Chaka Khan, Cher, Whitney Houston, Fela Kuti Get Grammys Life Achievement Awards

 Chaka Khan arrives at the Recording Academy's Special Merit Awards on Saturday, Jan. 31, 2026, at the Wilshire Ebell Theatre in Los Angeles. (AP)
Chaka Khan arrives at the Recording Academy's Special Merit Awards on Saturday, Jan. 31, 2026, at the Wilshire Ebell Theatre in Los Angeles. (AP)
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Chaka Khan, Cher, Whitney Houston, Fela Kuti Get Grammys Life Achievement Awards

 Chaka Khan arrives at the Recording Academy's Special Merit Awards on Saturday, Jan. 31, 2026, at the Wilshire Ebell Theatre in Los Angeles. (AP)
Chaka Khan arrives at the Recording Academy's Special Merit Awards on Saturday, Jan. 31, 2026, at the Wilshire Ebell Theatre in Los Angeles. (AP)

Chaka Khan, Cher, Carlos Santana, Paul Simon, Fela Kuti and Whitney Houston received the Lifetime Achievement Award from the Recording Academy at the Grammys Special Merit Awards on Saturday night.

“Music has been my prayer, my healing, my joy, my truth,” Khan said as she accepted the award. “Through it, I saved my life.”

She was the only Lifetime Achievement recipient who appeared at the ceremony at the small Wilshire Ebell Theatre in Los Angeles on the eve of Sunday's main Grammys ceremony.

She was preceded by a short documentary on her career that highlighted her hits as a member of the funk band Rufus and as a solo artist, including 1974's Stevie Wonder-written “Tell Me Something Good,” 1983's “Ain't Nobody,” 1978's “I'm Every Woman” and 1984's Prince-penned “I Feel For You.”

Wearing a shimmering sea green gown, she thanked her many collaborators while admitting not all of them were entirely sane.

“Over 50 years I am blessed to walk alongside extraordinary artists, musicians, writers, producers and creatives,” she said, pausing before adding, “and cuckoos.”

Family accepted the Lifetime Achievement Awards for the Nigerian Afrobeat legend Kuti, who died in 1997, and the singing superstar Houston, who died in 2012.

“Her voice — that voice! — remains eternal,” Pat Houston, Whitney's sister-in-law, close friend and longtime manager, said. “Her legacy will live forever.”

Three of his children accepted the award for Kuti, introduced as a “producer, arranger, political radical, outlaw and the father of Afrobeat.” He's the first African musician to get the award.

“Thank you for bringing our father here,” Femi Kuti said. “It’s so important for us, it’s so important for Africa, it’s so important for world peace and the struggle.”

The audience gave a collective moan of disappointment when academy President Harvey Mason Jr. said Cher wasn't there.

She spoke in a very short video.

“The only thing I ever wanted to be was a singer. When I was 4 years old, I used to run around the house naked, singing into a hairbrush,” she said. “Things haven’t changed all that much.”

Santana also spoke on video, after his son, Salvador, accepted his trophy.

“The world is so infected with fear that we need the music and message of Santana to bring hope, courage and joy to heal the world,” Carlos Santana said.

Elton John's longtime lyricist Bernie Taupin paid tribute to Simon, calling him “the greatest American songwriter alive.”

Taupin was there as one of the recipients of the Grammys Trustees Award, which honors career contributions outside of performing.

Despite co-writing the vast majority of John’s hits, Taupin has somehow never won a competitive Grammy, though he’s nominated for one Sunday.

“I’ve been waiting 57 years for one of these,” he said, looking at his honorary trophy.

Taupin read a list of the songwriting principles he’s always followed. They included “avoid cliches,” “never write songs in cubicles” and “don’t say you’re going to die if she leaves you — because you’re not.”

Eddie Palmieri, a pianist, composer and bandleader who was a great innovator in Latin jazz and rumba, also got a Trustees Award.

Palmieri, who died last year at 88, became the first Latino to win a Grammy Award, in 1975.

Another trustees honoree was Sylvia Rhone, the first Black woman to head a major record label.

John Chowning, whose work as a Stanford professor in the 1960s was essential to the synthesizer sounds that dominated the 1980s, won the Technical Grammy Award.

Jennifer Jimenez, a band director from South Miami Senior High School, won the Grammys Music Educator Award, and “Ice Cream Man” by Raye got the Harry Belafonte Song for Social Change Award.



