Suspect in Kardashian Jewel Heist Case Plans to Take Responsibility for his Role at Paris Trial

Yunice Abbas reads the book "I Sequestered Kim Kardashian" during an interview with the Associated Press, Tuesday, April 22, 2025 in Paris. (AP Photo/Thibault Camus)
Yunice Abbas reads the book "I Sequestered Kim Kardashian" during an interview with the Associated Press, Tuesday, April 22, 2025 in Paris. (AP Photo/Thibault Camus)
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Suspect in Kardashian Jewel Heist Case Plans to Take Responsibility for his Role at Paris Trial

Yunice Abbas reads the book "I Sequestered Kim Kardashian" during an interview with the Associated Press, Tuesday, April 22, 2025 in Paris. (AP Photo/Thibault Camus)
Yunice Abbas reads the book "I Sequestered Kim Kardashian" during an interview with the Associated Press, Tuesday, April 22, 2025 in Paris. (AP Photo/Thibault Camus)

One of the suspects in the armed robbery of Kim Kardashian said he plans to take responsibility for his role in the 2016 high-profile heist and will apologize in court as the trial begins Monday in Paris.
Yunice Abbas, 71, who has publicly acknowledged his participation in the heist, is among 10 suspects facing charges including armed robbery and kidnapping.
“I will apologize,” Abbas told The Associated Press. “I mean it sincerely.”
Kardashian, 44, is expected to testify in person at the trial scheduled to run through May 23. In interviews and on her family’s reality TV show, she has described being terrified as robbers pointed a gun at her to steal millions of dollars worth of jewelry in an apartment where she was staying for Paris Fashion Week. She said she thought she was going to be raped and killed.
Abbas said he acted as a lookout at the reception area on the ground floor, ensuring the escape route was clear. He said he was unarmed and did not personally threaten Kardashian, but acknowledged he shared responsibility for the crime.
He was arrested in January 2017 and he spent 21 months in prison before being released under judicial supervision. In 2021, he co-authored a French-language book titled “I Sequestered Kim Kardashian.”
In her account to investigators, Kardashian described two men forcing their way into her bedroom and pointing a gun towards her, asking for her ring. She said she was tied up with plastic cables and tape while the intruders were looking for jewels, including her engagement ring worth millions of dollars.
In a 2020 appearance on David Letterman’s Netflix show, she tearfully recalled thinking: “This is the time I’m going to get raped. I’m like, ‘What is happening? Are we gonna die? Just tell them I have children. I have babies, I have a husband, I have a family’.”
She told investigators the men brought her in the bathroom before they ran off and she managed to free herself.
The residency’s concierge, held at gunpoint and forced to lead the robbers to her apartment, also suffered psychological impact.
Investigators found Abbas' DNA on plastic ties used to tie the hands of the concierge.
Asked about the trauma Kardashian suffered, Abbas said : “It’s true, I didn’t think about it. I recognize that because I did not brutalize her myself... I was not blaming myself regarding this aspect, and yet I’m responsible for it too.”
According to Abbas, minutes after the raid started, his accomplices came down from Kardashian's apartment and gave him a bag of jewelry.
As he was fleeing the scene on a bicycle, he saw a police car, but officers were not yet aware of the robbery. Abbas said as he rode the bicycle the bag containing the jewelry became caught in the front wheel and he fell to the ground, spilling the contents of the bag. “I picked the jewels up and left,” he said.
The following morning, a passerby found a diamond-encrusted cross in the street and handed it to police. That was the only jewel from the robbery that was ever recovered.
French justice estimated stolen items to be worth $6 million in total.
Abbas said he didn’t know Kardashian’s identity at the time of the robbery.
“I was told about a famous person, a rapper’s wife. That’s all the information I had,” he said. “Until the next morning, when I heard on TV about the influencer. That’s when I understood who she was.”
He said he will detail his role during the trial, which will be conducted with a jury, a procedure in France reserved for the most serious crimes – yet he would not denounce his accomplices.
“I’m only an outsider. I’m not the one who masterminded the case. I take my share of responsibility,” he said.
Most of the suspects have denied involvement, except for Abbas and another man whose DNA was also found at the scene.
FBI involvement Thierry Niemen, the journalist who co-authored Abbas' book, said Abbas approached him because he wanted to “tell his own truth” amid what he saw as inaccurate or sensationalized accounts.
The book also revealed investigative details, including how the FBI helped French police identify Abbas’ DNA despite him wearing gloves.
“This is the case of all superlatives,” Niemen said. “The FBI overseeing an investigation on French territory — that’s already a superlative.” Kardashian was then the top influencer in the world and the case was the most popular topic on the social media in 2016, Niemen stressed.
Abbas’ earnings from the book have been frozen pending the outcome of the trial.
Kardashian's lawyer, Michael Rhodes, has said the reality TV star and entrepreneur wants the trial "to proceed in an orderly fashion in accordance with French law and with respect for all parties to the case."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”