Contractor in Syria Uncovers a Surprise Beneath the Rubble: An Ancient Tomb Complex

A boy walks out of a pit after exploring the tombs from a Byzantine underground complex, believed to be over 1,500 years old, uncovered by a contractor during the reconstruction of a war-damaged house in Maarat al-Numan, Idlib suburb, Syria, Friday, May 30, 2025. (AP)
A boy walks out of a pit after exploring the tombs from a Byzantine underground complex, believed to be over 1,500 years old, uncovered by a contractor during the reconstruction of a war-damaged house in Maarat al-Numan, Idlib suburb, Syria, Friday, May 30, 2025. (AP)
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Contractor in Syria Uncovers a Surprise Beneath the Rubble: An Ancient Tomb Complex

A boy walks out of a pit after exploring the tombs from a Byzantine underground complex, believed to be over 1,500 years old, uncovered by a contractor during the reconstruction of a war-damaged house in Maarat al-Numan, Idlib suburb, Syria, Friday, May 30, 2025. (AP)
A boy walks out of a pit after exploring the tombs from a Byzantine underground complex, believed to be over 1,500 years old, uncovered by a contractor during the reconstruction of a war-damaged house in Maarat al-Numan, Idlib suburb, Syria, Friday, May 30, 2025. (AP)

A contractor digging into the earth where the rubble of a destroyed house had been cleared away in northern Syria stumbled across a surprise: the remains of an underground Byzantine tomb complex believed to be more than 1,500 years old.

The discovery emerged last month in the town of Maarat al-Numan in Idlib province, which is strategically located on the route between the cities of Aleppo and Damascus. The community became a touchpoint in the nearly 14-year Syrian civil war that ended with the fall of former President Bashar al-Assad in a lightning opposition offensive in December.

Assad’s forces seized the area back from opposition control in 2020. Houses were looted and demolished. Aerial images of the area show many houses still standing but without roofs.

Now residents are beginning to return and rebuild. In the course of a reconstruction project, stone openings were uncovered indicating the presence of ancient graves. Residents notified the directorate of antiquities, which dispatched a specialized team to inspect and secure the site.

Aboveground, it’s a residential neighborhood with rows of cinder-block buildings, many of them damaged in the war. Next to one of those buildings, a pit leads down to the openings of two burial chambers, each containing six stone tombs. The sign of the cross is etched into the top of one stone column.

"Based on the presence of the cross and the pottery and glass pieces that were found, this tomb dates back to the Byzantine era," said Hassan al-Ismail, director of antiquities in Idlib. He noted that the discovery adds to an already rich collection of archeological sites in the area.

A guard inspects an engraved stone, originally found at a Byzantine underground tomb complex believed to be over 1,500 years old and uncovered by a contractor during the reconstruction of a war-damaged house and brought to a museum yard in Maarat al-Numan, Syria, Friday, May 30, 2025. (AP)

Idlib "has a third of the monuments of Syria, containing 800 archaeological sites in addition to an ancient city," al-Ismail said.

The Byzantine Empire, which began in the 4th century AD, was a continuation of the Roman empire with its capital in Constantinople — today's Istanbul — and Christianity as its official religion.

Abandoned Byzantine-era settlements called Dead Cities stretch across rocky hills and plains in northwest Syria, their weathered limestone ruins featuring remnants of stone houses, basilicas, tombs and colonnaded streets.

In the past, the owners of sites where archeological ruins were found sometimes covered them up, fearful that their property would be seized to preserve the ruins, said Ghiath Sheikh Diab, a resident of Maarat al-Numan who witnessed the moment when the tomb complex was uncovered.

He said he hoped the new government will fairly compensate property owners in such cases and provide assistance to the displaced people who have returned to the area to find their homes destroyed.

The years of war led to significant damage to Syria’s archeological sites, not only from bombing but from looting and unauthorized digging.

Some see in the ruins a sign of hope for economic renewal.

Another local resident, Abed Jaafar, came with his son to explore the newly discovered tombs and take pictures.

"In the old days, a lot of foreign tourists used to come to Maarat just to see the ruins," he said. "We need to take care of the antiquities and restore them and return them to the way they were before ... and this will help to bring back the tourism and the economy."



French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.


Red Sea Museum Signs Cooperation Agreement to Support Artisans and Designers

The cooperation agreement aims to support local and regional artisans and designers. SPA
The cooperation agreement aims to support local and regional artisans and designers. SPA
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Red Sea Museum Signs Cooperation Agreement to Support Artisans and Designers

The cooperation agreement aims to support local and regional artisans and designers. SPA
The cooperation agreement aims to support local and regional artisans and designers. SPA

Saudi Arabia’s Museums Commission announced the signing of a cooperation agreement between the Red Sea Museum and Ahmed Angawi Studio to launch the "Made in the Red Sea" initiative at the Red Sea Museum in the heart of Historic Jeddah, aiming to support local and regional artisans and designers.

The initiative aims to preserve traditional skills and develop contemporary products inspired by the rich heritage, traditions and the tangible and intangible culture of the Red Sea region, for sale at the museum gift shop.

It builds on the momentum of the Saudi Ministry of Culture's Year of Handicrafts 2025 initiative launched to reinforce pride in national identity and support artisans, as one of the goals of the National Culture Strategy.

The partnership includes content development, the delivery of workshops and the selection of participating artists and artisans, in addition to promoting the "Made in the Red Sea" initiative and overseeing specialized workshops in traditional wood designs inspired by the historic Bab Al Bunt building, which now houses the Red Sea Museum. These efforts contribute to a contemporary reinterpretation of its architectural elements.