're here, we'll keep (this boat) running," he said.

"People speak of it proudly and with admiration. We feel proud that this boat has given us that recognition and identity."

Originally designed as battle canoes in the 13th century, the snake boats have become unlikely symbols of unity in a culturally diverse state.

"There's no barrier like religion or caste when it comes to the boat ... we all pray for its success," said Robin Varghese, a Christian priest and member of the Veeyapuram committee.

"This is our blood and culture," said UBC secretary Sajimon B.

Boats can compete for decades. The Karichal snake boat, launched in 1970, narrowly beat Veeyapuram to win the 2024 Nehru Trophy.


Diriyah Art Futures Launches CONTINUUM 26

CONTINUUM 26 runs from September 3 to November 7. (SPA)
CONTINUUM 26 runs from September 3 to November 7. (SPA)
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Diriyah Art Futures Launches CONTINUUM 26

CONTINUUM 26 runs from September 3 to November 7. (SPA)
CONTINUUM 26 runs from September 3 to November 7. (SPA)

Diriyah Art Futures (DAF), an asset of Saudi Arabia’s Museums Commission under the Ministry of Culture, announced on Tuesday the lineup for CONTINUUM 26, an exhibition celebrating the creative output of the participants in its second Emerging New Media Artists Program.

The first New Media Arts center in the Middle East and North Africa, DAF is dedicated to advancing interdisciplinary creative practice at the intersection of art, science and technology. The exhibition reflects DAF's efforts to combine arts, research and education to empower the next generation of artists, foster new forms of creative expression and expand Saudi Arabia's creative ecosystem in line with the ambitions of the Museums Commission as part of Saudi Vision 2030.

Running from September 3 to November 7, in Diriyah, Riyadh, CONTINUUM 26 is the second installment in an annual exhibition series spotlighting innovative voices shaping the future of new media and digital art in the region and beyond.

CONTINUUM 26 showcases the artists' major new works developed during a year-long educational program at Diriyah Art Futures with support from across DAF's Education, Production, and Exhibition departments.

Working under the mentorship of acclaimed mentor-artists Louis-Philippe Demers and Rick Treweek, the participants explored new forms of creative expression spanning immersive and multimedia installations, light, sound, moving image, virtual reality, mixed reality, and AI-generated projects.

The title CONTINUUM speaks to the ever-evolving nature of creative inquiry that defines the Emerging New Media Artists program. It represents a dynamic process in which divergent artistic trajectories converge around shared thematic inquiries. This continuum reflects both the developmental journey of the participating artists and the fluid boundaries of the topics explored: worlds between reality and artificial reality, organic and synthetic, and human and artificial intelligences.

The exhibition is structured around four key thematic pillars that bridge technological experimentation with deeply human questions. Memory as a living process explores personal, collective, environmental, and cultural remembering. Systems of power and optimization examine technology as an extension of human decisions, desires, and control. The Body, perception, and presence shift focus toward embodiment, interspecies relationships, and immersive sensory environments. Repetition, rhythm, and collective experience explore the choreography of automated systems, labor, and human endurance.


Jeddah Cultural Centers Offer Quality Programs to Support Arts, Creativity

Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions. (SPA)
Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions. (SPA)
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Jeddah Cultural Centers Offer Quality Programs to Support Arts, Creativity

Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions. (SPA)
Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions. (SPA)

Jeddah is witnessing growing cultural activity, reflected in the programs and events offered by cultural centers and institutions throughout the year, the Saudi Press Agency said on Monday.

These include art exhibitions, creative workshops, literary and knowledge-based gatherings, performing arts shows, and initiatives targeting children and youth, providing talents with spaces to learn, experiment, and express themselves while strengthening interaction between creatives and audiences.

The importance of these programs lies in their ability to discover talent and develop creative skills. They provide practitioners and enthusiasts with opportunities for training, networking, and the exchange of expertise, while opening avenues for young artists to showcase their work and reach audiences.

Jeddah's cultural scene derives its distinctive character from the city's identity and historical diversity. For centuries, the city has remained a meeting point for people from diverse cultures, which has influenced its arts, architecture, and social heritage, giving the contemporary cultural scene a rich foundation that draws inspiration from the past and presents it in a modern language combining the authenticity of place with contemporary creative trends.

Cultural programs also help build bridges between generations by presenting local heritage in contemporary forms and giving children and young people opportunities to discover and practice the arts in stimulating environments. This supports the sustainability of cultural knowledge and raises awareness of the value of heritage and national identity.