Michael Madsen, ‘Reservoir Dogs’ and ‘Kill Bill’ Star, Dies at 67

Actor Michael Madsen appears at the premiere of "The Hateful Eight" in Los Angeles on Dec. 7, 2015. (AP)
Actor Michael Madsen appears at the premiere of "The Hateful Eight" in Los Angeles on Dec. 7, 2015. (AP)
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Michael Madsen, ‘Reservoir Dogs’ and ‘Kill Bill’ Star, Dies at 67

Actor Michael Madsen appears at the premiere of "The Hateful Eight" in Los Angeles on Dec. 7, 2015. (AP)
Actor Michael Madsen appears at the premiere of "The Hateful Eight" in Los Angeles on Dec. 7, 2015. (AP)

Michael Madsen, the actor best known for his coolly menacing, steely-eyed, often sadistic characters in the films of Quentin Tarantino including "Reservoir Dogs" and "Kill Bill: Vol. 2," has died.

Madsen was found unresponsive in his home in Malibu, California, on Thursday morning and pronounced dead, Los Angeles County Sheriff's Department Watch Commander Christopher Jauregui said. He is believed to have died of natural causes and authorities do not suspect any foul play was involved. Madsen's manager Ron Smith said cardiac arrest was the apparent cause. He was 67.

Madsen’s career spanned more than 300 credits stretching back to the early 1980s, many in low-budget and independent films. He often played low-level thugs, gangsters and shady cops in small roles. Tarantino would use that identity, but make him a main character.

His torture of a captured police officer in Tarantino's 1992 directorial debut "Reservoir Dogs," in which Madsen's black-suited bank robber Vic "Mr. Blonde" Vega severs the man's ear while dancing to Stealers Wheel’s "Stuck in the Middle with You" was an early career-defining moment for both director and actor.

He would become a Tarantino regular. He had a small role as the cowboy-hatted desert dweller Budd, a member of the Deadly Viper Assassination Squad, in 2003's "Kill Bill: Vol. 1," then a starring role the following year in the sequel, in which he battles with Uma Thurman's protagonist The Bride and buries her alive.

Madsen also appeared in Tarantino's "The Hateful Eight" and "Once Upon a Time... In Hollywood." He was an alternate choice to play the hit man role that revived John Travolta's career in 1994's "Pulp Fiction." The character, Vincent Vega, is the brother of Madsen's "Reservoir Dogs" robber in Tarantino's cinematic universe.

His sister, Oscar-nominated "Sideways" actor Virginia Madsen, was among those paying him tribute on Thursday.

"He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother—etched in contradiction, tempered by love that left its mark," she said in a statement. "I’ll miss our inside jokes, the sudden laughter, the sound of him. I’ll miss the boy he was before the legend. I miss my big brother."

His "Hateful Eight" co-star and fellow Tarantino favorite Walton Goggins celebrated him on Instagram.

"Michael Madsen... this man... this artist... this poet... this rascal..." Goggins wrote. "Aura like no one else. Ain’t enough words so I’ll just say this.... I love you buddy. A H8TER forever."

James Woods, Madsen's co-star in two films, wrote on X, "I was always touched by his sweet nature and generosity, the absolute opposite of the ‘tough guys’ he portrayed so brilliantly."

Madsen was born in Chicago to a family of three children.

He performed on stage with the city's Steppenwolf Theatre Company alongside actors including John Malkovich.

During a handprint ceremony at the TCL Chinese Theatre in November 2020, Madsen reflected on his first visit to Hollywood in the early 1980s.

"I got out and I walked around and I looked and I wondered if there were someday some way that that was going to be a part of me. And I didn’t know because I didn’t know what I was going to do at that point with myself," he said. "I could have been a bricklayer. I could have been an architect. I could have been a garbage man. I could have been nothing. But I got lucky. I got lucky as an actor."

His first film role of any significance was in the 1983 hacker thriller "WarGames" with Matthew Broderick. The following year he played pro baseball player Bump Bailey alongside Robert Redford in "The Natural."

