Japan’s ‘Beat Poet’ Kazuko Shiraishi, Pioneer of Modern Performance Poetry, Dies at 93 

Kazuko Shiraishi speaks at a park in Tokyo, on Nov. 15, 1996. (Kyodo News via AP)
Kazuko Shiraishi speaks at a park in Tokyo, on Nov. 15, 1996. (Kyodo News via AP)
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Japan’s ‘Beat Poet’ Kazuko Shiraishi, Pioneer of Modern Performance Poetry, Dies at 93 

Kazuko Shiraishi speaks at a park in Tokyo, on Nov. 15, 1996. (Kyodo News via AP)
Kazuko Shiraishi speaks at a park in Tokyo, on Nov. 15, 1996. (Kyodo News via AP)

Kazuko Shiraishi, a leading name in modern Japanese “beat” poetry, known for her dramatic readings, at times with jazz music, has died. She was 93.

Shiraishi, whom American poet and translator Kenneth Rexroth dubbed “the Allen Ginsberg of Japan,” died of heart failure on June 14, Shichosha, a Tokyo publisher of her works, said Wednesday.

Shiraishi shot to fame when she was just 20, freshly graduated from Waseda University in Tokyo, with her “Tamago no Furu Machi,” translated as “The Town that Rains Eggs” — a surrealist portrayal of Japan’s wartime destruction.

With her trademark long black hair and theatrical delivery, she defied historical stereotypes of the silent, non-assertive Japanese woman.

“I have never been anything like pink,” Shiraishi wrote in her poem.

It ends: “The road / where the child became a girl / and finally heads for dawn / is broken.”

Shiraishi counted Joan Miro, Salvador Dali and John Coltrane among her influences. She was a pioneer in performance poetry, featured at poetry festivals around the world. She read her works with the music of jazz greats like Sam Rivers and Buster Williams, and even a free-verse homage to the spirit of Coltrane.

Born in Vancouver, Canada, she moved back to Japan as a child. While a teen, she joined an avant-garde poetry group.

Shiraishi's personality and poems, which were sometimes bizarre or erotic, defied Japan's historical rule-bound forms of literature like haiku and tanka, instead taking a modern, unexplored path.

Rexroth was instrumental in getting Shiraishi’s works translated into English, including collections such as “My Floating Mother, City” in 2009.

Over the years, her work has been widely translated into dozens of languages. She was also a translator of literature, including works by Ginsberg.

In 1973, Paul Engle invited her to spend a year as a guest writer at the International Writing Program at the University of Iowa, an experience that broadened her artistic scope and helped her gain her poetic voice.

“In the poems of Kazuko Shiraishi, East and West connect and unite fortuitously,” wrote German writer Gunter Kunert. “It refutes Kipling’s dictum that East is East and West is West and never the twain shall meet. In Kazuko Shiraishi’s poems this meeting has already happened.”

A private funeral among family has been held while memorial service is being planned. She is survived by her husband Nobuhiko Hishinuma and a daughter.



Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
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Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)

Pablo Picasso's anti-war masterpiece "Guernica" is swept up in a conflict in Spain, where Basque leaders want the government in Madrid to move the painting to their region, whose 1937 bombing inspired it.

The mural-sized painting has been on display since 1992 at the Reina Sofia museum in the Spanish capital, and repeated requests for it to be moved to Spain's Basque Country have been refused.

The latest demand was made by the head of the regional Basque government, Imanol Pradales, during talks with Socialist Prime Minister Pedro Sanchez.

The Basque government wants the painting to be hung in the Guggenheim Museum in Bilbao to commemorate the 90th anniversary of the April 26, 1937, bombing, in which forces from Nazi Germany and Fascist Italy razed the town of Guernica to help General Francisco Franco in the Spanish Civil War.

Bringing the painting to Bilbao from October until June would be a form of "reparation and historical memory", the Basque government said.

Sanchez -- whose minority government depends on the support of two Basque parties in parliament to pass laws -- did not reject the proposal outright, instead referring it to the culture ministry.

The ministry asked the Reina Sofia museum for a technical report on the viability of the request, which once again "strongly advised" against moving the painting.

The report said the painting is too fragile to travel, citing risks of damage from vibration or movement.

Picasso's black-and-white masterpiece is the highlight of the Reina Sofia museum, which welcomed around 1.6 million visitors last year.

The outspoken head of the regional government of Madrid, Isabel Diaz Ayuso of the conservative Popular Party (PP), weighed in on Monday, calling the request to move the painting "provincial".

"It makes no sense for everything to be returned to its origin. In that case we should send all of Picasso's works to Malaga," she said, a reference to the southern Spanish city where Picasso was born.

- Return from New York -

Asked about the controversy on Tuesday, Spain's central government spokeswoman Elma Saiz said the government relies on the advice of "professionals", referring to the museum report, and "never resorts to insults".

Painted in 1937 in the aftermath of the bombing, "Guernica" debuted in Paris at the World's Fair, then was placed in the care of the Museum of Modern Art in New York.

When Franco's forces overthrew the Spanish republic, Picasso stipulated that the painting should not return to Spain until democracy had been restored.

The work was moved to Spain in 1981, six years after Franco's death.

It was first displayed at the Prado museum, then moved to the Reina Sofia in 1992.

Picasso, who died in 1973, never lived to see the painting on exhibit in Spain.

In 1995, Spanish authorities refused to lend it to the Pompidou Center in Paris, citing the damage the work could suffer during its transport.


Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.