Dancing with the Bears Lives on as a Unique Custom in Romania

Costel, 46 years-old, the founder of the Sipoteni bear pack, poses for a portrait in Comanesti, northern Romania, Wednesday, Dec. 27, 2023. (AP)
Costel, 46 years-old, the founder of the Sipoteni bear pack, poses for a portrait in Comanesti, northern Romania, Wednesday, Dec. 27, 2023. (AP)
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Dancing with the Bears Lives on as a Unique Custom in Romania

Costel, 46 years-old, the founder of the Sipoteni bear pack, poses for a portrait in Comanesti, northern Romania, Wednesday, Dec. 27, 2023. (AP)
Costel, 46 years-old, the founder of the Sipoteni bear pack, poses for a portrait in Comanesti, northern Romania, Wednesday, Dec. 27, 2023. (AP)

A small industrial town in northeast Romania may seem like an unlikely tourist destination, but Comanesti is where huge numbers of visitors from as far away as Japan choose to spend part of the winter holiday season.

They converge here to see an annual event that grew out of a millennia-old tradition in the Moldavia region: Bearskin-clad people of all ages, organized in packs, marching and dancing to the deafening sound of drums in several rows of gaping jaws and claws.

The Dancing Bears Festival, as the custom has become known, starts in the days before Christmas and ends with a spectacular finale in Comanesti on Dec. 30. Some of the “bears” jokingly growl or mock an attack on spectators.

The bearskins the dancers wear, which can weigh as much as 50 kilograms (110 pounds), are passed on from generation to generation. The packs carefully guard the methods they use to keep the furs in good condition and ready to wear the next year.

One of the more established groups is the Sipoteni Bear Pack, named after a neighborhood of Comanesti, where its founder, Costel Dascalu, was born. It has up to 120 members, some who started participating at age 3.

“My children, Amalia and David, are already in the pack,” said Dascalu, who was 8 years old when he first danced dressed as a bear when Romania was still a communist dictatorship. Back then, he recalled, it was a much more low-key spectacle, with the “bears” only visiting private homes around Christmas.

Locals say the custom dates to before Christianity, when it was believed that wild animals guarded people from misfortune and danger. Dancing bears, therefore, went to people’s homes and knocked on their doors for luck and a happy new year.

While having their portraits taken, members of the Sipoteni Bear Pack shared with the The Associated Press some of their reasons for making sure the ritual continues.

Preserving tradition was a recurring theme. But some pack members said they get an adrenaline rush from wearing an animal’s fur, dancing to tribal drum rhythms and socializing with other young people in real life instead of online. Many said they feel they are briefly embodying a bear's spirit.

“I feel liberated, the bear frees our souls,” said one participant, Maria, who joined the Sipoteni Bear Pack as a 5-year-old and is now 22. “I also connect to my departed father who introduced me to the tradition 17 years ago.”

Residents are happy that the tradition lived on as the region lost much of its population starting in the 1990s, when many people left to look for jobs in Western Europe after the fall of communism.

A 35-year-old, Marian, returns every year from abroad to dance with the pack she has belonged to since age 6.

“I hope our children will make this unique custom last forever,” she said. “I can imagine quitting anything, but I’ll never quit doing this.”



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.