New App Hopes to Empower Artists against AI

Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP
Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP
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New App Hopes to Empower Artists against AI

Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP
Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP

In 2008, scriptwriter Ed Bennett-Coles said he experienced a career "death moment": he read an article about AI managing to write its first screenplay.

Nearly two decades later, he and friend Jamie Hartman, a songwriter, have developed a blockchain-based application they hope will empower writers, artists and others to own and protect their work.

"AI is coming in, swooping in and taking so many people's jobs," Hartman said. Their app, he said, responds "no... this is our work."

"This is human, and we decide what it's worth, because we own it."

The ever-growing threat of AI looms over intellectual property and livelihoods across creative industries.

Their app, ARK, aims to log ownership of ideas and work from initial brainchild to finished product: one could register a song demo, for example, simply by uploading the file, the creators explained to AFP.

Features including non-disclosure agreements, blockchain-based verification and biometric security measures mark the file as belonging to the artist who uploaded it.

Collaborators could then also register their own contributions throughout the creative process.

ARK "challenges the notion that the end product is the only thing worthy of value," said Bennett-Coles as his partner nodded in agreement.

The goal, Hartman said, is to maintain "a process of human ingenuity and creativity, ring-fencing it so that you can actually still earn a living off it."

- Checks and balances -

Due for a full launch in summer 2025, ARK has secured funding from the venture capital firm Claritas Capital and is also in strategic partnership with BMI, the performing rights organization.

And for Hartman and Bennett-Coles, its development has included a lot of existential soul-searching.

"I saw a quote yesterday which really sums it up: it's that growth for growth's sake is the philosophy of the cancer cell," said Bennett-Coles. "And that's AI."

"The sales justification is always quicker and faster, but like really we need to fall in love with process again."

He likened the difference between human-created art and AI content to a child accompanying his grandfather to the butcher, versus ordering a slab of meat from an online delivery service.

The familial time spent together -- the walk to and from the shop, the conversations in between running the errand -- are "as important as the actual purchase," he said.

In the same way, "the car trip that Jamie makes when he's heading to the studio might be as important to writing that song as what happens in the studio itself."

AI, they say, devalues that creative process, which they hope ARK can reassert.

It's "a check and a balance on behalf of the human being," Hartman said.

- 'Rise out of the ashes' -

The ARK creators said they decided the app must be blockchain-based -- with data stored on a digital ledger of sorts -- because it's decentralized.

"In order to give the creator autonomy and sovereignty over their IP and control over their destiny, it has to be decentralized," Bennett-Coles said.

App users will pay for ARK according to a tiered structure, they said, levels priced according to storage use needs.

They intend ARK to stand up in a court of law as a "recording on the blockchain" or a "smart contract," the scriptwriter explained, calling it "a consensus mechanism."

"Copyright is a pretty good principle -- as long as you can prove it, as long as you can stand behind it," Hartman added, but "the process of registering has been fairly archaic for a long time."

"Why not make progress in copyright, as far as how it's proven?" he added. "We believe we've hit upon something."

Both artists said their industries have been too slow to respond to the rapid proliferation of AI.

Much of the response, Bennett-Coles said, has to start with the artists having their own "death moments" similar to what he experienced years ago.

"From there, they can rise out of the ashes and decide what can be done," he said.

"How can we preserve and maintain what it is we love to do, and what's important to us?"



Siemens Energy Trebles Profit as AI Boosts Power Demand

FILED - 05 August 2025, Berlin: The "Siemens Energy" logo can be seen in the entrance area of the company. Photo: Britta Pedersen/dpa
FILED - 05 August 2025, Berlin: The "Siemens Energy" logo can be seen in the entrance area of the company. Photo: Britta Pedersen/dpa
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Siemens Energy Trebles Profit as AI Boosts Power Demand

FILED - 05 August 2025, Berlin: The "Siemens Energy" logo can be seen in the entrance area of the company. Photo: Britta Pedersen/dpa
FILED - 05 August 2025, Berlin: The "Siemens Energy" logo can be seen in the entrance area of the company. Photo: Britta Pedersen/dpa

German turbine maker Siemens Energy said Wednesday that its quarterly profits had almost tripled as the firm gains from surging demand for electricity driven by the artificial intelligence boom.

The company's gas turbines are used to generate electricity for data centers that provide computing power for AI, and have been in hot demand as US tech giants like OpenAI and Meta rapidly build more of the sites.

Net profit in the group's fiscal first quarter, to end-December, climbed to 746 million euros ($889 million) from 252 million euros a year earlier.

Orders -- an indicator of future sales -- increased by a third to 17.6 billion euros.

The company's shares rose over five percent in Frankfurt trading, putting the stock up about a quarter since the start of the year and making it the best performer to date in Germany's blue-chip DAX index.

"Siemens Energy ticked all of the major boxes that investors were looking for with these results," Morgan Stanley analysts wrote in a note, adding that the company's gas turbine orders were "exceptionally strong".

US data center electricity consumption is projected to more than triple by 2035, according to the International Energy Agency, and already accounts for six to eight percent of US electricity use.

Asked about rising orders on an earnings call, Siemens Energy CEO Christian Bruch said he thought the first-quarter figures were not "particularly strong" and that further growth could be expected.

"Demand for gas turbines is extremely high," he said. "We're talking about 2029 and 2030 for delivery dates."

