More Torrential Rain, Flash Flooding Expected in Heavily Waterlogged South, Midwest

Floodwaters cover Kentucky Route 39 in Lincoln County, Ky., on Friday, April 4, 2025. (Ryan C. Hermens/Lexington Herald-Leader via AP)
Floodwaters cover Kentucky Route 39 in Lincoln County, Ky., on Friday, April 4, 2025. (Ryan C. Hermens/Lexington Herald-Leader via AP)
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More Torrential Rain, Flash Flooding Expected in Heavily Waterlogged South, Midwest

Floodwaters cover Kentucky Route 39 in Lincoln County, Ky., on Friday, April 4, 2025. (Ryan C. Hermens/Lexington Herald-Leader via AP)
Floodwaters cover Kentucky Route 39 in Lincoln County, Ky., on Friday, April 4, 2025. (Ryan C. Hermens/Lexington Herald-Leader via AP)

Another round of torrential rain and flash flooding was expected to hit Saturday in parts of the South and Midwest already heavily waterlogged by days of severe storms that in some cases spawned deadly tornadoes.

Round after round of heavy rains have pounded the central US, leading to rapidly rising waterways and prompting a series of flash flood emergencies Friday night in Missouri, Texas and Arkansas. Meanwhile, many communities were still reeling from tornadoes that destroyed entire neighborhoods and killed at least seven people earlier this week.

In Frankfort, Kentucky, floodwaters swept a 9-year-old boy away while he was walking to a school bus stop Friday morning, Gov. Andy Beshear said on social media. Officials said Gabriel Andrews' body was found about a half-mile from where he went missing.

The downtown area of Hopkinsville, Kentucky — a city of 31,000 residents 72 miles (116 kilometers) northwest of Nashville — was submerged Friday. A dozen people were rescued from homes, and dozens of pets were moved away from rising water, a fire official said.

Tony Kirves and some friends used sandbags and a vacuum to try to hold back rising waters that covered the basement and seeped into the ground floor of his photography business in Hopkinsville. Downtown was “like a lake,” he said, The AP news reported.

“We’re holding ground,” he said. “We’re trying to maintain and keep it out the best we can."

Flash flood threat looms over many states Flash flood emergencies were issued Friday night in at least seven cities in Missouri, Texas and Arkansas, according to the National Weather Service.

One was in Van Buren, Missouri, where there were at least 15 water rescues amid heavy rainfall and a rapidly rising Current River, said Justin Gibbs, weather service meteorologist. Another was in Texarkana, Texas, where the flooded streets resulted in several people having to be rescued from their vehicles, according to the city's police department.

“If you don’t have darn good reason for being out (like one that involves a visit to the emergency room), please stay home and off the roads!!” the police department said on social media.

Heavy rains were expected to continue in parts of Missouri, Texas, Arkansas, Kentucky and elsewhere Saturday and could produce dangerous flash floods. The weather service said 45 river locations in multiple states were expected to reach major flood stage, with extensive flooding of structures, roads and other critical infrastructure possible.

In Christian County, Kentucky, which includes Hopkinsville, 6 to 10 inches (15.2 to 25.4 centimeters) fell since Wednesday evening, the NWS said Friday afternoon. The rain caused the Little River to surge over its banks, and 4 to 8 inches (10.2 to 20.3 centimeters) more could fall by Sunday, it said.

Hundreds of Kentucky roads were impassable Friday because of floodwaters, downed trees or mud and rock slides, and the number of closures were likely to increase with more rain Saturday, Beshear said.

Flash flooding is particularly worrisome in rural Kentucky where water can rush off the mountains into the hollows. Less than four years ago, dozens died in flooding in the eastern part of the state.

Extreme flooding across a corridor that includes Louisville, Kentucky and Memphis — which have major cargo hubs — could also lead to shipping and supply chain delays, said Jonathan Porter, chief meteorologist at AccuWeather.

