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A Timeline of the Rise and Fall of Sean 'Diddy' Combs 

Rapper P. Diddy arrives at the Vanity Fair Oscar Party, Beverly Hills, California, US, March 4, 2018. (Reuters)
Rapper P. Diddy arrives at the Vanity Fair Oscar Party, Beverly Hills, California, US, March 4, 2018. (Reuters)
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A Timeline of the Rise and Fall of Sean 'Diddy' Combs 

Rapper P. Diddy arrives at the Vanity Fair Oscar Party, Beverly Hills, California, US, March 4, 2018. (Reuters)
Rapper P. Diddy arrives at the Vanity Fair Oscar Party, Beverly Hills, California, US, March 4, 2018. (Reuters)

For more than two decades, Sean “Diddy” Combs was one of hip-hop's most opportunistic entrepreneurs, spinning his hitmaking talents into a broad business empire that included a record label, a fashion brand, a TV network, deals with companies and a key role in a reality TV show.

But US prosecutors say behind the scenes, Combs was coercing and abusing women with assistance from a network of associates who helped silence victims through blackmail and violence.

Combs has pleaded not guilty and denied the allegations. Opening statements in his trial are expected Monday.

Here is a timeline of major events in his rise and fall:

1990: Combs, then a student at Howard University, gets his start in the music business with an internship at Uptown Records in New York.

Dec. 28, 1991: Nine people die at a celebrity basketball game promoted by Combs and the rapper Heavy D when thousands of fans try to get into a gym at the City College of New York. A mayoral report lays part of the blame for the catastrophe on poor planning by Combs.

1992: Combs is one of the executive producers on “What's the 411?”, the debut album by Mary J. Blige.

1993: After being fired by Uptown, Combs establishes his own label, Bad Boy, which quickly cuts a lucrative deal with Arista Records.

1994: Bad Boy releases Notorious B.I.G.'s album “Ready to Die.” Two months later, Tupac Shakur survives a shooting in New York and accuses Combs and Biggie of having prior knowledge of the attack, which they deny. Shakur was later killed in a 1996 shooting in Las Vegas.

1996: Combs is convicted of criminal mischief after he allegedly threatened a photographer with a gun.

1997: Biggie is killed in Los Angeles. Combs, then known as Puff Daddy, releases “I'll be Missing You” in honor of his slain star.

1998: Combs wins two Grammys, one for best rap album for his debut “No Way Out” and another for best rap performance by a duo or group for “I'll Be Missing You” with Faith Evans. Also that year, Combs' Sean John fashion line is founded.

April 16, 1999: Combs and his bodyguards are charged with attacking Interscope Records music executive Steve Stoute in his New York office in a dispute over a music video. Combs is sentenced to an anger management course.

Dec. 27, 1999: Combs is arrested on gun possession charges after he and his girlfriend at the time, Jennifer Lopez, fled a shooting that wounded three people at a New York City nightclub. Some witnesses tell police Combs was among the people shooting in the club. He is later charged with offering his driver $50,000 to claim ownership of the 9 mm handgun found in his car.

March 17, 2001: Combs is acquitted of all charges related to the nightclub shooting. One of his rap proteges, Jamal “Shyne” Barrows, is convicted in the shooting and serves nearly nine years in prison. Two weeks after the trial, Combs announces he wants to be known as P. Diddy.

2002: Combs becomes the producer and star of “Making the Band,” a talent search TV show.

Feb. 1, 2004: Combs performs at the Super Bowl halftime show along with Janet Jackson, Justin Timberlake and others. A week later, Combs, Nelly and Murphy Lee win a Grammy for best rap performance by a duo or group for “Shake Ya Tailfeather.”

April 2004: Combs makes his Broadway acting debut in “A Raisin in the Sun.”

2005: Combs announces he is changing his stage name to Diddy, getting rid of the P.

March 2008: Combs settles a lawsuit brought by a man who claims Combs punched him after a post-Oscar party outside a Hollywood hotel the previous year. In May, Combs is honored with a star on the Hollywood Walk of Fame.

2015: Combs is arrested after a confrontation on the campus of UCLA, where one of his sons played football. Assault charges are later dropped.

