Contractor in Syria Uncovers a Surprise Beneath the Rubble: An Ancient Tomb Complex

A boy walks out of a pit after exploring the tombs from a Byzantine underground complex, believed to be over 1,500 years old, uncovered by a contractor during the reconstruction of a war-damaged house in Maarat al-Numan, Idlib suburb, Syria, Friday, May 30, 2025. (AP)
A boy walks out of a pit after exploring the tombs from a Byzantine underground complex, believed to be over 1,500 years old, uncovered by a contractor during the reconstruction of a war-damaged house in Maarat al-Numan, Idlib suburb, Syria, Friday, May 30, 2025. (AP)
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Contractor in Syria Uncovers a Surprise Beneath the Rubble: An Ancient Tomb Complex

A boy walks out of a pit after exploring the tombs from a Byzantine underground complex, believed to be over 1,500 years old, uncovered by a contractor during the reconstruction of a war-damaged house in Maarat al-Numan, Idlib suburb, Syria, Friday, May 30, 2025. (AP)
A boy walks out of a pit after exploring the tombs from a Byzantine underground complex, believed to be over 1,500 years old, uncovered by a contractor during the reconstruction of a war-damaged house in Maarat al-Numan, Idlib suburb, Syria, Friday, May 30, 2025. (AP)

A contractor digging into the earth where the rubble of a destroyed house had been cleared away in northern Syria stumbled across a surprise: the remains of an underground Byzantine tomb complex believed to be more than 1,500 years old.

The discovery emerged last month in the town of Maarat al-Numan in Idlib province, which is strategically located on the route between the cities of Aleppo and Damascus. The community became a touchpoint in the nearly 14-year Syrian civil war that ended with the fall of former President Bashar al-Assad in a lightning opposition offensive in December.

Assad’s forces seized the area back from opposition control in 2020. Houses were looted and demolished. Aerial images of the area show many houses still standing but without roofs.

Now residents are beginning to return and rebuild. In the course of a reconstruction project, stone openings were uncovered indicating the presence of ancient graves. Residents notified the directorate of antiquities, which dispatched a specialized team to inspect and secure the site.

Aboveground, it’s a residential neighborhood with rows of cinder-block buildings, many of them damaged in the war. Next to one of those buildings, a pit leads down to the openings of two burial chambers, each containing six stone tombs. The sign of the cross is etched into the top of one stone column.

"Based on the presence of the cross and the pottery and glass pieces that were found, this tomb dates back to the Byzantine era," said Hassan al-Ismail, director of antiquities in Idlib. He noted that the discovery adds to an already rich collection of archeological sites in the area.

A guard inspects an engraved stone, originally found at a Byzantine underground tomb complex believed to be over 1,500 years old and uncovered by a contractor during the reconstruction of a war-damaged house and brought to a museum yard in Maarat al-Numan, Syria, Friday, May 30, 2025. (AP)

Idlib "has a third of the monuments of Syria, containing 800 archaeological sites in addition to an ancient city," al-Ismail said.

The Byzantine Empire, which began in the 4th century AD, was a continuation of the Roman empire with its capital in Constantinople — today's Istanbul — and Christianity as its official religion.

Abandoned Byzantine-era settlements called Dead Cities stretch across rocky hills and plains in northwest Syria, their weathered limestone ruins featuring remnants of stone houses, basilicas, tombs and colonnaded streets.

In the past, the owners of sites where archeological ruins were found sometimes covered them up, fearful that their property would be seized to preserve the ruins, said Ghiath Sheikh Diab, a resident of Maarat al-Numan who witnessed the moment when the tomb complex was uncovered.

He said he hoped the new government will fairly compensate property owners in such cases and provide assistance to the displaced people who have returned to the area to find their homes destroyed.

The years of war led to significant damage to Syria’s archeological sites, not only from bombing but from looting and unauthorized digging.

Some see in the ruins a sign of hope for economic renewal.

Another local resident, Abed Jaafar, came with his son to explore the newly discovered tombs and take pictures.

"In the old days, a lot of foreign tourists used to come to Maarat just to see the ruins," he said. "We need to take care of the antiquities and restore them and return them to the way they were before ... and this will help to bring back the tourism and the economy."



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.