Swollen rivers and tributaries also swamped some parts in Ohio on Friday, and Gov. Mike DeWine said about 70 roads were closed. The southern half of the state was expected to see moderate flooding, which has not happened in four years, he added.

Forecasters attributed the violent weather to warm temperatures, an unstable atmosphere, strong wind shear and abundant moisture streaming from the Gulf. At least 318 tornado warnings have been issued by the NWS since this week’s outbreak began Wednesday.

The outburst comes at a time when nearly half of NWS forecast offices have 20% vacancy rates after Trump administration job cuts — twice that of just a decade ago.

Tornadoes leave a path of damage, and more could be coming At least two reports of observed tornadoes were noted Friday evening in Missouri and Arkansas, according to the NWS.

“TAKE COVER NOW!” the weather service said on X in response to the one on the ground around the small Missouri town of Advance.

Earlier in the week, seven people were killed in the initial wave of storms that spawned powerful tornadoes on Wednesday and early Thursday in Tennessee, Missouri and Indiana.

Tennessee Gov. Bill Lee said entire neighborhoods in the hard-hit town of Selmer were “completely wiped out,” after it was hit by a tornado with winds estimated by the NWS of up to 160 mph (257 kph). Advance warning of storms likely saved lives as hundreds of people sheltered at a courthouse, the governor said.

In neighboring Arkansas, a tornado near Blytheville lofted debris at least 25,000 feet (7.6 kilometers) high, according to weather service meteorologist Chelly Amin. The state’s emergency management office reported damage in 22 counties from tornadoes, wind, hail and flash flooding.

Mississippi's governor said at least 60 homes were damaged. And in far western Kentucky, four people were injured while taking shelter in a vehicle under a church carport, according to the emergency management office in Ballard County.



Inside ‘7 Dogs,’ the Biggest Arab Film Production

Karim Abdel Aziz and Ahmed Ezz behind the scenes during filming (production company)
Karim Abdel Aziz and Ahmed Ezz behind the scenes during filming (production company)
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Inside ‘7 Dogs,’ the Biggest Arab Film Production

Karim Abdel Aziz and Ahmed Ezz behind the scenes during filming (production company)
Karim Abdel Aziz and Ahmed Ezz behind the scenes during filming (production company)

The makers of “7 Dogs” set out to do more than produce an action film to international standards. Their aim was to deliver a visual spectacle shaped by Saudi Arabia’s General Entertainment Authority, built on a strategic vision for a transcontinental thriller with Hollywood-level technical standards, while preserving a Middle Eastern identity and cultural voice.

The film, which opened in Cairo on Friday evening in the presence of its makers, was written by Egyptian screenwriter Mohamed el-Dabbah, who was tasked with turning the Entertainment Authority’s ambitious vision into a fully developed screenplay.

El-Dabbah did not write a conventional chase story. He built a fast-paced, dramatic structure driven by escalating events and centered on the infiltration of an international criminal network, requiring a coherent narrative that could sustain the film’s heavy visual and action momentum.

The decisive moment that moved the project from concept to production came during the 2024 global tour for “Bad Boys: Ride or Die.”

During that period, Belgian-Moroccan directors Adil El Arbi and Bilall Fallah visited Riyadh and held a lengthy meeting with adviser Turki Alalshikh, chairman of Saudi Arabia’s General Entertainment Authority. Their talks focused on the major advances in Saudi Arabia’s film infrastructure.

The meeting reviewed Riyadh’s growing logistical capabilities and its ability to attract major global productions. Alalshikh then presented the idea for the film, drawing an immediate and enthusiastic response from the directing duo, who saw it as a chance to apply their experience in American cinema to a new production environment.

Riding the momentum of their film’s record commercial success at the Saudi and global box office, the directors became convinced that regional audiences were eager for action films made with a global sensibility.

A large-scale production partnership was formed to provide the financial and technical resources needed to carry out the project without restrictions or creative compromise.

