Thailand Hunts for Missing Ancient Site Treasures 

This photograph taken on September 14, 2023 shows a tourist visiting at the Si Thep historical site in Thailand's Phetchabun province. (AFP)
This photograph taken on September 14, 2023 shows a tourist visiting at the Si Thep historical site in Thailand's Phetchabun province. (AFP)
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Thailand Hunts for Missing Ancient Site Treasures 

This photograph taken on September 14, 2023 shows a tourist visiting at the Si Thep historical site in Thailand's Phetchabun province. (AFP)
This photograph taken on September 14, 2023 shows a tourist visiting at the Si Thep historical site in Thailand's Phetchabun province. (AFP)

Under the scorching sun, Thai archaeologist Tanachaya Tiandee clambers through ruined pagodas in the ancient town of Si Thep, trying to unlock their mysteries -- a task made harder because parts of the puzzle are missing thanks to decades of looting.

Thailand has a rich collection of historical sites, but foreign looting has stripped many of them, leaving the country scrambling to repatriate its stolen cultural wealth.

"The big picture like the building was discovered, but the artifacts which tell little details are missing, making a lot of stories untold about Si Thep," Tanachaya told AFP.

"It's like a piece of puzzle was missing," she said.

The 400-hectare complex, which archaeologists date back to between 1,500 to 1,700 years ago, may be inscribed in UNESCO's cultural world heritage list this week -- Thailand's first addition since 1992.

As 33-year-old Tanachaya carefully excavates the ancient stone constructions, she faces a difficult task piecing together the stories of Si Thep, which lies around 200 kilometers (120 miles) north of Bangkok.

It is believed that over the years, at least 20 objects have been stolen from the site, with experts identifying 11 in museums in the United States.

The real number of looted objects is suspected to be far higher, thanks to a lack of documentation.

Now Tanachaya -- who decided when she was young that she wanted to become a Thai version of movie character Indiana Jones -- and her colleagues face their own quest.

Can they bring their culture's treasures home?

'Won't accelerate'

Thailand's government, led at the time by the military, established the Committee to Monitor Thai Antiquities Abroad in 2017.

About 340 objects have been voluntarily repatriated to Thailand since then, according to the latest report by the committee.

But the process is slow, partly because government officials are wary of jeopardizing diplomatic relations with important allies like the United States.

Instead, Thai authorities have pursued a "discreet" diplomatic route, explained the director-general of Thailand's Department of Fine Arts Phnombootra Chandrachoti.

"We won't accelerate anything," he told AFP.

The Norton Simon Museum, located in the US state of California, holds nine Thai artifacts, according to a recent statement from the committee -- including one item an independent expert says is from Si Thep park.

The items were among 32 scattered in museums across the United States, the committee said.

The Norton Simon is only one of a number of US institutions -- including New York's Metropolitan and San Francisco's Asian Art Museum -- that have been named in the growing scandal around art that investigators claim was illegally removed from its country of origin.

The museum told AFP it had not heard from the Thai government, but would cooperate with authorities if contacted, and defended holding the items.

The works, which it claimed were legally purchased, "have been carefully preserved and displayed" said Leslie Denk, vice-president of external affairs at the institution.

Dilemma over tourism

Thai historians face another dilemma: Si Thep's bid to become a UNESCO site could boost the local economy -- but it could also put the fragile ancient site under strain.

Presently, only one percent of visitors to Phetchabun -- the province that is home to Si Thep -- are foreigners, according to official 2019 data.

The Thai government hopes UNESCO designation will help boost the kingdom's tourism sector, which accounts for almost 20 percent of the country's GDP.

There are, however, concerns about conservation.

The site is already "almost reaching its fullest capacity" of around 2,000 tourists a day, said Si Thep Historical Park head Sittichai Pooddee.

"We will try to balance things. We will try to not over-promote," he said.

Missing items mean gaps in the record, which makes it harder to satisfy the curiosity of tourists visiting the site, said Thai historian Tanongsak Hanwong.

"Artifacts dignify Thailand's past civilization, and when some of the parts are missing, we get stuck and we can't tell important pieces of the story to the world," Tanongsak said.

At Si Thep's peaceful complex, domestic visitors gaze at a carefully carved pagoda wall.

"It's the heritage that belongs to Thai people, and that we are proud of. It would be a pity not to get it back," said Chaowarat Munprom, a 66-year-old retiree.

"It once belonged here."



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.