Two Newly Discovered Bach Organ Works Unveiled in Germany

This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)
This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)
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Two Newly Discovered Bach Organ Works Unveiled in Germany

This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)
This handout picture released on November 17, 2025 by the Bach Archive Leipzig shows an employee of the archive holding a print of two long-lost organ pieces written by a teenage Johann Sebastian Bach during a presentation as part of the festival week celebrating the 75th anniversary of the Bach Archive Leipzig at the St. Thomas Church in Leipzig. (Jens Schlueter / Bach Archive / AFP)

Two long-lost organ pieces written by a teenage Johann Sebastian Bach were unveiled in Germany on Monday in a discovery described as a "great moment for the world of music".

The two solo organ works, written while Bach was working as an organ teacher in the town of Arnstadt in Thuringia early in his career, first caught the attention of researchers over 30 years ago.

But it is only now that experts have been able to prove they were written by Bach after finally confirming the identity of the person who penned the manuscripts.

The Chaconne in D minor BWV 1178 and Chaconne in G minor BWV 1179 have been added to the official catalogue of Bach's works as of Monday.

They were also performed for the first time in 320 years at the St Thomas Church in Leipzig, where Bach is buried and served as a cantor for 27 years.

In a press conference before the works were performed, Culture Minister Wolfram Weimer hailed the discovery as a "global sensation" and a "great moment for the world of music".

"This is a source of great joy for many, many music lovers around the world," he said.

Bach researcher Peter Wollny first came across the works in the Royal Library of Belgium in 1992, according to the Bach Archive in Leipzig, which documents and researches the composer's life and work.

The manuscripts were undated and unsigned but are thought to have been written in around 1705, when Bach would have been 18 years old.

Wollny was fascinated by the works from the outset because they contained several characteristics that were unique to Bach during that period.

But the identity of the manuscript writer remained a mystery.

Several years ago, experts came across some very similar handwriting in a letter dating from 1729 written by a former pupil of Bach in Arnstadt, Salomon Guenther John.

But since the letter was written 20 years after the manuscripts and the handwriting was not identical, more evidence was needed.

It was only recently that earlier samples of John's writing were found, from around the same period, providing definitive proof that the handwriting was his.

"I searched for a long time for the missing piece of the puzzle to identify the compositions -- now the whole picture is clear," Wollny said.

"We can now say with certainty that the copies were made around 1705 by Bach's pupil Salomon Guenther John."

Ton Koopman, the Dutch organist and head of the Bach Archive who performed the works on Monday, said they were "of a very high quality".

"When one thinks of the young Bach or Mozart, it is often assumed that genius comes later in life -- but that is not the case," he said.

"I am convinced that organists worldwide will be very grateful for this virtuoso, lively new repertoire and will perform it regularly in future."

Bach was born in Eisenach in central Germany in 1685 and died in 1750.

Founded 75 years ago, the Bach Archive has helped to unearth several previously lost works by the composer.

In 2004, a Bach cantata that had been lost for decades was rediscovered in the papers of Japanese pianist Chieko Hara.



French Artist Begins Giant ‘Cave’ Art Inflation Over Paris’ Oldest Bridge

People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
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French Artist Begins Giant ‘Cave’ Art Inflation Over Paris’ Oldest Bridge

People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)

The oldest bridge in Paris has begun to vanish this week, as the artist JR — who is known as the “French Banksy” — began inflating a giant “cave” over the Pont Neuf.

The monumental, rocky illusion is swallowing the 17th-century landmark, which has carried Parisians across the Seine for more than 400 years. By Thursday, it looked as if a prehistoric cliff had risen in the heart of the city.

The inflation process, which was carried out overnight — after being delayed by bad weather — is the most dramatic stage yet of a project more than a year in the making.

One of the most ambitious public artworks Paris has seen in decades, which has been funded by the sale of JR’s work and a handful of corporate partners, does not open to the public until June 6.

“We’re about to leave something pretty incredible in the middle of Paris,” JR told The Associated Press earlier this year at his studio in the city’s east, wearing his trademark hat and shades.

The transformation of the bridge has been documented by the AP since March with time-lapse cameras, including one fixed on a rooftop terrace high above the river, watching the bridge slowly disappear day by day.

From the outside, the installation looks like a rocky mass that “literally” breaks the landscape, said JR, who is famous for pasting enormous photographs on buildings, walls and rooftops around the world. This time he wanted Parisians to do something unusual on their busiest bridge: stop.

Visitors will be able to walk for free through a long, dark tunnel that lets in no daylight and where, according to JR, people “will lose track of time.”

The numbers are startling. The structure is 120 meters (393 feet) long and 18 meters (59 feet) tall — which is as high as a six-story building.

Yet it is built almost entirely from air — 80 fabric arches filled with 20,000 cubic meters of it — and weighs only about five tons. The fabric was hand stitched by 25 artisans in a village in Brittany.

