Thailand Hunts for Missing Ancient Site Treasures 

This photograph taken on September 14, 2023 shows a tourist visiting at the Si Thep historical site in Thailand's Phetchabun province. (AFP)
This photograph taken on September 14, 2023 shows a tourist visiting at the Si Thep historical site in Thailand's Phetchabun province. (AFP)
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Thailand Hunts for Missing Ancient Site Treasures 

This photograph taken on September 14, 2023 shows a tourist visiting at the Si Thep historical site in Thailand's Phetchabun province. (AFP)
This photograph taken on September 14, 2023 shows a tourist visiting at the Si Thep historical site in Thailand's Phetchabun province. (AFP)

Under the scorching sun, Thai archaeologist Tanachaya Tiandee clambers through ruined pagodas in the ancient town of Si Thep, trying to unlock their mysteries -- a task made harder because parts of the puzzle are missing thanks to decades of looting.

Thailand has a rich collection of historical sites, but foreign looting has stripped many of them, leaving the country scrambling to repatriate its stolen cultural wealth.

"The big picture like the building was discovered, but the artifacts which tell little details are missing, making a lot of stories untold about Si Thep," Tanachaya told AFP.

"It's like a piece of puzzle was missing," she said.

The 400-hectare complex, which archaeologists date back to between 1,500 to 1,700 years ago, may be inscribed in UNESCO's cultural world heritage list this week -- Thailand's first addition since 1992.

As 33-year-old Tanachaya carefully excavates the ancient stone constructions, she faces a difficult task piecing together the stories of Si Thep, which lies around 200 kilometers (120 miles) north of Bangkok.

It is believed that over the years, at least 20 objects have been stolen from the site, with experts identifying 11 in museums in the United States.

The real number of looted objects is suspected to be far higher, thanks to a lack of documentation.

Now Tanachaya -- who decided when she was young that she wanted to become a Thai version of movie character Indiana Jones -- and her colleagues face their own quest.

Can they bring their culture's treasures home?

'Won't accelerate'

Thailand's government, led at the time by the military, established the Committee to Monitor Thai Antiquities Abroad in 2017.

About 340 objects have been voluntarily repatriated to Thailand since then, according to the latest report by the committee.

But the process is slow, partly because government officials are wary of jeopardizing diplomatic relations with important allies like the United States.

Instead, Thai authorities have pursued a "discreet" diplomatic route, explained the director-general of Thailand's Department of Fine Arts Phnombootra Chandrachoti.

"We won't accelerate anything," he told AFP.

The Norton Simon Museum, located in the US state of California, holds nine Thai artifacts, according to a recent statement from the committee -- including one item an independent expert says is from Si Thep park.

The items were among 32 scattered in museums across the United States, the committee said.

The Norton Simon is only one of a number of US institutions -- including New York's Metropolitan and San Francisco's Asian Art Museum -- that have been named in the growing scandal around art that investigators claim was illegally removed from its country of origin.

The museum told AFP it had not heard from the Thai government, but would cooperate with authorities if contacted, and defended holding the items.

The works, which it claimed were legally purchased, "have been carefully preserved and displayed" said Leslie Denk, vice-president of external affairs at the institution.

Dilemma over tourism

Thai historians face another dilemma: Si Thep's bid to become a UNESCO site could boost the local economy -- but it could also put the fragile ancient site under strain.

Presently, only one percent of visitors to Phetchabun -- the province that is home to Si Thep -- are foreigners, according to official 2019 data.

The Thai government hopes UNESCO designation will help boost the kingdom's tourism sector, which accounts for almost 20 percent of the country's GDP.

There are, however, concerns about conservation.

The site is already "almost reaching its fullest capacity" of around 2,000 tourists a day, said Si Thep Historical Park head Sittichai Pooddee.

"We will try to balance things. We will try to not over-promote," he said.

Missing items mean gaps in the record, which makes it harder to satisfy the curiosity of tourists visiting the site, said Thai historian Tanongsak Hanwong.

"Artifacts dignify Thailand's past civilization, and when some of the parts are missing, we get stuck and we can't tell important pieces of the story to the world," Tanongsak said.

At Si Thep's peaceful complex, domestic visitors gaze at a carefully carved pagoda wall.

"It's the heritage that belongs to Thai people, and that we are proud of. It would be a pity not to get it back," said Chaowarat Munprom, a 66-year-old retiree.

"It once belonged here."



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.