Two Newly Discovered Bach Organ Works Unveiled in Germany

This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)
This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)
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Two Newly Discovered Bach Organ Works Unveiled in Germany

This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)
This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)

Two long-lost organ pieces written by a teenage Johann Sebastian Bach were unveiled in Germany on Monday in a discovery described as a "great moment for the world of music".

The two solo organ works, written while Bach was working as an organ teacher in the town of Arnstadt in Thuringia early in his career, first caught the attention of researchers over 30 years ago.

But it is only now that experts have been able to prove they were written by Bach after finally confirming the identity of the person who penned the manuscripts.

The Chaconne in D minor BWV 1178 and Chaconne in G minor BWV 1179 have been added to the official catalogue of Bach's works as of Monday.

They were also performed for the first time in 320 years at the St Thomas Church in Leipzig, where Bach is buried and served as a cantor for 27 years.

In a press conference before the works were performed, Culture Minister Wolfram Weimer hailed the discovery as a "global sensation" and a "great moment for the world of music".

"This is a source of great joy for many, many music lovers around the world," he said.

Bach researcher Peter Wollny first came across the works in the Royal Library of Belgium in 1992, according to the Bach Archive in Leipzig, which documents and researches the composer's life and work.

The manuscripts were undated and unsigned but are thought to have been written in around 1705, when Bach would have been 18 years old.

Wollny was fascinated by the works from the outset because they contained several characteristics that were unique to Bach during that period.

But the identity of the manuscript writer remained a mystery.

Several years ago, experts came across some very similar handwriting in a letter dating from 1729 written by a former pupil of Bach in Arnstadt, Salomon Guenther John.

But since the letter was written 20 years after the manuscripts and the handwriting was not identical, more evidence was needed.

It was only recently that earlier samples of John's writing were found, from around the same period, providing definitive proof that the handwriting was his.

"I searched for a long time for the missing piece of the puzzle to identify the compositions -- now the whole picture is clear," Wollny said.

"We can now say with certainty that the copies were made around 1705 by Bach's pupil Salomon Guenther John."

Ton Koopman, the Dutch organist and head of the Bach Archive who performed the works on Monday, said they were "of a very high quality".

"When one thinks of the young Bach or Mozart, it is often assumed that genius comes later in life -- but that is not the case," he said.

"I am convinced that organists worldwide will be very grateful for this virtuoso, lively new repertoire and will perform it regularly in future."

Bach was born in Eisenach in central Germany in 1685 and died in 1750.

Founded 75 years ago, the Bach Archive has helped to unearth several previously lost works by the composer.

In 2004, a Bach cantata that had been lost for decades was rediscovered in the papers of Japanese pianist Chieko Hara.



Louvre Workers Announce Strike Over Work Conditions and Security After $102M Heist

A rainbow emerges over the Louvre museum, bathed in late afternoon sunlight, in Paris, on December 6, 2025. (AFP)
A rainbow emerges over the Louvre museum, bathed in late afternoon sunlight, in Paris, on December 6, 2025. (AFP)
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Louvre Workers Announce Strike Over Work Conditions and Security After $102M Heist

A rainbow emerges over the Louvre museum, bathed in late afternoon sunlight, in Paris, on December 6, 2025. (AFP)
A rainbow emerges over the Louvre museum, bathed in late afternoon sunlight, in Paris, on December 6, 2025. (AFP)

Workers at the Louvre Museum voted Monday for strikes to protest their work conditions, a ticket-price hike for non-European visitors and security weaknesses that a brazen daylight theft of France’s Crown Jewels highlighted in October.

In a letter announcing the strike action starting next Monday, which was addressed to France's culture minister and seen by The Associated Press, the CGT, CFDT and Sud unions asserted that “visiting the Louvre has become a real obstacle course” for the millions of people who come to admire its huge collections of art and artifacts.

The museum is in “crisis,” with insufficient resources and “increasingly deteriorated working conditions," said the unions’ strike notice to Culture Minister Rachida Dati.

“The theft of 19 October 2025 highlighted shortcomings in priorities that had long been reported,” the unions alleged.

The robbery gang made off with loot worth an estimated 88 million euros ($102 million). The museum director subsequently acknowledged a ″terrible failure" in security. The thieves took less than eight minutes to force their way into the museum and leave, using a freight lift to reach one of the building’s windows, angle grinders to cut into jewelry display cases, and motorbikes to make their escape.

The haul hasn’t been recovered. It includes a diamond-and-emerald necklace Napoleon gave to Empress Marie-Louise, jewels tied to two 19th century queens, Marie-Amélie and Hortense, and Empress Eugénie’s pearl-and-diamond tiara.