To give the film its international scope, producer Ivan Atkinson was brought in as the project’s logistical maestro. His first task was to build a creative front by recruiting department heads with extensive experience in big-budget filmmaking, ensuring that every technical detail met contemporary Hollywood standards.

Among them was renowned production designer Paul Kirby, known for creating complex architectural spaces and adapting them to serve the drama.

Atkinson also brought in the global stunt and fight design team 87eleven, the celebrated group behind the combat identity of the “John Wick” franchise, giving the film a decisive edge in its action sequences.

The directors approached the script through rhythm. They wanted a visual experience with the pace and dynamism of modern video games. That choice pushed the editing and cinematography teams toward extremely fast movement, with a highly flexible camera designed to keep viewers alert as they follow the layers of the international conspiracy.

According to the film’s crew, preparatory workshops began in Riyadh months before filming.

The screenplay went through detailed technical reviews by el-Dabbah, the directors and the fight team to balance the characters’ human drama with the film’s action. The aim was to ensure the chases and explosions served the dramatic line rather than felt forced into the story.

Adil and Bilall’s artistic vision centered on breaking the stereotype of Middle Eastern action films that rely on easy visual solutions. They insisted on shooting the dangerous scenes with rough realism, which required the cast to undergo long, demanding physical training so they could perform complex fight movements themselves under the supervision of Hollywood stunt experts.

Sela Studios helped clear the logistical hurdles by providing advanced filming, lighting and lens equipment, including tools that had not previously been used in the region.

That production support allowed cinematographer Robrecht Heyvaert to create a visual identity that blends the warm colors of the East with the cooler, contemporary palette of modern global action cinema, according to sources from the production company.

The chemistry between El Arbi and Fallah important. The two worked in close coordination, with one focusing on the actors and dramatic performance while the other concentrated on visual design, camera movement and special effects.

The arrangement helped maintain a fast and efficient production flow on crowded, detail-heavy sets.

Early preparations required complex schedules to manage the movement of international stars and coordinate their filming dates in Riyadh. The logistics team created a flexible system that accommodated the project's evolving demands, allowing principal photography to begin on schedule amid enthusiasm and strict professional discipline from all parties involved.

The General Entertainment Authority placed government and security facilities at the filmmakers’ disposal, allowing them to close key areas and film complex car chases on open streets. That regulatory flexibility demonstrated that Riyadh can offer not only closed studios but also entire urban spaces ready to serve as stages for large-scale action scenes.

In the film, 7 Dogs is not presented as a conventional gang. It is written as a complex cross-border intelligence and criminal entity, an octopus-like network of businessmen and influential figures running globalized organized crime from distant locations. That makes it an invisible threat that cannot easily be tracked by traditional security methods.

The main dramatic trigger is the organization’s creation of a highly dangerous synthetic drug called Pink Lady. The lethal compound is not just a product for sale. It drives the plot, turning the conflict from a local criminal case into a major security threat that mobilizes international security agencies and INTERPOL.

To confront the network, Egyptian INTERPOL officer Khaled Al Azazi, played by Ahmed Ezz, launches a wide-ranging intelligence operation to infiltrate the organization from within.

His investigation leads him to a fragile lead, a professional transcontinental criminal named Ghali Abu Dawood, played by Karim Abdel Aziz. Ghali has close ties to The Seven Dogs’ pillars, making him the only one who can bring down the destructive network.

The disciplined officer and the elusive criminal are forced into an uneasy alliance. The stark contrast between a man who represents the law and another who embodies pragmatism and life outside it creates a tense dynamic marked by suspicion, shifting loyalties and deep psychological conflict throughout the journey.

Alongside Karim Abdel Aziz and Ahmed Ezz, the cast includes international names such as Monica Bellucci, Giancarlo Esposito, Bollywood star Salman Khan, Sanjay Dutt, Max Huang, Tara Emad, Nasser Algassabi, and Sayed Ragab. The geographic and cultural diversity of the cast reflects the organization’s reach across continents.

