Ancient DNA Shows Genetic Link Between Egypt and Mesopotamia

This photo provided by researchers shows rock-cut tombs in Nuwayrat, Egypt where a pottery vessel in which the remains of a man, radiocarbon dated to around 2855–2570 cal BCE, was discovered. (John Garstang, Mahmoud Abd El Gelel/Garstang Museum of Archaeology/University of Liverpool via AP)
This photo provided by researchers shows rock-cut tombs in Nuwayrat, Egypt where a pottery vessel in which the remains of a man, radiocarbon dated to around 2855–2570 cal BCE, was discovered. (John Garstang, Mahmoud Abd El Gelel/Garstang Museum of Archaeology/University of Liverpool via AP)
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Ancient DNA Shows Genetic Link Between Egypt and Mesopotamia

This photo provided by researchers shows rock-cut tombs in Nuwayrat, Egypt where a pottery vessel in which the remains of a man, radiocarbon dated to around 2855–2570 cal BCE, was discovered. (John Garstang, Mahmoud Abd El Gelel/Garstang Museum of Archaeology/University of Liverpool via AP)
This photo provided by researchers shows rock-cut tombs in Nuwayrat, Egypt where a pottery vessel in which the remains of a man, radiocarbon dated to around 2855–2570 cal BCE, was discovered. (John Garstang, Mahmoud Abd El Gelel/Garstang Museum of Archaeology/University of Liverpool via AP)

Ancient DNA has revealed a genetic link between the cultures of ancient Egypt and Mesopotamia, according to research published Wednesday in the journal Nature.

Researchers sequenced whole genomes from the teeth of a remarkably well-preserved skeleton found in a sealed funeral pot in an Egyptian tomb site dating to between 4,495 and 4,880 years ago.

Four-fifths of the genome showed links to North Africa and the region around Egypt. But a fifth of the genome showed links to the area in the Middle East between the Tigris and Euphrates Rivers, known as the Fertile Crescent, where Mesopotamian civilization flourished.

"The finding is highly significant" because it "is the first direct evidence of what has been hinted at" in prior work," said Daniel Antoine, curator of Egypt and Sudan at the British Museum.

Earlier archeological evidence has shown trade links between Egypt and Mesopotamia, as well as similarities in pottery-making techniques and pictorial writing systems. While resemblances in dental structures suggested possible ancestral links, the new study clarifies the genetic ties.

The Nile River is "likely to have acted as an ancient superhighway, facilitating the movement of not only cultures and ideas, but people," said Antoine, who was not involved in the study.

The skeleton was found in an Egyptian tomb complex at the archaeological site of Nuwayrat, inside a chamber carved out from a rocky hillside. An analysis of wear and tear on the skeleton - and the presence of arthritis in specific joints - indicates the man was likely in his 60s and may have worked as a potter, said co-author and bioarchaeologist Joel Irish of Liverpool John Moores University.

The man lived just before or near the start of ancient Egypt's Old Kingdom, when Upper and Lower Egypt were unified as one state, leading to a period of relative political stability and cultural innovation, including the construction of the Giza pyramids.

"This is the time that centralized power allowed the formation of ancient Egypt as we know it," said co-author Linus Girdland-Flink, a paleogeneticist at the University of Aberdeen.

At approximately the same time, Sumerian city-states took root in Mesopotamia and cuneiform emerged as a writing system.

Researchers said analysis of other ancient DNA samples is needed to obtain a clearer picture of the extent and timing of movements between the two cultural centers.



New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.


Saudi Culture Ministry Launches Nonprofit Cultural Sector Forum with Wide Participation from Experts, Entities

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
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Saudi Culture Ministry Launches Nonprofit Cultural Sector Forum with Wide Participation from Experts, Entities

The Saudi Culture Ministry will oversee the national pavilion with participation from several entities
The Saudi Culture Ministry will oversee the national pavilion with participation from several entities

Under the patronage of Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan, the sessions of the Nonprofit Cultural Sector Forum, organized by the Ministry of Culture in Riyadh, kicked off on Wednesday, SPA reported.

The first day featured eight panel sessions with a group of local and international experts and specialists, discussing several strategic themes related to the nonprofit cultural sector.

 

The sessions addressed the sector’s role in shaping the future in light of modern trends, the importance of empowering nonprofit cultural organizations to build sustainable cultural and economic impact, and the role of social responsibility in developing the nonprofit sector.

The forum is also witnessing the signing of a number of agreements and memoranda of understanding, as part of enhancing partnerships and enabling nonprofit cultural organizations to expand their scope of work and achieve sustainable cultural and societal impact.


AlUla’s Maraya Hall Highlights Creative Fusion of Art and Landscape

Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA
Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA
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AlUla’s Maraya Hall Highlights Creative Fusion of Art and Landscape

Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA
Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla - SPA

In AlUla Governorate, features of human creativity are manifested in their finest form, as Maraya Hall hosts an exceptional artistic and architectural experience that blends art and nature, in a scene that embodies the presence of arts as a universal language that transcends borders and cultures.

Maraya Hall is considered the largest mirrored building in the world by Guinness World Records, with its structure covered by around 9,740 reflective panels designed to mirror the beauty of the surrounding sandstone cliffs, giving visitors a unique visual experience that appears as a natural extension of the desert landscape, SPA reported.

The hall includes multiple spaces and halls equipped with the latest technologies, accommodating around 500 seats, making it an integrated platform for hosting concerts, artistic performances, conferences, and various cultural events.

Maraya Hall reflects one aspect of the cultural transformation witnessed in AlUla, within an integrated cultural and artistic ecosystem that enhances the governorate’s presence on the global arts map, coinciding with the celebration of World Art Day, which falls on April 15 each year, highlighting the importance of arts in building cultural bridges and promoting human dialogue.