From Oil Spills to New Species: How Tech Reveals the Ocean

Machine learning is helping scientists track down hidden oil spills and pollution. Cris BOURONCLE / AFP
Machine learning is helping scientists track down hidden oil spills and pollution. Cris BOURONCLE / AFP
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From Oil Spills to New Species: How Tech Reveals the Ocean

Machine learning is helping scientists track down hidden oil spills and pollution. Cris BOURONCLE / AFP
Machine learning is helping scientists track down hidden oil spills and pollution. Cris BOURONCLE / AFP

The ocean covers nearly three-quarters of our planet but scientists say we have barely scratched the surface of what lives in our seas.
But new technologies are helping to change that, revealing hidden oil spills, speeding up the discovery of new species and uncovering how light pollution impacts marine life.
Uncovering hidden oil spills
Satellite imagery means large oil spills in the ocean are relatively easily detected. When a tanker crashes or a pipe bursts, scientists know where to look, AFP said.
But smaller pollution events can appear as nothing more than a thin streak against the smooth sea surface -- the maritime equivalent of a needle in a haystack.
"It used to take human analysts weeks if not months to be able to detect a single (small-scale) oil pollution incident," explained Mitchelle De Leon of US-based NGO SkyTruth.
The group harnesses machine learning to comb through large datasets of satellite imagery and find spills that might previously have gone undetected.
SkyTruth has revealed spills in the Red Sea and the Mediterranean and helped expose pollution from shadowy Russian ships.
There are limitations to the technology, including determining the composition of a spill, but the group says it offers an early warning system for scientists, media and governments.
"We think of our tool as a starting point... to make hidden human pollution events more visible," said De Leon.
Understanding light pollution
We have long known that our obsession with lighting the night sky obscures the stars and confuses terrestrial animals, but what impact does it have on the sea?
To understand that, scientists need satellite images to show how light spreads from coastal megacities, as well as complex models that can calculate how light penetrates the ocean, said Tim Smyth, a marine biogeochemistry specialist at Britain's Plymouth Marine Laboratory.
Seawater generally absorbs more red light, but that can change in the presence of phytoplankton or high turbidity.
"We're able to program computers such that we can model the light field under the water with a high degree of accuracy," said Smyth.
His research found two million square kilometers (770,000 square miles) of ocean -- an area 10 times the size of Britain -- is affected by light pollution globally.
The effects are profound, from disrupting feeding by fish and seabirds, to interfering with coral spawning and the nightly migrations of phytoplankton up and down the water column.
The good news is "it's something we can do something about", said Smyth.
Switching off unnecessary illuminations such as billboards and redesigning lights to reduce "spillage" into the sky will bring down costs and carbon emissions while benefiting wildlife on land and in the sea, he explained.
Species discovery
Advances in technology have allowed us to reach the ocean's darkest depths but scientists estimate we know about just 10 percent of what lives in our seas.
And before we even realize a new species exists, "we are losing that diversity", said Lucy Woodall, a marine biologist and head of science at Ocean Census.
Launched in 2023, the global alliance of scientists aims to speed up the discovery of ocean species from coral to crabs.
That works in part by collaborating with high-tech, lab-equipped research vessels where researchers can immediately start work on collected specimens.
Genetic sequencing can now be done in the field, "which even 10 years ago would have been months and months worth of work back on land", said Woodall.
On average, it takes more than 13 years from finding a possible new species to officially describing it for science.
"We can't afford to wait for that," said Woodall.
The project encourages scientists to share findings sooner, with an explanation of why they believe a species is new.
It won't replace the slower work of proving new species with methods such as genetic testing but it can accelerate knowledge at a time of urgency.
The project has documented more than 800 new discoveries, which are shared on its open-access biodiversity platform.
"We want to ensure that companies, countries, and individuals really value the ocean and ocean life for what it does for them and our planet," said Woodall.



Punch the Baby Monkey Isn’t Being Bullied, Says Japan Zoo

 Punch, right a Japanese macaque born on July 26, 2025, sits with others in the monkeys' playground at the Ichikawa city zoo in Tokyo's eastward neighboring city, Tuesday, March 3, 2026. (AP)
Punch, right a Japanese macaque born on July 26, 2025, sits with others in the monkeys' playground at the Ichikawa city zoo in Tokyo's eastward neighboring city, Tuesday, March 3, 2026. (AP)
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Punch the Baby Monkey Isn’t Being Bullied, Says Japan Zoo

 Punch, right a Japanese macaque born on July 26, 2025, sits with others in the monkeys' playground at the Ichikawa city zoo in Tokyo's eastward neighboring city, Tuesday, March 3, 2026. (AP)
Punch, right a Japanese macaque born on July 26, 2025, sits with others in the monkeys' playground at the Ichikawa city zoo in Tokyo's eastward neighboring city, Tuesday, March 3, 2026. (AP)

A Japanese zoo caring for a baby monkey who has become an internet sensation was forced to issue a statement denying he was being bullied, following an outpouring of concern online.

Punch, a seven-month-old baby macaque, was abandoned by his mother and shot to stardom after he began clinging to a plush orangutan toy from IKEA for comfort at Ichikawa City Zoo outside Tokyo.