Gaza Documentary Wins Venice Special Jury Prize

Director Yuval Abraham and Director Rachel Szor winners of the Special Jury Prize for "NAZA" attend a photocall on the red carpet following the closing ceremony of the 83rd Venice Film Festival at Venice Lido on September 12, 2026. (AFP)
Director Yuval Abraham and Director Rachel Szor winners of the Special Jury Prize for "NAZA" attend a photocall on the red carpet following the closing ceremony of the 83rd Venice Film Festival at Venice Lido on September 12, 2026. (AFP)
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Gaza Documentary Wins Venice Special Jury Prize

Director Yuval Abraham and Director Rachel Szor winners of the Special Jury Prize for "NAZA" attend a photocall on the red carpet following the closing ceremony of the 83rd Venice Film Festival at Venice Lido on September 12, 2026. (AFP)
Director Yuval Abraham and Director Rachel Szor winners of the Special Jury Prize for "NAZA" attend a photocall on the red carpet following the closing ceremony of the 83rd Venice Film Festival at Venice Lido on September 12, 2026. (AFP)

A chilling new documentary about Israel's AI-assisted killing of civilians in Gaza by two Israeli directors won a special jury prize at the Venice Film Festival on Saturday.

"NAZA", by Oscar-winning Israeli directors Yuval Abraham and Rachel Szor, had been tipped by some critics for the top Golden Lion prize for best film after a record-breaking 25-minute ovation at its premiere on Thursday.

Receiving the award, Abraham said that in the 10 days since the festival began, "Israel killed six Palestinian children in Gaza at least".

"The Israeli intelligence officers we spoke with talked to us how this mass killing is systemic: not by accident, but by design, actions of murder and policies that are based on the total dehumanization of Palestinians," he told the audience.

The special jury prize is given out each year by the jury to recognize an outstanding work, but it is below the Golden and Silver Lions in the pecking order.

Abraham and Szor won an Oscar in 2025 for their film "No Other Land" about Israeli settler violence in the occupied West Bank.

In their Gaza film, the directing pair used conversations with 24 different Israeli military or intelligence whistleblowers who spoke on condition that their identities be protected.

The 80-minute film left many audience members stunned, with interviewees describing how they felt like they worked in a killing "factory" or a lethal video game while using Israel's AI-powered targeting systems to bombard Gaza.

It was described as an "urgent, gut-punch" by film magazine Screen, while The Hollywood Reporter said it inspired "outrage" and "most certainly disgust, on a profound level, for the current Israeli regime".

The film was the only documentary in Venice's main competition.

Abraham called it "really, really, especially important for us that Israelis watch this film."

"It's our country that is doing these crimes," he said.

Israel's bombardment of Gaza has left around 73,500 Palestinians dead and 174,500 wounded since October 2023, according to Gaza's Hamas-run health ministry, whose figures the United Nations deem reliable.

The pounding of the territory followed an attack on Israel by Hamas on October 7, 2023, that resulted in the death of 1,219 people, according to an AFP tally based on official figures.

The Israeli military has criticized the use of anonymous testimonies in the film, saying on Friday the identities of the whistleblowers "cannot be verified".

Israel denies deliberately targeting civilians.

Asked by a journalist following the awards ceremony about the military's reaction, Abraham responded that "it seems like an attempt to not face reality".

Abraham defended the film's reporting, done in partnership with Britain's The Guardian newspaper, calling it "rigorous" and its findings reported by other mainstream journalists as well.

He added that the filmmakers had received threats but did not go into more detail.


Stallone Biopic ‘I Play Rocky’ Receives Standing Ovation at TIFF

Director Peter Farrelly attends the premiere of "I Play Rocky" at the Princess of Wales Theatre during the Toronto International Film Festival on Saturday, Sept. 12, 2026, in Toronto. (AP)
Director Peter Farrelly attends the premiere of "I Play Rocky" at the Princess of Wales Theatre during the Toronto International Film Festival on Saturday, Sept. 12, 2026, in Toronto. (AP)
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Stallone Biopic ‘I Play Rocky’ Receives Standing Ovation at TIFF

Director Peter Farrelly attends the premiere of "I Play Rocky" at the Princess of Wales Theatre during the Toronto International Film Festival on Saturday, Sept. 12, 2026, in Toronto. (AP)
Director Peter Farrelly attends the premiere of "I Play Rocky" at the Princess of Wales Theatre during the Toronto International Film Festival on Saturday, Sept. 12, 2026, in Toronto. (AP)

"I Play Rocky," a new film which traces the path of a then-unknown Sylvester Stallone fighting to create the movie that would make him a star, premiered Saturday at the Toronto International Film Festival, where it garnered a standing ovation.