He spent much of the rest of the 1980s doing one-off guest roles on television dramas including "Miami Vice" and "Quantum Leap."

1991 would bring a career boost with roles in "The Doors," where he played a buddy of Val Kilmer's Jim Morrison, and "Thelma and Louise" where he played the boyfriend of Susan Sarandon's Louise.

Then would come "Reservoir Dogs."

In 1995, he played a black ops mercenary in the sci-fi thriller "Species" and in 1997 he was third billed after Al Pacino and Johnny Depp as a member of a crew of gangsters in "Donnie Brasco."

He occasionally played against type. In the 1993 family orca adventure "Free Willy" he was the foster father to the orphan protagonist.

Madsen would return to smaller roles but worked constantly in the final two decades of his career.

Madsen had six children. He had struggled in recent years after the 2022 death of one of his sons, Hudson.

"Losing a child is the hardest and most painful experience that can happen in this world," Madsen said in an Instagram post last year.

He said the loss put a strain on his marriage to third wife, DeAnna Madsen. He was arrested on suspicion of domestic battery last year, but was not charged. He filed for divorce, but asked that the filing be dismissed just weeks later.

He had previously been arrested twice on suspicion of DUI, most recently in 2019, when he pleaded no contest to a misdemeanor.

"In the last two years Michael Madsen has been doing some incredible work with independent film including upcoming feature films ‘Resurrection Road,’ ‘Concessions and ’Cookbook for Southern Housewives,' and was really looking forward to this next chapter in his life," his managers Smith and Susan Ferris and publicist Liz Rodriguez said in a statement. "Michael was also preparing to release a new book called ‘Tears For My Father: Outlaw Thoughts and Poems’ currently being edited."

They added that he "was one of Hollywood’s most iconic actors, who will be missed by many."



EU Clears Universal's $775-mn Downtown Bid

FILE PHOTO: European Union flags flutter outside the EU Commission headquarters in Brussels, Belgium June 20, 2018. REUTERS/Yves Herman/File Photo
FILE PHOTO: European Union flags flutter outside the EU Commission headquarters in Brussels, Belgium June 20, 2018. REUTERS/Yves Herman/File Photo
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EU Clears Universal's $775-mn Downtown Bid

FILE PHOTO: European Union flags flutter outside the EU Commission headquarters in Brussels, Belgium June 20, 2018. REUTERS/Yves Herman/File Photo
FILE PHOTO: European Union flags flutter outside the EU Commission headquarters in Brussels, Belgium June 20, 2018. REUTERS/Yves Herman/File Photo

The EU on Friday approved Universal Music Group's $775-million acquisition of global music services company Downtown, subject to conditions.

The European Commission said the deal could go through if there is a "full divestment of Downtown's royalty accounting platform Curve".

This would "prevent UMG from obtaining access to the commercially sensitive data of its rivals stored on Curve", said the commission, the EU's antitrust regulator.

It had warned in November the deal could restrict competition because Universal could gain access to such data via Curve that belongs to other music labels.

On Friday the commission said the divestment "would fully address the competition concerns" raised last year.

Headquartered in the Netherlands, UMG is the world's biggest music company and is home to the likes of Taylor Swift, Billie Eilish and Kendrick Lamar.

US-based Downtown Music provides services to independent record labels and musicians, including managing copyright issues and helping artists collect royalties.

"By requiring the divestment of Curve, we are taking a decisive step to protect sensitive data and prevent it from being controlled by a large competitor," AFP quoted EU economy chief Valdis Dombrovskis as saying in a statement.

"Today's decision reflects the commission's dedication to promoting fair competition and supporting a thriving and diverse music landscape in Europe."

The European association of independent music companies Impala had previously warned that the merger posed risks because Universal's dominance would grow.


Oscars Museum Dives into World of Miyazaki’s ‘Ponyo’ 

A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
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Oscars Museum Dives into World of Miyazaki’s ‘Ponyo’ 

A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)
A father and his kid play with an animated character at the Academy Museum Studio Ghibli's "Ponyo" media preview in Los Angeles on February 12, 2026. (Valerie Macon/AFP)

With simulated waves, animation tables, and dozens of original sketches on display, a new exhibition in the Oscars museum offers immersion into the aquatic world of "Ponyo," Hayao Miyazaki's cinematic classic.

