US Returns to Iran Latest Batch of Ancient Clay Tablets

Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP
Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP
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US Returns to Iran Latest Batch of Ancient Clay Tablets

Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP
Achaemenid-era clay tablets returned from the United States and on display at Iran's National Museum in Tehran on October 2, 2019 - AFP

The United States has returned to Iran more than 1,000 clay tablets dating from the Achaemenid-era, official media said, reporting the sixth such handover of its kind.

Iran's official IRNA news agency said Thursday evening that the tablets, 1,100 in all, were returned with President Masoud Pezeshkian who had attended the United Nations General Assembly in New York.

Found at the ruins of Persepolis, the capital of the Persian Achaemenid Empire which ruled from the 6th to 4th centuries BC in southern Iran, the repatriated tablets reflect how the ancient society was organised and its economy managed.

According to AFP, the tablets constitute records of "the rituals and the way of life of our ancestors", said Ali Darabi, vice-minister of cultural heritage, cited by IRNA.

The tablets were returned to Iran by the University of Chicago's Institute for the Study of Ancient Cultures, West Asia & North Africa, formerly known as the Oriental Institute.

A large portion of the tablets were returned in three batches between 1948 and 2004 before the rest were blocked by legal action until 2018.

More than 3,500 tablets were repatriated in September, 2023.

"The American side undertook to return the rest," Darabi said, cited by Iran's ISNA news agency.



Diriyah Art Futures Launches Emerging New Media Artists Program

Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA
Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA
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Diriyah Art Futures Launches Emerging New Media Artists Program

Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA
Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art. SPA

Diriyah Art Futures (DAF), a pioneering new media arts center in Saudi Arabia, has announced the 12 successful applicants to its inaugural Emerging New Media Artists Program, which is launching later this year.
The program includes a diverse array of promising talents representing a broad range of creative practices and backgrounds, with strong representation from Saudi Arabia and the wider Middle East and North Africa (MENA) region.
Running for one year, the fully funded program offers access to cutting-edge professional equipment and facilities, a production budget, learning experiences with international guest specialists in new media art, and personal mentorships from prominent international digital artists.

The inaugural group of emerging new media artists includes:
- Salma Aly (Egypt), specializing in interactive art.
- Samia Dzaïr (Algeria-France), a two-dimensional (2D) and stop-motion animator.
- Aya Abu Ghazaleh (Jordan), a visual artist and art therapist.
- Dhia Dhibi (Tunisia), a multidisciplinary artist, curator and researcher.
- Khaled Makshoush (Saudi Arabia), who specializes in pixel art.
- William Brooks (Wales), an artist exploring sound art through physical objects.
- Haonan He (China), who merges cartography, instrument making, and digital tech.
- Turki Al-Qahtani (Saudi Arabia), a media artist and filmmaker reflecting Arab motifs.
- Youssef El Idrissi (Morocco), a multidisciplinary artist, cultural engineer, and researcher.
- Kyle Donald Marais (South Africa), an extended-reality (XR) developer and creative technologist.
- Mohamed Al Mubarak (Bahrain), a documentary filmmaker and video artist.
- Almuqawil Meshal (Saudi Arabia), an independent artist and curator.

Designed in collaboration with Le Fresnoy-Studio National des Arts Contemporains in France, the program is part of a wider partnership between the Saudi Ministry of Culture and Diriyah Company to facilitate creativity across art, technology, and academia.

Located in the UNESCO World Heritage Site of Diriyah, DAF seeks to establish Riyadh as a global capital of New Media Art and empower the next generation of creative pioneers.

DAF aims to pioneer new horizons for creative practice in diverse fields where art intersects with science and technology. It was established through an initiative by the Ministry of Culture, standing as the first center dedicated to new media and digital arts in the MENA region.

The center also serves as a space for creators from around the world to collaborate, think, and innovate, focusing on research, documentation, and the production of new inspiring works.

Additionally, DAF provides artists and researchers with an opportunity to participate in its scheduled activities, including public events and educational programs, while also offering them residency programs.

The center seeks to contribute to enriching the Saudi artistic scene and enhancing the Kingdom’s position as a global destination for new media and digital arts. It highlights the talents of active artists in the region, allowing them to leave their impactful mark on art, science, and technology.