Historic Domes of Hagia Sophia Are Renovated to Protect the Landmark from Quakes

Scaffolds are installed in Byzantine-era Hagia Sophia mosque for restoration work, in Istanbul, Türkiye, Sunday, April 13, 2025. (AP Photo/Emrah Gurel)
Scaffolds are installed in Byzantine-era Hagia Sophia mosque for restoration work, in Istanbul, Türkiye, Sunday, April 13, 2025. (AP Photo/Emrah Gurel)
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Historic Domes of Hagia Sophia Are Renovated to Protect the Landmark from Quakes

Scaffolds are installed in Byzantine-era Hagia Sophia mosque for restoration work, in Istanbul, Türkiye, Sunday, April 13, 2025. (AP Photo/Emrah Gurel)
Scaffolds are installed in Byzantine-era Hagia Sophia mosque for restoration work, in Istanbul, Türkiye, Sunday, April 13, 2025. (AP Photo/Emrah Gurel)

Türkiye has begun a new phase in sweeping restorations of the nearly 1,500-year-old Hagia Sophia in Istanbul, focusing on preserving the monument's historic domes from the threat of earthquakes.

Officials say the project will include reinforcing Hagia Sophia’s main dome and half domes, replacing the worn lead coverings and upgrading the steel framework while worship continues uninterrupted in the mosque.

A newly installed tower crane on the eastern façade is expected to facilitate the efforts by transporting materials, expediting the renovations, The Associated Press reported.

“We have been carrying out intensive restoration efforts on Hagia Sophia and its surrounding structures for three years,” said Dr. Mehmet Selim Okten, a construction engineer, lecturer at Mimar Sinan University and a member of the scientific council overseeing the renovations. “At the end of these three years, we have focused on the seismic safety of Hagia Sophia, the minarets, the main dome and the main arches, especially due to the expected Istanbul earthquake.”

In 2023, a 7.8 magnitude earthquake struck southern Türkiye, destroying or damaging hundreds of thousands of buildings and leaving more than 53,000 people dead. While Istanbul was not impacted, the devastation in southern Türkiye heightened fears of a similar quake with experts citing the city's proximity to fault lines.

Okten said a “new phase” of work is about to begin, one that he describes as the most significant intervention in over 150 years and in the totality of the structure's long history.

“A tower crane will be installed on the eastern facade, and then we will cover the top of this unique structure with a protective frame system,” he said. “That way, we can work more safely and examine the building’s layers academically, including damage it suffered from fires and earthquakes in the 10th and 14th centuries.”

Built by the Byzantine Emperor Justinian in 537, Hagia Sophia was turned into a mosque with the 1453 Ottoman conquest of Istanbul. Mustafa Kemal Ataturk, the founding leader of the Turkish republic, converted it into a museum in 1934.

Although an annex to Hagia Sophia, the sultan’s pavilion, has been open to prayers since the 1990s, religious and nationalist groups in Türkiye had long yearned for the nearly 1,500-year-old edifice they regard as the legacy of Ottoman Sultan Mehmet the Conqueror to be reverted into a mosque.
Türkiye’s highest administrative court overturned the 1934 decree in 2020, allowing it to reopen as a mosque.

“We have completed our work on the four minarets and the main structure,” Okten said. “But for this unique cultural heritage (of the domes), we plan to use modern, lightweight materials and keep the building open to the public."
Visitors to the site expressed approval of the plan.

“Hagia Sophia is amazing, it’s one of the world’s most important monuments,” said Cambridge University lecturer Rupert Wegerif. “It seems really important that they are going to strengthen it in case of earthquakes and preserve it.”
Okten said that while it wasn't clear when the renovations will be finished, the process would be open to the public to be “monitored transparently.”



Saudi Literature, Publishing and Translation Commission Launches Pavilion at London Book Fair

The commission's participation aims to promote Saudi literary and intellectual output while showcasing the rapid development of the literature, publishing, and translation sectors in the Kingdom. (SPA)
The commission's participation aims to promote Saudi literary and intellectual output while showcasing the rapid development of the literature, publishing, and translation sectors in the Kingdom. (SPA)
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Saudi Literature, Publishing and Translation Commission Launches Pavilion at London Book Fair

The commission's participation aims to promote Saudi literary and intellectual output while showcasing the rapid development of the literature, publishing, and translation sectors in the Kingdom. (SPA)
The commission's participation aims to promote Saudi literary and intellectual output while showcasing the rapid development of the literature, publishing, and translation sectors in the Kingdom. (SPA)

Saudi Arabia’s Literature, Publishing and Translation Commission officially launched the Kingdom’s pavilion at the London Book Fair 2026, held at Olympia London from March 10 to 12. The participation underscores the Kingdom’s growing presence in the global publishing industry and reflects its expanding cultural engagement on the international stage.

Commission Chief Executive Dr. Abdullatif Alwasel said the commission's participation aims to promote Saudi literary and intellectual output while showcasing the rapid development of the literature, publishing, and translation sectors in the Kingdom.

The initiative seeks to highlight the vibrancy and diversity of Saudi Arabia’s cultural landscape, presenting it as a dynamic environment that reflects the richness of the Kingdom’s cultural identity, he stressed.

The commission is working to strengthen the presence of Saudi publishers at major international events while promoting its programs and initiatives in literature, publishing and translation, he added.

Its participation also aims to establish professional and knowledge-based partnerships with leading stakeholders in the global publishing industry, thereby expanding opportunities for collaboration and knowledge exchange, he went on to say.

Alwasel added that the London Book Fair is one of the world’s most important platforms for networking among publishing professionals, facilitating the exchange of expertise in areas such as translation rights, publishing innovation, and content creation.

