English Museum Shines Light on Mary Shelley and Her Gothic Classic ‘Frankenstein’ 

Kim Morgan and Guillermo del Toro attend a premiere for the film "Frankenstein", at the Academy Museum of Motion Pictures in Los Angeles, California, US, October 6, 2025. (Reuters)
Kim Morgan and Guillermo del Toro attend a premiere for the film "Frankenstein", at the Academy Museum of Motion Pictures in Los Angeles, California, US, October 6, 2025. (Reuters)
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English Museum Shines Light on Mary Shelley and Her Gothic Classic ‘Frankenstein’ 

Kim Morgan and Guillermo del Toro attend a premiere for the film "Frankenstein", at the Academy Museum of Motion Pictures in Los Angeles, California, US, October 6, 2025. (Reuters)
Kim Morgan and Guillermo del Toro attend a premiere for the film "Frankenstein", at the Academy Museum of Motion Pictures in Los Angeles, California, US, October 6, 2025. (Reuters)

On a window of a Bath townhouse, one of the southwestern English city’s most famous residents looks out at passersby. Inside is Mary Shelley’s House of Frankenstein, a museum dedicated to the writer and her Gothic novel, published in 1818, which has inspired numerous screen adaptations, with the latest being Mexican filmmaker Guillermo del Toro’s Oscar contender.

“‘Frankenstein' is regarded as one of the most important books in English literature ... It's the world's first science fiction novel,” said Chris Harris, co-founder and director of the immersive attraction.

“It's a very modern story ... he's trying to fit in, but he's abandoned ... and rejected and ‌has prejudice thrown ‌towards him. And you think, well, from prejudice comes violence, which is ‌happening ⁠nowadays.”

'FEAR ABOUT CHANGE'

Born ⁠Mary Wollstonecraft Godwin, Shelley came up with the idea for “Frankenstein; or, the Modern Prometheus” at 18 years old. She and her future husband, poet Percy Bysshe Shelley, were staying by Lake Geneva in 1816 with Lord Byron when the latter challenged their group to write a ghost story. She found inspiration there.

Back in England, she moved to Bath, where she penned key chapters before finishing the book - about the scientist Victor Frankenstein, who brings to life a creature ⁠assembled from body parts - in the town of Marlow.

"It plays on ‌people's fears about change," Harris said. "Now Frankenstein is a ‌metaphor for anything we're scared of."

The first "Frankenstein" adaptation was a musical, he said.

“The Creature in her ‌book is sensitive, he talks ... but in the play, he was rendered into a ‌monster. He didn't talk, he was mute. He just went around killing people,” Harris said.

"So, right from the off, he's been sort of invented in a slightly different way. And that's happened all the way through the evolution of film and theatre ... So it's interesting to see del Toro's ‌film; they're exploring a different side of him."

OSCAR AND BAFTA NOMINATIONS

That film, with nine Oscar nominations including best picture, shows actor ⁠Jacob Elordi's Creature as ⁠gentle and hungry for knowledge but facing resentment. Elordi received Best Supporting Actor nods at the Oscars and Sunday's BAFTA Film Awards, Britain's top movie honors, where "Frankenstein" has eight nominations.

While del Toro's movie differs from the book in several ways, including omitting the Creature's murders, Harris said physically it was "a similar recreation" of Shelley's description.

The museum has its own animatronic, standing in Victor Frankenstein's recreated laboratory. Elsewhere, visitors learn about Shelley’s life, tragedies she faced and her interest in science.

Nearby, by Bath Abbey, is a 2018 plaque marking where Shelley lived in 1816-1817 and worked on the book.

Bath is also associated with another female novelist, Jane Austen, who is celebrated annually with a festival. Harris, who opened his museum in 2021, says Shelley deserves more recognition.

“We just want people to understand that this is an extraordinary young woman who came up with one of the most enduring books ever written, that will never go out of fashion.”



‘Unique’ 16th Century Wreck Found off Sweden

A Swedish flag flutters in front of residential houses in Stockholm, Sweden, September 14, 2023. (Reuters)
A Swedish flag flutters in front of residential houses in Stockholm, Sweden, September 14, 2023. (Reuters)
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‘Unique’ 16th Century Wreck Found off Sweden

A Swedish flag flutters in front of residential houses in Stockholm, Sweden, September 14, 2023. (Reuters)
A Swedish flag flutters in front of residential houses in Stockholm, Sweden, September 14, 2023. (Reuters)

A 16th century shipwreck providing "unique historical and archaeological information" has been discovered off Sweden's southeastern coast, officials announced on Tuesday.