Bellucci plays Julia, the luxurious and dark European face of the organization. The character combines extreme elegance with absolute cruelty, creating a striking visual contrast with the Eastern characters.

The participation of Salman Khan as Johar and Sanjay Dutt as Ranjit adds strong visual and action energy to the film’s Asian track. Their screen presence is used in large-scale action scenes marked by violent combat, turning the Mumbai segment into an action climax tied to the broader dramatic arc.

Saudi actor Nasser Algassabi brings a local flavor and Gulf depth to the film’s web of international relationships.

His character serves as the logistical link in the region. Egyptian actress Tara Emad plays a young intelligence operative working in the shadows to support Khaled, alongside Jessica, played by Lebanese actress Sandy Bella, a member of the INTERPOL team.


China Set for Latest Space Launch, with Hong Kong Astronaut Aboard

Astronauts for China's Shenzhou-23 space mission Lai Ka-ying (L), Zhu Yangzhu (C) and Zhang Zhiyuan (R) wave during a press conference before the launch of the mission at the Jiuquan Satellite Launch Center in the Gobi desert in Jiuquan, in northwestern China's Gansu province on May 23, 2026. (Photo by CNS / AFP) / China OUT
Astronauts for China's Shenzhou-23 space mission Lai Ka-ying (L), Zhu Yangzhu (C) and Zhang Zhiyuan (R) wave during a press conference before the launch of the mission at the Jiuquan Satellite Launch Center in the Gobi desert in Jiuquan, in northwestern China's Gansu province on May 23, 2026. (Photo by CNS / AFP) / China OUT
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China Set for Latest Space Launch, with Hong Kong Astronaut Aboard

Astronauts for China's Shenzhou-23 space mission Lai Ka-ying (L), Zhu Yangzhu (C) and Zhang Zhiyuan (R) wave during a press conference before the launch of the mission at the Jiuquan Satellite Launch Center in the Gobi desert in Jiuquan, in northwestern China's Gansu province on May 23, 2026. (Photo by CNS / AFP) / China OUT
Astronauts for China's Shenzhou-23 space mission Lai Ka-ying (L), Zhu Yangzhu (C) and Zhang Zhiyuan (R) wave during a press conference before the launch of the mission at the Jiuquan Satellite Launch Center in the Gobi desert in Jiuquan, in northwestern China's Gansu province on May 23, 2026. (Photo by CNS / AFP) / China OUT

A Hong Kong astronaut will join a Chinese space mission for the first time as part of a three-person crew launching on Sunday, as Beijing edges closer to its goal of landing people on the Moon.

The Tiangong space station -- crewed by teams of three astronauts that are typically rotated every six months -- is the crown jewel of China's space program, boosted by billions in state investment in a bid to catch up with the United States and Russia.

The Shenzhou-23 mission will blast off at 11:08 pm (1508 GMT) on Sunday from the Jiuquan Satellite Launch Center in northwestern China, carrying three astronauts to the space station, China Manned Space Agency (CMSA) spokesman Zhang Jingbo told reporters on Saturday.

The team comprises Lai Ka-ying, hailed by state media as Hong Kong's first astronaut, Zhu Yangzhu and Zhang Zhiyuan, AFP quoted the spokesman as saying.

Hong Kong's Chief Executive John Lee congratulated Lai on passing "the rigorous selection and training process.”

Flight engineer Zhu, who participated in the Shenzhou-16 mission in 2023, will be the commander.

"This is a ... test of our physical and psychological endurance, emergency response capabilities, coordination and teamwork, as well as our ability to work and live in orbit," Zhu told reporters.

"As mission commander, what I have thought about most is how to make thorough preparations in every aspect and how to lead the team in successfully completing the flight mission with zero mistakes and zero errors."