Nothing digs into the historic stone.

Cut the air and the cliff would sink like a held breath — a collapse JR’s engineers spent weeks rehearsing in a hangar at Orly airport to be sure that if the power ever failed, the rock would come down gently.

The artwork, called La Caverne du Pont Neuf, is a tribute to a Parisian artistic legend.

In 1985, artist Christo and his wife, Jeanne-Claude, wrapped the same bridge in pale golden fabric — 13 kilometers of rope, a decade of arguing with city hall, three million visitors in two weeks. The act helped invent the idea of monumental art in modern cities.

A square beside the bridge now carries their names.

“It’s pretty hard to go after them,” JR said.

His idea, he said, is to bring “mineral and nature” back to the heart of the city. He is not covering the bridge but undressing it — sending the dressed stone back to the limestone quarries from which Paris itself was cut.

The cave is also a warning. JR built it as a nod to Plato’s allegory, in which prisoners mistake shadows on a wall for the real world.

“What are our caves today? Our phones,” he said. “Because we believe that our algorithm on social media is the reality.”

Then he walks straight into the contradiction: to enter his cave about screens, visitors raise their phones.

The tech company Snap has built an augmented-reality layer that shows what the eye cannot.
The sound is a low, mineral hum from Thomas Bangalter, formerly of Daft Punk — who was 10 the year Christo wrapped the bridge.

The cave will be open around the clock from June 6-28, closing the bridge to traffic and visible from the quays, from passing boats, even from the top of the Eiffel Tower.

It will coincide with Paris Fashion Week, World Music Day and the all-night Nuit Blanche arts festival.

When it comes down, the fabric will be reused or recycled. Air, JR likes to say, leaves no scar.
Then, like the golden wrapping 40 years before, the cave will be gone — and the Pont Neuf, older than the republic and older than the revolution, will reappear exactly as it was.


Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
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Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP

As Britain's wartime leader, Winston Churchill was known for his stirring speeches, but a new London exhibition explores another side to his creativity -- as a passionate and prolific artist.

The exhibition opening Saturday at the Wallace Collection will be the most significant display of the statesman's paintings for more than 60 years, including over 50 canvases, many of them rarely seen in public.

Churchill first tried painting during World War I after he resigned from the government over the 1915 failed Dardanelles naval attack.

This was a "very difficult time in his life" when "he suddenly finds himself with all this unwanted leisure time", Lucy Davis, co-curator of the exhibition, told AFP.

"And he discovered painting as a way of releasing the stress, the anguish that the situation had caused him."

The museum presents a chronological survey starting with his first paintings, created with advice from renowned artist John Lavery, then canvases painted in the 1920s at Chartwell, the country house where Churchill lived with his family.

Largely self-taught while associating with well-known painters, Churchill quickly became interested in landscape painting and drew inspiration from holidays in the south of France to create brightly colored canvases dominated by blues and ochre.

- 'Loved the light' -

Churchill "saw painting as a spur to travel" and "just loved the light and warmth and atmosphere, which he captures so beautifully", said Davis.

A whole room is dedicated to canvases inspired by trips to Morocco, including "The Tower of the Koutoubia Mosque", the only painting that Churchill did during World War II. A gift to US President Franklin D. Roosevelt, the painting recently belonged to Hollywood star Angelina Jolie.

The exhibition ends with the postwar period when Churchill, defeated in a general election, began painting again and continued until his death in 1965, with some of his works going on display at the Royal Academy.

Churchill had previously shown paintings at various galleries, but always under an assumed name.

As a statesman, Churchill went down in history for his wartime leadership, but as an artist, he had little interest in depicting current world events, the curator stressed.

"He was a wartime leader. He was known for these very stirring wartime speeches. But in these paintings, you really see his joie de vivre, his witty side, his playful side."

One painting at the exhibition is an exception: "The Beach At Walmer", painted in 1938 as fears grew of imminent war.

It shows a sandy beach in southern England with bathers paddling. But in the foreground, a black cannon points at the sea, suggesting a looming threat.


Saudi Heritage Commission Discovers Abbasid-Era Gold Jewelry in Qassim

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo
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Saudi Heritage Commission Discovers Abbasid-Era Gold Jewelry in Qassim

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo

Saudi Arabia’s Heritage Commission announced the discovery of a collection of Abbasid-era gold jewelry at the archaeological site of Diriyyah in Qassim Region during the fourth season of excavation and survey work.

The discovery includes 100 gold pieces adorned with floral and geometric motifs, along with architectural remains from the Abbasid period, including stone foundations, mud walls, pottery, and metal tools.

The findings indicate human settlement dating back to the late third century AH and highlight the site’s historical importance along pilgrimage and trade routes.

The discovery reflects the Heritage Commission’s ongoing efforts to document and preserve the Kingdom’s archaeological heritage, supporting cultural development goals aligned with Saudi Vision 2030.