Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
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Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File

Singer Rod Stewart, who helped British rock conquer the world with a string of megahits, turns 80 on Friday -- with no plans to slow down.
Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s with hits like "Da Ya Think I'm Sexy?" and "Young Turks", notching up more than 250 million record sales worldwide.
He also made headlines for a prolific love life that included relationships with a string of models and actresses including Britt Ekland.
Despite his landmark birthday, Stewart says he has no plans to retire.
"I love what I do, and I do what I love. I'm fit, have a full head of hair and can run 100 meters (330 feet) in 18 seconds at the jolly old age of 79," he wrote last year.
The star will play the legends slot at the famed Glastonbury music festival this summer.
Although his forthcoming European and North American tour dates will be his last large-scale project, he has said he plans to concentrate on more intimate venues in the future.
He will headline a new residency in Las Vegas from March to June.
A tour is also slated for 2026 for Swing Fever, the album he released last year with pianist and ex-Squeeze band member Jools Holland.
As he has approached his ninth decade, Stewart has also made headlines for quirkier reasons such as his passion for model railways and his battle with potholes that have prevented him from driving his Ferrari near his home in eastern England.
The singer, who was knighted by Queen Elizabeth in 2016, has been married three times and has fathered eight children. His third wife is model and television personality Penny Lancaster.
From London to global star
Stewart's story began in north London on 10 January 1945, when Roderick Stewart was born into a middle-class family.
After a "fantastically happy childhood", he developed a love of music when his father bought him a guitar in 1959, and he formed a skiffle band with school friends a year later.
He joined the band Dimensions in 1963 as a harmonica player, exploring his love of folk, blues and soul music while learning from other artists such as Rolling Stones frontman Mick Jagger in London's blossoming rhythm and blues scene.
Stewart's career took off in 1967 when he joined the renowned guitarist Jeff Beck's eponymous new band, which also included future Rolling Stone Ronnie Wood, allowing him to develop his raw and soulful vocal style and stagecraft while exposing him to a US audience.
He and Wood took up the offer to join mod pioneers Small Faces following the departure of their singer Steve Marriott in 1969 -- the band soon changing its name to The Faces -- shortly before Stewart released his debut solo album.
It was his 1971 third solo release, "Every Picture Tells a Story", that confirmed him as one of the world's most successful artists, reaching number one in Britain, Australia and the United States, where it went platinum.
The album helped define Stewart's rock/folk sound, featuring heartfelt lyrics and heavy use of unusual instruments such as the mandolin, particularly prominent on the album's standout hit "Maggie May".
"I just love stories with a beginning, middle and end," he once said.
'I had the last laugh'
Focusing on his solo career after 1975, Stewart's "Da Ya Think I'm Sexy?" released in 1978 was not to everyone's taste.
"Once the most compassionate presence in music, he has become a bilious self-parody -– and sells more records than ever," Rolling Stone magazine said in 1980.
Never one to be cowed by the critics, Stewart defended this phase, telling an interviewer that audiences "absolutely love it, so I had the last laugh".
Richard Houghton, author of the book "Tell Everyone -- A People's History of the Faces" said that Stewart had "possibly the most distinctive voice in rock music".
The singer had successfully combined writing classic songs of his own such as "Maggie May" or "You Wear It Well" with taking other people's songs -- from Bob Dylan to Tom Waits -- and making them his own .
More recently, there had been four albums of the "classic songs of the 1930s from his Great American Songbook catalogue".
Houghton said audiences could expect to see plenty more of Stewart.
"He's like any entertainer. He loves the spotlight. He's not going to sit at home watching the television when somewhere around the world there's a crowd wanting to hear him sing 'Mandolin Wind' or 'First Cut Is The Deepest' one more time.
"Rod will keep singing until the day he drops," he added.



‘Dune: Part Three’ Trailer Lands, a Day After Sneak Peek with Zendaya, Director Villeneuve

US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
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‘Dune: Part Three’ Trailer Lands, a Day After Sneak Peek with Zendaya, Director Villeneuve

US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)

Canadian filmmaker Denis ‌Villeneuve revealed he nearly took a break before completing "Dune: Part Three," the conclusion to his epic science-fiction trilogy, but changed his mind after he saw how audiences embraced the first two films.

“I felt an appetite for the third movie that I was not expecting,” said Villeneuve on Monday in Los Angeles at a preview event for the movie's trailer, which was released to the public on Tuesday.

The film, distributed by Warner Bros, arrives in theaters on December 18. It is based on "Dune Messiah," the second book in the "Dune" series of ‌novels written ‌by Frank Herbert, about the battle for control ‌of ⁠the fictional planet ⁠of Arrakis, a harsh desert locale that contains a valuable spice that can extend life.

The new trailer shows the main character, Paul Atreides, played by Timothée Chalamet, and Chani, played by Zendaya, years after the first two films as they ponder their future as parents. The first two films, released in 2021 and 2024, grossed a combined $1.1 billion ⁠worldwide and received numerous accolades, including several Academy ‌Awards.

Villeneuve describes the third film as ‌a departure from the first two, as Paul Atreides must also reckon ‌with the consequences of the power and influence that he holds.

The ‌director recalled how he kept waking up at night with visions of the final chapter. “I was supposed to do another movie in the meantime but the image kept coming back. And I said, ‘All right, let’s do ‌it.’”

In a surprise, Villeneuve brought out several cast members at the event, including Zendaya, Robert Pattinson, Anya Taylor-Joy ⁠and Javier ⁠Bardem.

Zendaya reflected on how she spent her entire 20s working on the "Dune" films. "They have such a special place in my heart," the Euphoria actor said.

