French Lawmakers to Debate Bill to Return Colonial-era Art

FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo
FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo
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French Lawmakers to Debate Bill to Return Colonial-era Art

FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo
FILE PHOTO: French President Emmanuel Macron at the Elysee Palace in Paris, France, April 8, 2026. REUTERS/Tom Nicholson/Pool/File Photo

France's lawmakers will on Monday debate a bill to simplify the return of artworks looted during the colonial era to their countries of origin.

France still has in its possession tens of thousands of artworks and other prized artefacts that it looted from its colonial empire.

The draft legislation to return them was unanimously approved by the upper house in January, and now needs to be backed by the lower house National Assembly before it can become law.

President Emmanuel Macron has made it a political promise to return the cultural items, and has gone further than his predecessors in admitting past French abuses in Africa.

Speaking on a visit to the Burkina Faso capital Ouagadougou shortly after taking office in 2017, Macron vowed that France would never again interfere in its former colonies and promised to facilitate the return of African cultural heritage within five years.

Designed to streamline the process, the bill under consideration specifically targets property acquired between 1815 and 1972.

Former colonial powers in Europe have slowly been moving to send back some artworks obtained during their imperial conquests -- but France is hindered by its current legislation, which requires every item in the national collection to be voted on individually.

France has been flooded with restitution demands, including from Algeria, Mali and Benin, AFP reported.

In 2025, France's parliament approved the return to Ivory Coast of a "talking drum" that colonial troops took from the Ebrie tribe in 1916. It returned home in March.

The bill has faced political wrangling in France, with the hard-left France Unbowed party (LFI) arguing that its scope should be extended.

The far-right National Rally party, on the other hand, wants to limit the restitution of colonial-era art only to states which have "cordial" relations with France.

A series of coups in west Africa have brought several military juntas hostile to Paris into power in former French colonies in west Africa in recent years.

In 2023, France adopted two so-called framework laws to return objects in two categories: one for goods looted from Jewish families during World War II, and another for the repatriation of human remains from public collections.



Mercury Contamination Found at More Ancient Maya Sites

Tourists climb the Maya pyramid of Nohoch Mul at the archaeological site of Coba December 15, 2012. (Reuters)
Tourists climb the Maya pyramid of Nohoch Mul at the archaeological site of Coba December 15, 2012. (Reuters)
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Mercury Contamination Found at More Ancient Maya Sites

Tourists climb the Maya pyramid of Nohoch Mul at the archaeological site of Coba December 15, 2012. (Reuters)
Tourists climb the Maya pyramid of Nohoch Mul at the archaeological site of Coba December 15, 2012. (Reuters)

For the ancient Maya, the vibrant red mineral cinnabar held deep sacred meaning, representing blood, life and the soul. They used it widely as pigment in murals and temples while also employing it in ceremonies and funerary rites. What they did not know is that cinnabar is mostly mercury, which can be highly toxic.

Previous research showed how mercury from cinnabar left enduring contamination at the sites of certain ancient Maya cities such as Tikal in Guatemala. A new study reveals that this contamination was more widespread than previously known and documents how mercury, after leaching into the surrounding soil and bodies of water, proved deadly for many aquatic organisms.

Researchers obtained core samples from beneath lakes at two ancient Maya cities on Mexico's Yucatan peninsula — the well-studied site of Coba and the little-known site of Xcach.

The samples showed a mercury spike at Coba beginning around 250 AD ‌and lasting about ‌150 years around the outset of the golden age of Maya civilization, called the ‌Classic ⁠Period. At Xcach, there ⁠was a spike from around 125 AD to 200 AD, shortly before the Classic Period, then a second spike at about the same time as the one at Coba, and a third spike from about 535 AD to 820 AD, running to around the end of the Classic Period.

The study documents mercury contamination in the Maya northern lowlands, a region with previously sparse mercury records, and reveals some of the highest recorded Maya-era mercury concentrations.

Many of the great Maya cities collapsed and were abandoned at the end of the Classic Period. Varying hypotheses have been presented to explain this calamity, including climate change and warfare. The ⁠new research suggests mercury poisoning as one additional factor.

"Our study shows that modern toxicology ‌and pollution regulations were far exceeded at the most toxic levels for centuries ‌around Coba and Xcach," said paleolimnologist Matt Waters, a professor of environmental science at Auburn University in Alabama and lead author of ‌the study published in the journal Science Advances.

"Furthermore, we measured multiple biological markers in the sediments for bacteria, algae, cyanobacteria, ‌shelled organisms and insect midges, which all decreased or vanished in the lakes, meaning the mercury had made its way into multiple levels of the food chain," Waters said.