2016: Combs launches a Harlem charter school, the Capital Preparatory School. Also that year, he announces he is donating $1 million to Howard University.

2017: Combs is named the top earner on Forbes' list of the 100 highest-paid celebrities, which says he brought in $130 million in a single year.

2018: Kim Porter, Combs' former girlfriend and the mother of three of his children, dies from pneumonia at age 47.

2022: Combs receives a lifetime honor at the BET Awards.

Sept. 15, 2023: Combs releases “The Love Album — Off the Grid,” his first solo studio project since 2006's chart-topping “Press Play.”

Nov. 16, 2023: R&B singer Cassie sues Combs, alleging he subjected her to years of abuse, including beatings and rape. A day later, the lawsuit is settled under undisclosed terms. Combs, through his attorney, denies the accusations.

Nov. 23, 2023: Two more women accuse Combs of sexual abuse in lawsuits. Combs' attorneys call the allegations false. Dozens of additional lawsuits follow by women and men who accuse Combs of rape, sexual assault and other attacks. Plaintiffs include singer Dawn Richard, a “Making the Band” contestant who alleged years of psychological and physical abuse. Combs denies all the allegations.

March 25, 2024: Federal agents search Combs' homes in Los Angeles and Miami Beach, Florida.

May 17, 2024: CNN airs video that shows Combs attacking and beating Cassie in a Los Angeles hotel hallway in 2016. Two days later, Combs posts videos on social media apologizing for the assault.

Sept. 16, 2024: Combs is arrested at his Manhattan hotel. A sex trafficking and racketeering indictment unsealed the next day accuses him of using his business empire to coerce women into participating in sexual performances. Combs denies the allegations. His attorney calls it an unjust prosecution of an “imperfect person.”

May 5, 2025: Jury selection began for Combs' trial.

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Entertainment

Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
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Keke Palmer Is a Fish Out of Water in Horror-Comedy Series Based on Cult Movie ‘The ’Burbs’

Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)
Keke Palmer and Jack Whitehall attend Premiere Event Of Peacock's "The 'Burbs" at Universal Studios Backlot on February 05, 2026 in Universal City, California. (Getty Images/AFP)

The suburbs are anything but bland in the new Peacock series “The 'Burbs,” where strange things are going on. Like how jokes mix with the dread.

Inspired by the 1989 Tom Hanks-led movie of the same name, “The 'Burbs” follows a new mom as she navigates a foreign world of white picket fences and manicured lawns while also investigating a possible murder.

“It’s got the comedy, it has the drama, it's got the mystery, it's got the horror, the thrills, the suspense — all of it,” says Celeste Hughey, the creator, writer and executive producer. All eight episodes drop Friday.

Hanks is replaced by Keke Palmer, who plays a newlywed and new mom who moves into her husband's family home in fictional Hinkley Hills, where everyone is in everybody else's business. “Suburbia is a spectator sport,” she is told.

Across the street is an abandoned home, where a local teen disappeared decades ago. Palmer's Samira soon joins forces with a band of off-beat suburbanites to help solve the case, even if her own husband had some sort of role.

“I really wanted to focus on that fish-out-of-water feeling, centering Samira as a Black woman in a white suburb who is a new mom, a new wife — new everything — and trying to figure out where she belongs in the environment,” says Hughey.

The cast includes Jack Whitehall as Samira's husband and the trio of Julia Duffy, Mark Proksch and Paula Pell as her wine-swilling, investigating neighbors who form a sort of found family.

“The movie came out when I was quite young, but I remember seeing it as a kid and it being like this terrifying movie to me,” says Hughey. “But revisiting it as an adult, it's just like the most timely movie.”

The scripts crackle with witty humor, from references to Marie Kondo to “Baby Reindeer,” and jokes often improvised by the actors. Chocolate brownies are described as “the Beyoncé of desserts” and there’s a joke about how white ladies love salad.

“The ’Burbs” also touches on more serious issues over its eight episodes — microaggressions, racial profiling, bullying and childhood trauma — but takes a kooky, off-beat approach.