Directed by Peter Farrelly, who won an Oscar for the 2018 film "Green Book," the film recounts Stallone's initial struggles as he tried to break into Hollywood.

His big break came when he wrote a screenplay about a boxer who, against all odds, gets his moment in the ring and seizes the opportunity -- a story that reflected his own reality.

Poor to the point that he had to sell his dog because he could not afford to feed it, Stallone turned down studio offers for the script over one condition: he would only sell it if he could star in it.

"The depth that Stallone had gone to before he made this movie, and the battle was even when he was shooting the movie, it all got me, because I didn't know it all," Farrelly told AFP on the red carpet in Toronto.

- 'Just hang in there' -

The filmmaker said he aimed to convey the same message in his film as the 1976 original: "Just hang in there, be tough, you take some shots, but if you have integrity, you will win in the end."

Shot on a shoestring budget, "Rocky" ended up becoming the highest grossing film of 1976, catapulting Stallone to stardom and garnering 10 Academy Award nominations, winning three, including Best Picture.

Before the movie screened, Farrelly personally thanked Stallone for giving his blessing to make the film.

"I said from the beginning I'm not going to make the movie unless Sylvester Stallone signs off on it," Farrelly told AFP.

"And he read the script and said 'go ahead,' and he saw the movie, he was very happy, thank God."

The film stars 27-year-old actor Anthony Ippolito as Stallone, who landed the role by sending in an audition tape before casting even began, Farrelly said.

"The movie shows that it's not really that easy to be an actor sometimes, and it's just...absolutely surreal," Ippolito said.

TIFF concludes on September 20.


K-Pop Superstar Lisa Sparks Fan Frenzy at TIFF Documentary Premiere

 Lisa poses for a photograph on the red carpet for "Always Lalisa" at the Toronto International Film Festival in Toronto, Ontario, Friday, Sept. 11, 2026. (The Canadian Press via AP)
Lisa poses for a photograph on the red carpet for "Always Lalisa" at the Toronto International Film Festival in Toronto, Ontario, Friday, Sept. 11, 2026. (The Canadian Press via AP)
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K-Pop Superstar Lisa Sparks Fan Frenzy at TIFF Documentary Premiere

 Lisa poses for a photograph on the red carpet for "Always Lalisa" at the Toronto International Film Festival in Toronto, Ontario, Friday, Sept. 11, 2026. (The Canadian Press via AP)
Lisa poses for a photograph on the red carpet for "Always Lalisa" at the Toronto International Film Festival in Toronto, Ontario, Friday, Sept. 11, 2026. (The Canadian Press via AP)

K-pop ‌star Lisa was met by piercing screams from fans as she walked the red carpet at the Toronto International Film Festival for the premiere of her new documentary, "Always Lalisa."

Lisa rose to fame as a member of the K-pop girl group Blackpink, and the film follows a year in her life after taking a break from the band to embark on a solo career.

"I ‌just tried ‌to find new things — like ‌what ⁠can I do ⁠more than this?" she told Reuters in an interview after the Friday premiere.

The star, whose full name is Lalisa Manobal, said she initially thought a year would be long enough, but is still trying to figure out what she loves and ⁠her next challenge.

"Always Lalisa" captures ‌her triumphs and setbacks ‌between 2024 and 2025, documenting the release of her ‌debut solo album "Alter Ego," her acting debut ‌in HBO's hit series "The White Lotus" and preparations to perform on her own before huge crowds at the Coachella music festival.

The documentary was directed by Sue ‌Kim, an executive producer on Apple TV's 2024 documentary series "K-Pop Idols."

"This is this ⁠incredible ⁠opportunity to get to know someone who we're only ever given a very specific image of because of the music system that she comes from. We get to have this unprecedented access, proximity and exposure to her ... It's not the world of K-pop,” Kim told Reuters.

After Lisa's return to the group, Blackpink in February made a return with the mini-album "DEADLINE," their first release in more than three years.

"Always Lalisa" opens in cinemas on October 12.