The ship, which has yet to be identified, is believed to have been built in the late 1500s, which would make it older than Sweden's iconic 17th-century warship "Vasa" on display in Stockholm after being salvaged in the 1960s.

A navy vessel found the wreck during a military exercise in late 2025 in Kalmar Strait, located between Sweden's southeastern mainland and the Baltic Sea island of Oland.

"After dendrochronological analysis of part of the wreck, results indicate that the ship was built in the late 1500s," the County Administrative Board in Kalmar said in a statement, referring to the scientific method of dating wood and trees.

"The shipwreck is of significant cultural historical value," antiquarian Daniel Tedenlind said in the statement.

The site is currently under protection, monitored by the coast guard, and has been designated a historic monument. No diving, fishing or anchoring is permitted near the area.

Thanks to the Baltic Sea's unique combination of brackish water, cold, darkness and low oxygen, many wooden shipwrecks are preserved in good condition.


Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy
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Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Museums Commission Explores Tapline's Historical and Cultural Legacy

Saudi Arabia’s Museums Commission organized a virtual session as part of its monthly open-meeting series, during which it explored the historical and social legacy of the Trans-Arabian Pipeline (Tapline) and its role in shaping the identity of Northern Borders Region, reported the Saudi Press Agency on Tuesday.

The meeting highlighted Tapline’s story as one of the largest construction projects of the 20th century. Construction began in 1947, and operations commenced in 1950, linking the oil fields of eastern Saudi Arabia to the port of Sidon on Lebanon’s Mediterranean coast.

Pumping operations ceased permanently in 1990.

Speakers focused on transforming this industrial legacy into a contemporary museum narrative that highlights Tapline's impact on the emergence of modern cities in the Northern Borders Region.

The meeting concluded with an open dialogue on the role of museums and exhibitions in preserving industrial memory while transforming it into cultural platforms that strengthen connections to national identity.


Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
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Archaeologists at Pompeii Use AI to Reveal the Face of One of the Victims

A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)
A view of the Pompeii Archeological Park, near Naples, southern Italy, on Dec. 14, 2022. (AP)

Archaeologists at the ancient Roman site of Pompeii have used artificial intelligence for the first time to digitally reconstruct the face of a victim of the AD 79 eruption of Mount Vesuvius that smothered the city, offering a new way to understand one of history’s most famous natural disasters.

The digital portrait represents an older man who was among two victims discovered as they attempted to flee the city toward the coast of what is now Italy during the volcanic eruption. Researchers believe the man died earlier in the disaster, during a heavy fall of volcanic debris.

The reconstruction was developed by the Pompeii Archaeological Park in collaboration with the University of Padua and is based on archaeological survey data from excavations near the Porta Stabia necropolis, just outside the walls of the ancient city.

Pompeii, a UNESCO World Heritage site near Naples, was buried under ash and pumice when Mount Vesuvius erupted nearly 2,000 years ago, preserving the city and thousands of its inhabitants in remarkable detail.

Archaeologists found the victim holding a terracotta mortar, which they interpret as an improvised attempt to shield his head from falling lapilli, the small volcanic stones rained down during the eruption.

Ancient accounts, including those of Roman writer Pliny the Younger, describe residents using objects to protect themselves as ash and debris blanketed the city.

The man was also carrying an oil lamp, a small iron ring and 10 bronze coins, personal objects that offer insight into his final moments, as well as daily life in Pompeii before the catastrophe.

The digital portrait was created using artificial intelligence and photo-editing techniques designed to translate skeletal and archaeological data into a realistic human likeness.

“The vastness of archaeological data is now such that only with the help of artificial intelligence will we be able to adequately protect and enhance them. If used well, AI can contribute to a renewal of classical studies,” Pompeii park director Gabriel Zuchtriegel said in a statement.

The project aims to make archaeological research more accessible and emotionally engaging for the public while maintaining a scientific foundation, researchers said.