Activists Return Macron Waxwork Stolen from Paris Museum 

A photo shows a wax statue of French President Emmanuel Macron, stolen the day before from the Grevin Museum, during an action by Greenpeace environmental activists outside the EDF headquarters in Paris on June 3, 2025. (AFP)
A photo shows a wax statue of French President Emmanuel Macron, stolen the day before from the Grevin Museum, during an action by Greenpeace environmental activists outside the EDF headquarters in Paris on June 3, 2025. (AFP)
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Activists Return Macron Waxwork Stolen from Paris Museum 

A photo shows a wax statue of French President Emmanuel Macron, stolen the day before from the Grevin Museum, during an action by Greenpeace environmental activists outside the EDF headquarters in Paris on June 3, 2025. (AFP)
A photo shows a wax statue of French President Emmanuel Macron, stolen the day before from the Grevin Museum, during an action by Greenpeace environmental activists outside the EDF headquarters in Paris on June 3, 2025. (AFP)

Greenpeace activists overnight Tuesday to Wednesday returned a wax figure of President Emmanuel Macron they had stolen from a Paris museum as part of a protest against French economic ties with Russia in the wake of the invasion of Ukraine.

After taking the waxwork from the Grevin Museum in a carefully planned heist on Monday the campaigners had placed it outside the Russian embassy in a symbolic protest.

Carrying on the action late on Tuesday, they placed the waxwork, estimated to be worth 40,000 euros ($45,500), in a chest and put it outside the headquarters of French electricity giant EDF.

They also put the statue on its feet and stood next to it a sign with a slogan denouncing Macron for not completely cutting ties with Russia under Vladimir Putin, in particular in the energy sphere.

"Putin-Macron radioactive allies," it said.

Police then arrived and secured the chest and waxwork ahead of its return to the Grevin Museum, the Paris equivalent of Madame Tussauds in London.

"We came to bring back the statue of Emmanuel Macron because, as we said from the start, we had just borrowed it," Jean-Francois Julliard, executive director of Greenpeace France, told AFP at the scene.

"We notified both the management of the Grevin Museum and the police. It's up to them to come and retrieve it," he said.

The choice of the EDF headquarters was "to make Macron face up to his responsibilities concerning the trade that is maintained with Russia, particularly in the nuclear sector," he added.

According to Julliard, French companies can still, despite the sanctions regime in place since the invasion, "import a whole host of products from Russia" including enriched uranium to power French nuclear power plants, natural uranium transiting through Kazakhstan and Uzbekistan via Russia, LNG and chemical fertilizers.

He said Greenpeace particularly criticized the surge in Russian fertilizer imports into the EU, which rose some 80 percent between 2021 and 2023 according to French fertilizer manufacturers.

According to a police source, two women and a man on Monday entered the Grevin Museum posing as tourists and, once inside, changed their clothes to pass for workers. The activists slipped out through an emergency exit with the waxwork.

A museum spokeswoman acknowledged that "they had clearly done their research very thoroughly".



Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture
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Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

The Saudi Ministry of Culture and the UK Department for Culture, Media and Sport have announced the year 2029 as the official Saudi-UK Year of Culture, reported the Saudi Press Agency on Wednesday. The announcement follows an official visit by Britain’s Prince William to Saudi Arabia this week.

For nearly a century, formal relations between Saudi Arabia and the UK and Northern Ireland have evolved into a multifaceted international relationship that has expanded across culture, education, and innovation, reflecting shared values and a mutual commitment to long-term cooperation.

In recent years, cultural exchange has emerged as a cornerstone of Saudi-British relations, driven by joint initiatives in heritage conservation, visual and culinary arts, architecture, and higher education.

This ongoing expansion of cultural exchange lays the foundation for the Saudi-UK Year of Culture 2029, a year-long program celebrating creative dialogue and the shared heritage of Saudi Arabia and the UK, while deepening cultural ties for generations to come. It will also be a great opportunity for young people in both countries to connect in new ways.

Supported by Saudi Vision 2030 and the United Kingdom’s continued promotion of cultural innovation and creativity, the Saudi-UK Year of Culture 2029 will be an important milestone for both countries.


Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
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Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)

Britain’s Prince William visited a number of historic, natural, and cultural sites in Saudi Arabia’s AlUla, accompanied by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Bader bin Abdullah bin Farhan, reported the Saudi Press Agency on Wednesday.

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development, in line with the objectives of Saudi Vision 2030.

During his tour, Prince William reviewed a number of environmental initiatives at Sharaan Nature Reserve, including ecosystem restoration and biodiversity conservation efforts. He was briefed on programs to rehabilitate natural habitats, restore ecological balance, and reintroduce species such as the Arabian oryx and mountain ibex, contributing to long-term goals for the recovery of the Arabian leopard in its natural environment.

He received an overview of the history of AlUla Old Town and the Incense Road, and the role of culture and arts as a bridge for cultural exchange between the two countries. The visit included viewing artworks at AlUla Arts Festival 2026.

Prince William met with Saudi youths participating in joint cultural programs and initiatives between the two countries. The visit also featured a tour of AlUla Oasis Cultural District.

The visit highlighted the strategic importance of the partnership between the Royal Commission for AlUla and British cultural institutions within an organized framework of cooperation encompassing cultural, educational, and environmental entities, supporting balanced and sustainable development in AlUla and reinforcing its status as a global destination for heritage, culture, and nature.


Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
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Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA

The Saudi Ministry of Culture organized a specialized workshop to review and develop the third edition of the Cultural Heritage Documentation and Digital Archiving Guide in the Kingdom.

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners, as part of the center’s efforts to standardize methodologies for documenting and archiving cultural heritage and to enhance institutional practices for managing national cultural memory.

The workshop forms part of the Ministry of Culture’s ongoing efforts to establish national standard frameworks for the management and digital documentation of cultural heritage, strengthen integration among entities, and equip practitioners with the necessary tools and methodologies.

These efforts reinforce the role of the Saudi cultural memory center in preserving the Kingdom’s cultural memory and support the objectives of the National Culture Strategy under Saudi Vision 2030.