Upkeep of the museum's vast and historic buildings, which were a former palace for French royals, also hasn't kept pace with its success as one of France's leading attractions.

A water leak on Nov. 26 damaged several hundred publications stored in the museum's library of works specializing in Egyptian antiquities. The damaged works included revues and documents from the 19th and 20th century, the museum said. The opening of a valve triggered the leak in a network of water pipes that are due to be replaced next year, the museum said.

Last month, the Louvre also announced the temporary closure of some employees’ offices and one public gallery because of weakened floor beams.

In their strike notice, the unions said that antiquated facilities and insufficient staffing are impacting the visitor experience, forcing the closure of some displays. They demanded that resources be focused on building improvements and safeguarding the museum, its collections, visitors and employees.

“We are in a run-down museum which has shown its security weaknesses,” Christian Galani, a CGT union official representing Louvre workers, said in an AP interview. He said the strike-action vote by employees on Monday morning was unanimous and that the planned rolling strikes risked forcing the museum's closure.

“We need a change of gear,” he said.


Diriyah Art Futures Hosts Second Open Studio of Mazra’ah Media Arts Residency

The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture - SPA
The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture - SPA
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Diriyah Art Futures Hosts Second Open Studio of Mazra’ah Media Arts Residency

The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture - SPA
The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture - SPA

Diriyah Art Futures, the first specialized center for New Media Arts in the Middle East and North Africa, hosted the second edition of the Open Studio for the Mazra’ah Media Arts Residency at its headquarters in Diriyah.

The event, dedicated to digital media artists and held under the theme "High Resolution Dreams of Sand," explores the connections between environment, technology, and culture, SPA reported.

The event was attended by Diriyah Art Futures Director Dr. Haytham Nawar and the center’s Education Director Tegan Bristow.
Visitors were given the opportunity to view the projects that artists and researchers are developing for the Fall–Winter 2025 season, engage directly with resident artists such as Diane Cescutti, Juan Covelli, and Calin Segal, and learn about their creative work and research at the center.

Participating researchers in the program, entrepreneur Dr. Areej Al-Wabil and researcher Rahel Aima, delivered a presentation to attendees. Their presentations reflected the experimental and diverse nature of the Mazra’ah program, which encourages artists to work across multiple techniques and media.

The program provides selected participants with access to state-of-the-art production tools within a dedicated studio, fostering collaboration and the exchange of knowledge within the global artistic community.

The Open Studio represents an important milestone in Diriyah Art Futures’ efforts to play an active role in the global dialogue on New Media and Digital Arts. Resident artists will continue developing their projects until December 2025, with future public showcases planned.

The center also provides opportunities for artists and researchers to take part in its public events, educational programs, and artistic and scientific residencies, thereby enriching the Kingdom’s art scene and strengthening its position as a global destination for New Media and Digital Arts, while highlighting local talents in the fields of art, science, and technology. This reflects the Ministry of Culture’s commitment to preserving national heritage and supporting artistic practices that shape the future of the arts and humanities.


Literature Commission Prepares to Launch Jeddah Book Fair 2025

Literature Commission Prepares to Launch Jeddah Book Fair 2025
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Literature Commission Prepares to Launch Jeddah Book Fair 2025

Literature Commission Prepares to Launch Jeddah Book Fair 2025

The Literature, Publishing and Translation Commission is preparing to organize the Jeddah Book Fair 2025, scheduled to take place from December 11 to 20 at the Jeddah Superdome.

The fair will see the participation of more than 1,000 local and international publishing houses and agencies representing 24 countries, distributed across 400 exhibition booths, SPA reported.

The event will host a distinguished group of writers, thinkers and intellectuals from within the Kingdom and abroad, offering visitors a rich and diverse cultural program over ten days that spans literary, intellectual and scientific fields.

CEO of the commission Dr. Abdullatif bin Abdulaziz Alwasel said that the Jeddah Book Fair is a prominent cultural event reflecting the rapid growth of the literature, publishing and translation sector, supported by the continuous backing of the wise leadership.

He emphasized that the fair is among the most important cultural platforms contributing to the objectives of Vision 2030 by promoting creative industries and intellectual engagement.

Dr. Alwasel added that the exhibition will feature an extensive cultural program comprising more than 170 events, including lectures, seminars and workshops. It will also include a dedicated children’s area designed to cater to different age groups, offering literary, cultural and recreational activities, as well as competitions aimed at inspiring children and adolescents, nurturing their love of reading and exploration and developing their talents.