Frida Kahlo Portrait Could Sell for $60 Million and Shatter Records at Sotheby’s

Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)
Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)
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Frida Kahlo Portrait Could Sell for $60 Million and Shatter Records at Sotheby’s

Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)
Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)

Frida Kahlo’s face is one of the best known in art, thanks to her bold and challenging self-portraits.

A lesser-seen self-depiction by the Mexican artist is going up for auction at Sotheby’s in what could be a record-setting sale.

With an estimated price of $40 million to $60 million, "El sueño (La cama)" – in English, "The Dream (The Bed)" — may surpass the top price for a work by any female artist when it goes under the hammer on Nov. 20. That record currently stands at $44.4 million, paid at Sotheby’s in 2014 for Georgia O’Keeffe’s "Jimson Weed/White Flower No. 1."

The highest price at auction for a Kahlo work is $34.9 million, paid in 2021 for "Diego and I," depicting the artist and her husband, muralist Diego Rivera. Her paintings are reported to have sold privately for even more.

"It's not just one of the more important works by Kahlo, but one of a few that exists outside of Mexico and not in a museum collection," said Julian Dawes, vice chairman and head of impressionist and modern art for Sotheby’s Americas. "So as both a work of art and as an opportunity in the market, it could not be more rare and special."

Kahlo vibrantly and unsparingly depicted herself and events from her life, which was upended by a bus accident at 18. She started to paint while bedridden, underwent a series of painful surgeries on her damaged spine and pelvis, then wore casts until her death in 1954 at age 47.

Painted in 1940, "El sueño (La cama)" shows the artist, wreathed in vines, lying in a four-poster bed floating in a pale blue sky. A skeleton wired with dynamite and clutching a bouquet of flowers lies atop the canopy.

The image is exploding with symbolism and feels like an allegory – but the artist really did have a papier-mâché skeleton on top of her bed.

Dawes said it's a psychological self-portrait by an artist at her peak.

"Her greatest works derive from this moment between the late 1930s and the early 1940s," he said. "She has had a variety of tribulations in her romantic life with Diego, in her own life with her health, but at the same time she’s really at the height of her powers."

Last exhibited publicly in the late 1990s, the painting is the star of a sale of more than 100 surrealist works by artists including Salvador Dalí, René Magritte, Max Ernst and Dorothea Tanning. They are from a private collection whose owner has not been disclosed.

A century after Andre Breton’s "Surrealist Manifesto" defined a revolutionary artistic movement characterized by unsettling juxtapositions and paradoxical statements, interest in – and prices for – surrealist art are booming. Surrealism’s share of the art market rose from 9.3% to 16.8% between 2018 and 2024, according to Sotheby’s. Magritte’s "L’empire des lumières" sold last year for $121.2 million, a record for a surrealist work.

Kahlo resisted being labeled a surrealist, but Dawes said her "fascination with the subconscious" and use of otherworldly imagery place her squarely in that tradition.

He said it’s no surprise the genre is undergoing a resurgence.

"There are so many interesting parallels between the 1920s and the 2020s," Dawes said. "Coming out of a crippling global pandemic, a world that has to confront war on a more graphic and intimate level that had ever been experienced before — and economic and political and social forces swirling in the background that are eerily similar."

The Kahlo painting is on show at Sotheby’s in London until Tuesday, and then tours to Abu Dhabi, Hong Kong and Paris before the sale in New York.



Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.


Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
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Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan and his Syrian counterpart, Mohammed Yassin Saleh, have toured the National Museum of Damascus during the Kingdom’s participation as guest of honor at the 2026 Damascus International Book Fair.

The ministers observed on Thursday the museum’s extensive collections spanning prehistoric eras to modern art.

A particular focus was placed on the Arab-Islamic wing, featuring significant artifacts from the Umayyad period.

The Kingdom's participation as guest of honor at the 2026 Damascus International Book Fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.