MERCURY POISONING

Mercury in people can harm the central nervous system, brain, kidneys, lungs and heart.

"While we do not show this in our sediment records, this trophic movement implies that the Maya people might have been exposed to mercury via ‌consumption of water or fish," said study co-author Savanna Wooten, a postdoctoral researcher at the Jones Center at Ichauway research facility in Georgia.

"This research does little to link ⁠mercury directly to the demise of ⁠Classic-era Maya cities. But it does add one more stressor to the growing list of environmental and climatic pressures documented to have co-occurred with the Classic Period Maya," Wooten said.

Coba (pronounced "koh-BAH") is estimated to have had a population of 60,000 to 90,000 people during the Classic Period. It is a well-known jungle archeological site visited by many tourists that features one of the tallest ancient pyramids in the Yucatan.

Less is known about Xcach (pronounced "SCOTCH"), a site on private land featuring multiple pyramids and structures where very little archeological work has been done.

Cinnabar is a naturally occurring mercury sulfide mineral and may have been a major trade commodity in places like Coba and Xcach where it is not found in natural abundance, the researchers said.

The Maya fashioned one of the great civilizations in the pre-Columbian New World, prospering in a broad area of Mexico as well as Guatemala, Belize, Honduras and El Salvador. Among other achievements, they built monumental structures, crafted great works of art, gained a sophisticated understanding of astronomy and mathematics, produced an advanced calendar and developed an intricate writing system.

"Their longevity as a culture and development in science, construction and art is both extensive and elegant. Cinnabar would have been a pigment that added beauty and culture to these people," Waters said.


Theater and Performing Arts Commission to Present a Variety of Performances across Six Saudi Cities

Theater and Performing Arts Commission to Present a Variety of Performances across Six Saudi Cities
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Theater and Performing Arts Commission to Present a Variety of Performances across Six Saudi Cities

Theater and Performing Arts Commission to Present a Variety of Performances across Six Saudi Cities

The Theater and Performing Arts Commission (TPAC) will present a variety of performances from November 11 to December 19, 2026, across six cities in the Kingdom. The program will kick off in the capital, Riyadh, with performances taking place in public spaces, offering visitors an immersive experience and a closer look at TPAC’s activities.

The program features theatrical shows, roving traditional performing arts, puppet shows, a traveling circus, and interactive experiences.
It includes 10 daily segments showcasing a variety of traditional performing arts rooted in each city's cultural heritage, SPA reported.

The performances will kick off at the U Walk complex in Riyadh from November 11 to 14; the House of Culture in Dammam from November 18 to 21; Al-Noor Park in Buraidah, in Qassim Region, from November 25 to 28; the House of Culture in Hail from December 2 to 5; and Arruddaf Park in Taif from December 9 to 12.

The program will conclude at Jeddah Promenade from December 16 to 19.
The venues will welcome visitors daily from 5:30 p.m. to 11:00 p.m.

The performances are part of TPAC’s efforts to develop the sector, empower creative talent, enhance their skills, and expand the presence of theater and performing arts in society.

The program also offers the public an opportunity to learn about TPAC’s initiatives and engage with its experiences and performances.


AlUla's Madrasat Addeera Opens Applications for Design and Handicrafts Program for Women

The program aims to develop young women’s skills and equip them to produce craft products inspired by AlUla's natural environment and cultural identity - SPA
The program aims to develop young women’s skills and equip them to produce craft products inspired by AlUla's natural environment and cultural identity - SPA
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AlUla's Madrasat Addeera Opens Applications for Design and Handicrafts Program for Women

The program aims to develop young women’s skills and equip them to produce craft products inspired by AlUla's natural environment and cultural identity - SPA
The program aims to develop young women’s skills and equip them to produce craft products inspired by AlUla's natural environment and cultural identity - SPA

Madrasat Addeera in AlUla Governorate has opened applications for its 2026–2027 vocational training program, targeting young women interested in design and handicrafts.

The program aims to develop young women’s skills and equip them to produce craft products inspired by AlUla's natural environment and cultural identity. Applications will remain open until November 12, SPA reported.

The seven-month program combines design principles with practical training in traditional crafts, using local materials and patterns inspired by nature. It prepares trainees to move on to design and production studios, develop made-to-order handicraft products, and create customized corporate gifts.

Established as the first girls' school in AlUla, Madrasat Addeera has been transformed since 2019 into a creative center and an educational and cultural hub for the governorate's residents.

It seeks to revive traditional crafts and historical arts and attract international expertise as the region's first arts and design center.