Siemens Energy, spun out of the broader Siemens group in 2020, said last week that it would spend $1 billion expanding its US operations, including a new equipment plant in Mississippi as part of wider plans that would create 1,500 jobs.

Its shares have increased over tenfold since 2023, when the German government had to provide the firm with credit guarantees after quality problems at its wind-turbine unit.


Instagram Boss to Testify at Social Media Addiction Trial 

The Instagram app icon is seen on a smartphone in this illustration taken October 27, 2025. (Reuters)
The Instagram app icon is seen on a smartphone in this illustration taken October 27, 2025. (Reuters)
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Instagram Boss to Testify at Social Media Addiction Trial 

The Instagram app icon is seen on a smartphone in this illustration taken October 27, 2025. (Reuters)
The Instagram app icon is seen on a smartphone in this illustration taken October 27, 2025. (Reuters)

Instagram chief Adam Mosseri is to be called to testify Wednesday in a Los Angeles courtroom by lawyers out to prove social media is dangerously addictive by design to young, vulnerable minds.

YouTube and Meta -- the parent company of Instagram and Facebook -- are defendants in a blockbuster trial that could set a legal precedent regarding whether social media giants deliberately designed their platforms to be addictive to children.

Rival lawyers made opening remarks to jurors this week, with an attorney for YouTube insisting that the Google-owned video platform was neither intentionally addictive nor technically social media.

"It's not social media addiction when it's not social media and it's not addiction," YouTube lawyer Luis Li told the 12 jurors during his opening remarks.

The civil trial in California state court centers on allegations that a 20-year-old woman, identified as Kaley G.M., suffered severe mental harm after becoming addicted to social media as a child.

She started using YouTube at six and joined Instagram at 11, before moving on to Snapchat and TikTok two or three years later.

The plaintiff "is not addicted to YouTube. You can listen to her own words -- she said so, her doctor said so, her father said so," Li said, citing evidence he said would be detailed at trial.

Li's opening arguments followed remarks on Monday from lawyers for the plaintiffs and co-defendant Meta.

On Monday, the plaintiffs' attorney Mark Lanier told the jury YouTube and Meta both engineer addiction in young people's brains to gain users and profits.

"This case is about two of the richest corporations in history who have engineered addiction in children's brains," Lanier said.

"They don't only build apps; they build traps."

But Li told the six men and six women on the jury that he did not recognize the description of YouTube put forth by the other side and tried to draw a clear line between YouTube's widely popular video app and social media platforms like Instagram or TikTok.

YouTube is selling "the ability to watch something essentially for free on your computer, on your phone, on your iPad," Li insisted, comparing the service to Netflix or traditional TV.

Li said it was the quality of content that kept users coming back, citing internal company emails that he said showed executives rejecting a pursuit of internet virality in favor of educational and more socially useful content.

- 'Gateway drug' -

Stanford University School of Medicine professor Anna Lembke, the first witness called by the plaintiffs, testified that she views social media, broadly speaking, as a drug.

The part of the brain that acts as a brake when it comes to having another hit is not typically developed before a person is 25 years old, Lembke, the author of the book "Dopamine Nation," told jurors.

"Which is why teenagers will often take risks that they shouldn't and not appreciate future consequences," Lembke testified.

"And typically, the gateway drug is the most easily accessible drug," she said, describing Kaley's first use of YouTube at the age of six.

The case is being treated as a bellwether proceeding whose outcome could set the tone for a wave of similar litigation across the United States.

Social media firms face hundreds of lawsuits accusing them of leading young users to become addicted to content and suffer from depression, eating disorders, psychiatric hospitalization, and even suicide.

Lawyers for the plaintiffs are borrowing strategies used in the 1990s and 2000s against the tobacco industry, which faced a similar onslaught of lawsuits arguing that companies knowingly sold a harmful product.


OpenAI Starts Testing Ads in ChatGPT

The OpenAI logo is seen in this illustration taken May 20, 2024. (Reuters)
The OpenAI logo is seen in this illustration taken May 20, 2024. (Reuters)
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OpenAI Starts Testing Ads in ChatGPT

The OpenAI logo is seen in this illustration taken May 20, 2024. (Reuters)
The OpenAI logo is seen in this illustration taken May 20, 2024. (Reuters)

OpenAI has begun placing ads in the basic versions of its ChatGPT chatbot, a bet that users will not mind the interruptions as the company seeks revenue as its costs soar.

"The test will be for logged-in adult users on the Free and Go subscription tiers" in the United States, OpenAI said Monday. The Go subscription costs $8 in the United States.

Only a small percentage of its nearly one billion users pay for its premium subscription services, which will remain ad-free.

"Ads do not influence the answers ChatGPT gives you, and we keep your conversations with ChatGPT private from advertisers," the company said.

Since ChatGPT's launch in 2022, OpenAI's valuation has soared to $500 billion in funding rounds -- higher than any other private company. Some analysts expect it could go public with a trillion-dollar valuation.

But the ChatGPT maker burns through cash at a furious rate, mostly on the powerful computing required to deliver its services.

Its chief executive Sam Altman had long expressed his dislike for advertising, citing concerns that it could create distrust about ChatGPT's content.

His about-face garnered a jab from its rival Anthropic over the weekend, which made its advertising debut at the Super Bowl championship with commercials saying its Claude chatbot would stay ad-free.