France's Renowned Pompidou Center Shuts for 5-year Refit

The building is set to close for half a decade. Anna KURTH / AFP/File
The building is set to close for half a decade. Anna KURTH / AFP/File
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France's Renowned Pompidou Center Shuts for 5-year Refit

The building is set to close for half a decade. Anna KURTH / AFP/File
The building is set to close for half a decade. Anna KURTH / AFP/File

Paris's Pompidou Center, which houses one of the world's most significant modern art collections in one of the most celebrated modern buildings on the planet, is to shut to visitors on Monday for a major five-year overhaul estimated to cost almost half a billion euros.

The museum, famed for its multicolored exterior and exposed piping and escalators, draws millions of visitors every year to admire the architecture as much as the art, AFP said.

Designed by architects Renzo Piano and Richard Rogers as an open space for all, and named after former president Georges Pompidou, who died in office in 1974, the center opened its doors in 1977.

Its permanent collection closed for visitors back in March, when specialists began to remove works from display, including paintings by the likes of Francis Bacon or Frida Kahlo and the sculptures of Marcel Duchamp.

Temporary exhibitions have remained open and Monday will be the final day for visitors to see the last such show, a retrospective of the German artist Wolfgang Tillmans, until the center reopens around 2030.

The museum will stay open exceptionally until 11:00 pm (2100 GMT) with free entry, although it is also due to host a musical and artistic show from 22-25 October to mark a Paris contemporary art week.

'Feel the same shock'

The state of Paris's often-crowded cultural attractions has caused concern, with the head of the Louvre warning earlier this year that the world's most-visited museum was suffering from water damage, poor maintenance and long queues.

President Emmanuel Macron visited afterwards to promise that it would be "redesigned, restored and enlarged" with a multi-year overhaul forecast to cost up to 800 million euros ($940 million).

Asbestos removal, accessibility, security and a complete interior redesign are all on the agenda for the major renovations at the Pompidou Center.

Improved climate protection with new waterproofing is also planned, aiming to "reduce energy bills by 40 percent," its president Laurent Le Bon told AFP.

"We're keeping the exterior framework, but from the basement to the top floor, we're changing everything," he said.

A huge terrace open to the public on the seventh floor will offer breathtaking views of Paris.

"We hope that visitors will feel a bit (of) the same shock as when the Center opened in 1977," he added.

The total cost of the renovation is estimated at 460 million euros, of which 280 million will be financed by the French state.

For the rest, "100 million has already been secured and we are hopeful of finding the remaining 80 within the next five years," said Le Bon.



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.