“I always look at things with a sense of humor,” says Hughey. “I think comedy is a way to be able to examine all these pretty heavy subjects, but in a way that’s accessible, in a way that is clarifying.”

Palmer says she grew up watching Norman Lear shows and admired his ability to both entertain and address social tensions — something she found in “The 'Burbs.”

“When I read this script for the first time, then as we started doing the show, it started to become clear that we had an opportunity to do the same thing,” Palmer says. “We can expose cliches, we can lean into things, which is one of the greatest tools of satire and comedy in itself, and horror as well, because horror can play as a good allegory for the issues in our life.”

Whitehall, who grew up in the London suburb of Putney, says he appreciates that the social commentary never feels that heavy handed between the comedy and horror: “It was great to sort of be able to play in both genres.”

There are multiple nods to the original movie, like picking the last name Fisher after the late actor Carrie Fisher, who appeared in the Hanks-led version, and naming a dog Darla after the name of the pup who starred in the 1989 version. Hanks, himself, appears in a blink-or-you’ll-miss-it image.

There’s a scene where Samira steps onto her neighbor’s grass and leaves suddenly swirl around her feet menacingly, an echo to the original. And there’s a moment when sardines and pretzels are served, a riff off a classic moment in the movie. The creators even asked original actor Wendy Schaal to return to play the town librarian.

“I really wanted to honor the original fans of the movie and make sure that they see that someone who respects the original material and loves the movie had it in their hands,” says Hughey. “I see the fans.”

Hughey said she wrote the series with Palmer's voice in mind, a piece of manifesting that turned out to actually work when she first met Palmer over a year later.

The music ranges from Bill Withers' “Lovely Day” to Steve Lacy's “Dark Red” to Doechii’s “Anxiety” and Big Pun's “I'm Not a Player.”

“Music is very much a part of my creative process and something that I wanted to stand out in the show as well,” says Hughey. “I got to pull in so many of my inspiration songs.”

Entertainment

Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
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Kurt Cobain's 'Nevermind' Guitar Up for Sale

Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)
Guitars are displayed during a press preview of The Jim Irsay Collection at Christie's Los Angeles in Beverly Hills, California, on February 5, 2026. (Photo by VALERIE MACON / AFP)

The guitar played by late rock legend Kurt Cobain on the anthemic grunge track "Smells Like Teen Spirit" is going under the hammer next month.

 

The 1966 Fender Mustang is among a treasure trove of instruments and musical memorabilia that also includes the logo-emblazoned drum that announced The Beatles to the United States when the Fab Four played "The Ed Sullivan Show" in 1964.

 

The Jim Irsay collection -- put together by the one-time owner of the Indianapolis Colts NFL team -- includes guitars played by musicians who defined the 20th century, including Pink Floyd's Dave Gilmour, The Grateful Dead's Jerry Garcia, as well as Eric Clapton, John Coltrane and Johnny Cash.

 

But at the center of the collection are handwritten lyrics for The Beatles' smash "Hey Jude" as well as guitars played by John Lennon, Paul McCartney and George Harrison.

 

"I think it's fair to say that this collection of Beatles instruments...is the most important assembled Beatles collection for somebody who wasn't a member of the band," Amelia Walker, the London-based head of private and iconic collections at Christie's, told AFP in Beverly Hills.

 

"There are five Beatles guitars in his collection, as well as Ringo Starr's first Ludwig drum kit (and) John Lennon's piano, on which he composed several songs from Sergeant Pepper."

 

Also included is "the drum skin from Ringo's second Ludwig kit, which is the vision which greeted 73 million Americans who tuned in to watch 'The Ed Sullivan Show' on the ninth of February 1964 when the Beatles broke America."

 

The drum kit is expected to fetch around $2 million, while the guitars could sell for around $1 million at the auction in New York, Christie's estimates.

Perhaps the most expensive item in the collection is Cobain's guitar, which experts say might sell for up to $5 million.

"It's a talismanic guitar for people of my generation... who lived through grunge," said Walker.

"(Smells Like Teen Spirit) was the anthem of that generation. That video is so iconic.

"We're incredibly proud and privileged to have that here."