The mission's primary objectives are to "continue carrying out space science and application work, conduct astronauts' extravehicular activities and cargo transfer in and out of the cabin", the CMSA's Zhang told reporters.

One of the astronauts will remain on the station for a year, he added, without specifying who.
"Arranging for an astronaut to carry out a one-year in-orbit residency experiment is by no means a simple matter of adding together two six-month missions in terms of duration," Zhang said.

The one-year space residency, Zhang said, will collect data on astronauts on longer-duration spaceflights and test health support capabilities.

China is "steadily" building operational experience for "sustained occupation" of its Tiangong space station, and year-long missions are an important step towards future lunar and potentially deep-space ambitions, said Macquarie University's Richard de Grijs.

"A year in orbit pushes both hardware and humans into a different operational regime compared with the shorter Shenzhou missions of the program's earlier phases," the professor of physics and astronomy told AFP.

Beijing's space program, the third to put humans in orbit, has also landed robotic rovers on Mars and the Moon.

China has ramped up plans to achieve its "space dream" under President Xi Jinping.

Beijing says it aims to send a crewed mission to the Moon by 2030, with the goal of constructing a base on the lunar surface.

The CMSA said on Saturday it would "make every possible effort and strive tirelessly" to achieve that goal.


AI Will Help Make a Nobel Prize-Winning Discovery Within a Year

A robot holding a medicine box at the simulated pharmacy of the Beijing Humanoid Robot Innovation Center (EPA)
A robot holding a medicine box at the simulated pharmacy of the Beijing Humanoid Robot Innovation Center (EPA)
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AI Will Help Make a Nobel Prize-Winning Discovery Within a Year

A robot holding a medicine box at the simulated pharmacy of the Beijing Humanoid Robot Innovation Center (EPA)
A robot holding a medicine box at the simulated pharmacy of the Beijing Humanoid Robot Innovation Center (EPA)

An AI system will work with humans to make a Nobel prize-winning discovery within 12 months and tradespeople will be helped by bipedal robots in two years, according to the co-founder of Anthropic.

Jack Clark described a “vertiginous sense of progress” in the technology and made a series of predictions, including that companies run solely by AIs would be generating millions of dollars in revenue within 18 months, and that by the end of 2028, AI systems would be able to design their own successors, according to The Guardian.

In a lecture at Oxford University on Wednesday, he also said there remained plausible scenarios in which the technology had “a non-zero chance of killing everyone on the planet” and that it was “important to clearly state that that risk hasn’t gone away.”

Anthropic’s most popular model is called Claude, but it recently launched a version called Mythos that proved alarmingly capable at exploiting cybersecurity weaknesses.

Clark told students it would be better if humans could slow the development of the technology “to give ourselves more time as a species” to deal with the implications of its powers.

But he said this wouldn’t happen, in the breakneck development “by a variety of actors and a variety of countries, locked in a competition with one another, where commercial and geopolitical rivalries are often drowning out the larger existential-to-the-species aspects of the technology being built.” This was “not ideal,” he said.

Clark is one of the most senior figures at Anthropic, which was established by AI researchers who quit the rival firm OpenAI over disagreements on safety.

The $900 billion company has been accused by Donald Trump’s White House and other AI accelerationists of “fear-mongering” to encourage regulation that could cement its competitive position.

Anthropic disputes this, and Clark said many people appeared to be in denial about AI’s progress.

He said he wanted to encourage humanity to prepare for a technology that would “soon be more capable than all of us collectively.”

Comparing the failure to prepare for AI to the failure to prepare for pandemics such as COVID, he said: “If we stand by and let synthetic intelligence multiply, then we’ll eventually be forced into reactivity.”

Critics of the frontier AI companies such as Anthropic, OpenAI and Google fear over-reliance on their few AI models – which have been backed by huge amounts of profit-seeking capital – could create a “single point of failure” in global systems.