The Academy Museum of Motion Pictures opened in 2021 with a retrospective dedicated to the grand master of Japanese animation.

Nearly five years later, dozens of drawings, storyboards and other elements created for the film and gifted to the Los Angeles institution by Miyazaki's world-famous Studio Ghibli are going on display.

"It's such a treasure to have, we should share it with our visitors," the exhibit's curator, Jessica Niebel, told AFP.

The museum has dedicated over 350 square meters (nearly 3,800 square feet) to the magical 2008 movie.

Inspired by the Hans Christian Andersen fairy tale "The Little Mermaid," Miyazaki's story centers around a goldfish with a girl's face who is rescued by a five-year-old boy, Sosuke.

Despite the reluctance of her father, the underwater wizard Fujimoto, little Ponyo falls in love with her new friend and gives up her magical powers to become human.

Entirely hand drawn, the film was hailed as a visual masterpiece marking Miyazaki's return to the traditional animation of his early career, after incorporating computer generated images in "Spirited Away" and "Howl's Moving Castle."

"What's really special about 'Ponyo' is he instructed his team right from the beginning that everything in this movie needs to move," said Niebel, recalling how the artists created a lush aquatic world, with swirling colors underwater and waves that shifted with the weather.

Animation enthusiasts will find sketches of some of the film's key sequences, drawn in pencil, and projections of its most majestic moments.

But the immersive exhibition is above all "geared towards children," the film's primary audience, Niebel said.

Younger kids can romp around on rolling blue installations that mimic waves, slide a "Ponyo" figure across an ocean wall, or hide in a replica of Sosuke's green bucket which he used to collect goldfish.

Children and their parents are urged to sit at animation tables to position sharks, jellyfish and crabs, taking photos frame by frame to create their own animated sequence -- all under the benevolent eyes of the film's elders at a retirement home threatened by rising waters.

Niebel said she hopes the exhibit might "invite the younger generation to maybe think about becoming a filmmaker" or a creative artist.

The exhibit opens Saturday and runs until January 2027. Admission is free for children under 17.


Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
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Actor Blake Lively and Director Justin Baldoni Go to New York in Required Effort to Avoid Trial

Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)
Blake Lively leaves a courthouse in New York, Wednesday, Feb. 11, 2026, who came to the courthouse to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial. (AP Photo/Seth Wenig)

Actor Blake Lively and director Justin Baldoni came to a New York courthouse on Wednesday to see if her lawsuit alleging sexual harassment on the set of the 2024 romantic drama “It Ends With Us” could be settled before a May trial.

The talks between lawyers went on over a six-hour period before Lively and Baldoni left the Manhattan federal courthouse separately and went straight to their waiting cars without saying anything. Lively looked stern as she walked out while Baldoni was smiling.

Baldoni's attorney Bryan Freedman said in an email that the talks did not result in a settlement, The Associated Press said.

Mandatory settlement talks are generally required before a civil case proceeds to trial. They are not held in public.

Their acrimonious yearlong litigation has cast a wide net across the entertainment world, drawing into the headlines other actors, musicians and celebrities and raising questions about the power, influence and gender dynamics in Hollywood.

Lively sued Baldoni and his hired crisis communications expert alleging harassment and a coordinated campaign to attack her reputation after she complained about his treatment of her on the movie set.

Baldoni and his Wayfarer Studios production company countersued Lively and her husband, “Deadpool” actor Ryan Reynolds, accusing them of defamation and extortion. Judge Lewis J. Liman dismissed that suit last June.

The trial, scheduled for May 18, was expected to be star-studded. Lively’s legal team had indicated in court papers that people likely to have information about the case included singer Taylor Swift, model Gigi Hadid, actors Emily Blunt, Alexis Bledel, America Ferrera and Hugh Jackman, influencer Candace Owens, media personality Perez Hilton and designer Ashley Avignone.