Entertainment

Movie Review: Caleb Landry Jones Is a Lovesick Vampire with a Fabulous Wig in Besson’s ‘Dracula’

Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)
Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)
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Movie Review: Caleb Landry Jones Is a Lovesick Vampire with a Fabulous Wig in Besson’s ‘Dracula’

Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)
Caleb Landry Jones attends a premiere for the film Dracula in Los Angeles, California, US, February 3, 2026. (Reuters)

“I haven’t eaten in centuries,” says the stooped, wrinkled man knocking at a convent door, seeking food and shelter.

LOL! It’s a funny line, given that this is a disguised Count Dracula — who indeed has not eaten in centuries, unless you count human blood. And it’s especially funny given that “Dracula” is not now, nor has ever been, a comedy.

But the humor’s a nice touch, as are the splashes of color, the lovely 19th-century gowns, the rendering of Parisian salons and vivid street celebrations that are part of Luc Besson’s reimagining of the oft-told tale (more like the told-all-the-time tale), starring Caleb Landry Jones. And yes, the story of Dracula is not usually set in Paris. There’s a lot that’s familiar in this version, but enough variety, panache and bravado to raise it up a notch and give it, well, a raison d’être.

Writer-director Besson’s calling card is romance. Unlike Robert Eggers’ 2024 “Nosferatu,” which was beautiful but bleak to look at and featured an ugly, fearsome vampire, Besson imbues his main character with a swashbuckling sexiness that suits his star's craggy appeal.

We begin back in the year 1480, in a remote castle, where a handsome prince — Vlad’s his name, for now — is with beautiful bride Elisabeta (Zoë Bleu). They are interrupted suddenly by Vlad’s men: War is at hand, and it’s time to fight.

Vlad’s main concern is his wife. He asks the Orthodox priest to protect the life of Elisabeta. Alas, escaping through the forest in the snow, Elisabeta is killed in an ambush. A grief-stricken Vlad returns to kill the priest and is thus cursed with immortal life. A life he will spend trying to find his wife, reincarnated.

Four hundred years later, Vlad, now Count Dracula, resides — shriveled but stylish, with an incredible flowing, white wig that looks like something Elvis might have worn if he were a 400-year-old vampire — in the Carpathian Mountains. But the action shifts to Paris, mainly just because Besson loves Paris, where citizens are joyously celebrating the centenary of the French Revolution.

Paris is also where we meet a prominent vampire-hunter from Bavaria — and unnamed priest — played by Christoph Waltz, who you might imagine is perfect for this role. Like Javert hunting Valjean in “Les Miserables,” this priest is determined to find his prey, wherever that takes him.

And Dracula's on his own mission. In his gloomy castle, where he lives with a gaggle of CGI gargoyles, he prepares to kill a young solicitor (Ewens Abid) who came to see him about his property, hanging him upside down until the blood pools in his head.

But then he sees a picture of the frightened young man’s intended, Mina, and becomes obsessed with finding her, certain she's his reincarnated bride. He spares the man’s life and heads to Paris.

The scenes in the French capital are full of welcome color and life — everything from receptions in salons or at Versailles to a street carnival to a mermaid swimming in an aquarium — all chances to display sumptuous costumes by Corinne Bruand.

When, aided by one of his vampire followers, Maria (Matilda De Angelis), Dracula finds Mina — also played by Bleu (the real-life daughter of Rosanna Arquette) — he immediately knows she’s his eternal love. Now, all he needs to do is win her heart, and get back to Transylvania to escape the vampire hunters. Luckily for him, he’s looking good — those nuns at the convent gave him all the fresh blood he needed to look young and handsome again.

There are plenty of Bessonian flourishes along the way — those gargoyles sure are weird, and they don't remain gargoyles — but in the end, it’s too bad there weren’t even more, to further distinguish this “Dracula” telling from many before it. In any case it all leads to a fairly satisfying confrontation between Dracula and the priest, saved until the very end, a la Pacino and De Niro in “Heat.”

Here, it’s fun to watch Jones and Waltz sink their teeth — well for Jones, his fangs — into a story that’s old as time, but can always use another fairly watchable remake.