Pattinson, known for his appearances in "The Batman" and the "Twilight" series of films, joins the cast as the antagonist, Scytale. “I absolutely adored these movies - I saw them multiple times in theaters,” he said.

“He’s a very unusual character in the book,” the actor added. “You can’t really tell whose side he’s on. He’s not a conventional bad guy - he might even be a good guy. Who knows?”

Villeneuve noted the final movie will take fans to new planets on sets that they have yet to see.


In Hollywood, AI's No Match for Creativity, Say Top Executives

US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
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In Hollywood, AI's No Match for Creativity, Say Top Executives

US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP

Artificial intelligence is transforming Hollywood at a pace that has sent shockwaves through creative industries, but human creativity will always prevail, a leading executive at the cutting edge of that change told AFP.

The disruption was a dominant theme at this week's South by Southwest conference in Austin, Texas where veteran director Steven Spielberg made clear he was drawing a line in the sand.

"I've never used AI on any of my films yet. We have a writer's room. All the seats are occupied," Spielberg said. "I am not for AI if it replaces a creative individual."

Joshua Davies, chief innovation officer of Artlist -- an AI video platform that has most recently been positioning itself as a supplier of creative tools to filmmakers -- told AFP the technology would never eclipse the human creative.

If given the choice between something made using an AI told by a techie and a creative, "I know which one I would rather watch at the end," said Davies, who founded video editing software company FXhome before it was acquired by Artlist in 2021.

Davies acknowledged the industry's anxiety was not unfounded, with new video models having "struck fear in the hearts of everybody" -- not just over copyright and personality infringement, but over the fundamental question of how film and television production will look in a matter of years.

"If I was bringing out an Iron Man movie in 2027, 2028 -- would I be going to multiple visual effects houses, would I expect them to be utilizing AI? We're all kind of working out our way through that," he said.

Davies described the platform's AI video tools as a way to "fill in the bits that you can't shoot, or didn't shoot, or you don't have the budget to shoot," rather than a wholesale substitution for going out on location.

- 'Holy grail' -

Yet the timing is charged. Editors, visual effects artists and other Hollywood professions have watched the rapid advance of generative AI with alarm, fearing that tools capable of producing broadcast-quality footage at a fraction of traditional costs could hollow out entire job categories.

Major studios are actively evaluating how AI can be integrated into production pipelines, foreshadowing significant workforce changes across an industry that has already endured a bruising period following the covid pandemic and writers' and actors' strikes of 2023.

Artlist made headlines in February when it produced a Super Bowl LX spot in under five days using its own products, at a fraction of the multi-million-dollar cost typical of Big Game advertising.

Davies was keen to push back on the narrative that the ad represented the future of production without human involvement.

That wasn't what it was, he said. It was creatives "using the tool to get the very best out of it."

A self-described "techie guy," Davies said the platform's current obsession is on giving creators nuanced control over creating or editing footage -- something he described as the company's "holy grail."

Existing models, he said, handle simple static shots reasonably well but struggle with complex camera movements and consistent performance across multiple takes.

You can prompt an elaborate shot, but for now "you'll get something random" that you can't work with.

On cost, Davies cautioned against unrealistic expectations, suggesting AI would reduce production expenses significantly but not eliminate them.

Davies said his long-term hope was that AI would serve as a leveling force for independent filmmakers and content creators who currently lack the budgets to realize their ambitions.

"There are definitely YouTubers who make some of the best action work out there on no budget," he said.

"AI will level that playing field completely -- the story will be what matters."

He struck a cautiously optimistic note on the creative industry's direction, dismissing the most dystopian predictions.

"The idea that no one works at the end of it is the bit that doesn't hold any water with me," he said.

"There's been more and more of everything, not less and less -- and the cream rises to the top anyway, because the human element is what we crave."


BTS Say They’re ‘Just Country Kids’ Ahead of Comeback Mega-Gig

People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)
People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)
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BTS Say They’re ‘Just Country Kids’ Ahead of Comeback Mega-Gig

People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)
People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)

K-pop megastars BTS still see themselves as "country kids from South Korea", according to a trailer for a new documentary released Tuesday ahead of their huge comeback concert this weekend.

More than a quarter of a million fans are expected to throng central Seoul on Saturday for BTS's open-air gig, the first performance in almost four years by the boy band seen as the biggest in the world.

A day before, the group's fifth studio album, "ARIRANG" -- named after a beloved folk song about longing and separation, something of an unofficial national anthem of South Korea -- will be released.

The documentary, "BTS: The RETURN", will be released on Netflix on March 27, chronicling the seven-member group's comeback after completing their military service, widely seen as a grueling experience for young conscripts.

"We are still just country kids from South Korea," the group's leader RM says in the trailer.

"We are trying to find out what makes us BTS," the 31-year-old added.

At the height of their fame prior to their hiatus, BTS frequently ranked among the most popular artists on music streaming platform Spotify, mixing with the likes of Taylor Swift and Justin Bieber.

After visiting the White House, releasing hugely successful English-language albums and performing at famous venues around the world, the group has chosen a historic stage at home for the grand comeback this weekend.

The concert will be staged at Seoul's sweeping Gwanghwamun Square, near the historic Gyeongbokgung Palace.

The area is also where many of South Korea's political protests have taken place, including those following former president Yoon Suk Yeol's declaration of martial law in December 2024.

The trailer featured the melody from "Arirang" the folk song, which is associated by many with themes of resilience and enduring longing.

"Arirang is a song imbued with han," an unidentified BTS member says in the trailer, referring to the Korean term for an unresolved grief rooted in the country's history, including war, division and family separation.