Such engagement helps boost the global visibility of Saudi cultural production and opens new markets for Saudi literary content. The Kingdom’s pavilion brings together several national institutions representing the cultural and knowledge sectors, reflecting the integrated nature of Saudi Arabia’s cultural development efforts.

Participating entities include the Ministry of Islamic Affairs, Dawah and Guidance; the King Fahd Glorious Quran Printing Complex; the King Abdulaziz Foundation; the King Fahd National Library; the King Abdulaziz Public Library; the King Salman Global Academy for the Arabic Language; Prince Mohammed bin Fahd University; and Nasher Publishing and Distribution Company.

The Kingdom’s participation reflects its ongoing commitment to strengthening its presence at major international book fairs, supporting the publishing industry, and expanding cultural and intellectual cooperation with countries around the world. These efforts align with the objectives of Saudi Vision 2030, which seeks to promote culture as a bridge for civilizational dialogue and human exchange.


Italy Buys Caravaggio Painting for About $35 Million, One of Its Largest Payouts for a Single Work

A visitor looks at the private collection and never previously shown to the public painting "Portrait de Maffeo Barberini" by Italian master Caravaggio at the Gallerie Nazionali di Arte Antica in the Barberini palace in Rome on November 22, 2024. (Alberto Pizzoli / AFP)
A visitor looks at the private collection and never previously shown to the public painting "Portrait de Maffeo Barberini" by Italian master Caravaggio at the Gallerie Nazionali di Arte Antica in the Barberini palace in Rome on November 22, 2024. (Alberto Pizzoli / AFP)
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Italy Buys Caravaggio Painting for About $35 Million, One of Its Largest Payouts for a Single Work

A visitor looks at the private collection and never previously shown to the public painting "Portrait de Maffeo Barberini" by Italian master Caravaggio at the Gallerie Nazionali di Arte Antica in the Barberini palace in Rome on November 22, 2024. (Alberto Pizzoli / AFP)
A visitor looks at the private collection and never previously shown to the public painting "Portrait de Maffeo Barberini" by Italian master Caravaggio at the Gallerie Nazionali di Arte Antica in the Barberini palace in Rome on November 22, 2024. (Alberto Pizzoli / AFP)

Italy has bought a rare portrait by baroque painter Caravaggio for 30 million euros (about $35 million), one of the largest state investments ever for a single artwork, the country’s Culture Ministry said Tuesday.

The portrait, painted around 1598 and attributed to Caravaggio in 1963, depicts Maffeo Barberini, a nobleman who later became Pope Urban VIII.

The painting was acquired from a private collection by the Italian state after over a year of negotiations and will now enter Rome’s Palazzo Barberini permanent collection.

“This is a work of exceptional importance,” Culture Minister Alessandro Giuli said in a statement, noting the painting was a turning point in Caravaggio’s modern rediscovery and its purchase has helped strengthen the presence of his works in Italian public collections.

The new acquisition follows a recent one of Antonello da Messina’s “Ecce Homo,” and is part of Italy’s broader project to strengthen the national cultural heritage, making some art history masterpieces accessible to scholars and the public.

The “Portrait of Monsignor Maffeo Barberini” depicts the future pope in his 30s, dressed as a cleric of the Apostolic Chamber, at a crucial moment in his rise to power.

The work was made famous by art critic Roberto Longhi in his 1963 article “The True ‘Maffeo Barberini’ of Caravaggio,” and has since been widely recognized by critics as a work by Caravaggio, also known as Michelangelo Merisi.

Longhi called the painting “one of the founding moments of modern portraiture,” emphasizing how Caravaggio ushered in a new psychological intensity.

Caravaggio revolutionized painting at the turn of the 17th century by introducing a dramatic use of light that became the cornerstone of the Baroque style. He is currently one of the most studied artists in the world, yet the number of his confirmed works remains extremely limited.

At Palazzo Barberini, the portrait will be displayed alongside Caravaggio’s other works — one of the world’s most important collections — in particular along another of Caravaggio’s masterpieces, “Judith Slaying Holofernes,” also purchased by the Italian state in 1971.


Prince Mohammed bin Salman Project Restores 1,400-Year-Old Jarir Al-Bajali Mosque in Taif

The mosque is historically linked to the companion Jarir ibn Abdullah Al-Bajali, who embraced Islam in 10 AH - SPA
The mosque is historically linked to the companion Jarir ibn Abdullah Al-Bajali, who embraced Islam in 10 AH - SPA
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Prince Mohammed bin Salman Project Restores 1,400-Year-Old Jarir Al-Bajali Mosque in Taif

The mosque is historically linked to the companion Jarir ibn Abdullah Al-Bajali, who embraced Islam in 10 AH - SPA
The mosque is historically linked to the companion Jarir ibn Abdullah Al-Bajali, who embraced Islam in 10 AH - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Jarir Al-Bajali Mosque in Taif, preserving a heritage site that dates back more than 1,400 years.

The mosque is historically linked to the companion Jarir ibn Abdullah Al-Bajali, who embraced Islam in 10 AH. The restoration preserved the mosque’s Sarawat architectural style, known for its irregular stone construction and juniper wood roofing. Its capacity has also been expanded to accommodate 135 worshippers, SPA reported.

Covering 350 square meters, the mosque features a unique combination of square stone and modern cylindrical minarets. The project was implemented under the supervision of Saudi engineers and heritage specialists, integrating modern sustainability standards with traditional building techniques.

The initiative aligns with the objectives of Saudi Vision 2030 to preserve the Kingdom’s architectural identity and highlight its deep Islamic heritage for future generations.