But after the zoo posted on X last month that Punch "had been scolded many times by other monkeys", videos showing him being chased by members of the troop were spread online, alongside claims that he was being bullied.

"As a result, we have received many voices of concern from people both in Japan and overseas," the zoo said in a statement Tuesday.

The zoo added that Punch was becoming less reliant on the stuffed orangutan toy because increasing numbers of monkeys were looking after or playing with him.

"While dominant individuals may show disciplining actions toward their subordinates, as macaques do naturally, these actions in the macaque society 'differ from human abuses'," it said.

"Punch spends most of the day peacefully," the zoo added.

The zoo also warned that "Punch has become accustomed to living in this troop, so separating him now would create the risk that he would never be able to return to the group and would have to continue living that way for the rest of his life".

Spurned by its mother, Punch was raised in an artificial environment after being born in July, and began training to rejoin his troop earlier this year.

Punch's predicament sparked huge interest online, spawning a devoted fanbase under the hashtag #HangInTherePunch, as large crowds thronged the zoo, and sales of his IKEA orangutan toy boomed.

However, animal rights group People for the Ethical Treatment of Animals (PETA) said Punch's plight has highlighted the cruelty of zoos and called for his relocation to a "reputable sanctuary, where he could live in a more natural environment".


Thousands of Authors Publish ‘Empty’ Book to Protest AI Using their Work

Thousands of authors published an “empty” book to protest AI (Shutterstock)
Thousands of authors published an “empty” book to protest AI (Shutterstock)
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Thousands of Authors Publish ‘Empty’ Book to Protest AI Using their Work

Thousands of authors published an “empty” book to protest AI (Shutterstock)
Thousands of authors published an “empty” book to protest AI (Shutterstock)

Thousands of authors including Kazuo Ishiguro, Philippa Gregory and Richard Osman have published an “empty” book to protest against AI firms using their work without permission.

About 10,000 writers have contributed to Don’t Steal This Book, in which the only content is a list of their names.

Copies of the work were distributed to attenders at the London book fair on Tuesday, a week before the UK government is due to issue an assessment on the economic cost of proposed changes in copyright law.

By March 18, ministers must deliver an economic impact assessment as well as a progress update on a consultation about the legal overhaul, against a backdrop of anger among creative professionals about how their work is being used by AI firms.

The organizer of the book, Ed Newton-Rex, a composer and campaigner for protecting artists’ copyright, said the AI industry was “built on stolen work ... taken without permission or payment.”

He added: “This is not a victimless crime – generative AI competes with the people whose work it is trained on, robbing them of their livelihoods. The government must protect the UK’s creatives, and refuse to legalize the theft of creative work by AI companies.”

Other authors who have contributed their names to the book include the Slow Horses author, Mick Herron; the author Marian Keyes; the historian David Olusoga; and Malorie Blackman, the writer of Noughts and Crosses.

“It is not in any way unreasonable to expect AI companies to pay for the use of authors’ books,” said Blackman.


Wildlife to Replace Humans on Next Series of UK Banknotes

Banknotes and coins that feature an image of Britain's King Charles III are pictured on display during a photocall for "The Future of Money" exhibition, at the Bank of England Museum, City of London, UK, Feb. 27, 2024. (AFP)
Banknotes and coins that feature an image of Britain's King Charles III are pictured on display during a photocall for "The Future of Money" exhibition, at the Bank of England Museum, City of London, UK, Feb. 27, 2024. (AFP)
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Wildlife to Replace Humans on Next Series of UK Banknotes

Banknotes and coins that feature an image of Britain's King Charles III are pictured on display during a photocall for "The Future of Money" exhibition, at the Bank of England Museum, City of London, UK, Feb. 27, 2024. (AFP)
Banknotes and coins that feature an image of Britain's King Charles III are pictured on display during a photocall for "The Future of Money" exhibition, at the Bank of England Museum, City of London, UK, Feb. 27, 2024. (AFP)

Images of ‌animals will feature on the next series of banknotes from the Bank of England, as the central bank shifts away from historical figures such as William Shakespeare, Winston Churchill and Jane Austen over the coming years.

"Nature is a great choice from a banknote authentication perspective and means we can showcase the UK's rich and varied wildlife on the next series of ‌banknotes," Victoria ‌Cleland, the BoE's chief cashier, said.

Bank ‌of ⁠England banknotes have ⁠featured monarchs since Queen Elizabeth first appeared on one in 1960, while Shakespeare was the first historic figure to appear in 1970.

King Charles' portrait will continue to appear on the next series of notes as well, the ⁠BoE said.

The BoE held a ‌consultation on a change ‌to the design of banknotes in July 2025, ‌inviting views from the public.

The theme of ‌nature was supported by 60% of the 44,000 responses, narrowly beating the category of "architecture and landmarks" on 56% and "notable historical figures" on 38%. Other categories included "arts, ‌culture and sport", "innovation" and "noteworthy milestones".

The new notes will feature wildlife native ⁠to ⁠the United Kingdom and will not include household pets, the BoE said. It plans to run a second consultation in the coming months asking for the public's views on specific animals to feature on the notes taken from a list created by British wildlife experts.

The BoE is not the only producer of banknotes in the United Kingdom. Notes are also produced by seven commercial banks in Scotland and Northern Ireland.